| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Elated Tension [TBX195 - 9] |
2'09 | Aaron Hoey, Michael Tedstone | Epic, dangerous, serious. Plucked strings give a tense and bright | 画面感 阴险 心理剧 司法 | Cm | 100 | ||||
|
Elated Tension (Underscore) [TBX195 - 23] |
版本. | 2'09 | Aaron Hoey, Michael Tedstone | Epic, dangerous, serious. Keys and strings give a tense atmosphere as | 画面感 阴险 心理剧 司法 | Ab | 100 | |||
|
Legend [TBX195 - 11] |
2'18 | Patrick Roberts | Dramatic, wartorn, heroic. Gentle piano offers a knowing energy, an | 悲剧 军事冲突 社会悲剧 令人不安 | Cm | 90 | ||||
|
Legend (Underscore) [TBX195 - 25] |
版本. | 2'18 | Patrick Roberts | Dramatic, wartorn, heroic. Gentle piano offers a knowing energy, an | 悲剧 军事冲突 社会悲剧 令人不安 | Cm | 90 | |||
|
Golden [IOM022 - 5] |
0 | 3'24 | Christopher Boot, James Smith | Trippy, euphoric, serious. Euphoric strings shine in the backdrop as | cocktail bar 六十年代迷幻乐 热沙漠 放松 | Bbm | 162 | |||
|
Exoscience [CEZ4626 - 9] |
0 | 3'08 | Rémo | Ambient, electronica. Circular, spatial & mysterious. Modular synth. | 神秘 信息技术 太空 加速镜头 | Bb | 89 | |||
|
Operation Overlord [CEO2164 - 1] |
0 | 2'06 | Baptiste Thiry | Warlike, heavy, menacing & insidious. Brass, percussion, staccato | 军事冲突 战士 画面感 战争 | Dm | 101 | |||
|
The Battle of the Hedges [CEO2164 - 7] |
0 | 1'52 | Baptiste Thiry | Warlike, martial, menacing, obstinate & solemn. Staccato strings, | 战争 爱国主义 军事冲突 史诗 | Gm | 166 | |||
|
101st Airborne [CEO2164 - 14] |
0 | 1'28 | Baptiste Thiry | Heavy, powerful, menacing, warlike & toxic. Brass, percussion, fx, | 军事冲突 战士 史诗 令人不安 | Em | 120 | |||
|
The Strange Beauty [CEZ4625 - 12] |
2'32 | Claude Samard | Ambient, space music. Mysterious & suspended intro, then determined & | 神秘 悬念 疑问 悬念 | C | 70 | ||||
|
The Strange Beauty Alternate [CEZ4625 - 23] |
版本. | 2'32 | Claude Samard | Alternate no percussion. | 神秘 悬念 疑问 悬念 | C | 70 | |||
|
The Strange Beauty Alternate 2 [CEZ4625 - 24] |
版本. | 2'11 | Claude Samard | Alternate edit. | 神秘 悬念 疑问 悬念 | C | 70 | |||
|
Flicker [EOS113 - 1] |
0 | 2'30 | Astronotes | Cinematic Sound design. Suspended, cold & from the abyss. Drone, | 令人不安 神秘 深邃 气氛 | C | 98 | |||
|
Nocturne [EOS113 - 3] |
0 | 2'48 | Astronotes | Tense, analytic & mecanic. Waiting. Synth pulse sequence & sound | 间谍片 调查研究 电子琴 令人不安 | C | 129 | |||
|
Obscura [EOS113 - 8] |
0 | 2'28 | Astronotes | Dark, urban & mysterious. Waiting, Synth pulse & soundscape. | 神秘 电子琴 令人不安 调查研究 | Em | 85 | |||
|
Arch Nemesis [ISC067 - 9] |
2'59 | Loic Ghanem | Cinematic ambient metal. Epic, dramatic and rugged. Electric guitars, | 动作片 金属芯 都市景色 爆炸 | Gm | 146 | ||||
|
Arch Nemesis Alternate 1 [ISC067 - 20] |
版本. | 2'59 | Loic Ghanem | Alternate version without percussion. | 动作片 金属芯 都市景色 动作游戏 | Gm | 146 | |||
|
Arch Nemesis Alternate 2 [ISC067 - 21] |
版本. | 2'59 | Loic Ghanem | Alternate version without orchestration. | 动作片 金属芯 都市景色 爆炸 | Gm | 146 | |||
|
The End of Times [CEG5043 - 4] |
0 | 3'28 | Denis Levaillant | Paranormal, psychotic, noisy, sinister & metallic. Drone/sound design | 恐怖片 神经病 心理剧 嗡嗡声 | Em | 86 | |||
|
Creepy Aftermath [CEG5042 - 6] |
0 | 3'03 | Denis Levaillant | Unstable, tumultuous, tormented, disturbing & terrifying. Drone/sound | 吵闹 不稳定 有毒 中断 | Ebm | 91 | |||
|
Going Undercover [AMS5024 - 2] |
2'08 | Ilan Kunik | Dramedy. Groovy, classy, mischievous & jazzy. Big band. Suggested for | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | ||||
|
Going Undercover Alternate 1 [AMS5024 - 16] |
版本. | 2'08 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 2 [AMS5024 - 17] |
版本. | 2'08 | Ilan Kunik | Alternate version with only percussion. | 好玩 动画 侦探喜剧 电影爵士乐 | Gm | 116 | |||
|
Going Undercover Alternate 3 [AMS5024 - 18] |
版本. | 2'08 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 4 [AMS5024 - 19] |
版本. | 2'08 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 5 [AMS5024 - 20] |
版本. | 2'08 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 6 [AMS5024 - 21] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 7 [AMS5024 - 22] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 152 | |||
|
Breaking Point [AMS5024 - 6] |
2'24 | Ilan Kunik | Dramedy. Discontinuous, urgent, strong, clumsy, mischievous & | 动画 电影爵士乐 侦探喜剧 果断 | Em | 164 | ||||
|
Breaking Point Alternate 1 [AMS5024 - 44] |
版本. | 2'24 | Ilan Kunik | Alternate version without percussion. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 163 | |||
|
Breaking Point Alternate 2 [AMS5024 - 45] |
版本. | 2'24 | Ilan Kunik | Alternate version with only percussion. | 动画 电影爵士乐 侦探喜剧 果断 | Ebm | 164 | |||
|
Breaking Point Alternate 3 [AMS5024 - 46] |
版本. | 2'24 | Ilan Kunik | Alternate version without strings. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 163 | |||
|
Breaking Point Alternate 4 [AMS5024 - 47] |
版本. | 2'24 | Ilan Kunik | Alternate bed version. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 164 | |||
|
Breaking Point Alternate 5 [AMS5024 - 48] |
版本. | 2'24 | Ilan Kunik | Alternate underscore version. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 164 | |||
|
Breaking Point Alternate 6 [AMS5024 - 49] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 164 | |||
|
Breaking Point Alternate 7 [AMS5024 - 50] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 动画 电影爵士乐 侦探喜剧 果断 | Em | 163 | |||
|
Its Go Time [AMS5024 - 7] |
2'06 | Ilan Kunik | Dramedy. Clumsy, strong, rhythmic and catchy. Big band. Suggested for | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 112 | ||||
|
Its Go Time Alternate 1 [AMS5024 - 51] |
版本. | 2'06 | Ilan Kunik | Alternate version without percussion. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | D | 111 | |||
|
Its Go Time Alternate 2 [AMS5024 - 52] |
版本. | 2'06 | Ilan Kunik | Alternate version with only percussion. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Abm | 112 | |||
|
Its Go Time Alternate 3 [AMS5024 - 53] |
版本. | 2'06 | Ilan Kunik | Alternate version without strings. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 112 | |||
|
Its Go Time Alternate 4 [AMS5024 - 54] |
版本. | 2'06 | Ilan Kunik | Alternate bed version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 112 | |||
|
Its Go Time Alternate 5 [AMS5024 - 55] |
版本. | 2'06 | Ilan Kunik | Alternate underscore version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 112 | |||
|
Its Go Time Alternate 6 [AMS5024 - 56] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 111 | |||
|
Its Go Time Alternate 7 [AMS5024 - 57] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 电影爵士乐 侦探喜剧 悲喜剧 动画 | Dm | 111 | |||
|
Sneaking Up [AMS5024 - 8] |
2'13 | Ilan Kunik | Dramedy. Bouncy, mischievous, playful & devious. Big band. Suggested | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | ||||
|
Sneaking Up Alternate 1 [AMS5024 - 58] |
版本. | 2'12 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | |||
|
Sneaking Up Alternate 2 [AMS5024 - 59] |
版本. | 2'12 | Ilan Kunik | Alternate version with only percussion. | 电影爵士乐 侦探喜剧 悲喜剧 好玩 | Ebm | 80 | |||
|
Sneaking Up Alternate 3 [AMS5024 - 60] |
版本. | 2'13 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 80 | |||
|
Sneaking Up Alternate 4 [AMS5024 - 61] |
版本. | 2'12 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 80 | |||
|
Sneaking Up Alternate 5 [AMS5024 - 62] |
版本. | 2'12 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | |||
|
Sneaking Up Alternate 6 [AMS5024 - 63] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | G | 80 | |||
|
Sneaking Up Alternate 7 [AMS5024 - 64] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | G | 79 | |||
|
Behind You [TBX188 - 10] |
1'36 | Marvin Mcmahon | Scary, subtle, dark. Fast-moving bass sets out a panicked atmosphere | 令人不安 固执 稳定的 调查研究 | Fm | 163 | ||||
|
Behind You (30 sec) [TBX188 - 31] |
版本. | 0'29 | Marvin Mcmahon | Scary, subtle, dark. Fast-moving bass and organic plucked string | 令人不安 固执 稳定的 调查研究 | Fm | 109 | |||
|
Sinister Sequence [TBX184 - 3] |
1'54 | Jack Pierce | Futuristic, grave, atmospheric. Synth plays out with plucked strings | 令人不安 调查研究 固执 司法 | Ebm | 99 | ||||
|
Sinister Sequence (Underscore) [TBX184 - 16] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum | 令人不安 调查研究 固执 司法 | Ebm | 99 | |||
|
Sinister Sequence (Underscore
[TBX184 - 17] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum | 令人不安 调查研究 固执 司法 | Ebm | 99 |