| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Last Stretch [AMS5015 - 10] |
2'45 | Felix Weber | Orchestral cinematic hip hop. Punctuated, jerky, powerful, imposing & | 团队运动 电影节奏 史诗 广告 | Gm | 145 | ||||
|
The Last Stretch Alternate 1 [AMS5015 - 27] |
版本. | 2'45 | Felix Weber | Alternative version without percussion. | 团队运动 史诗 广告 态度 | Gm | 145 | |||
|
The Last Stretch Alternate 2 [AMS5015 - 28] |
版本. | 2'45 | Felix Weber | Alternative version without voices. | 团队运动 电影节奏 史诗 广告 | Gm | 145 | |||
|
Disturbed [AMS5011 - 1] |
0 | 2'36 | Sigurd Johnk-Jensen | Cinematic thriller. Scary, oppressive, sonic & frightening. Sound | 令人不安 进步 悬念 画面感 | Cm | 80 | |||
|
Not Alone [AMS5011 - 3] |
0 | 2'32 | Sigurd Johnk-Jensen | Cinematic thriller. Scary, nightmarish, paranormal & psychotic. Sound | 诡异 恐怖片 紧急 恐怖 | Cm | 120 | |||
|
Darkest Matter [AMS5011 - 4] |
0 | 2'34 | Sigurd Johnk-Jensen | Cinematic thriller. Dark, chilling & paranoid. Sound design, | 诡异 令人不安 尖叫音效 鬼 | Bbm | 120 | |||
|
Rising to Extremes [CEG5036 - 1] |
0 | 1'51 | Baptiste Charvet | Tense, questioning & insidious. Constant build-up. Pizzicato strings, | 画面感 司法 心理剧 调查研究 | Cm | 150 | |||
|
A Dream of Space [CEO2147 - 5] |
1'41 | Baptiste Thiry | Constant build-up. Cyclic, stellar & majestic. Keyboard with delay | 太空 庄严 科学 信息技术 | C | 90 | ||||
|
A Dream of Space Alternate [CEO2147 - 16] |
版本. | 2'30 | Baptiste Thiry | Alternate long version. | 太空 梦幻 悬念 庄严 | C | 90 | |||
|
Deep Dark and Dangerous [CEO2152 - 7] |
0 | 1'55 | Baptiste Charvet | Underscore. Suspenseful, cyclical, desolate & dark. Synth sequences, | 司法 气氛 电影原声带 进行中 | Bbm | 93 | |||
|
Automata [IOM005 - 1] |
5'33 | Roland Roberts, Michael Peter Sajic | Austere, sophisticated, dramatic. Wavering violin plays out a tragic | 高雅 高雅 electronic score 电子 | Gm | 150 | ||||
|
Automata (Underscore) [IOM005 - 11] |
版本. | 5'22 | Roland Roberts, Michael Peter Sajic | Austere, sophisticated, dramatic. Layered violins communicate a sense | 高雅 高雅 electronic score 电子 | Gm | 150 | |||
|
Geometric Unity [IOM005 - 7] |
5'33 | Michael Peter Sajic | Beautiful, meaningful, determined. Muddy bell sounds play out, | electronic score 反省 原声电子 命运 | Ebm | 135 | ||||
|
Geometric Unity (Underscore) [IOM005 - 17] |
版本. | 5'19 | Michael Peter Sajic | Beautiful, meaningful, determined. Reverse piano notes create a | electronic score 反省 原声电子 命运 | Ebm | 135 | |||
|
Liquid Peace [IOM005 - 8] |
5'14 | Roland Roberts, Michael Peter Sajic | Climactic, bright, adventurous. Reversed notes play out alongside | 令人激动 进步 果断 体育中的戏剧性 | Am | 90 | ||||
|
Liquid Peace (Underscore) [IOM005 - 18] |
版本. | 5'14 | Roland Roberts, Michael Peter Sajic | Climactic, bright, adventurous. Whirring dissonant euphoric strings | 令人激动 进步 果断 体育中的戏剧性 | Am | 90 | |||
|
Dramedy [ISC037 - 2] |
0 | 2'05 | Anne-Sophie Versnaeyen | Interrogative, falsely serious, light suspens, mischievous, playful & | 拨奏 悲喜剧 疑问 浪漫喜剧 | Dm | 113 | |||
|
The Small Things [ISC037 - 3] |
0 | 2'08 | Anne-Sophie Versnaeyen | Innocent, light, wobbly, intimate, cheerful, easy-going, fun & | 内心活动 拨奏 乡村 悲喜剧 | D | 150 | |||
|
Farwell Canyon Road [CEZ4575 - 9] |
2'04 | Baptiste Thiry | Cinematic. Alternative version with fiddle. Wide, majestic, emotional | 全景图 使人心碎 内心 跟踪摄影 | Bm | 68 | ||||
|
Farwell Canyon Road
[CEZ4575 - 27] |
版本. | 2'11 | Baptiste Thiry | Cinematic. Large majestic, emotional & cinematic movements with | 画面感 反省 庄严 全景 | Bm | 65 | |||
|
Home Again [CEZ4571 - 8] |
2'03 | Alain Bernard Denis | Cinematic. Tender, moving & sentimental. Piano & small orchestra. | 感动 全景 爱情 忧伤 | Bbm | 113 | ||||
|
Home Again Alternate [CEZ4571 - 27] |
版本. | 2'03 | Alain Bernard Denis | Alternate piano solo. | 感动 爱情 无电声钢琴 多愁善感 | Bbm | 113 | |||
|
Mountain High Valley Low [CEZ4570 - 17] |
2'07 | Elisabeth Skornik, Guy Skornik | Majestic, panoramic, contemplative & punctuated. Staccato strings, | 全景图 庄严 开阔 飞行 | D | 87 | ||||
|
Mountain High Valley Low
[CEZ4570 - 40] |
版本. | 2'13 | Elisabeth Skornik, Guy Skornik | Dark, panoramic, constant & nocturnal. Drone & textures. | 稀疏 稳定的 悬念 飞行 | Dm | 87 | |||
|
Mountain High Valley Low
[CEZ4570 - 41] |
版本. | 2'12 | Elisabeth Skornik, Guy Skornik | Dark, panoramic, minimalist & nocturnal. Drone & textures. | 稀疏 稳定的 悬念 飞行 | Dm | 87 | |||
|
The Sky Has a Thousand Eyes
[CEZ4570 - 34] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Nocturnal, narrative, hazy, uncertain & mysterious. Low piano, drone, | 抱歉 嗡嗡声 稀疏 气氛 | C | 62 | |||
|
Broken Promise [ISC034 - 4] |
4'24 | New Earth Project | ☆ Nominated "Best Drama Score" @Production Music Awards UK 2024 ☆ | 忧伤 画面感 果断 冒险片 | Dm | 120 | ||||
|
Broken Promise Alternate 1 [ISC034 - 16] |
版本. | 4'24 | New Earth Project | Alternative version without percussion. | 忧伤 画面感 果断 战士 | D | 120 | |||
|
Broken Promise Alternate 2 [ISC034 - 17] |
版本. | 4'24 | New Earth Project | Alternative version without vocal. | 忧伤 画面感 果断 战士 | Dm | 120 | |||
|
Helping Hand [TBX160 - 1] |
2'22 | Gareth Thomas | Austere, yearning, soft. Resonant strings play out anxious notes, | 悬念 反省 跟踪摄影 漂泊 | Am | 93 | ||||
|
Helping Hand (Underscore) [TBX160 - 11] |
版本. | 2'22 | Gareth Thomas | Austere, yearning, soft. Resonant strings play out anxious notes, | 海底 宁静 跟踪摄影 悬念 | Am | 94 | |||
|
Door Left Open [TBX160 - 2] |
2'30 | Gareth Thomas | Hopeful, emotional, atmospheric. Emotionally heavy aura emerges from | 全景图 内心 梦幻 小说纪录片 | Gbm | 87 | ||||
|
Door Left Open (Underscore) [TBX160 - 12] |
版本. | 2'29 | Gareth Thomas | Hopeful, emotional, atmospheric. Emotionally heavy aura emerges from | 全景图 内心 梦幻 小说纪录片 | Gbm | 65 | |||
|
Above The Clouds [TBX160 - 3] |
1'57 | Gareth Thomas | Explorative, graceful, precious. Gentle piano trickles down with a | 小说纪录片 感动 画面感 精致 | Bm | 112 | ||||
|
Above The Clouds (Underscore) [TBX160 - 13] |
版本. | 1'57 | Gareth Thomas | Explorative, graceful, precious. Concerned strings are met by sturdy | 小说纪录片 感动 画面感 精致 | Bm | 75 |