| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Angels and Demons at Play [EOS125 - 2] |
0 | 3'02 | Anthony Mowat | Waiting, suspended & tense. BAss, guitar, drums, synth& distant | 社会悲剧 进行中 漂泊 间谍片 | Fm | 60 | |||
|
Jazz from Hell [EOS125 - 6] |
0 | 1'38 | Anthony Mowat | Waiting, enigmatic & nocturnal. Synth, guitar, bass, drums, distant | 进行中 神秘 夜晚 电声低音 | Fm | 80 | |||
|
The Wait [EOS125 - 10] |
0 | 1'02 | Anthony Mowat | Waiting, mysterious, wandering & nocturnal. Bass, guitar, drums, | 气氛 社会悲剧 进行中 悬念 | Cm | 108 | |||
|
Empty City [AMS5043 - 1] |
3'17 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. 1st part with melancholic guitar & | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | ||||
|
Empty City Alternate 1 [AMS5043 - 11] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 悲剧 高潮 忧伤 | Gbm | 81 | |||
|
Empty City Alternate 2 [AMS5043 - 12] |
版本. | 3'17 | Aleksandar Dimitrijevic | Version without melody | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 1 (30 sec) [AMS5043 - 13] |
版本. | 0'26 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Gbm | 80 | |||
|
Empty City Edit 2 (15 sec) [AMS5043 - 14] |
版本. | 0'11 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 悲剧 高潮 忧伤 | Bm | 80 | |||
|
Chemical Rush [CEZ4641 - 3] |
3'05 | Apollo Noir | Ambient electro, analog horror. Disturbing, insistant & psychotic | 电子实验室 令人不安 奇怪 催眠 | C | 120 | ||||
|
Chemical Rush Alternate [CEZ4641 - 13] |
版本. | 2'36 | Apollo Noir | Alternate ambient. | 令人不安 奇怪 催眠 有毒 | C | 120 | |||
|
The Mechanics of Evil
[CEZ4641 - 12] |
2'19 | Adrien Degioanni | Ambient electro, analog horror. Unstable, diabolic & worrying. Ideal | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
La Reine des Ténèbres [EOS119 - 1] |
0 | 3'50 | Dominique Malan | Lively, confident & whimsical. Drums, electric guitar, mallet | 仿纪录片 街道戏剧 摇摆 讽刺 & 恶意 | Em | 86 | |||
|
My Demons [INP075 - 7] |
2'18 | Michael Adels | Weary, brave, despondent. Trip hop rhythm inches out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 120 | ||||
|
My Demons (Instrumental) [INP075 - 25] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out with a embattled | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
My Demons (Underscore) [INP075 - 26] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Indicated [AMS5042 - 5] |
1'37 | Danijel Grubovic | Hybrid trailer. Metallic, mechanical & fierce. Build-up @ 0'18 with | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | ||||
|
Indicated Alternate 1 [AMS5042 - 40] |
版本. | 1'37 | Danijel Grubovic | No percussion version | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Alternate 2 [AMS5042 - 41] |
版本. | 1'37 | Danijel Grubovic | Percussion only version | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Alternate 3 [AMS5042 - 42] |
版本. | 1'37 | Danijel Grubovic | No voice fx version | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Alternate 4 [AMS5042 - 43] |
版本. | 1'37 | Danijel Grubovic | Bed | 画面感 爆炸 轰隆声 动作游戏 | Bbm | 147 | |||
|
Indicated Alternate 5 [AMS5042 - 44] |
版本. | 1'37 | Danijel Grubovic | Underscore | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Edit 1 (60 sec) [AMS5042 - 45] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Edit 2 (30 sec) [AMS5042 - 46] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Edit 3 (15 sec) [AMS5042 - 47] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 148 | |||
|
The Gateway to the Desert [CEO2174 - 5] |
2'23 | Erella Atlan | Enigmatic, distant & orientalizing. Magnificent & chimerical climax | 冒险片 画面感 命运 遗产 | F | 70 | ||||
|
The Gateway to the Desert
[CEO2174 - 18] |
版本. | 2'23 | Erella Atlan | Version without percussion. | 冒险片 画面感 命运 遗产 | F | 70 | |||
|
Bring It On [AMS5040 - 7] |
2'00 | Ilan Kunik | Confident, insistent & challenging. Claps, snaps, percussion & male | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | ||||
|
Bring It On Alternate [AMS5040 - 24] |
版本. | 2'00 | Ilan Kunik | Version without voice | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Bring It On Edit 1 (30 sec) [AMS5040 - 25] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Bring It On Edit 2 (15 sec) [AMS5040 - 26] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 打击乐合奏 广告 固执 打击流行乐 | Ebm | 142 | |||
|
Chronostasis [CEG5050 - 6] |
2'18 | Jia | Cinematic Dark Score. Enigmatic & alien-like intro with deep | 画面感 神秘 太空 令人不安 | Gm | 60 | ||||
|
Chronostasis Alternate [CEG5050 - 16] |
版本. | 2'18 | Jia | Version underscore. | 画面感 神秘 太空 令人不安 | Gm | 60 | |||
|
Breaking Point [AUD041 - 2] |
2'15 | Lee Volfoni | Electronic score. Weird, uneasy & paranormal. Synths, soft taiko | 令人不安 无情 神秘 悬念 | Am | 88 | ||||
|
Breaking Point Alternate 1 [AUD041 - 7] |
版本. | 0'38 | Lee Volfoni | Short edit | 令人不安 无情 神秘 悬念 | A | 88 | |||
|
Breaking Point Alternate 2 [AUD041 - 12] |
版本. | 2'15 | Lee Volfoni | Alternative version | 令人不安 无情 神秘 悬念 | Am | 117 | |||
|
High-Risk Life [CEC8054 - 4] |
1'36 | Zhang Hao, Peng Qu | Urgent, warlike, imposing, epic & victorious. Percussion, | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | ||||
|
High-Risk Life Edit 1 (60 sec) [CEC8054 - 23] |
版本. | 1'00 | Zhang Hao, Peng Qu | 60 second cut | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | |||
|
High-Risk Life Edit 2 (30 sec) [CEC8054 - 24] |
版本. | 0'30 | Zhang Hao, Peng Qu | 30 second cut | 动作游戏 紧急 画面感 间谍片 | Dm | 126 | |||
|
High-Risk Life Edit 3 (15 sec) [CEC8054 - 25] |
版本. | 0'15 | Zhang Hao, Peng Qu | 15 second cut | 动作游戏 紧急 画面感 间谍片 | D | 126 | |||
|
Flamboyant [ISC081 - 1] |
2'21 | Bohdan Yeremenko | ☆ WINNER "Best Use - Sports Promo" @Production Music Awards UK 2025 | 画面感 高雅 气势 史诗 | Em | 80 | ||||
|
Flamboyant Alternate [ISC081 - 11] |
版本. | 2'21 | Bohdan Yeremenko | Version without percussion. | 高雅 气势 史诗 预告片 | Em | 162 | |||
|
Lost in the Glow [ISC081 - 5] |
2'35 | Bohdan Yeremenko | Cinematic. Bright, ethereal & glowing. Dreamy & floating intro with | 电子乐宣传片 信息技术 固执 画面感 | Em | 141 | ||||
|
Lost in the Glow Alternate [ISC081 - 15] |
版本. | 2'35 | Bohdan Yeremenko | Version without percussion. | 电子乐宣传片 信息技术 固执 画面感 | Em | 142 | |||
|
Major Innovation [ISC081 - 9] |
3'01 | Bohdan Yeremenko | Hybrid neo-classical. Concerned, lively & dramatic. Anxious intro | 新古典电音 冲击 进步 高潮 | Cm | 156 | ||||
|
Major Innovation Alternate [ISC081 - 19] |
版本. | 3'01 | Bohdan Yeremenko | Version without percussion. | 新古典电音 进步 高潮 令人激动 | Cm | 156 | |||
|
Backwash [AUD036 - 1] |
3'29 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | 催眠 当代艺术 试验摇滚 周期性的 | A | 86 | ||||
|
Backwash (Short Edit) [AUD036 - 6] |
版本. | 0'42 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | 催眠 试验摇滚 当代艺术 神秘 | A | 86 | |||
|
Backwash (Full Length) [AUD036 - 11] |
版本. | 8'46 | Dominique Grimaldi | Minimal and fascinating. Bright and pulsing minimal bass guitars | 催眠 试验摇滚 当代艺术 神秘 | A | 86 | |||
|
Trails of the Unknown [EOS108 - 3] |
0 | 2'20 | Pierre Bats | Determined, punctuated & epic. Staccato strings, bouzouki, mandolin & | 有节奏感 独立电影 命运 果断 | D | 81 |