| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Passionately [EOS147 - 4] |
0 | 2'17 | Simon Gruwé | Cyclical, tender & confident. Strings, electric guitar, piano, synths | 自信 无电声钢琴 电子琴 公司 | G | 102 | |||
|
Unity [EOS147 - 10] |
0 | 2'45 | Simon Gruwé | Introspective, reflective & resilient. Strings, electric guitar, | 气氛 自信 梦幻 电子琴 | Gm | 88 | |||
|
Only Shadows [CEZ4682 - 3] |
2'48 | Chomsk', Félicité | Trip hop song. London mood. Sensual, mellow & refined. Glamorous 歌词 | 性感 自信 cocktail bar 广告 | Dbm | 97 | ||||
|
Only Shadows Alternate [CEZ4682 - 21] |
版本. | 2'34 | Chomsk', Félicité | Instrumental version | 性感 自信 cocktail bar 广告 | Dbm | 97 | |||
|
Only Shadows Edit 1 60 sec [CEZ4682 - 22] |
版本. | 1'00 | Chomsk', Félicité | 60 second cut | 性感 自信 cocktail bar 广告 | Dbm | 97 | |||
|
Only Shadows Edit 2 30 sec [CEZ4682 - 23] |
版本. | 0'30 | Chomsk', Félicité | 30 second cut | 性感 自信 cocktail bar 广告 | Gbm | 97 | |||
|
Only Shadows Edit 3 20 sec [CEZ4682 - 24] |
版本. | 0'20 | Chomsk', Félicité | 20 second cut | 性感 自信 cocktail bar 广告 | Dbm | 97 | |||
|
Only Shadows Sting [CEZ4682 - 25] |
版本. | 0'11 | Chomsk', Félicité | Sting | 性感 自信 cocktail bar 广告 | Dbm | 97 | |||
|
Afterglow [CEZ4682 - 4] |
3'00 | Iain Harper | Trip hop, easy-listening vibe. Chic, sentimental & shimmering. | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | ||||
|
Afterglow Alternate [CEZ4682 - 26] |
版本. | 3'00 | Iain Harper | Underscore version | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 1 60 sec [CEZ4682 - 27] |
版本. | 1'00 | Iain Harper | 60 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 2 30 sec [CEZ4682 - 28] |
版本. | 0'30 | Iain Harper | 30 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Edit 3 20 sec [CEZ4682 - 29] |
版本. | 0'20 | Iain Harper | 20 second cut | 高雅 时尚 缓拍 无忧无虑 | Fm | 154 | |||
|
Afterglow Sting [CEZ4682 - 30] |
版本. | 0'12 | Iain Harper | Sting | 高雅 时尚 缓拍 无忧无虑 | Bbm | 76 | |||
|
Antechamber [CEZ4682 - 10] |
1'55 | Antoine Berquet | Trip hop. Cinematic, inspirational & positive. Piano, keyboards, | 广告 高雅 令人激动 稳定的 | Dbm | 100 | ||||
|
Antechamber Edit 1 60 sec [CEZ4682 - 57] |
版本. | 1'00 | Antoine Berquet | 60 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 100 | |||
|
Antechamber Edit 2 30 sec [CEZ4682 - 58] |
版本. | 0'30 | Antoine Berquet | 30 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 100 | |||
|
Antechamber Edit 3 20 sec [CEZ4682 - 59] |
版本. | 0'20 | Antoine Berquet | 20 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 99 | |||
|
Antechamber Sting [CEZ4682 - 60] |
版本. | 0'11 | Antoine Berquet | Sting | 高雅 令人激动 广告 稳定的 | Dbm | 100 | |||
|
Make Or Break [TBX232 - 3] |
2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | ||||
|
Make Or Break (Underscore) [TBX232 - 16] |
版本. | 1'59 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Make Or Break (Underscore No
[TBX232 - 17] |
版本. | 2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Substance Abuse [TBX232 - 5] |
2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | ||||
|
Substance Abuse (Underscore) [TBX232 - 20] |
版本. | 2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | |||
|
We Will Find Them [TBX231 - 3] |
2'40 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | ||||
|
We Will Find Them (Underscore) [TBX231 - 14] |
版本. | 2'40 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | |||
|
We Will Find Them (Underscore
[TBX231 - 15] |
版本. | 2'38 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | |||
|
Butchered Bodies [TBX231 - 9] |
2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | ||||
|
Butchered Bodies (Underscore) [TBX231 - 24] |
版本. | 2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | |||
|
Ten Thousand Feet [TBX230 - 2] |
2'11 | Logan Ferguson | Upbeat, yearning, epic. Bells give an awakening vibe as stunted beat | 日间节目 流行电子音乐 明朗 户外 | Am | 140 | ||||
|
Ten Thousand Feet (Underscore) [TBX230 - 15] |
版本. | 2'11 | Logan Ferguson | Upbeat, yearning, epic. Bells give an awakening vibe, morning on a | 日间节目 流行电子音乐 明朗 户外 | Am | 140 | |||
|
Paradox [INP083 - 8] |
2'31 | Lukasz Jankowski, Dariusz Orlowski | Determined, thriller, futuristic. Riser launches into a menacing | 固执 科幻片 画面感 史诗 | C | 134 | ||||
|
Paradox (Underscore) [INP083 - 20] |
版本. | 2'31 | Lukasz Jankowski, Dariusz Orlowski | Determined, thriller, futuristic. Riser launches into a menacing | 固执 科幻片 画面感 史诗 | C | 100 | |||
|
Within Reach [BIB295 - 9] |
2'20 | David Clynick | Promising, stirring, hopeful. Resonant guitar notes find their way | 田园 迷人 自信 动人 | B | 145 | ||||
|
Within Reach (Underscore) [BIB295 - 25] |
版本. | 2'20 | David Clynick | Promising, stirring, hopeful. Resonant guitar notes find their way | 田园 迷人 自信 动人 | B | 146 | |||
|
Dark Voodoo [CEZ4694 - 10] |
3'20 | Gwadakongo | Afrofuturism. Dark & mysterious intro. Electrifying & hypnotic @ | 调查研究 黑人电影 令人不安 都市景色 | Dm | 166 | ||||
|
Dark Voodoo Alternate [CEZ4694 - 29] |
版本. | 3'20 | Gwadakongo | Underscore version | 黑人电影 令人不安 调查研究 都市景色 | Dm | 83 | |||
|
Dark Voodoo Edit 30 sec [CEZ4694 - 30] |
版本. | 0'30 | Gwadakongo | 30 second cut | 黑人电影 令人不安 调查研究 都市景色 | Dm | 165 | |||
|
Black Coil [AMS5061 - 5] |
2'07 | Felix Weber | Cinematic trap. Dramatic, adventurous & grand. Staccato strings @ | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | ||||
|
Black Coil Alternate 1 [AMS5061 - 35] |
版本. | 2'07 | Felix Weber | Version without percussion | 调查研究 电影节奏 社会悲剧 固执 | Fm | 178 | |||
|
Black Coil Alternate 2 [AMS5061 - 36] |
版本. | 2'07 | Felix Weber | Version with percussion only | 调查研究 电影节奏 社会悲剧 固执 | Am | 90 | |||
|
Black Coil Alternate 3 [AMS5061 - 37] |
版本. | 2'07 | Felix Weber | Version without strings | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Alternate 4 [AMS5061 - 38] |
版本. | 2'07 | Felix Weber | Bed version | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Alternate 5 [AMS5061 - 39] |
版本. | 2'07 | Felix Weber | Underscore version | 调查研究 电影节奏 社会悲剧 固执 | Fm | 90 | |||
|
Black Coil Edit 1 30 sec [AMS5061 - 40] |
版本. | 0'31 | Felix Weber | 30 second cut | 调查研究 电影节奏 社会悲剧 固执 | Fm | 178 | |||
|
Black Coil Edit 2 15 sec [AMS5061 - 41] |
版本. | 0'17 | Felix Weber | 15 second cut | 调查研究 电影节奏 社会悲剧 固执 | Gm | 161 | |||
|
Unscanned Cargo [AMS5061 - 6] |
2'19 | Felix Weber | Cinematic trap. Sneaky, evil & dangerous. Break @ 1'01. Strings @ | 电影节奏 司法 阴险 电子琴 | A | 161 | ||||
|
Unscanned Cargo Alternate 1 [AMS5061 - 42] |
版本. | 2'19 | Felix Weber | Version without percussion | 电影节奏 司法 阴险 电子琴 | A | 162 | |||
|
Unscanned Cargo Alternate 2 [AMS5061 - 43] |
版本. | 2'19 | Felix Weber | Version with percussion only | 电影节奏 司法 阴险 社会悲剧 | Bbm | 80 | |||
|
Unscanned Cargo Alternate 3 [AMS5061 - 44] |
版本. | 2'19 | Felix Weber | Version without strings | 电影节奏 司法 阴险 电子琴 | A | 161 | |||
|
Unscanned Cargo Alternate 4 [AMS5061 - 45] |
版本. | 2'19 | Felix Weber | Version without vox | 电影节奏 司法 阴险 电子琴 | A | 161 | |||
|
Unscanned Cargo Alternate 5 [AMS5061 - 46] |
版本. | 2'19 | Felix Weber | Bed version | 电影节奏 司法 阴险 电子琴 | A | 162 | |||
|
Unscanned Cargo Alternate 6 [AMS5061 - 47] |
版本. | 2'19 | Felix Weber | Bed version | 电影节奏 司法 阴险 社会悲剧 | A | 161 | |||
|
Unscanned Cargo Edit 1 30 sec [AMS5061 - 48] |
版本. | 0'31 | Felix Weber | 30 second cut | 电影节奏 司法 阴险 电子琴 | A | 161 | |||
|
Unscanned Cargo Edit 2 15 sec [AMS5061 - 49] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 司法 阴险 电子琴 | A | 161 | |||
|
Low Orbit [AMS5061 - 7] |
2'16 | Felix Weber | Cinematic trap. Edgy, tense & dark. Trap beat, strings, vox fx, flute | 电影节奏 固执 悬念 态度 | D | 162 | ||||
|
Low Orbit Alternate 1 [AMS5061 - 50] |
版本. | 2'16 | Felix Weber | Version without percussion | 电影节奏 固执 悬念 态度 | D | 161 | |||
|
Low Orbit Alternate 2 [AMS5061 - 51] |
版本. | 2'16 | Felix Weber | Version with percussion only | 电影节奏 固执 悬念 态度 | Gbm | 162 | |||
|
Low Orbit Alternate 3 [AMS5061 - 52] |
版本. | 2'16 | Felix Weber | Version without vox | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Low Orbit Alternate 4 [AMS5061 - 53] |
版本. | 2'16 | Felix Weber | Bed version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Alternate 5 [AMS5061 - 54] |
版本. | 2'16 | Felix Weber | Underscore version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Edit 1 30 sec [AMS5061 - 55] |
版本. | 0'31 | Felix Weber | 30 second cut | 电影节奏 固执 悬念 态度 | Dm | 161 | |||
|
Low Orbit Edit 2 15 sec [AMS5061 - 56] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Istanbul Contrast [IOM043 - 4] |
2'39 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | ||||
|
Istanbul Contrast
[IOM043 - 20] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
Istanbul Contrast (Bed) [IOM043 - 21] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Traditional strings fall into trappy rhythm | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
Moonstrut [BIB293 - 4] |
2'19 | Kohshi Kamata | Rushed, elegant, ornate. Trickling abrupt piano notes in a | 当代历史 令人激动 固执 无电声钢琴 | Gm | 117 | ||||
|
Moonstrut (Underscore) [BIB293 - 14] |
版本. | 2'19 | Kohshi Kamata | Rushed, elegant, ornate. Trickling abrupt piano notes in a | 当代历史 令人激动 固执 无电声钢琴 | Gm | 117 | |||
|
Fragment [BIB293 - 10] |
2'10 | Kohshi Kamata | Moving, dark, cinematic. Flurry of strings curls up with fast moving | 感动 命运 画面感 周期性的 | Gm | 96 | ||||
|
Fragment (Underscore) [BIB293 - 20] |
版本. | 2'09 | Kohshi Kamata | Moving, dark, cinematic. Flurry of strings curls up with fast moving | 感动 命运 画面感 周期性的 | Gm | 96 | |||
|
Anachronism [CEZ4685 - 4] |
0 | 2'16 | Third Act | Cinematic pop, film score. Jaded, obstinate & classy. Wurlitzer, | 命运 广告 cinematic pop 电视剧 | Bm | 102 |