| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
La Passion selon saint Jean,
[CLA3068 - 68] |
0 | 5'26 | 约翰·塞巴斯蒂安·巴赫 | Versio 1725: 1. Choral "O Mensch bewein dein Sünde groß" | 合唱团 巴罗克音乐(1600-1750) 交响乐队 small baroque ensemble | Bm | 148 | |||
|
La Passion selon saint Jean,
[CLA3068 - 72] |
0 | 4'47 | 约翰·塞巴斯蒂安·巴赫 | Versio 1725: 40. Choral "Christe, du Lamm Gottes" | 男女合唱 巴罗克音乐(1600-1750) small baroque ensemble 十八世纪 | Gbm | 128 | |||
|
Suspension [CEZ4567 - 11] |
1'47 | Thomas Didier | Cinematic electro. Interrogative, suspended & balancing. Constant | 悬念 令人不安 画面感 调查研究 | Cm | 90 | ||||
|
Suspension Alternate [CEZ4567 - 21] |
版本. | 1'47 | Thomas Didier | Alternate no vocal. | 悬念 令人不安 画面感 调查研究 | Cm | 90 | |||
|
Suspension Alternate 2 [CEZ4567 - 22] |
版本. | 1'47 | Thomas Didier | Alternate no vocal no percussion. | 悬念 令人不安 调查研究 明朗 | Cm | 90 | |||
|
No Bad Days [CEZ4564 - 12] |
2'11 | Morgan Sansous, Kenny Serane | Dream pop, indie pop. Determined, positive & lively. Electric guitar, | 日常生活 日间节目 果断 梦幻流行 | F | 134 | ||||
|
No Bad Days Alternate [CEZ4564 - 21] |
版本. | 2'11 | Morgan Sansous, Kenny Serane | Instrumental version. | 日常生活 日间节目 果断 梦幻流行 | F | 134 | |||
|
Nothing To Lose [INP055 - 5] |
3'35 | Marvin Mcmahon, Amanda Nordelius | Brave, striking, uplifting. Performative female vocals join with | cinematic pop 朗朗上口 令人激动 青春剧 | Abm | 86 | ||||
|
Nothing To Lose (Instrumental) [INP055 - 25] |
版本. | 3'33 | Marvin Mcmahon, Amanda Nordelius | Brave, striking, uplifting. Noble piano sequence with lyrics | 朗朗上口 cinematic pop 令人激动 青春剧 | B | 86 | |||
|
Nothing To Lose (Underscore A) [INP055 - 26] |
版本. | 3'33 | Marvin Mcmahon, Amanda Nordelius | Brave, striking, uplifting. Fragile pads offer a feeling of | 朗朗上口 cinematic pop 令人激动 青春剧 | E | 86 | |||
|
Nothing To Lose (Underscore B) [INP055 - 27] |
版本. | 3'35 | Marvin Mcmahon, Amanda Nordelius | Brave, striking, uplifting. Performative female vocals join with | 朗朗上口 cinematic pop 令人激动 青春剧 | Abm | 172 | |||
|
Run Away With Me [INP055 - 6] |
2'42 | Markus Gleissner, Michael Mcquaid | Confident, adventurous, impulsive. Fun disco instrumentation casts a | 人物 朗朗上口 时尚 广告 | Dm | 108 | ||||
|
Run Away With Me
[INP055 - 28] |
版本. | 2'42 | Markus Gleissner, Michael Mcquaid | Confident, adventurous, impulsive. Fun disco instrumentation casts a | 人物 朗朗上口 时尚 广告 | Dm | 108 | |||
|
Run Away With Me (Underscore) [INP055 - 29] |
版本. | 2'42 | Markus Gleissner, Michael Mcquaid | Confident, adventurous, impulsive. Fun disco instrumentation casts a | 人物 朗朗上口 时尚 广告 | Dm | 108 | |||
|
Suicide Machine [INP054 - 1] |
2'34 | Luke Gambling | Raw, angry, futuristic. Patchy guitar part begins with loud male | 独立摇滚 男歌手 动人 都市景色 | Bbm | 144 | ||||
|
Suicide Machine (Instrumental) [INP054 - 11] |
版本. | 2'34 | Luke Gambling | Raw, angry, futuristic. Patchy guitar part begins with scratchy | 独立摇滚 动人 都市景色 团队运动 | Bbm | 144 | |||
|
Suicide Machine (Underscore) [INP054 - 12] |
版本. | 2'34 | Luke Gambling | Raw, angry, futuristic. Patchy guitar part begins with scratchy | 独立摇滚 动人 都市景色 团队运动 | Bbm | 144 | |||
|
The Final Encounter [INP054 - 8] |
2'13 | Alessandro Ciani | Climactic, energetic, heavy. Droning overdriven guitars join with | 摇滚电子音乐 沉重 气势 团队运动 | Dm | 125 | ||||
|
The Final Encounter
[INP054 - 25] |
版本. | 2'13 | Alessandro Ciani | Climactic, energetic, heavy. Droning overdriven guitars join with | 摇滚电子音乐 沉重 气势 团队运动 | Dm | 125 | |||
|
The Final Encounter
[INP054 - 26] |
版本. | 2'13 | Alessandro Ciani | Climactic, energetic, heavy. Droning overdriven guitars join with | 摇滚电子音乐 沉重 气势 团队运动 | Gbm | 125 | |||
|
Extra Sauce [BIB233 - 4] |
2'54 | Omer Agca | Stylish, meaningful, infectious. Skipping synth sequence conveys a | 俱乐部 电子鼓 舞动 动人 | Cm | 126 | ||||
|
Extra Sauce (Instrumental) [BIB233 - 19] |
版本. | 2'54 | Omer Agca | Stylish, meaningful, infectious. Skipping synth sequence conveys a | 俱乐部 电子鼓 舞动 动人 | Cm | 126 | |||
|
Extra Sauce (Underscore) [BIB233 - 20] |
版本. | 2'54 | Omer Agca | Stylish, meaningful, infectious. Rising cymbal sequence pushes into | 俱乐部 电子鼓 舞动 动人 | Cm | 126 | |||
|
Get Down [BIB231 - 3] |
2'08 | Olivier Bibeau, Teneeka Fothergill | Sultry, ruthless, spirited. Hip hop dance beat with authentic 歌词 | 态度 朗朗上口 动人 果断 | Cm | 123 | ||||
|
Get Down (Instrumental) [BIB231 - 15] |
版本. | 2'08 | Olivier Bibeau, Teneeka Fothergill | Sultry, ruthless, spirited. Hip hop dance beat with authentic | 态度 朗朗上口 动人 果断 | Cm | 123 | |||
|
Get Down (Underscore) [BIB231 - 16] |
版本. | 2'08 | Olivier Bibeau, Teneeka Fothergill | Sultry, ruthless, spirited. Hip hop dance beat with authentic | 态度 朗朗上口 动人 果断 | Cm | 123 | |||
|
Closer [BIB231 - 10] |
2'05 | Stephanie Hoffrichter, Nathaniel Pearn | Laidback, atmospheric, spirited. Dreamy synths play out resonant 歌词 | 电子鼓 时尚 人物 节奏布鲁斯 | Cm | 172 | ||||
|
Closer (Instrumental) [BIB231 - 29] |
版本. | 2'05 | Stephanie Hoffrichter, Nathaniel Pearn | Laidback, atmospheric, spirited. Dreamy synths play out resonant | 电子鼓 时尚 人物 节奏布鲁斯 | Cm | 172 | |||
|
Closer (Underscore) [BIB231 - 30] |
版本. | 2'05 | Stephanie Hoffrichter, Nathaniel Pearn | Laidback, atmospheric, spirited. Synth arpeggiations meet with | 电子鼓 时尚 人物 节奏布鲁斯 | Cm | 172 | |||
|
Messe à six voix, Op. 44 [CLA3003 - 1] |
0 | 4'58 | Valentin Villard | I. Kyrie. Mixed choir. Soprano, 2 altos, 2 basses & ténor. A | 无伴奏合唱 宗教仪式 男女合唱 弥撒 | Em | 66 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 1] |
0 | 10'28 | 约翰·塞巴斯蒂安·巴赫 | 1. Kyrie eleison. Choir. Small baroque ensemble. Adagio/Largo. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Bbm | 100 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 3] |
0 | 3'12 | 约翰·塞巴斯蒂安·巴赫 | 3. Kyrie eleison. Choir. Small baroque ensemble. Moderato. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Fm | 163 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 4] |
0 | 1'41 | 约翰·塞巴斯蒂安·巴赫 | 4a. Gloria in excelsis. Choir. Small baroque ensemble. Vivace. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Ab | 178 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 5] |
0 | 4'09 | 约翰·塞巴斯蒂安·巴赫 | 4b. Et in terra pax. Choir. Small baroque ensemble. Tranquillo. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Db | 152 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 7] |
0 | 2'16 | 约翰·塞巴斯蒂安·巴赫 | 6. Gratias agimus tibi. Choir. Small baroque ensemble. Pietoso. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Db | 86 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 9] |
0 | 3'11 | 约翰·塞巴斯蒂安·巴赫 | 7b. Qui tollis peccata mundi. Choir. Small baroque ensemble. Lento. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Bbm | 99 | |||
|
Messe en Si mineur, BWV 232:
[CLA3014 - 12] |
0 | 3'46 | 约翰·塞巴斯蒂安·巴赫 | 9b. Cum Sancto Spiritu. Choir. Small baroque ensemble. Vivace. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Ab | 110 | |||
|
Messe en Si mineur, BWV 232 [CLA3014 - 13] |
0 | 1'45 | 约翰·塞巴斯蒂安·巴赫 | 1 - 10. Credo in unum Deum. Choir. Small baroque ensemble. | small baroque ensemble 十八世纪 宗教仪式 男女合唱 | Ab | 113 |