| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cyber Hacker [TBX217 - 4] |
2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes are | 调查研究 信息技术 电子鼓 不平稳 | Em | 178 | ||||
|
Cyber Hacker (Underscore) [TBX217 - 23] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Underscore No
[TBX217 - 24] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子琴 信息技术 工业 疑问 | Em | 178 | |||
|
Cyber Hacker (30 Sec) [TBX217 - 25] |
版本. | 0'30 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Sting) [TBX217 - 26] |
版本. | 0'12 | Gary Meek | Eerie, sneaky, anticipatory. Pulsing notes and worried synth spread | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Elephant In The Room [TBX215 - 5] |
2'25 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Plodding, humorous, clownish. Large bass marches out with a foolish | 动画 悲喜剧 笨拙 进行曲 | Cm | 113 | ||||
|
Elephant In The Room
[TBX215 - 15] |
版本. | 2'00 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Plodding, humorous, clownish. Large bass marches out with a foolish | 悲喜剧 进行曲 悲喜剧 动画 | F | 113 | |||
|
Clumsy Steps [TBX215 - 7] |
2'23 | Anthony Sallis, Ben Bodie | Fun, sneaky, suspicious. Strings and glockenspiel creep out amid | 恐怖喜剧 动画 悲喜剧 讽刺 & 恶意 | Ebm | 98 | ||||
|
Clumsy Steps (Underscore) [TBX215 - 17] |
版本. | 2'10 | Anthony Sallis, Ben Bodie | Fun, sneaky, suspicious. Footstep rough percussion creeps out, | 悲喜剧 讽刺 & 恶意 动画 电影原声带 | Ebm | 98 | |||
|
The Race Is On [IOM035 - 4] |
1'37 | David Birnie | Heavy, confident, powerful. Fuzzy rock bass gives a sense of badass | 极限运动 画面感 动作片 气势 | Am | 172 | ||||
|
The Race Is On (Underscore) [IOM035 - 34] |
版本. | 1'37 | David Birnie | Heavy, confident, powerful. Eerie string euphoria is nailed down by | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (Percussion
[IOM035 - 35] |
版本. | 1'37 | David Birnie | Heavy, confident, exciting. Tick tock percussion is met with heavy | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (60 sec) [IOM035 - 36] |
版本. | 1'03 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (30 sec) [IOM035 - 37] |
版本. | 0'30 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (15 sec) [IOM035 - 38] |
版本. | 0'16 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 87 | |||
|
The Race Is On (10 sec) [IOM035 - 39] |
版本. | 0'12 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 86 | |||
|
The Race Is On (5 sec) [IOM035 - 40] |
版本. | 0'04 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Gbm | 172 | |||
|
The Race Is On (Sting) [IOM035 - 41] |
版本. | 0'02 | David Birnie | Heavy, confident, exciting. Thud for rock action cue. Sting version. | 极限运动 画面感 动作片 气势 | A | 172 | |||
|
Back In The Game [IOM035 - 9] |
1'54 | David Birnie | Empowered, strong, spirited. Electronic powerful instrumentation | 动作片 冲击 紧急 画面感 | Dm | 142 | ||||
|
Back In The Game (Underscore) [IOM035 - 73] |
版本. | 1'54 | David Birnie | Empowered, strong, spirited. Electronic instrumentation rises with a | 动作片 紧急 画面感 预告片 | Dm | 140 | |||
|
Back In The Game (Percussion
[IOM035 - 74] |
版本. | 1'54 | David Birnie | Empowered, strong, spirited. Strong percussion rises with a powerful | 动作片 冲击 紧急 画面感 | Gm | 143 | |||
|
Back In The Game (60 sec) [IOM035 - 75] |
版本. | 1'01 | David Birnie | Empowered, strong, spirited. Electronic powerful instrumentation | 动作片 冲击 紧急 画面感 | Dm | 143 | |||
|
Back In The Game (30 sec) [IOM035 - 76] |
版本. | 0'31 | David Birnie | Empowered, strong, spirited. Explosive instrumentation with breakneck | 动作片 冲击 紧急 画面感 | Dm | 143 | |||
|
Back In The Game (15 sec) [IOM035 - 77] |
版本. | 0'17 | David Birnie | Empowered, strong, spirited. Explosive instrumentation with breakneck | 动作片 冲击 紧急 画面感 | Dm | 142 | |||
|
Back In The Game (10 sec) [IOM035 - 78] |
版本. | 0'10 | David Birnie | Empowered, strong, spirited. Explosive instrumentation with breakneck | 动作片 冲击 紧急 画面感 | Dm | 141 | |||
|
Back In The Game (5 sec) [IOM035 - 79] |
版本. | 0'07 | David Birnie | Empowered, strong, spirited. Explosive instrumentation with breakneck | 动作片 冲击 紧急 画面感 | G | 143 | |||
|
Back In The Game (Sting) [IOM035 - 80] |
版本. | 0'05 | David Birnie | Empowered, strong, spirited. Breakneck drumbeat in epic action cue. A | 动作片 冲击 紧急 画面感 | G | 136 | |||
|
Butterfly Effect [INP077 - 1] |
2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | 团队运动 嘻哈预告风 沉重 固执 | Cm | 140 | ||||
|
Butterfly Effect (Underscore) [INP077 - 11] |
版本. | 2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | Cm | 140 | ||||
|
Clash Of Titans [INP077 - 6] |
3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | 史诗 嘻哈预告风 爆炸 战士 | Fm | 130 | ||||
|
Clash Of Titans (Underscore) [INP077 - 16] |
版本. | 3'48 | Orfeas Dialinos, Willie Eaglin | Ominous, epic, explosive. Large lumbering boom impacts offer a sense | Fm | 130 | ||||
|
Out of Control [CET9102 - 10] |
2'14 | Zoltan Zadori | Cinematic. Ominous & dark intro with echoing pulse & dull sonar | 恐怖 恐怖片 冲击 画面感 | Ebm | 162 | ||||
|
Out of Control Alternate 1 [CET9102 - 29] |
版本. | 2'14 | Zoltan Zadori | Version without percussion. | 恐怖 恐怖片 画面感 战争 | Eb | 162 | |||
|
Out of Control Alternate 2 [CET9102 - 30] |
版本. | 2'14 | Zoltan Zadori | Version without alarms. | 恐怖 恐怖片 冲击 画面感 | Ebm | 80 | |||
|
Martini Please [CET9103 - 3] |
2'08 | Salvador Casais | Cinematic Trailer Jazz. Classy & marching introduction. Then | 电影爵士乐 间谍片 讽刺 & 恶意 动画 | Am | 131 | ||||
|
Martini Please Alternate 1 [CET9103 - 20] |
版本. | 2'08 | Salvador Casais | Version without percussion. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Am | 131 | |||
|
Martini Please Alternate 2 [CET9103 - 21] |
版本. | 2'08 | Salvador Casais | Version with percussion only. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Abm | 131 | |||
|
Martini Please Alternate 3 [CET9103 - 22] |
版本. | 2'08 | Salvador Casais | Bed version. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Am | 131 | |||
|
Martini Please Alternate 4 [CET9103 - 23] |
版本. | 2'08 | Salvador Casais | Underscore version. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Am | 130 | |||
|
Martini Please Edit 1 30 sec [CET9103 - 24] |
版本. | 0'30 | Salvador Casais | 30 second cut. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Am | 131 | |||
|
Martini Please Edit 2 15 sec [CET9103 - 25] |
版本. | 0'16 | Salvador Casais | 15 second cut. | 间谍片 电影爵士乐 讽刺 & 恶意 动画 | Am | 130 | |||
|
The Perfect Heist [CET9103 - 7] |
1'52 | Salvador Casais | Jazzy spy movie trailer. Captivating introduction with vibraphone. | 动画 预告片 电影爵士乐 高雅 | Gm | 185 | ||||
|
The Perfect Heist Alternate 1 [CET9103 - 44] |
版本. | 1'52 | Salvador Casais | Version without percussion. | 动画 预告片 电影爵士乐 高雅 | Gm | 90 | |||
|
The Perfect Heist Alternate 2 [CET9103 - 45] |
版本. | 1'52 | Salvador Casais | Version with percussion only. | 动画 预告片 电影爵士乐 高雅 | Abm | 185 | |||
|
The Perfect Heist Alternate 3 [CET9103 - 46] |
版本. | 1'52 | Salvador Casais | Instrumental version. | 动画 预告片 电影爵士乐 高雅 | Gm | 185 | |||
|
The Perfect Heist Alternate 4 [CET9103 - 47] |
版本. | 1'52 | Salvador Casais | Bed version. | 动画 预告片 电影爵士乐 高雅 | Gm | 185 | |||
|
The Perfect Heist Alternate 5 [CET9103 - 48] |
版本. | 1'52 | Salvador Casais | Underscore version. | 动画 预告片 电影爵士乐 高雅 | Gm | 185 | |||
|
The Perfect Heist Edit 1 30
[CET9103 - 49] |
版本. | 0'30 | Salvador Casais | 30 second cut. | 动画 预告片 电影爵士乐 高雅 | Gm | 185 | |||
|
The Perfect Heist Edit 2 15
[CET9103 - 50] |
版本. | 0'15 | Salvador Casais | 15 second cut. | 动画 预告片 电影爵士乐 高雅 | Gm | 178 | |||
|
Breach [AMS5047 - 2] |
1'50 | Salvador Casais | Cinematic percussion. Ominous intro. Build-up @ 0'16 with fast | 冲击 冲突 吵闹 画面感 | Em | 130 | ||||
|
Breach Alternate 1 [AMS5047 - 14] |
版本. | 1'50 | Salvador Casais | Version without percussion | 画面感 预告片 高潮 史诗 | Em | 130 | |||
|
Breach Alternate 2 [AMS5047 - 15] |
版本. | 1'50 | Salvador Casais | Version with percussion only | 冲击 冲突 画面感 高潮 | Am | 130 | |||
|
Breach Alternate 3 [AMS5047 - 16] |
版本. | 1'50 | Salvador Casais | Bed version | 画面感 高潮 预告片 吵闹 | Em | 130 | |||
|
Breach Alternate 4 [AMS5047 - 17] |
版本. | 1'50 | Salvador Casais | Underscore version | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 1 (30 sec) [AMS5047 - 18] |
版本. | 0'32 | Salvador Casais | 30 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 2 (15 sec) [AMS5047 - 19] |
版本. | 0'16 | Salvador Casais | 15 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Zurna Tale [BIB283 - 5] |
1'45 | Michael Panayiotis | Cinematic, exotic, adventurous. Subtle bass plods in the backdrop as | 军事冲突 热沙漠 间谍片 进步 | C | 162 | ||||
|
Zurna Tale (Underscore No
[BIB283 - 19] |
版本. | 1'45 | Michael Panayiotis | Cinematic, exotic, adventurous. Subtle bass plods in the backdrop as | 军事冲突 热沙漠 间谍片 进步 | C | 162 | |||
|
Zurna Tale (Underscore Sparse) [BIB283 - 20] |
版本. | 1'45 | Michael Panayiotis | Cinematic, exotic, adventurous. Subtle bass plods in the backdrop as | 军事冲突 热沙漠 间谍片 进步 | C | 162 | |||
|
Back to a Peaceful Life [CEG5053 - 15] |
0 | 2'35 | Baptiste Charvet | Atmospheric & eerie, then driving & mysterious @ 1'18. Fender Rhodes | 神秘 气氛 间谍片 调查研究 | Gm | 162 | |||
|
Ticking Aversion [AMS5046 - 8] |
1'50 | Xavier Pacqueteau, Felix Weber | Horror trailer. Suspenseful, aggressive & fierce. Build-up with | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | ||||
|
Ticking Aversion Alternate 1 [AMS5046 - 60] |
版本. | 1'50 | Xavier Pacqueteau, Felix Weber | Version without percussion | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 2 [AMS5046 - 61] |
版本. | 1'50 | Xavier Pacqueteau, Felix Weber | Version with percussion only | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 3 [AMS5046 - 62] |
版本. | 1'50 | Xavier Pacqueteau, Felix Weber | Version without strings | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 4 [AMS5046 - 63] |
版本. | 1'50 | Xavier Pacqueteau, Felix Weber | Bed | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 5 [AMS5046 - 64] |
版本. | 1'50 | Xavier Pacqueteau, Felix Weber | Underscore | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 6 [AMS5046 - 65] |
版本. | 0'30 | Xavier Pacqueteau, Felix Weber | 30 seconds cut | 冲突 摩擦声 恐怖片 无情 | Cm | 84 | |||
|
Ticking Aversion Alternate 7 [AMS5046 - 66] |
版本. | 0'15 | Xavier Pacqueteau, Felix Weber | 15 seconds cut | 冲突 摩擦声 恐怖片 无情 | Cm | 165 | |||
|
Contemporary Pieces No 4 [AUD043 - 4] |
2'02 | Bruno Letort | Contemporary classical. Ghostly, mysterious & atonal. Trombones, | 抱歉 无调性音乐 阴险 神秘 | A | 118 | ||||
|
Contemporary Pieces No 4
[AUD043 - 9] |
版本. | 0'24 | Bruno Letort | Short edit version | 抱歉 无调性音乐 阴险 神秘 | Am | 70 | |||
|
Space & Time [TBX210 - 7] |
3'05 | Patrick Roberts | Epic, dramatic, soft. Drawling raspy string gives a pained vibe, | 反省 忧伤 电影原声带 电吉他 | Gm | 100 | ||||
|
Space & Time (Underscore) [TBX210 - 17] |
版本. | 3'05 | Patrick Roberts | Epic, dramatic, soft. Drawling raspy string gives a pained vibe, | 反省 忧伤 电影原声带 电吉他 | Gm | 100 | |||
|
Wilderness [TBX210 - 9] |
3'07 | Patrick Roberts | Adventurous, strong, climactic. Strings give a feeling of stoic | 电影原声带 令人激动 独立电影 忧伤 | Dm | 100 | ||||
|
Wilderness (Underscore) [TBX210 - 19] |
版本. | 3'07 | Patrick Roberts | Adventurous, strong, climactic. Strings give a feeling of stoic | 电影原声带 令人激动 独立电影 忧伤 | Dm | 100 | |||
|
Euphoria [ISC087 - 8] |
2'32 | Norbert Gobor | Cinematic score. Serious, focus, linear & cold. Muffled beat & | 令人不安 调查研究 夜晚 悬念 | D | 148 | ||||
|
Euphoria Alternate [ISC087 - 20] |
版本. | 2'32 | Norbert Gobor | Version without percussion | 令人不安 调查研究 夜晚 悬念 | D | 148 | |||
|
A Day Like Any Other
[CEZ4642 - 52] |
1'51 | Daniel Backes, Andreas Suttner | Version with less acoustic guitar | 社会悲剧 忧伤 命运 中立 | Cm | 164 | ||||
|
A Day Like Any Other [CEZ4642 - 9] |
版本. | 2'03 | Daniel Backes, Andreas Suttner | Peaceful, restrained, steady, confident & soft. Cello, acoustic | 社会悲剧 忧伤 命运 反省 | Cm | 163 | |||
|
Berlin Confidential [CEG5052 - 3] |
2'12 | Louis Edlinger | Minimal electro. Suspended, enigmatic & reflective. Sparkling synth | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 | ||||
|
Berlin Confidential Alternate
[CEG5052 - 17] |
版本. | 2'12 | Louis Edlinger | Version without rhythm. | 神秘 夜晚 信息技术 间谍片 | Dm | 96 | |||
|
Berlin Confidential Alternate
[CEG5052 - 18] |
版本. | 2'07 | Louis Edlinger | Version without bass. | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 |