| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Headwinds [BIB201 - 5] |
2'35 | Kohshi Kamata | Sophisticated, daring, fearful. Low droning bass sound infers a | 冒险片 画面感 无情 高潮 | Bb | 110 | ||||
|
Headwinds (Underscore) [BIB201 - 21] |
版本. | 2'35 | Kohshi Kamata | Sophisticated, daring, fearful. Low droning bass sound infers a | 冒险片 画面感 无情 高潮 | Gm | 110 | |||
|
Easy Days [BIB198 - 7] |
2'09 | Joseph Isaac Archer, George Hollingdrake | Wholesome, cheerful, spirited. Ukulele melody pushes forward with the | 乡村 自信 新民谣 尤克里里琴 | G | 130 | ||||
|
Easy Days (Underscore) [BIB198 - 17] |
版本. | 2'09 | Joseph Isaac Archer, George Hollingdrake | Wholesome, cheerful, spirited. Ukulele melody pushes forward with the | 乡村 自信 新民谣 尤克里里琴 | G | 130 | |||
|
Gathering At The Water [BIB200 - 22] |
0 | 1'59 | Kohshi Kamata | Energetic, fun, mischievous. Bright, industrious mallets are joined | 疑问 自信 讽刺 & 恶意 医疗 | G | 121 | |||
|
Never Stop Dancing [ISC013 - 1] |
0 | 2'01 | Brian Delgado | Powerful electro track with trailer FX & drum beat. Eccentric synth @ | 动作游戏 沉重 冲突 画面感 | Em | 100 | |||
|
The Chance Encounter [CEO2142 - 11] |
0 | 1'34 | Baptiste Thiry | Narrative, cinematic, introspective in the spirit of the 80s & in a | 都市景色 自信 西班牙 缓拍 | Gm | 86 | |||
|
Esperando [CEO2142 - 13] |
0 | 1'31 | Baptiste Thiry | Narrative, punctuated, nocturnal & interrogative. Keyboards, Spanish | 独立电影 内心活动 叙述 爱情 | Am | 93 | |||
|
Nussdorf Wineyards [CEZ4508 - 11] |
0 | 2'22 | Antoine Glatard | Traditional mazurka-waltz characteristic of Austrian folklore. | 滑稽 奥地利 玛祖卡舞曲 好玩 | C | 105 | |||
|
Welcome to Dreadland [CET9064 - 1] |
2'05 | Philippe Briand, Salvador Casais, Felix Weber | Hybrid & hip hop trailer track with brass stabs, riser & trap beats. | 战士 冲突 画面感 军事冲突 | Fm | 119 | ||||
|
Welcome to Dreadland Alternate [CET9064 - 11] |
版本. | 2'05 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 战士 冲突 画面感 军事冲突 | Fm | 120 | |||
|
The Walk [BIB195 - 5] |
1'43 | Emma Jackson | Upbeat, tranquil, sweet. Recorded sound of birdsong and someone | 长笛 lofi hip hop 宁静 鸟叫 | C | 60 | ||||
|
The Walk (Underscore A) [BIB195 - 19] |
版本. | 1'43 | Emma Jackson | Tranquil, sweet. Recorded sound of birdsong and someone taking a | lofi hip hop 宁静 鸟叫 田园 | C | 118 | |||
|
The Walk (Underscore B) [BIB195 - 20] |
版本. | 1'23 | Emma Jackson | Upbeat, tranquil, sweet. Soft, resonant keys craft a lo-fi hip hop | lofi hip hop 爱情 宁静 气氛 | C | 61 | |||
|
Emanating Positivity [TBX132 - 4] |
1'47 | Darren Campbell | Gentle, inspiring, wondrous. Rhythmic synth joins with gentle piano | 流行电子音乐 令人激动 自信 电子琴 | B | 119 | ||||
|
Emanating Positivity
[TBX132 - 15] |
版本. | 1'47 | Darren Campbell | Gentle, inspiring, wondrous. Rhythmic synth joins with gentle piano | 流行电子音乐 令人激动 自信 电子琴 | B | 118 | |||
|
Emanating Positivity
[TBX132 - 16] |
版本. | 1'47 | Darren Campbell | Gentle, inspiring, wondrous. Rhythmic synth joins with gentle piano | 令人激动 自信 流行电子音乐 电子琴 | B | 120 | |||
|
Sea Stories [EOS80 - 2] |
3'27 | Damien Poupart-Taussat | Tender, sentimental & calm. Piano, acoustic guitar & strings. Tin | 命运 开阔 画面感 法国号 | A | 86 | ||||
|
Sea Stories Alternate [EOS80 - 12] |
版本. | 2'01 | Damien Poupart-Taussat | Alternative version. Piano & acoustic guitar. | 无电声钢琴 内心活动 反省 忧伤 | A | 86 | |||
|
Anchorage on a Wild Island [EOS80 - 4] |
0 | 2'40 | Damien Poupart-Taussat | Delicate then epic & grand. Piano, strings & tin whistle. Percussion | 气势 庄严 开阔 冒险片 | Cm | 106 | |||
|
Farewell on Boarding Day [EOS80 - 9] |
0 | 2'16 | Damien Poupart-Taussat | Sentimental, solemn & grand. Strings, tin whistle, piano & horns. | 命运 开阔 画面感 感动 | A | 103 | |||
|
Departure for the High Seas [EOS80 - 10] |
0 | 2'01 | Damien Poupart-Taussat | Lively & determined then strong & grand. Constant progression. | 开阔 气势 冒险片 画面感 | Am | 86 | |||
|
From Deduction to Deduction [CEC8022 - 9] |
0 | 1'49 | Zhang Hao, 赵君睿 | Suspended introduction with harp arpeggio & guzheng then taiko @ | 令人不安 稳定的 疑问 调查研究 | Am | 106 | |||
|
From Chicago to Manchester [CEZ4498 - 22] |
2'27 | Thomas Lucas | Electro. 90s Acid house. Danceable, upbeat & festive. Sampled | 九十年代 俱乐部 舞动 艺术风格 | Dm | 120 | ||||
|
From Chicago to Manchester
[CEZ4498 - 32] |
版本. | 2'25 | Thomas Lucas | Alternate without voice. | 九十年代 俱乐部 舞动 艺术风格 | Dm | 120 | |||
|
Slow Trip at Dawn [CEZ4498 - 24] |
0 | 3'29 | Sylvain Pelier | Electro. Airy, bright & catchy. Sampled strings, TB-303 bass, analog | acid house 琶音器 俱乐部 稳定的 | Abm | 133 | |||
|
For All Men Kill [CCB1052 - 5] |
0 | 1'09 | Rykarda Parasol | Sad, vibrant & soulful interlude. Outro with reverse fx. Suggested | 反省 民族民谣 社会悲剧 独立电影 | Am | 81 | |||
|
The Thing They Love [CCB1052 - 11] |
0 | 1'42 | Rykarda Parasol | Nostalgic, sad & soulful interlude. Piano & strings. | 感动 忧伤 反省 悬念 | Em | 107 | |||
|
Palace Intrigue [CEO2138 - 10] |
0 | 2'04 | Eric Daniel | Mysterious, tense & constant in an Arab-Andalusian spirit. Spanish | 神秘 地理政治 阴险 气氛 | Gbm | 141 |