专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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The Mud & The Blood [TBX193 - 4] |
2'48 | Michael Walters | Proud, moving, powerful. Strings emerge with epic drums to convey a ... | orchestral score 爱国主义 军事冲突 漂泊 ... | F | 72 |
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The Mud & The Blood ...
[TBX193 - 14] |
版本. | 2'48 | Michael Walters | Proud, moving, powerful. Strings emerge with epic drums to convey a ... | orchestral score 爱国主义 军事冲突 漂泊 ... | F | 68 |
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Enemy Advances [TBX193 - 6] |
1'51 | Michael Walters | Scary, dangerous, approaching. Large drum impact gives rise to ... | 画面感 战争 令人不安 冲突 ... | Gm | 132 |
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Enemy Advances (Underscore) [TBX193 - 16] |
版本. | 1'51 | Michael Walters | Scary, dangerous, approaching. Rough striking strings give a feeling ... | 画面感 战争 令人不安 冲突 ... | Gm | 132 |
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When You Go Home [TBX193 - 7] |
2'21 | Michael Walters | Lofty, melancholic, honoured. Trumpet calls out with a dignified ... | orchestral score 爱国主义 庄重 军事冲突 ... | C | 111 |
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When You Go Home (Underscore) [TBX193 - 17] |
版本. | 2'21 | Michael Walters | Lofty, melancholic, honoured. Trumpet calls out with a dignified ... | orchestral score 爱国主义 庄重 军事冲突 ... | C | 62 |
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The Fallen [TBX193 - 8] |
2'13 | Michael Walters | Striking, passionate, memorable. High-pitched string searches out ... | orchestral score 爱国主义 庄重 军事冲突 ... | Gm | 114 |
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The Fallen (Underscore) [TBX193 - 18] |
版本. | 2'13 | Michael Walters | Striking, passionate, memorable. High-pitched string searches out ... | orchestral score 爱国主义 庄重 军事冲突 ... | C | 62 |
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From The Beaches [TBX193 - 10] |
2'16 | Michael Walters | Celebratory, spirited, honoured. Strings sweep in with a melancholic ... | 感动 orchestral score 爱国主义 军事冲突 ... | C | 92 |
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From The Beaches (Underscore) [TBX193 - 20] |
版本. | 2'16 | Michael Walters | Celebratory, spirited, honoured. Strings sweep in with a melancholic ... | 感动 orchestral score 爱国主义 军事冲突 ... | C | 70 |
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Dawn On Dry Lands [TBX192 - 2] |
2'44 | Lizzie Neal | Graceful, hopeful, powerful. Slow strings and flute play out a ... | orchestral score 全景图 高雅 多愁善感 ... | Cm | 62 |
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Dawn On Dry Lands (Underscore) [TBX192 - 12] |
版本. | 2'44 | Lizzie Neal | Graceful, hopeful, powerful. Slow pads and flute play out a striving ... | orchestral score 全景图 高雅 多愁善感 ... | Cm | 65 |
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Shimmering Heat [TBX192 - 8] |
2'40 | Lizzie Neal | Graceful, angelic, spirited. Enlivening strings vibrate with positive ... | 跟踪摄影 高雅 安静 乡村 ... | D | 80 |
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Shimmering Heat (Underscore) [TBX192 - 18] |
版本. | 2'40 | Lizzie Neal | Graceful, angelic, spirited. Enlivening strings vibrate with positive ... | 跟踪摄影 高雅 安静 乡村 ... | D | 80 |
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In The Deep Dark Hood [INP069 - 1] |
2'15 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano and large thudding impacts ... | 画面感 预告片 高潮 史诗 ... | Fm | 104 |
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In The Deep Dark Hood (Alt ...
[INP069 - 11] |
版本. | 2'14 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano treads out softly, joined ... | 画面感 预告片 高潮 史诗 ... | Fm | 104 |
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In The Deep Dark Hood (Alt ...
[INP069 - 12] |
版本. | 2'13 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Squelching dubby impacts give a sense of ... | 画面感 预告片 高潮 史诗 ... | Fm | 100 |
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In The Deep Dark Hood ...
[INP069 - 13] |
版本. | 2'10 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Dissonant strings give way to foreboding ... | 画面感 预告片 高潮 史诗 ... | Fm | 118 |
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In The Deep Dark Hood ...
[INP069 - 14] |
版本. | 2'17 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano gives a sense of danger ... | 画面感 预告片 高潮 动作片 ... | C | 105 |
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Otherworld [INP069 - 9] |
3'15 | Matthew St Laurent | Intriguing, dramatic, explorative. Light keys give a feeling of ... | 画面感 大电影打击乐 冲击 预告片 ... | Gm | 109 |
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Otherworld (Underscore) [INP069 - 28] |
版本. | 3'13 | Matthew St Laurent | Intriguing, dramatic, explorative. Light keys give a feeling of ... | 画面感 冲击 预告片 高潮 ... | Gm | 109 |
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We Came To Dominate [BIB264 - 9] |
3'23 | Olivier Bibeau | Dramatic, challenging, determined. Glassy chattering euphoria meshes ... 歌词 | 动作片 气势 团队运动 极限运动 ... | Ebm | 137 |
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We Came To Dominate (No Lead ...
[BIB264 - 32] |
版本. | 3'23 | Olivier Bibeau | Dramatic, challenging, determined. Glassy chattering euphoria meshes ... | 动作片 气势 团队运动 极限运动 ... | Ebm | 137 |
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We Came To Dominate ...
[BIB264 - 33] |
版本. | 3'23 | Olivier Bibeau | Dramatic, challenging, determined. Glassy chattering euphoria meshes ... | 动作片 气势 团队运动 极限运动 ... | Ebm | 137 |
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We Came To Dominate ...
[BIB264 - 34] |
版本. | 3'23 | Olivier Bibeau | Dramatic, challenging, determined. Glassy chattering euphoria meshes ... | 动作片 气势 团队运动 极限运动 ... | Ebm | 137 |
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We Are The Ones [BIB264 - 10] |
2'22 | Olivier Bibeau | Ready, confident, pumped. Deep bass trumpet catches up with strings ... 歌词 | 气势 态度 电影节奏 都市景色 ... | Dbm | 130 |
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We Are The Ones (No Lead ...
[BIB264 - 35] |
版本. | 2'22 | Olivier Bibeau | Ready, confident, pumped. Deep bass trumpet catches up with strings ... | 气势 态度 电影节奏 都市景色 ... | Dbm | 130 |
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We Are The Ones (Instrumental) [BIB264 - 36] |
版本. | 2'22 | Olivier Bibeau | Ready, confident, pumped. Deep bass trumpet catches up with strings ... | 气势 态度 电影节奏 都市景色 ... | Dbm | 130 |
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We Are The Ones (Underscore) [BIB264 - 37] |
版本. | 2'22 | Olivier Bibeau | Ready, confident, pumped. Deep bass trumpet catches up with strings ... | 气势 态度 电影节奏 都市景色 ... | Dbm | 130 |
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Dancing All Night [BIB263 - 1] |
2'40 | Olivier Bibeau | Funky, stylish, infectious. Groovy band-based funk sound from keys, ... | 无忧无虑 日间节目 迪斯科舞曲 喜庆 ... | Bm | 110 |
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Dancing All Night ...
[BIB263 - 14] |
版本. | 2'40 | Olivier Bibeau | Funky, stylish, infectious. Groovy band-based funk sound from keys, ... | 无忧无虑 日间节目 迪斯科舞曲 喜庆 ... | Bm | 110 |
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Dancing All Night (Underscore) [BIB263 - 15] |
版本. | 2'40 | Olivier Bibeau | Funky, stylish, infectious. Groovy band-based funk sound from keys, ... | 无忧无虑 日间节目 迪斯科舞曲 喜庆 ... | Bm | 110 |
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Partners in Crime [ISC066 - 10] |
2'39 | Dan Thiessen | Cinematic investigation. Resilient intro with acoustic piano & ... | 画面感 进步 果断 司法 ... | Gm | 120 |
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Partners in Crime Alternate [ISC066 - 20] |
版本. | 2'39 | Dan Thiessen | Alternate version without percussion. | 画面感 进步 果断 司法 ... | Gm | 120 |
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Inner to Outer Space [CEG5042 - 1] |
0 | 2'12 | Denis Levaillant | Atmospheric, radiant, rumbling, circular, both celestial & ... | 嗡嗡声 抱歉 太空 摩擦声 ... | A | 96 |
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Game Day [AMS5024 - 5] |
2'13 | Ilan Kunik | Dramedy. Clumsy, oom-pah & comical. Big band. Suggested for comics, ... | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 132 |
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Game Day Alternate 1 [AMS5024 - 37] |
版本. | 2'13 | Ilan Kunik | Alternate version without percussion. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 130 |
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Game Day Alternate 2 [AMS5024 - 38] |
版本. | 2'13 | Ilan Kunik | Alternate version with only percussion. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | Abm | 132 |
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Game Day Alternate 3 [AMS5024 - 39] |
版本. | 2'13 | Ilan Kunik | Alternate version without strings. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 132 |
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Game Day Alternate 4 [AMS5024 - 40] |
版本. | 2'13 | Ilan Kunik | Alternate bed version. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 132 |
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Game Day Alternate 5 [AMS5024 - 41] |
版本. | 2'13 | Ilan Kunik | Alternate underscore version. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 132 |
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Game Day Alternate 6 [AMS5024 - 42] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 130 |
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Game Day Alternate 7 [AMS5024 - 43] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 笨拙 ... | F | 132 |
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Breaking Point [AMS5024 - 6] |
2'24 | Ilan Kunik | Dramedy. Discontinuous, urgent, strong, clumsy, mischievous & ... | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 164 |
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Breaking Point Alternate 1 [AMS5024 - 44] |
版本. | 2'24 | Ilan Kunik | Alternate version without percussion. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 163 |
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Breaking Point Alternate 2 [AMS5024 - 45] |
版本. | 2'24 | Ilan Kunik | Alternate version with only percussion. | 动画 电影爵士乐 侦探喜剧 果断 ... | Ebm | 164 |
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Breaking Point Alternate 3 [AMS5024 - 46] |
版本. | 2'24 | Ilan Kunik | Alternate version without strings. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 163 |
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Breaking Point Alternate 4 [AMS5024 - 47] |
版本. | 2'24 | Ilan Kunik | Alternate bed version. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 164 |
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Breaking Point Alternate 5 [AMS5024 - 48] |
版本. | 2'24 | Ilan Kunik | Alternate underscore version. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 164 |
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Breaking Point Alternate 6 [AMS5024 - 49] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 164 |
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Breaking Point Alternate 7 [AMS5024 - 50] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 动画 电影爵士乐 侦探喜剧 果断 ... | Em | 163 |
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Its Go Time [AMS5024 - 7] |
2'06 | Ilan Kunik | Dramedy. Clumsy, strong, rhythmic and catchy. Big band. Suggested for ... | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 112 |
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Its Go Time Alternate 1 [AMS5024 - 51] |
版本. | 2'06 | Ilan Kunik | Alternate version without percussion. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | D | 111 |
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Its Go Time Alternate 2 [AMS5024 - 52] |
版本. | 2'06 | Ilan Kunik | Alternate version with only percussion. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Abm | 112 |
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Its Go Time Alternate 3 [AMS5024 - 53] |
版本. | 2'06 | Ilan Kunik | Alternate version without strings. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 112 |
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Its Go Time Alternate 4 [AMS5024 - 54] |
版本. | 2'06 | Ilan Kunik | Alternate bed version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 112 |
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Its Go Time Alternate 5 [AMS5024 - 55] |
版本. | 2'06 | Ilan Kunik | Alternate underscore version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 112 |
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Its Go Time Alternate 6 [AMS5024 - 56] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 111 |
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Its Go Time Alternate 7 [AMS5024 - 57] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 ... | Dm | 111 |
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Birth of a Passion [CCB1062 - 1] |
0 | 2'34 | Antoine Glatard | Neo-classical. Cyclical, teening, melancholic, animated, lyrical & ... | 忧伤 命运 感动 抒情 ... | Gm | 130 |
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An Empty Railway Station [CEO2160 - 2] |
3'02 | Erwann Chandon | Lonely, nostalgic, lyrical & contemplative. Train fx, felt piano & ... | 周期性的 电影原声带 反省 静音钢琴 ... | Am | 116 |
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An Empty Railway Station ...
[CEO2160 - 11] |
版本. | 2'47 | Erwann Chandon | Alternate without train fx. | 周期性的 电影原声带 反省 静音钢琴 ... | Am | 117 |
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End of an Era [CEO2160 - 8] |
0 | 2'55 | Erwann Chandon | Dark, sinister & tragic. String orchestra. Suggested for human drama ... | 悲剧 神秘 画面感 悬念 ... | Am | 117 |
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