Gli amori d'Apollo e di Gli amori d'Apollo e di Dafne: Lamento di Procri [CLA3020 - 7]
0
9'05
罗伯特·卡沃利
Dramatic & sad. Then feisty. Lament. Aria. Small baroque music Dramatic & sad. Then feisty. Lament. Aria. Small baroque music ensemble & female soprano.歌词
Volgi, deh volgi il piede Bellissimo assassin della mia fede. Dico rivolgi il piè O mancator, perché Dal tuo novello ed invocato ardore Non spero più, che tu rivolga il core. Sia pur la mia rival de sensi tuoi E di pensieri il punto ed il compasso, E lasci a me sol del tuo piede un passo.
Io son pur quella Procri, Che degli amori tuoi delitia fu. Lassa, io m’inganno, Io non son quella più.
O spergiuro infedele, Io nell’Aurora tua sospiro la mia sera, E vede il disperato mio desio Nell’altezza di lei l’abisso mio. E pur ancora io t’amo, Il tradimento, ohimè mi svena il core, E nel mio dispetto adoro il traditore. Così povero adunque è il Cielo di bellezze, Che cercano le Dee gli amanti in terra ? Ha penuria l’Olimpo d’amabili sembianze ? Né sa l’Aurora ritrovarsi amanti, S’alle mie calde innamorate voglie Le dolcezze non rubba, E‘l ben non toglie ?
Cefalo, torna a me, Io son colei, che tua diletta fu. Lassa, io m’inganno, Io non son quella più.
Ohimè la gelosia Mi stimola a bastemmie, ed a furori. Ma perch’è Diva l’alta mia rivale, Religione, e riverenza insieme Su‘l fondo al core i miei singulti preme. Ma‘l peggiore del mio non hà l’Inferno. Pon maledire i miseri dannati, Io traffitta ed ardente, e lacerata dal duol che passa le midolle l’osso Dannata son, e maledir non posso.
Cefalo riedi a me, Io son colei, ch’idolo tuo già fu. Lassa, io m’inganno, Io non son quella più.
Deh ricevete, o selve, Accettate, o deserti D’un pianto amaro il tacito tributo : Eccessivo è il dolor quand’egli è muto. TRADUCTION :
Reviens, reviens donc sur tes pas Superbe assassin de ma confiance. Reviens sur tes pas – je dis- ô Traître Parce que de ta nouvelle et réclamée ardeur Je ne souhaite plus que tu détournes ton cœur. Que ma rivale soit ainsi de tes émois Et de tes pensées le centre et le compas, Qu’elle me concède de ton pied seulement un pas.
Je suis toujours Procris, De tes amours l’ancienne délectation. Hélas, je me méprends, Je ne le suis plus.
Ô parjure infidèle, Vers ton Aurore je soupire au crépuscule, Et mon désir désespéré observe Dans son élévation mon abîme. Pourtant je t’aime encore, Ta trahison, hélas fait saigner mon cœur, Et dans mon dépit j’aime celui qui me trahit. Le Ciel est-il donc si pauvre en beauté, Que les Déesses cherchent leurs amants sur terre ? L’Olympe manque-t-il d’aimables semblances ? L’Aurore ne sait-elle pas se trouver des amants, Sans de mes ardents désirs d’amour Détourner les douceurs Et usurper le bonheur ?
Céphale, reviens-moi, Je suis celle que tu aimais. Hélas, je me méprends, Je ne le suis plus.
Hélas, la jalousie Me pousse à l’impiété et me rend furieuse. Parce que Déesse est ma rivale, Religion et déférence à la fois Etouffent ma voix au fond de mon cœur. En enfer, il n’existe pas un mal pire que le mien. Les malheureux damnés peuvent maudire Tandis que moi, affligée, enflammée et lacérée Par la douleur qui me transperce, Je suis damnée, mais je ne peux maudire.
Céphale reviens-moi, Je suis celle qui fut ton idole. Hélas, je me méprends, Je ne le suis plus.
Voici, recevez, ô forêts, Acceptez, ô déserts L’aumône silencieuse de mes pleurs amers : Trop grande est la douleur quand elle est muette.
La tromba della divina La tromba della divina misericordia: Stillate dolorosi [CLA3020 - 8]
0
3'20
Giovanni Bassani
Moving & tormented. Aria. Small baroque music ensemble & female Moving & tormented. Aria. Small baroque music ensemble & female soprano.歌词
Stillate pur, stillate dolorosi miei lumi, Di lagrimoso humor torbidi fiumi. Tra fieri tormenti mai posa l’affano E il figlio tirano Ha nella morte mia gl’affetti spenti.
TRADUCTION : Ruisselez, ruisselez mes pensées douloureuses, Obscurs fleuves de chagrin. Parmi ces fiers tourments mon souci ne repose jamais Et ce fils tyrannique A oublié ses sentiments après ma mort.
Da Versammleten Sich Die Hohenpriester. Waiting, driving & stripped. Da Versammleten Sich Die Hohenpriester. Waiting, driving & stripped. Tenor & harpsichord.
Constant evolution from fast pulsating tension with synth to an Constant evolution from fast pulsating tension with synth to an ambitious, glorious & purposeful theme with strings & brass. Triumphant & heroic ending with choir @ 1'19.
Alternate without percussion. Constant evolution from fast pulsating Alternate without percussion. Constant evolution from fast pulsating tension with synth to an ambitious & glorious theme with strings & brass. Triumphant & heroic ending with choir @ 1'19.
Alternate without choir. Constant evolution from fast pulsating Alternate without choir. Constant evolution from fast pulsating tension with synth to an ambitious, glorious & purposeful theme with strings & brass. Triumphant & heroic ending @ 1'19.
☆ Nominated "Best Use in a Television Trailer" @Production Music ☆ Nominated "Best Use in a Television Trailer" @Production Music Awards UK 2023 ☆ Ethereal, anticipating & dreamy intro building up with staccato strings & cello. Proud, solemn & majestic with church organ @ 1'31, brass & military cinematic drums. Ceremonial & victorious ending with choir @ 2'14 & climax.
Alternate without percussion. Ethereal & dreamy intro building up Alternate without percussion. Ethereal & dreamy intro building up with staccato strings & cello. Proud, solemn & majestic with church organ.@ 1'31. Ceremonial & victorious ending with choir @ 1'56 & climax.
Urgent intro with a fast & nervous synth sequence building up with Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Alternate without percussion. Urgent intro with a fast & nervous Alternate without percussion. Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Alternate without choir. Urgent intro with a fast & nervous synth Alternate without choir. Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Epic & dignified ending @ 1'22 & climax. Suggested for achievement.
Inspirational & sparse piano intro. Emotional theme based on a string Inspirational & sparse piano intro. Emotional theme based on a string pattern @ 0'37 building up to a confident & winning theme. Grand finale leading to climax @ 1'42.
Alternate without percussion. Inspirational & sparse piano intro. Alternate without percussion. Inspirational & sparse piano intro. Emotional theme based on a string pattern @ 0'37 building up to a confident & winning theme. Grand finale leading to climax @ 1'42.
Une larme : thème et Une larme : thème et variations pour violoncelle et piano [CLA1903 - 6]
0
9'53
焦阿基诺·罗西尼
From "Péchés de vieillesse". Sad, serious & moving. New theme @ From "Péchés de vieillesse". Sad, serious & moving. New theme @ 3'18. Chamber orchestra and cello.
Emotional & introspective intro with piano arpeggio & cello. Heroic & Emotional & introspective intro with piano arpeggio & cello. Heroic & intense theme. Building up to climax & resolution with soft piano arpeggio. Trailer music.
Alternate without percussion. Emotional & introspective intro with Alternate without percussion. Emotional & introspective intro with piano arpeggio & cello. Heroic & intense theme. Building up to climax & resolution with soft piano arpeggio. Trailer music.
Alternate without choir. Emotional & introspective intro with piano Alternate without choir. Emotional & introspective intro with piano arpeggio & cello. Heroic & intense theme. Building up to climax & resolution with soft piano arpeggio. Trailer music.
Romantic & thoughtful intro with a classical piano arpeggio evolves Romantic & thoughtful intro with a classical piano arpeggio evolves steadily up to an epic & melodramatic climax with choir.
Alternate without percussion. Romantic & thoughtful intro with a Alternate without percussion. Romantic & thoughtful intro with a classical piano arpeggio evolving steadily up to an epic & melodramatic climax with choir.
Alternate without choir. Romantic & thoughtful intro with a classical Alternate without choir. Romantic & thoughtful intro with a classical piano arpeggio evolving steadily up to an epic & melodramatic climax.