Folk-dreamy pop song. Female vocals & piano. Lyrics about loneliness. Folk-dreamy pop song. Female vocals & piano. Lyrics about loneliness. Like a slow-motion waltz, touching & poetic. Suggested for teenage emotions, TV shows & romance.歌词
Look at her
She’s clumsy and poor
No one will ever be sure
What is it she does with her life
Strangest of girls
She never gets out
Find a friend you need someone
Posters hanging on the walls
She talks to them
When she’s alone
Hey John Martyn
I wrote you a song
And laughs and suns and afternoons
Wasted away
Alone
We’ll find a way to love you
From now on
Strangest of girls
She never gets out
Sorry we had never seen
The light of day
On what you bring
The world is better with you in it
Don’t go just now
We’d love you to sing
And laughs and suns and afternoons
Wasted away
Alone
We’ll find a way to love you
From now on
Confident, stylish, heroic. Glossy samples caught up in cool trap Confident, stylish, heroic. Glossy samples caught up in cool trap beats as snares and momentum rise to the surface. Charismatic male vocals refer to sports skill and supremacy, characterisation of a scary person way out of the league of competitors. Stop-start hook @ 0'55 give a stylish powerful aura. Intricate percussion layers give a sense of chaos, but vocals give a central power pushing through intricacy.歌词
Going way up, they can try and come against but they can't play us, No, we make it look too easy, it's a layup, I'm bout to put you on a post and watch it stay up. Okay.
Yeah, I hold the keys so you know your boy is locked in, Shootin for the three, got me feelin' like I'm Stockton, Okay, you know I never miss. Okay, I can never quit, boy, I'm too legit, Alright, nothin changed, been better, Workin hard, been clever, No chill, I never let up, Whole squad go get us, I'm the boogie man, don't approach me, It could get scary, it could get deadly.
Okay, when it gets to squad, gotta tell them all, No way, it's crunch time, and I need a chip, call it ole, The jig is up, your time is running out, Just let the beat, we'll play, tell them cut it out, You know, Okay, All right. All right, all right, all right. Right, Hey, go off. They can try to come against us, They can't play us, know we make it look too easy it's a layup, I'm about to put you on a poster watch it stay up.
Hey, going way off, They can try to come against us, They can't play us, No we make it look too easy it's a layup, I'm about to put you on a poster watch it stay up.
The call to make a deal i tell em, hold the phone, I'm on my defense, making plays, yeah, I'm in my zone, Yeah, they rockin with your boy, cause they see I've grown, But you can't share no wins with me, I'm in the gym alone, I'm shootin I got it, I'm winnin I'm bout it, You need some wins, I got it, you know it's not a problem, Yeah, the way I hunt it down is like a horror scene, Yeah, I'm moppin up the comp, boy, I'm Mr. Clean.
okay win, then do it again, It ain't really news how I do not CNN, Ay we going up, Ayy, ain't no comin down, ain't no way, If you try to step to us, we just gon get you out the way, okay?
You know, Okay, all right, all right, all right, all right.
Hey, boy way off, They can try to come against us. They can't play us, yeah make it look too easy it's a layup, I'm about to put you on a poster watch it stay up. Ok, Hey, boy way off They can try to come against us, They can't play us yeah make it look too easy it's a layup, I'm about to put you on a poster watch it stay up.
Confident, stylish, heroic. Glossy samples caught up in cool trap Confident, stylish, heroic. Glossy samples caught up in cool trap beats as snares and momentum rise to the surface. Switch-up @ 0'55 with chorus hammering percussion alongside serious glossy notes. Intricate percussion layers give a sense of chaos, lone shadowy melodies give a sense of control and strength in the midst of bedlam. Instrumental version.
Confident, stylish, heroic. Glossy samples caught up in cool trap Confident, stylish, heroic. Glossy samples caught up in cool trap beats as snares and momentum rise to the surface. Switch-up @ 0'55 with chorus hammering percussion alongside serious glossy notes. Stripped back underscore version.
Rough, lazy, trippy. Jangly rock instrumentation with loose bass and Rough, lazy, trippy. Jangly rock instrumentation with loose bass and guitar communicating a hardship and struggle. Floating to a relaxed, proggy sequence as charismatic cool male vocals sing about a place where worries and reality fade away. Scorching guitar solo at 00:57 gives a rebellious edge. Echoing psychedelic vibe gives a stylish vibe.歌词
In your dreams you can escape to a place that’s very far away, Where the worries of the day well they're gonna fade away, In your dreams you may explore, To the heights you've never seen before, Discover a world that’s brand new, Just you and your imagination too, Fly away, in your dreams.
Rough, lazy, trippy. Jangly rock instrumentation with loose bass and Rough, lazy, trippy. Jangly rock instrumentation with loose bass and guitar communicating a hardship and struggle. Floating to a relaxed, proggy sequence. Scorching guitar solo at 00:57 gives a rebellious edge. Echoing psychedelic vibe gives a stylish vibe. Instrumental version.
Rough, lazy, trippy. Jangly rock instrumentation with loose bass and Rough, lazy, trippy. Jangly rock instrumentation with loose bass and guitar communicating a hardship and struggle. Floating to a relaxed, proggy sequence. Echoing psychedelic vibe gives a stylish vibe. Stripped back underscore version.
Dramatic, strong, vengeful. Muffled strings play out a dramatic Dramatic, strong, vengeful. Muffled strings play out a dramatic sequence, giving a sense of real emotion. Sub bass launches into big slow hip hop beat as tune reveals itself with a gothic energy. Funereal bells further communicate a sense of emotion and sombre energy. Meaningful and austere atmosphere. Stripped back underscore version.
Dramatic, strong, vengeful. Muffled strings play out a dramatic Dramatic, strong, vengeful. Muffled strings play out a dramatic sequence, giving a sense of real emotion. Sub bass launches into big slow hip hop beat as tune reveals itself with a gothic energy. Male vocals skip rhythmically on the beat with lyrics reminding enemies that time has run out. Skilful vocal delivery presents a sense of talent and tenacity.歌词
I be making waves anybody really wanna try hate now your time is up, Boy I'm on my way whole team really bouta get paid before time is up, When I'm at the top imma stay there never hear me say that my time is up, Moving like LeBron if you're breaking imma chase you down and your time is up, I be making waves anybody really wanna try hate now your time is up, Boy I'm on my way whole team really bouta get paid before time is up, When I'm at the top imma stay there never hear me say that my time is up, Moving like LeBron if you're breaking imma chase you down and your time is up.
Ever since day one I been steady working for the stacks I'm securing the bag, Bro I've been a don I'll put the whole city on my back when I'm flying the flag, can't put a step wrong when I'm going all out on attack tryna fill up the bank, Gotta stay strong whole team wants plaques on the wall so the guy can't lag, No I ain't lagging, games on the line won't see me passing, Just want rings and the bills; Bo baggins, Never been a joke with my goals no laughing, If I'm on a drive, your teams packing, Do it by myself don't need no backing, Work every day, no relaxing, Race to the top on 100 meter dashing.
I be making waves anybody really wanna try hate now your time is, Boy I'm on my way whole team really bouta get paid before time is, When I'm at the top imma stay there never hear me say that my time is, Moving like LeBron if you're breaking imma chase you down and your time is up.
I be making waves anybody really wanna try hate now your time is up, Boy I'm on my way whole team really bouta get paid before time is up, When I'm at the top imma stay there never hear me say that my time is up, Moving like LeBron if you're breaking imma chase you down and your time is up, I be making waves anybody really wanna try hate now your time is up, Boy I'm on my way whole team really bouta get paid before time is up, When I'm at the top imma stay there never hear me say that my time is up, Moving like LeBron if you're breaking imma chase you down and your time is up.
Assured, chilled, smooth. Piano sequence with self-assured glissando Assured, chilled, smooth. Piano sequence with self-assured glissando chords displays a sense of focus and peacefulness, given strength and momentum by rhythmic strings and sub bass hits. Icy reverbed piano parts offer a pearlescent vibe. Someone moving with a fluid and zen energy.
Assured, chilled, smooth. Piano sequence with self-assured glissando Assured, chilled, smooth. Piano sequence with self-assured glissando chords displays a sense of focus and peacefulness, given support by sub bass hits and rhythmic strings. Icy reverbed piano parts offer a pearlescent vibe. Someone moving with a fluid and zen energy. Stripped back underscore version.
Assured, chilled, smooth. Light percussion pushes into assured sub Assured, chilled, smooth. Light percussion pushes into assured sub bass sequence and icy reverbed piano parts. Someone moving with a fluid and zen energy. Stripped back underscore version.
Silly, funky, melodic. Acapella voices create a fun as Silly, funky, melodic. Acapella voices create a fun as instrumentation builds, sweeping harmonised vocals. Percussion builds, giving an easygoing laidback vibe. Relaxed vocals through telephone FX give a hazy vibe. A holiday feeling, a colourful vibrant bar.
Silly, funky, melodic. Trilling percussion sets up a fun rhythm, kick Silly, funky, melodic. Trilling percussion sets up a fun rhythm, kick drums creating a smooth, laidback vibe. A holiday feeling, a colourful vibrant bar. Instrumental version.
French rap, hip-hop. Disturbing, dark & fatal. Male rapper, synth & French rap, hip-hop. Disturbing, dark & fatal. Male rapper, synth & rhythm. Ideal for social drama, street culture & suburban life. Lyrics about solidarity & force.歌词
FR
On hustle de midi jusqu’à minuit, aye, Tout est saisie, On vie pas la même vie, nan, Fait pas le sosie,
Toi j’te connais T’es que de passage, uh, Un peu comme Covid, J’écrivais pour passer le temps maintenant je suis en bolide,
On l'a tous fait, On l'a cru, Mais nos rêves nous sauveront plus, Alors on taf toujours en peur,
De pas atteindre ce qu’on s'était du, Les aptitudes ne régressent pas, La bête devient un diable, Si tu te penses prendre une place, On ne peut pas finir à l'amiable, L'armure est blindée, on est ready,
On reste solide, On reste solide, On reste solide, Quand tu connais le game c'est easy, yeah,
On reste solide, On reste solide, On reste solide, Si on se check depuis le berceau, aye,
On reste solidaire, On reste solidaire, On reste solidaire, Le temps s’écoule on reste les mêmes,
On reste solidaire, On reste solidaire, On reste solidaire.
EN
We hustle from noon until midnight, aye, Everything is seized, We don't live the same life, no, Don't act like a copy,
I know you, You're just passing through, uh, A bit like Covid, I used to write to pass the time, now I'm in a fast car,
We've all done it, We believed it, But our dreams won't save us anymore, So we work in fear,
Of not achieving what we had promised ourselves, Skills don't regress, The beast becomes a devil, If you think you can take a place, We can't finish amicably, The armor is fortified, we're ready,
We stay strong, We stay strong, We stay strong, When you know the game, it's easy, yeah,
We stay strong, We stay strong, We stay strong, If we've known each other since the cradle, aye,
We stay united, We stay united, We stay united, Time passes, but we remain the same,
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Female vocals sing proudly about being bad. Shouted vocals mix with melodic harmonies to convey a multi-talented persona. An individual with a lot of skill who likes to misbehave. Screeching melodies inspire a modern energy, formidable electronic FX. Ad-libbed vocals towards the end further present a talent and a boastful energy.歌词
(I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go, If you bad and you slaying, Let me, let me hear you say it, If you bad and you slayin, Say it. I'm so so bad, If you bad and you slayin, Let me, let me hear you say it If you bad and you slayin, Say it, I'm so so bad. Bad girl, Yeah I'm that girl, Ain't careful, Imma steal your man, girl, Rad girl, Never sad girl, Call my bestie up, Where ya at girl? When they see me coming, They all come running, Cause I'm banging, Like a drum, Drum-drummin Get them going, Trumpets blowing, Better get a cup, Cause this juice is flowing, I'm burning hot like firewood, And they know they not, But they wish they could, Make being bad look so damn good, So good, So good. Booty fat girl, Hat back girl, Your type, You like it like that girl, Cadillac girl, Zodiac girl, My horoscope telling facts girl, When they see me coming, They all come running, Cause I'm banging, Like a drum Drum-drummin, Get them going, Trumpets blowing. Better get a cup, Cause this juice is flowing, I'm burning hot like firewood, And they know they not, But they wish they could, Make being bad look so damn good, So good, So good. (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go, If you bad and you slaying, Let me, let me hear you say it, If you bad and you slayin, Say it.
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Small, modest melodic elements overrun by noisy synth FX. Screeching melodies inspire a modern energy, formidable electronic FX. Instrumental version.
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Female vocals sing proudly about being bad. Shouted vocals mix with melodic harmonies to convey a multi-talented persona. An individual with a lot of skill who likes to misbehave. Screeching melodies inspire a modern energy, formidable electronic FX. Ad-libbed vocals towards the end further present a talent and a boastful energy. Stripped back underscore version.
