| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Le Chat Midnight [CEO2055 - 6] |
0 | 2'07 | Baptiste Charvet | Investigation. Interrogative & shy. Clarinet, pizz, piano & strings. | 拨奏 悲喜剧 进行中 疑问 | Bm | 100 | |||
|
Les Analyses de Léo [CEO2055 - 8] |
0 | 1'31 | Baptiste Charvet | Investigation. Urgent & tense. Piano, cello, glockenspiel & | 无情 调查研究 固执 追逐场面 | Am | 100 | |||
|
A dream so Real [CEZ4320 - 3] |
0 | 1'47 | Thierry Caroubi | TV series. Daily life. Interrogative & dreamy. Piano, flute & string | 疑问 手工业 耐心 梦幻 | Fm | 60 | |||
|
Will You Have Time? [CEZ4320 - 6] |
0 | 2'19 | Gregory Cotti | Urgent & interrogative. Disturbing break @ 0'50. Piano, cymbal & | 疑问 气氛 政治 日常生活 | F | 126 | |||
|
So What? [CEZ4320 - 9] |
0 | 1'51 | Gréco Casadesus | TV series. Daily life. Time passing. Interrogative & patient. Pizz, | 疑问 拨奏 手工业 耐心 | Em | 94 | |||
|
Autumn Landscapes [CEZ4308 - 3] |
1'33 | Piotr Moss | Nostalgic, sad & emotional evoking Chopin's Poland. Piano & string | 感动 十九世纪 命运 浪漫时期音乐 | Am | 74 | ||||
|
Autumn Landscapes Alternate [CEZ4308 - 20] |
版本. | 1'36 | Piotr Moss | Nostalgic, sad & emotional. Tack/ honky-tonk piano & string ensemble. | 感动 十九世纪 命运 浪漫时期音乐 | Dm | 76 | |||
|
Polonaise Derisoire [CEZ4308 - 16] |
0 | 2'32 | Piotr Moss | Comic-tragic, quirky & parodic. Ensemble with snare, pizzicato, | 悲喜剧 当代历史 讽刺 & 恶意 拨奏 | Dm | 93 | |||
|
Got Me Sayin' [MAG6026 - 2] |
3'49 | Penelope Antena | Electro house. Lively, intense & modern. Female singer, strings, 歌词 | 现代 女歌手 室内乐 动人 | Bbm | 120 | ||||
|
Got Me Sayin' 2 [MAG6026 - 7] |
版本. | 3'49 | Penelope Antena | House. Lively, intense & modern. Strings, synth & rhythm. | 现代 室内乐 动人 时尚 | Bbm | 118 | |||
|
Frozen Lake [TBX012 - 10] |
0 | 2'17 | Hamish Barnes | Thoughtful and reflective piano. Guitar and acapella vocals. Serene | 圣诞节 感动 全景图 无电声钢琴 | Dbm | 107 | |||
|
Fading Lights [TBX008 - 11] |
0 | 2'08 | Sergey Kolosov | A picked guitar riff starts, building into a driving pop rock track | 体育中的戏剧性 果断 追逐场面 连复段 | Gm | 132 | |||
|
A Lesson in Murder [CEZ4311 - 3] |
0 | 1'27 | Gregory Cotti | Impacts. Trailers. Action. Powerful, creepy & inexorable. Cinematic | 大电影打击乐 画面感 战争 突然 | Am | 162 | |||
|
Inner City [MAG6025 - 3] |
0 | 1'33 | Yann Kesz | Real hip hop / beatmaking. Tense, obstinate & urban. Synth, strings, | BEAT MAKING 态度 都市景色 固执 | Dm | 83 | |||
|
The Voice of Inspiration [CEZ4312 - 1] |
2'52 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir, strings & electronics. | 不可归类 广告 女性 时尚 | A | 70 | ||||
|
The Voice of Inspiration
[CEZ4312 - 16] |
版本. | 2'09 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir & electronics. Underscore with | 不可归类 广告 女性 酒吧音乐 | A | 70 | |||
|
Been Here Before [BIB055 - 11] |
0 | 2'43 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Quirky orchestral cyclical sampled, with texture and layers added as | 循环 周期性的 把(旧曲片段)合成新曲 sequencing | B | 100 | |||
|
Empty Space [BIB054 - 12] |
0 | 3'07 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Dark driving sythwave intro, electronic and orchestral. Then a change | 科学 稳定的 抱歉 工业 | Gm | 150 | |||
|
From Small Acorns [CEZ4304 - 14] |
0 | 2'03 | Thierry Caroubi | Craft, corporate. Confident, peaceful & cyclic. Build up. Piano, | 手工业 自信 企业宣传 宁静 | E | 132 | |||
|
Rebirth [EOS23 - 8] |
0 | 3'48 | Laurent Rochelle | Sparse & organic. String section, piano, sound design, electronic | 稀疏 无电声钢琴 抱歉 原声电子 | Bbm | 62 | |||
|
The Willow [BIB053 - 2] |
1'46 | Dominik Johnson | Cinematic, calm and atmospheric. Plucked strings, Chinese flute | 悬念 shakuhashi 世界音乐 亚洲 | Dm | 90 | ||||
|
The Willow (30s) [BIB053 - 13] |
版本. | 0'30 | Dominik Johnson | Cinematic, calm and atmospheric. Plucked strings, Chinese flute | 悬念 shakuhashi 世界音乐 亚洲 | Dm | 93 | |||
|
The Willow (15s) [BIB053 - 14] |
版本. | 0'16 | Dominik Johnson | Cinematic, calm and atmospheric. Plucked strings, Chinese flute | 悬念 shakuhashi 世界音乐 亚洲 | Dm | 89 | |||
|
Nightmare One [BIB051 - 7] |
2'06 | Dominik Johnson, Alexius Tschallener | Ominous minimal tones created with a piano, strings and plucked | 恐怖 恐怖片 令人不安 阴险 | Bbm | 66 | ||||
|
Nightmare One (30s) [BIB051 - 23] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Ominous minimal tones created with a piano, strings and plucked | 恐怖 恐怖片 令人不安 阴险 | Bb | 112 | |||
|
Nightmare One (15s) [BIB051 - 24] |
版本. | 0'18 | Dominik Johnson, Alexius Tschallener | Ominous minimal tones created with a piano, strings and plucked | 恐怖 恐怖片 令人不安 阴险 | Bb | 108 | |||
|
One for Sorrow [BIB043 - 11] |
3'35 | Perry Beth, Chris Doney | Swirling, ponderous guitar riff with a very organic and playful feel, | 手工业 开阔 picking guitar 忧伤 | Gm | 140 | ||||
|
One for Sorrow (30s) [BIB043 - 33] |
版本. | 0'29 | Perry Beth, Chris Doney | Swirling, ponderous guitar riff with a very organic and playful feel, | 手工业 开阔 picking guitar 忧伤 | Gm | 140 | |||
|
One for Sorrow (15s) [BIB043 - 34] |
版本. | 0'14 | Perry Beth, Chris Doney | Swirling, ponderous guitar riff with a very organic and playful feel, | 手工业 开阔 picking guitar 忧伤 | Gm | 136 |