| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Deep Space [ISC084 - 10] |
2'38 | David Eman | Cinematic. Suspended, floating & ineluctable. Repetitive piano ping | 画面感 果断 令人激动 冲击 | Ebm | 120 | ||||
|
Deep Space Alternate [ISC084 - 20] |
版本. | 2'38 | David Eman | No percussion version | 画面感 果断 令人激动 进步 | Ebm | 120 | |||
|
What's Happening [AMS5040 - 2] |
1'49 | Ilan Kunik | Playful, positive, sparse & a little in anticipation. Claps, male | 打击乐合奏 进行中 冲击 广告 | Abm | 185 | ||||
|
What's Happening Alternate [AMS5040 - 11] |
版本. | 1'49 | Ilan Kunik | Version without voice | 打击乐合奏 进行中 冲击 广告 | Abm | 94 | |||
|
What's Happening Edit 1 (30
[AMS5040 - 12] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 打击乐合奏 进行中 冲击 广告 | Ebm | 185 | |||
|
What's Happening Edit 2 (15
[AMS5040 - 13] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 打击乐合奏 进行中 冲击 广告 | Ebm | 94 | |||
|
Drum Party [AMS5040 - 4] |
2'00 | Ilan Kunik | Playful, fun & mischievous. The claps & percussion become more and | 进行中 打击乐合奏 打击流行乐 节奏感 | Am | 116 | ||||
|
Drum Party Edit 1 (30 sec) [AMS5040 - 16] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 进行中 打击乐合奏 打击流行乐 节奏感 | Abm | 116 | |||
|
Drum Party Edit 2 (15 sec) [AMS5040 - 17] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 进行中 打击乐合奏 打击流行乐 节奏感 | Em | 116 | |||
|
Bring It On [AMS5040 - 7] |
2'00 | Ilan Kunik | Confident, insistent & challenging. Claps, snaps, percussion & male | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | ||||
|
Bring It On Alternate [AMS5040 - 24] |
版本. | 2'00 | Ilan Kunik | Version without voice | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Bring It On Edit 1 (30 sec) [AMS5040 - 25] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Bring It On Edit 2 (15 sec) [AMS5040 - 26] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Reloaded [ISC083 - 2] |
2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
|
Reloaded Alternate [ISC083 - 12] |
版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 | |||
|
Assault [ISC083 - 6] |
1'56 | Martin Emilio Insaurgarat | Cinematic. Growing & expectant intro with percussion & alarm. Edgy | 冲突 画面感 爆炸 冲击 | E | 135 | ||||
|
Assault Alternate [ISC083 - 16] |
版本. | 1'56 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 爆炸 冲击 | Em | 135 | |||
|
Team X [ISC083 - 8] |
1'39 | Martin Emilio Insaurgarat | Cinematic. Heavy, powerful & hectic. Electronics, percussion, alarm & | 冲突 画面感 沉重 冲击 | Cm | 135 | ||||
|
Team X Alternate [ISC083 - 18] |
版本. | 1'39 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 沉重 冲击 | Cm | 135 | |||
|
Max Velocity [ISC083 - 9] |
1'43 | Martin Emilio Insaurgarat | Cinematic. Proud, powerful & determined. Swift & percussive intro | 爆炸 冲击 冲突 画面感 | Dm | 135 | ||||
|
Max Velocity Alternate [ISC083 - 19] |
版本. | 1'43 | Martin Emilio Insaurgarat | No alarms version | 爆炸 冲击 冲突 画面感 | Dm | 135 | |||
|
Apprehension [ISC082 - 4] |
2'03 | Zoltan Zadori | Cinematic ticking. Ticking intro with percussion like claps. Edgy | 团队运动 火热 固执 冲击 | Gm | 106 | ||||
|
Apprehension Alternate [ISC082 - 14] |
版本. | 2'03 | Zoltan Zadori | Version with percussion only | 冲击 团队运动 爆炸 火热 | Gm | 106 | |||
|
Ticking Chaos [ISC082 - 7] |
2'03 | Zoltan Zadori | Cinematic ticking. Dark & gloomy intro with slow muffled ticking fx | 恐怖 画面感 恐怖片 轰隆声 | Fm | 90 | ||||
|
Ticking Chaos Alternate [ISC082 - 17] |
版本. | 2'03 | Zoltan Zadori | Version with percussion only | 警匪片 恐怖 动作游戏 冲击 | Fm | 90 | |||
|
Midnight Escape [CEC8054 - 3] |
2'38 | Zhang Hao, Peng Qu | Mysterious, then determined & proud @ 1'14. Bass synth, arpeggiator, | 警匪片 画面感 气势 高潮 | G | 130 | ||||
|
Midnight Escape Edit 1 (60
[CEC8054 - 17] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 警匪片 画面感 气势 高潮 | G | 130 | |||
|
Midnight Escape Edit 2 (60
[CEC8054 - 18] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 警匪片 画面感 气势 高潮 | G | 86 | |||
|
Midnight Escape Edit 3 (30
[CEC8054 - 19] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 警匪片 画面感 气势 高潮 | G | 130 | |||
|
Midnight Escape Edit 4 (30
[CEC8054 - 20] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 警匪片 画面感 气势 高潮 | G | 86 | |||
|
Midnight Escape Edit 5 (15
[CEC8054 - 21] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 警匪片 画面感 气势 高潮 | G | 130 | |||
|
Midnight Escape Edit 6 (15
[CEC8054 - 22] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 警匪片 画面感 气势 高潮 | G | 86 | |||
|
Dark Clouds over the City [CEC8054 - 5] |
2'27 | Zhang Hao, Peng Qu | Mysterious & urgent introduction, then confident, majestic & proud @ | 功夫 庄严 亚洲 冒险片 | Am | 100 | ||||
|
Dark Clouds over the City
[CEC8054 - 26] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 功夫 庄严 亚洲 冒险片 | Am | 100 | |||
|
Dark Clouds over the City
[CEC8054 - 27] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 功夫 庄严 亚洲 冒险片 | Am | 100 | |||
|
Dark Clouds over the City
[CEC8054 - 28] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 功夫 庄严 亚洲 冒险片 | G | 100 | |||
|
Dark Clouds over the City
[CEC8054 - 29] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 功夫 庄严 亚洲 冒险片 | Am | 100 | |||
|
Dark Clouds over the City
[CEC8054 - 30] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 功夫 庄严 亚洲 冒险片 | G | 100 | |||
|
Dark Clouds over the City
[CEC8054 - 31] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 功夫 庄严 亚洲 冒险片 | Am | 99 | |||
|
Flamboyant [ISC081 - 1] |
2'21 | Bohdan Yeremenko | ☆ WINNER "Best Use - Sports Promo" @Production Music Awards UK 2025 | 画面感 高雅 气势 史诗 | Em | 80 | ||||
|
Flamboyant Alternate [ISC081 - 11] |
版本. | 2'21 | Bohdan Yeremenko | Version without percussion. | 高雅 气势 史诗 预告片 | Em | 162 | |||
|
Outrageous [ISC081 - 2] |
2'26 | Bohdan Yeremenko | Hybrid neo-classical. Noble, elegant & emotional. Shimmering intro | 新古典电音 画面感 令人激动 信息技术 | Em | 77 | ||||
|
Outrageous Alternate [ISC081 - 12] |
版本. | 2'26 | Bohdan Yeremenko | Version without percussion. | 新古典电音 令人激动 画面感 信息技术 | Em | 77 | |||
|
Modern Dandy [ISC081 - 4] |
3'02 | Bohdan Yeremenko | Hybrid neo-classical. Dramatic, powerful & ominous. Eerie intro with | 追逐场面 画面感 动作片 气势 | Dm | 100 | ||||
|
Modern Dandy Alternate [ISC081 - 14] |
版本. | 3'02 | Bohdan Yeremenko | Version without percussion. | 追逐场面 画面感 动作片 气势 | Dm | 99 | |||
|
Luxury Society [ISC081 - 6] |
2'34 | Bohdan Yeremenko | Cinematic. Elegant, intriguing & determined. Rising intro with | 固执 画面感 沉重 时尚 | Gm | 125 | ||||
|
Luxury Society Alternate [ISC081 - 16] |
版本. | 2'34 | Bohdan Yeremenko | Version without percussion. | 固执 画面感 时尚 广告 | Gm | 125 | |||
|
Crafting the Infinite [ISC081 - 7] |
2'33 | Bohdan Yeremenko | Cinematic. Glistening, luxuriant & meticulous. Ethereal & atmospheric | 画面感 高潮 令人激动 明朗 | Am | 120 | ||||
|
Crafting the Infinite
[ISC081 - 17] |
版本. | 2'33 | Bohdan Yeremenko | Version without percussion. | 画面感 高潮 令人激动 明朗 | Am | 120 | |||
|
High Definition [ISC081 - 8] |
2'39 | Bohdan Yeremenko | Hybrid neo-classical. Grand, rising & circling. Intro with running & | 科幻片 高潮 预告片 高雅 | Em | 110 | ||||
|
High Definition Alternate [ISC081 - 18] |
版本. | 2'39 | Bohdan Yeremenko | Version without percussion. | 科幻片 高潮 预告片 高雅 | Em | 110 | |||
|
Major Innovation [ISC081 - 9] |
3'01 | Bohdan Yeremenko | Hybrid neo-classical. Concerned, lively & dramatic. Anxious intro | 新古典电音 冲击 进步 高潮 | Cm | 156 | ||||
|
Major Innovation Alternate [ISC081 - 19] |
版本. | 3'01 | Bohdan Yeremenko | Version without percussion. | 新古典电音 进步 高潮 令人激动 | Cm | 156 | |||
|
Amor Fatal [CEL7043 - 10] |
2'54 | Pacho Buscadoro | Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. | 爱情 复古电影 使人心碎 忧伤 | Bm | 80 | ||||
|
Amor Fatal Alt 1 [CEL7043 - 39] |
版本. | 2'54 | Pacho Buscadoro | Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. | 使人心碎 复古电影 忧伤 多愁善感 | Bm | 80 | |||
|
Amor Fatal Alt 2 [CEL7043 - 40] |
版本. | 2'54 | Pacho Buscadoro | Late 19th century Spanish zarzuela-inspired Latin symphony orchestra. | 使人心碎 复古电影 忧伤 多愁善感 | Bm | 80 | |||
|
Amor Fatal 30 Sec Edit [CEL7043 - 41] |
版本. | 0'30 | Pacho Buscadoro | 30 sec edit. Late 19th century Spanish zarzuela-inspired Latin | 使人心碎 复古电影 忧伤 多愁善感 | Bm | 161 |