| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sarcastic Comments [CEZ4669 - 7] |
1'33 | Baptiste Thiry | Trapedy, hip-hop beat. Interrogative, malicious & fun. Pizz, synth & | 好玩 讽刺 & 恶意 trapedy 摇摆 | Cm | 85 | ||||
|
Sarcastic Comments Alternate [CEZ4669 - 42] |
版本. | 1'32 | Baptiste Thiry | Alternate no rhythm. | 好玩 悲喜剧 讽刺 & 恶意 摇摆 | Cm | 86 | |||
|
Sarcastic Comments Edit 60 sec [CEZ4669 - 43] |
版本. | 1'00 | Baptiste Thiry | 60 second cut. | 好玩 讽刺 & 恶意 trapedy 摇摆 | G | 85 | |||
|
Sarcastic Comments Edit 30 sec [CEZ4669 - 44] |
版本. | 0'30 | Baptiste Thiry | 30 second cut. | 好玩 讽刺 & 恶意 trapedy 摇摆 | Cm | 85 | |||
|
Sarcastic Comments Edit 20 sec [CEZ4669 - 45] |
版本. | 0'20 | Baptiste Thiry | 20 second cut. | 好玩 讽刺 & 恶意 trapedy 摇摆 | Cm | 85 | |||
|
Sarcastic Comments Edit Sting [CEZ4669 - 46] |
版本. | 0'13 | Baptiste Thiry | Sting | 好玩 讽刺 & 恶意 trapedy 摇摆 | G | 86 | |||
|
Warriors on Parade [CEC8062 - 3] |
1'28 | Zhang Hao, Peng Qu | Combative, heroic, conquering ceremonial & proud. Percussions, | 功夫 战士 画面感 进行中 | Dm | 80 | ||||
|
Warriors on Parade Alternate [CEC8062 - 10] |
版本. | 1'28 | Zhang Hao, Peng Qu | Instrumental version. | 功夫 战士 画面感 进行中 | Dm | 79 | |||
|
Laughing Witch [CEC8062 - 4] |
1'50 | Zhang Hao, Peng Qu | Dark, martial, aggressive & oppressive. Arpeggiator, taiko, drums, | electro beat 固执 冲击 紧急 | Am | 120 | ||||
|
Laughing Witch Alternate [CEC8062 - 11] |
版本. | 1'50 | Zhang Hao, Peng Qu | Instrumental version. | electro beat 固执 冲击 紧急 | Am | 120 | |||
|
A Cold Revenge [CEC8062 - 5] |
0 | 2'09 | Zhang Hao, Peng Qu | Heavy, menacing, fearless & determined. Brass, percussion, pad, | 沉重 气势 画面感 冒险游戏 | Em | 140 | |||
|
Wild Taikos [CEC8062 - 8] |
2'07 | Zhang Hao, Peng Qu | Warrior, epic, adventurous, ceremonial & explosive. Taïkos | 战士 功夫 骄傲 中国 | Em | 117 | ||||
|
Wild Taikos Alternate [CEC8062 - 12] |
版本. | 2'07 | Zhang Hao, Peng Qu | Instrumental version. | 战士 功夫 骄傲 中国 | Em | 117 | |||
|
Fragments Of Truth [AMS5059 - 1] |
1'42 | Philippe Briand | Cinematic piano. Insistent piano intro. Suspended build-up @ 0'16 | 画面感 固执 令人不安 疑问 | Gm | 120 | ||||
|
Fragments Of Truth Alternate [AMS5059 - 7] |
版本. | 1'42 | Philippe Briand | Solo piano version | 固执 画面感 令人不安 疑问 | Gm | 120 | |||
|
Fragments Of Truth Edit 1 30
[AMS5059 - 8] |
版本. | 0'29 | Philippe Briand | 30 second cut | 画面感 固执 令人不安 疑问 | Gm | 120 | |||
|
Fragments Of Truth Edit 2 15
[AMS5059 - 9] |
版本. | 0'15 | Philippe Briand | 15 second cut | 画面感 固执 令人不安 疑问 | Gm | 120 | |||
|
Tomorrow [AMS5059 - 4] |
1'53 | Philippe Briand | Cinematic piano. Playful piano intro with ticking fx. Mysterious | 画面感 调查研究 神秘 进行中 | Cm | 96 | ||||
|
Tomorrow Alternate [AMS5059 - 16] |
版本. | 1'53 | Philippe Briand | Solo piano version | 画面感 调查研究 神秘 进行中 | Eb | 96 | |||
|
Tomorrow Edit 1 30 sec [AMS5059 - 17] |
版本. | 0'30 | Philippe Briand | 30 second cut | 画面感 调查研究 神秘 进行中 | Cm | 93 | |||
|
Tomorrow Edit 2 15 sec [AMS5059 - 18] |
版本. | 0'15 | Philippe Briand | 15 second cut | 画面感 调查研究 神秘 进行中 | Cm | 93 | |||
|
Long Road Ahead [CEO2182 - 1] |
0 | 1'41 | Gregory Cotti, Michel-Yves Kochmann | Panoramic & imposing. Moving forward @ 0'25. Oud, guitar, strings | 跟踪摄影 自信 令人激动 全景图 | Dm | 150 | |||
|
Arena [AMS5057 - 3] |
2'36 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Weird, antique & haunting. Squeaky synth | 态度 进行曲 过时 强调突出 | Am | 65 | ||||
|
Arena Alternate 1 [AMS5057 - 19] |
版本. | 2'36 | Mylène Ballion, SHIFUMI | Version without beat | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Alternate 2 [AMS5057 - 20] |
版本. | 2'36 | Mylène Ballion, SHIFUMI | Instrumental version | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 1 60 sec [AMS5057 - 21] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 2 30 sec [AMS5057 - 22] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 3 15 sec [AMS5057 - 23] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Enchanted Requiem [AMS5057 - 5] |
2'02 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Ethreal, shimmering & bewitching. Beatless | 固执 态度 电影节奏 沉重 | Am | 130 | ||||
|
Enchanted Requiem Alternate 1 [AMS5057 - 29] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Version without beat | 固执 态度 电影节奏 抒情 | Am | 130 | |||
|
Enchanted Requiem Alternate 2 [AMS5057 - 30] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Instrumental version | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 1 60
[AMS5057 - 31] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 2 30
[AMS5057 - 32] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 3 15
[AMS5057 - 33] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Prelude [AMS5056 - 8] |
2'31 | Dmytro Berezhnyi from P.D. | Classical remix. Laid-back, smooth & glowing. From "Prelude in C | 迷人 冷阱 时尚 广告 | G | 134 | ||||
|
Prelude Alternate 1 [AMS5056 - 62] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version without percussion | 迷人 冷阱 时尚 广告 | C | 133 | |||
|
Prelude Alternate 2 [AMS5056 - 63] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version with percussion only | 冷阱 时尚 广告 古典音乐改编曲 | Ebm | 134 | |||
|
Prelude Alternate 3 [AMS5056 - 64] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version without strings | 迷人 冷阱 时尚 广告 | G | 135 | |||
|
Prelude Alternate 4 [AMS5056 - 65] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Bed version | 迷人 时尚 广告 古典音乐改编曲 | C | 135 | |||
|
Prelude Alternate 5 [AMS5056 - 66] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Underscore version | 迷人 冷阱 时尚 广告 | G | 134 | |||
|
Prelude Edit 1 30s [AMS5056 - 67] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 迷人 冷阱 时尚 广告 | G | 134 | |||
|
Prelude Edit 2 15s [AMS5056 - 68] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 迷人 冷阱 时尚 广告 | G | 133 | |||
|
Automation Generation [TBX224 - 1] |
2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 | ||||
|
Automation Generation
[TBX224 - 13] |
版本. | 2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 | |||
|
Automation Generation
[TBX224 - 14] |
版本. | 2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 | |||
|
Blood Pact [INP080 - 2] |
1'48 | Bradley White | Fearful, raw, climactic. High-pitched plucked string amid uncertain | 恐怖 恐怖片 沉重 画面感 | Gm | 120 | ||||
|
Blood Pact Underscore [INP080 - 12] |
版本. | 1'48 | Bradley White | Fearful, raw, climactic. Murmuring atmosphere joined by footsteps and | 画面感 战士 沉重 史诗 | Fm | 118 | |||
|
Incantation [INP080 - 4] |
2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | ||||
|
Incantation Underscore [INP080 - 14] |
版本. | 2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | |||
|
Cloaked [INP080 - 5] |
1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | ||||
|
Cloaked Underscore [INP080 - 15] |
版本. | 1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | |||
|
Skinwalker [INP080 - 9] |
1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 75 | ||||
|
Skinwalker Underscore [INP080 - 19] |
版本. | 1'53 | Bradley White | Eerie, unreal, dangerous. An atmosphere of uncertainty and dread | 冲突 画面感 恐怖 恐怖片 | Em | 76 | |||
|
Turbine [INP080 - 10] |
2'07 | Bradley White | Panicked, frantic, tense. Muffled bleating dissonance spreads out | 画面感 恐怖 预告片 恐怖片 | Dm | 115 | ||||
|
Turbine Underscore [INP080 - 20] |
版本. | 2'03 | Bradley White | Panicked, frantic, tense. Muffled impact spreads out into a desolate | 画面感 恐怖 预告片 恐怖片 | Dm | 114 | |||
|
Presence Without Form Alt
[BIB289 - 27] |
2'27 | Richard Lewis, Paper Boy | Glorious, striking, important. Angelic euphoria climbs past metallic | 画面感 全景 科幻片 冒险片 | Gm | 95 | ||||
|
Presence Without Form [BIB289 - 12] |
版本. | 2'27 | Richard Lewis, Paper Boy | Glorious, striking, important. Angelic euphoria climbs past metallic | 画面感 冰冷 神秘 全景 | Gm | 94 | |||
|
The Logical End [CCB1069 - 5] |
2'21 | Hiroki Ishikura | Electro ambient. Delicate, reminiscent & a bit tragic. Constant | 飞行 反省 outro (end credits) 内心 | Fm | 70 | ||||
|
The Logical End Alternate [CCB1069 - 16] |
版本. | 2'19 | Hiroki Ishikura | Alternate solo piano. | 进步 内心 悲剧 感动 | Bb | 70 | |||
|
Epilogue [CCB1069 - 8] |
1'58 | Hiroki Ishikura | Electro ambient. Doomed, nocturne & sad. Electronic piano, strings & | electronic score 伤心 社会悲剧 夜晚 | Gm | 81 | ||||
|
Epilogue Alternate 1 [CCB1069 - 18] |
版本. | 1'57 | Hiroki Ishikura | Extended version no rhythm. | electronic score 伤心 社会悲剧 夜晚 | Gm | 86 | |||
|
Epilogue Alternate 2 [CCB1069 - 19] |
版本. | 1'56 | Hiroki Ishikura | Alternate solo piano. | 伤心 夜晚 伴音 独立电影 | Gm | 60 |