| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Act. 1, VI. Tanz des Herolds [CLA1202 - 6] |
0 | 1'41 | 弗兰克·马丁 | 6th scene. Fiery & female. Soprano, contre-alto and symphony | 火热 果断 女性 芭蕾舞曲 | Em | 164 | |||
|
Act. 1, VII. Aschenbrödel
[CLA1202 - 7] |
0 | 6'42 | 弗兰克·马丁 | 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, | 伤心 反省 芭蕾舞曲 严谨 | Em | 65 | |||
|
Act. 1, VIII. Aschenbrödel
[CLA1202 - 8] |
0 | 3'55 | 弗兰克·马丁 | 8th scene. Interrogative & waiting. Symphony orchestra. | 疑问 严谨 芭蕾舞曲 神秘 | Fm | 72 | |||
|
Act. 1, IX. Entree des Fee [CLA1202 - 9] |
0 | 4'32 | 弗兰克·马丁 | 9th scene. Interrogative & mysterious. Contre-alto, soprano and | 疑问 神秘 芭蕾舞曲 严谨 | Gbm | 90 | |||
|
Act. 2, I. Vorspiel [CLA1202 - 10] |
0 | 0'31 | 弗兰克·马丁 | 1st scene. Solemn & calling. Symphony orchestra. | 庄重 芭蕾舞曲 严谨 召唤 | Abm | 164 | |||
|
Act. 2, II. Tanz der Kavaliere [CLA1202 - 11] |
0 | 2'46 | 弗兰克·马丁 | 2nd scene. Proud, determined & calling. Symphony orchestra. | 骄傲 果断 火热 芭蕾舞曲 | Gbm | 106 | |||
|
Act. 2, III. Allgemeiner
[CLA1202 - 12] |
0 | 3'31 | 弗兰克·马丁 | 3rd scene. Tragic & mysterious. Symphony orchestra. | 悲剧 芭蕾舞曲 神秘 交响乐队 | Gbm | 114 | |||
|
Act. 2, IV. Entree des
[CLA1202 - 13] |
0 | 0'58 | 弗兰克·马丁 | 4th scene. Determined & obstinate. Symphony orchestra. | 果断 芭蕾舞曲 固执 严谨 | Em | 99 | |||
|
Act. 2, VI. Begrüssungs Tanz [CLA1202 - 15] |
0 | 2'15 | 弗兰克·马丁 | 6th scene. Mysterious, sad & pending. Symphony orchestra. | 神秘 古典音乐 芭蕾舞曲 严谨 | Dbm | 106 | |||
|
Act. 3, I. Vorspiel [CLA1202 - 18] |
0 | 1'42 | 弗兰克·马丁 | 1st scene. Tragic, pending & indolent. Sopran, tenor and symphony | 悲剧 芭蕾舞曲 严谨 疑问 | Em | 108 | |||
|
Act. 3, III. Entree des
[CLA1202 - 20] |
0 | 5'53 | 弗兰克·马丁 | 3rd scene. Determined, rigorous & tragic. Soprano, tenor, contre-alto | 果断 芭蕾舞曲 严谨 悲剧 | Bm | 148 | |||
|
Act. 3, V. Entree des
[CLA1202 - 22] |
0 | 3'12 | 弗兰克·马丁 | 5th scene. Determined, pressed & serious. Soprano, tenor and symphony | 果断 疑问 芭蕾舞曲 交响乐队 | Gb | 143 | |||
|
Act. 3, VI. Tanz der Prinz
[CLA1202 - 23] |
0 | 1'28 | 弗兰克·马丁 | 6th scene. Interrogative & determined. Soprano, tenor, contre-alto | 疑问 果断 芭蕾舞曲 交响乐队 | Bbm | 136 | |||
|
Act. 3, VII. Chor der Vögel [CLA1202 - 24] |
0 | 2'45 | 弗兰克·马丁 | 7th scene. Sad, sorry & rigorous. Soprano, tenor, and symphony | 伤心 抱歉 芭蕾舞曲 严谨 | C | 117 | |||
|
Act. 3, VIII. Finale [CLA1202 - 25] |
0 | 3'20 | 弗兰克·马丁 | 8th scene. Proud & confident. Soprano, tenor and symphony orchestra. | 骄傲 自信 芭蕾舞曲 交响乐队 | A | 120 | |||
|
Ah, dolente partita! [CLA1814 - 7] |
0 | 2'04 | Luca Marenzio | Peaceful & patient. Tenor and lute. | 宁静 文艺复兴时期音乐 耐心 严谨 | Em | 90 | |||
|
Dum esset rex [CLA1805 - 1] |
0 | 6'24 | Asprilio Pacelli | Mystic & confident. Alto, bass, tenor and baroque orchestra. | 神奇 男女合唱 自信 庄严 | G | 65 | |||
|
Concerto secondo [CLA1805 - 2] |
0 | 2'04 | Adam Jarzebski | Solemn & rigorous. Chamber orchestra. | 庄重 严谨 内心活动 室内乐团 | D | 62 | |||
|
Communio Introibo ad altare
[CLA1805 - 3] |
0 | 3'48 | Mikolaj Zielenski | Mystic & introspective. Organ and bass. | 神奇 反省 耐心 严谨 | Dm | 62 | |||
|
Sonata per l'organo, Op. 8 [CLA1805 - 4] |
0 | 4'28 | Biagio Marini | Solennel & introspective. Cornet and organ. | 庄重 反省 文艺复兴时期音乐 神奇 | Am | 72 |