Nostalgic, wistful, laid back. Beach rhythm with fun pace gives way to bending guitar melody inspiring feelings of nostalgia for a bygone era. Nostalgic, wistful, laid back. Beach rhythm with fun pace gives way to bending guitar melody inspiring feelings of nostalgia for a bygone era. Visions of people playing and having fun on a beach or a sunny location. Classic rock style provides a sense of carefree fun.
Nostalgic, wistful, laid back. Beach rhythm with fun pace and happy strummed guitar inspiring feelings of nostalgia for a bygone era. Visions of Nostalgic, wistful, laid back. Beach rhythm with fun pace and happy strummed guitar inspiring feelings of nostalgia for a bygone era. Visions of people playing and having fun on a beach or a sunny location. Classic rock style provides a sense of carefree fun. Stripped back underscore version.
Retro synthwave. Dreamy, flowing, captivating, bright & introspective. Arpeggiated synth chords & sequence with drum machine. Music for '80s sci-fi, Retro synthwave. Dreamy, flowing, captivating, bright & introspective. Arpeggiated synth chords & sequence with drum machine. Music for '80s sci-fi, video games, young love & teen movie.
Jazzy, laid back, celebratory. Big band instrumentation meets with jazz ride cymbal rhythm before launching into warm christmas melody played by Jazzy, laid back, celebratory. Big band instrumentation meets with jazz ride cymbal rhythm before launching into warm christmas melody played by clean electric guitar. Sharp band impacts set out a slick dynamic, visions of a smiling band entertaining a room bursting with people. Brass instruments slowly join with the melody giving an excited energy. Organic sound gives a warm seasonal feeling.
Jazzy, laid back, celebratory. Big band instrumentation meets with jazz ride cymbal rhythm before launching into crooning vocals singing religious Jazzy, laid back, celebratory. Big band instrumentation meets with jazz ride cymbal rhythm before launching into crooning vocals singing religious christmas lyrics. Sharp band impacts set out a slick dynamic, visions of a smiling band entertaining a room bursting with people, drinking and having a merry time. Vocal version.歌词
Hark! The herald angels sing, "Glory to the new-born king, Peace on earth and mercy mild, God and sinners reconciled", Joyful all ye nations rise, Join the triumph of the skies, With angelic host proclaim, "Christ is born in Bethlehem",
Hark! The herald angels sing,
"Glory to the new-born king".
Christ, by highest heaven adored, Christ, the everlasting Lord, Late in time behold him come, Offspring of the Virgin's womb,
Veiled in flesh the Godhead see,
Hail th'incarnate Deity, Pleased with us in flesh to dwell, Jesus, our Immanuel, Hark! The herald angels sing,
Jazzy, laid back, celebratory. Piano and bass meet with jazz ride cymbal rhythm before launching into warm christmas melody played by clean electric Jazzy, laid back, celebratory. Piano and bass meet with jazz ride cymbal rhythm before launching into warm christmas melody played by clean electric guitar. Sharp band impacts set out a slick dynamic, visions of a smiling band entertaining a room bursting with people, drinking and having a merry time. Stripped back underscore version.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. A positive Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. Female vocals Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. Female vocals sing out passionately about Santa Claus bringing joy and having fun. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Vocal version.歌词
Up on the house top reindeer pause, Out jumps good old Santa Claus, Down through the chimney with lots of toys, All part of a little ones with Christmas joys.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
First comes the stocking of little Nell, Oh, dear Santa will fill it well, Give her a dolly that laughs and cries, One that can open and shut its eyes.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff and clean guitar. A positive and uplifting rhythm. Drumming Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff and clean guitar. A positive and uplifting rhythm. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Stripped back underscore version.
Spiritual, promising, elegant. Glissando harp opens out into an expansive euphoric sound. Graceful choral vocals are followed by slow strings, an Spiritual, promising, elegant. Glissando harp opens out into an expansive euphoric sound. Graceful choral vocals are followed by slow strings, an atmosphere of awakening, an epiphany of religious magnitude. Lower strings push forward comforting notes with classically trained vocals communicating a feeling of fulfilment and inner peace. An individual understanding the meaning of life, living with deep contentment and happiness.
Spiritual, promising, elegant. Glissando harp opens out into an expansive euphoric sound. Slow strings introduce an atmosphere of awakening, an Spiritual, promising, elegant. Glissando harp opens out into an expansive euphoric sound. Slow strings introduce an atmosphere of awakening, an epiphany of religious magnitude. Lower strings push forward comforting notes communicating a feeling of fulfilment and inner peace. An individual understanding the meaning of life, living with deep contentment and happiness. Instrumental version.
Spiritual, promising, elegant. Subtle strings build into a slow-moving euphoric sound. An atmosphere of awakening, an epiphany of religious Spiritual, promising, elegant. Subtle strings build into a slow-moving euphoric sound. An atmosphere of awakening, an epiphany of religious magnitude. Lower strings push forward comforting notes communicating a feeling of fulfilment and inner peace. An individual understanding the meaning of life, living with deep contentment and happiness. Stripped back underscore version.
Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Emotive vocal trills and strings, large electronic beat moves alongside triumphant melody with energetic vocal shouts. Authentic Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat.
Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Trilling Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat. Instrumental version.
Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Eerie vocals add to sense of intrigue and suspense.
Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Instrumental version.
Mystic, daunting. Dramatic riser leads into sharp beat and heavy, modern sub bass. A secretive situation or a mission done under cover of darkness. Mystic, daunting. Dramatic riser leads into sharp beat and heavy, modern sub bass. A secretive situation or a mission done under cover of darkness. Eerie vocals add to sense of intrigue and suspense. Stripped back underscore version.
Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Visions of a sprawling desert landscape, with female impassioned vocals instilling a sense of seriousness. Pacy percussion rises in intensity, helping to build into heavy electronic beat with siren synth sounds and loud electronic noises.
Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Visions of a sprawling desert landscape. Pacy percussion rises in intensity, helping to build into heavy electronic beat with siren synth sounds and loud electronic noises. Instrumental version.
Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Intense, adventurous, climactic. Swirling middle eastern instruments join with marching muffled bass to create an atmosphere of interest and concern. Visions of a sprawling desert landscape. Pacy instrumentation rises in intensity, helping to build into heavy electronic bass with siren synth sounds and loud electronic noises. Stripped back underscore version.
Intense, adventurous, climactic. Swirling middle eastern instruments join with impassioned female vocals instilling a sense of seriousness. Visions Intense, adventurous, climactic. Swirling middle eastern instruments join with impassioned female vocals instilling a sense of seriousness. Visions of a sprawling desert landscape. Stripped back underscore version.
Buoyant, busy, fun. Authentic middle eastern instruments and percussion set out a rhythmic sequence, joined shortly by repeated kick drum driving Buoyant, busy, fun. Authentic middle eastern instruments and percussion set out a rhythmic sequence, joined shortly by repeated kick drum driving movement forward. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy electronic beat contrasts with traditional Arabian style.
Buoyant, busy, fun. Authentic middle eastern instruments set out a rhythmic sequence. Electronic bass injects a sense of buoyancy and an upbeat vibe Buoyant, busy, fun. Authentic middle eastern instruments set out a rhythmic sequence. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy sidechained electronic sound contrasts with traditional Arabian style. Stripped back underscore version.
Buoyant, atmospheric. Sidechained flute instrument sets out a lively but washed out sound, an atmosphere of uncertainty and seriousness. Sparse Buoyant, atmospheric. Sidechained flute instrument sets out a lively but washed out sound, an atmosphere of uncertainty and seriousness. Sparse instrumentation supports visions of far-reaching desert landscapes. Stripped back underscore version.
Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style, moving into emerging beat with Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style, moving into emerging beat with impassioned vocal ad libs. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Subtle style allows for an austere atmosphere.
Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style. Bass builds alongside sophisticated Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Subtle style allows for an austere atmosphere. Instrumental version.
Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Soft style allows for an austere atmosphere. Stripped back underscore version.
Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Soft style allows for an austere atmosphere. Stripped back underscore version.
Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.歌词
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.歌词
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler,
I got money on madula,
Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
We May Fall in Love We May Fall in Love Instrumental [CEZ4511 - 10]
0
2'03
Julien Vega
Waltz. Melancholic & sentimental. Orchestra with string ensemble, piano , saxophone, trumpet & rhythm. In the spirit of Broadway musicals of 40s & Waltz. Melancholic & sentimental. Orchestra with string ensemble, piano , saxophone, trumpet & rhythm. In the spirit of Broadway musicals of 40s & 50s.
Romance in the style of the musicals. Sentimental, fragile, tender & melancholic. Female singer, symphony orchestra & piano.歌词
IN THE HERE AND NOW
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
I LIVE IN A KIND OF DREAM
BUT A DREAM THAT SEEMS QUITE REAL
AND I’M ON THE BRINK
BECAUSE WHAT I THINK’S OUT OF SYNCH
WITH WHAT I FEEL
BUT HEY I DON’T GIVE A DAMN
WHAT I THINK IS NOT WHAT I AM
GONNA SHED MY SKIN
AND I’M TRADING IN
EVERYTHING I’VE EVER BEEN
AND I AM NOT AFRAID
NOT A BIT CONCERNED
AND I’LL BE FORGETTING
MORE THAN I HAVE EVER LEARNED
SLIDE TOWARDS THE EDGE
STEP ACROSS THE LEDGE
ALL MY BRIDGES BURNED
TO BE IN THE HERE AND NOW
KNOWING HOW TO HEAR AND FEEL AND SEE
STEP OFF INTO SPACE
ISN’T THIS THE PLACE
I WAS ALWAYS MEANT TO BE?
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
I LIVE IN A KIND OF DREAM
BUT A DREAM THAT SEEMS QUITE REAL
AND I’M ON THE BRINK
BECAUSE WHAT I THINK’S OUT OF SYNCH
WITH WHAT I FEEL
BUT HEY I DON’T GIVE A DAMN
WHAT I THINK IS NOT WHAT I AM
GONNA SHED MY SKIN
AND I’M TRADING IN
EVERYTHING I’VE EVER BEEN
AND I AM NOT AFRAID
NOT A BIT CONCERNED
AND I’LL BE FORGETTING
MORE THAN I HAVE EVER LEARNED
SLIDE TOWARDS THE EDGE
STEP ACROSS THE LEDGE
ALL MY BRIDGES BURNED
TO BE IN THE HERE AND NOW
KNOWING HOW TO HEAR AND FEEL AND SEE
STEP OFF INTO SPACE
ISN’T THIS THE PLACE
I WAS ALWAYS MEANT TO BE?
