| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Marching Orders [CEZ4174 - 4] |
0 | 1'50 | Silvano Michelino | Disturbing & accelerated. Treated percussion ensemble & synth. | 军事冲突 伴音 地理政治 有节奏感 | F | 60 | |||
|
Road to Glory 3 [CEO2024 - 21] |
1'31 | Bruno Alexiu | Powerful & majestic. Orchestra with military percussion. | 战争 骄傲 动作游戏 庄严 | D | 85 | ||||
|
Road to Glory [CEO2024 - 1] |
版本. | 3'05 | Bruno Alexiu | Threatening & suspended. Then epic & builds up gradually to climax. | 爱国主义 冒险片 军事冲突 小说纪录片 | Am | 91 | |||
|
Bailar la Cumbia [CEZ4167 - 1] |
0 | 4'27 | Pajaro Canzani | Uptempo song. Male lead vocal & ensemble. Electric guitar chorus @ 歌词 | 哥伦比亚 昆比亚 西班牙语歌唱 异域 | Dm | 96 | |||
|
Chicha Dulce [CEZ4167 - 3] |
3'16 | Pajaro Canzani | Determined & exotic. Electric guitar & ensemble. | chicha 秘鲁 异域 电吉他 | Gbm | 84 | ||||
|
Chicha Dulce Remix [CEZ4167 - 24] |
版本. | 2'40 | Pajaro Canzani, Daniel Diaz | Ethnic electronica. Electronics, ethnic drums & electric guitar. | chicha 异域 世界电子音乐 民族打击乐器 | Gbm | 167 | |||
|
Pie Madera [CEV3032 - 42] |
0 | 2'04 | Miguel Balumbrosio | Bewitching & mystical. Percussion ensemble. | 其他打击乐器 民族 非洲 非裔秘鲁 | Fm | 120 | |||
|
Christmas Eve 2 [CEV3031 - 11] |
0 | 1'49 | Pierre-André Athané | Introspective & peaceful. Glockenspiels & chimes. | 通透 圣诞节 天真幼稚 动画 | G | 90 | |||
|
Meiji Era [CEV3023 - 11] |
0 | 2'54 | Imade Saputra | Tense & suspended atmosphere. Percussion ensemble. (Japan) | 非西方古典音乐 民族 功夫 地理政治 | Ebm | 120 | |||
|
The Stone Age [CEV3021 - 16] |
0 | 2'08 | Christof Déjean | Expectant & sparse. Percussion ensemble. | 逝去的文明 史前 稀疏 电子鼓 | Gb | 162 | |||
|
Alma De São Luis [CEZ4076 - 16] |
0 | 1'27 | Silvano Michelino, Pedro Martins | Bumba meu boi. Afro-Indian dance & ritual from Maranhão state. | Bumba meu boi 早期艺术 民族打击乐器 野性 | Ebm | 65 | |||
|
O'Shean Drum [CEZ4066 - 33] |
0 | 2'03 | Steve Shehan | Savage & lively. Percussion. | 冒险片 节奏感 早期艺术 追逐场面 | Abm | 135 | |||
|
Animal Race [CEZ4042 - 25] |
0 | 1'54 | Silvano Michelino | Exciting and dynamic. Fast @ 0'24. Djembe, darbouka, shakers & | 野性 紧急 果断 非洲鼓 | Gm | 140 | |||
|
Tension With Bang [CEZ4687 - 3] |
2'47 | The Barrel Street Band | Metal barrel percussion. Medium fast. Martial intro. Break @ 0'32 | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | ||||
|
Tension With Bang Edit 1 60
[CEZ4687 - 21] |
版本. | 0'20 | The Barrel Street Band | 60 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Edit 2 30
[CEZ4687 - 22] |
版本. | 0'30 | The Barrel Street Band | 30 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Edit 3 15
[CEZ4687 - 23] |
版本. | 1'00 | The Barrel Street Band | 15 second cut | 爆炸 冲击 打击流行乐 节奏感 | Gm | 120 | |||
|
Tension With Bang Sting [CEZ4687 - 24] |
版本. | 0'06 | The Barrel Street Band | Sting | 爆炸 冲击 打击流行乐 节奏感 | Fm | 156 | |||
|
Dribble [EOS128 - 9] |
0 | 1'41 | Laurent Dury, Sébastien Gisbert | Lively, bouncy & repetitive. Taiko, bass drum, hi-hat, metal barrel, | 冲击 固执 果断 地理政治 | Abm | 143 | |||
|
Sneakers Rhythm [AMS5026 - 6] |
1'37 | Felix Weber | Beat making. Attitude & percussive. Percussion ensemble, trainer | 团队运动 态度 果断 动人 | Bbm | 94 | ||||
|
Sneakers Rhythm Alternate 1 [AMS5026 - 43] |
版本. | 1'37 | Felix Weber | Alternate version without percussion. | 团队运动 态度 果断 动人 | Bbm | 94 | |||
|
Sneakers Rhythm Alternate 2 [AMS5026 - 44] |
版本. | 1'37 | Felix Weber | Alternate version with percussion only. | 团队运动 态度 果断 动人 | Fm | 94 | |||
|
Sneakers Rhythm Alternate 3 [AMS5026 - 45] |
版本. | 1'37 | Felix Weber | Alternate bed version. | 团队运动 态度 果断 动人 | Bbm | 94 | |||
|
Sneakers Rhythm Alternate 4 [AMS5026 - 46] |
版本. | 1'00 | Felix Weber | Alternate underscore version. | 团队运动 态度 果断 动人 | Bbm | 185 | |||
|
Sneakers Rhythm Alternate 5 [AMS5026 - 47] |
版本. | 0'30 | Felix Weber | Alternate 60 seconds version. | 团队运动 态度 果断 动人 | Bbm | 125 | |||
|
Sneakers Rhythm Alternate 6 [AMS5026 - 48] |
版本. | 0'15 | Felix Weber | Alternate 30 seconds version. | 团队运动 态度 果断 动人 | Bbm | 185 | |||
|
Sneakers Rhythm Alternate 7 [AMS5026 - 49] |
版本. | 1'45 | Felix Weber | Alternate 15 seconds version. | 团队运动 态度 果断 动人 | Gbm | 120 | |||
|
Time Breach [CET9092 - 6] |
1'58 | Zoltan Zadori | Cinematic. Discontinuous, anxiety-inducing intro with rumbling, | 冲突 战争 (音效)开火 战士 | Dbm | 89 | ||||
|
Time Breach Alternate 1 [CET9092 - 21] |
版本. | 1'48 | Zoltan Zadori | Alternate version without percussion. | 冲突 战争 (音效)开火 战士 | Gbm | 89 | |||
|
Time Breach Alternate 2 [CET9092 - 22] |
版本. | 1'58 | Zoltan Zadori | Alternate version with percussion only. | 冲突 战争 (音效)开火 战士 | Fm | 90 | |||
|
Céu Azul, Mar Verde
[CEB6004 - 11] |
2'25 | Glaucus De Oliveira Gonzaga Xavier, Sandro Roberto Lustrosa | Alternative rhythmic version. | 巴西 节奏感 巴西传统鼓点 电子舞曲 | Gbm | 96 | ||||
|
Céu Azul, Mar Verde [CEB6004 - 9] |
版本. | 2'25 | Glaucus De Oliveira Gonzaga Xavier, Sandro Roberto Lustrosa | Atmospheric, chill, exotic, suspended & dreamy. Batucada remixed in a | 巴西 轻音乐 异域 放松 | Abm | 96 | |||
|
Crazy Dancing Alternate 2 [CEB6004 - 20] |
2'40 | Glaucus De Oliveira Gonzaga Xavier, Sandro Roberto Lustrosa | Alternative rhythmic version. | 巴西传统鼓点 嘉年华 冲击 节奏感 | Cm | 120 | ||||
|
Crazy Dancing [CEB6004 - 18] |
版本. | 2'48 | Glaucus De Oliveira Gonzaga Xavier, Sandro Roberto Lustrosa | Intro with fade in. Powerful, energetic, tense & exhilarating. | 巴西 巴西传统鼓点 俱乐部 舞动 | Cm | 120 | |||
|
Salgueiro Cantando [CEB6003 - 7] |
0 | 3'13 | Glaucus De Oliveira Gonzaga Xavier, Sandro Roberto Lustrosa | Fast batucada rhythm with apito: Brazilian whistle whose role is to | 巴西传统鼓点 巴西 嘉年华 哨子 | Am | 120 | |||
|
Dancing Lagoon [AMS5017 - 7] |
1'54 | Ilan Kunik | Cinematic folk. Determined, intriguing & playful. Folk guitar, muted | 画面感 果断 疑问 新民谣 | Em | 162 | ||||
|
Dancing Lagoon Alternate [AMS5017 - 17] |
版本. | 1'54 | Ilan Kunik | Alternate version without percussion. | 画面感 果断 疑问 新民谣 | E | 80 | |||
|
Mastermind [CEZ4592 - 9] |
1'44 | Thomas Didier | Suspense bed. Serious, patient & technologic. Synth & percussion. | 调查研究 耐心 科学 疑问 | A | 115 | ||||
|
Mastermind Alternate [CEZ4592 - 22] |
版本. | 1'44 | Thomas Didier | Alternate no percussion. | 催眠 疑问 竞猜节目 悬念 | A | 115 |