| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Minor Hitch [CEZ4671 - 1] |
1'06 | Emma Jackson | Dramedy. Elegant, reflective & investigative. Double bass, cello & | 疑问 light tension 悲喜剧 反省 | Fm | 120 | ||||
|
A Minor Hitch Alternate [CEZ4671 - 17] |
版本. | 1'06 | Emma Jackson | Underscore version | 疑问 light tension 悲喜剧 反省 | Fm | 120 | |||
|
How Unfortunate [CEZ4671 - 2] |
2'01 | Jack Pierce | Dramedy. Stealthy & cunning with a light suspense. Clarinet bass, | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Abm | 97 | ||||
|
How Unfortunate Alternate 1 [CEZ4671 - 18] |
版本. | 2'01 | Jack Pierce | Underscore version | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Ab | 97 | |||
|
How Unfortunate Alternate 2 [CEZ4671 - 19] |
版本. | 2'01 | Jack Pierce | Underscore version | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Abm | 97 | |||
|
What Will Be, Will Be [CEZ4671 - 13] |
2'33 | Benjamin Doherty | Dramedy. Reflective, suspended & elegant. Cello, muted guitar, | 害羞 悲喜剧 反省 light tension | Dm | 110 | ||||
|
What Will Be, Will Be
[CEZ4671 - 29] |
版本. | 2'33 | Benjamin Doherty | Underscore version | 害羞 悲喜剧 反省 light tension | Dm | 110 | |||
|
Disconnect to Feel [ISC102 - 10] |
2'35 | Gregory Cotti | Emotional landscape. Atmospheric, uncertain & cold. Bright synth, | 潮湿 气氛 进行中 漂泊 | Fm | 60 | ||||
|
Disconnect to Feel Alternate [ISC102 - 19] |
版本. | 2'35 | Gregory Cotti | Underscore version. | 潮湿 气氛 进行中 漂泊 | Fm | 118 | |||
|
Moving Skies [CET9106 - 10] |
2'36 | Brian Delgado | Majestic epic trailer. Tense & transcendent introduction with | 凯旋 冒险片 画面感 庄严 | Dm | 178 | ||||
|
Moving Skies Alternate [CET9106 - 20] |
版本. | 2'36 | Brian Delgado | Version without percussion. | 凯旋 冒险片 画面感 庄严 | Dm | 178 | |||
|
Forensic Artifact [CEG5055 - 1] |
2'00 | Louis Edlinger | Organic electro. Intriguing, waiting, interrogative & mysterious. | 科学 信息技术 极简电子音乐 原声电子 | Em | 100 | ||||
|
Forensic Artifact Alternate 1 [CEG5055 - 11] |
版本. | 1'45 | Louis Edlinger | Version with less synth and no melody. | 神秘 原声电子 伴音 调查研究 | E | 100 | |||
|
Forensic Artifact Alternate 2 [CEG5055 - 12] |
版本. | 1'33 | Louis Edlinger | Version with less synth and no bass. | 原声电子 科学 严谨 极简电子音乐 | Em | 135 | |||
|
Secret Lab [CEG5055 - 2] |
2'16 | Louis Edlinger | Organic electro. Obstinate, scientific & attentive with an aquatic | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | ||||
|
Secret Lab Alternate 1 [CEG5055 - 13] |
版本. | 2'15 | Louis Edlinger | Version without bass. | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | |||
|
Secret Lab Alternate 2 [CEG5055 - 14] |
版本. | 2'13 | Louis Edlinger | Version with less synth and no rythm. | 原声电子 工业 间谍片 稳定的 | C | 110 | |||
|
Every Lead Is Important [CEG5055 - 4] |
3'09 | Louis Edlinger | Organic electro. Interrogative, suspended, disturbing, repetitive & | 信息技术 调查研究 司法 神秘 | Gbm | 86 | ||||
|
Every Lead Is Important
[CEG5055 - 17] |
版本. | 3'02 | Louis Edlinger | Version with no rhythm & less synth. | 信息技术 调查研究 司法 神秘 | Gbm | 87 | |||
|
Every Lead Is Important
[CEG5055 - 18] |
版本. | 2'15 | Louis Edlinger | Version with less synth. | 极简电子音乐 间谍片 原声电子 令人不安 | Gbm | 86 | |||
|
Liquefaction [CEG5055 - 5] |
2'11 | Louis Edlinger | Organic electro. Dark & mysterious intro. Determined, tense & | 信息技术 极简电子音乐 奇怪 潮湿 | Cm | 100 | ||||
|
Liquefaction Alternate 1 [CEG5055 - 19] |
版本. | 2'09 | Louis Edlinger | Version without melody & without sound Fx. | 信息技术 极简电子音乐 司法 进行中 | Cm | 100 | |||
|
Liquefaction Alternate 2 [CEG5055 - 20] |
版本. | 2'12 | Louis Edlinger | Version without bass, synth pad & less drums. | 信息技术 极简电子音乐 周期性的 进行中 | Cm | 100 | |||
|
Antihero [CET9105 - 1] |
3'12 | Gabriel Saban | Epic tension trailer. Stealthy & edgy intro with rotor-like synths, | 无情 史诗 动作游戏 气势 | Em | 150 | ||||
|
Antihero Alternate 1 [CET9105 - 11] |
版本. | 3'12 | Gabriel Saban | Version without percussion. | 动作游戏 画面感 悬念 预告片 | Em | 150 | |||
|
Antihero Alternate 2 [CET9105 - 12] |
版本. | 3'12 | Gabriel Saban | Tense version without strings, choir & brass. | 动作游戏 画面感 悬念 预告片 | Em | 150 | |||
|
Commando Raid [CEO2175 - 5] |
0 | 3'18 | Olivier Militon | Cinematic/Hybrid orchestra. Edgy & constantly on the move and on its | 军事冲突 令人不安 历史旁白 固执 | Fm | 151 | |||
|
Waiting for the Assault [CEO2175 - 6] |
0 | 3'13 | Olivier Militon | Cinematic/Hybrid orchestra. Suspended, slightly anxious & in | 灾难 令人不安 神秘 军事冲突 | Cm | 114 | |||
|
Behind Enemy Lines [CEO2175 - 10] |
0 | 2'19 | Olivier Militon | Cinematic/Hybrid orchestra. Stealthy & suspenseful intro. Break @ | 画面感 军事冲突 战士 令人不安 | D | 94 | |||
|
Pressure Zone [EOS135 - 1] |
0 | 2'50 | Astronotes | Investigation & surveillance. On hold, tense & serious. Piano, synth, | 进行中 间谍片 令人不安 夜晚 | D | 144 | |||
|
Resistor [AMS5048 - 2] |
2'49 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Introduction with synth pads and saturated | 影院摇滚 史诗 动作游戏 沉重 | Em | 110 | ||||
|
Resistor Alternate 1 [AMS5048 - 13] |
版本. | 2'49 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 史诗 动作游戏 预告片 | Em | 110 | |||
|
Resistor Alternate 2 [AMS5048 - 14] |
版本. | 2'49 | Philippe Briand, Salvador Casais | Version with percussion only | 影院摇滚 史诗 动作游戏 沉重 | Fm | 110 | |||
|
Resistor Alternate 3 [AMS5048 - 15] |
版本. | 2'49 | Philippe Briand, Salvador Casais | Bed version | 影院摇滚 史诗 动作游戏 沉重 | Em | 110 | |||
|
Resistor Alternate 4 [AMS5048 - 16] |
版本. | 2'49 | Philippe Briand, Salvador Casais | Underscore version | 影院摇滚 史诗 动作游戏 沉重 | Em | 109 | |||
|
Resistor Edit 1 30 sec [AMS5048 - 17] |
版本. | 0'30 | Philippe Briand, Salvador Casais | 30 second cut | 影院摇滚 史诗 动作游戏 沉重 | Em | 110 | |||
|
Resistor Edit 2 15 sec [AMS5048 - 18] |
版本. | 0'18 | Philippe Briand, Salvador Casais | 15 second cut | 影院摇滚 史诗 动作游戏 沉重 | Em | 110 | |||
|
Les Grands Ensembles [CEO2170 - 2] |
0 | 2'06 | Pur-Sang | Animated, optimistic & decided in a corporate mood. Synth sequences, | 耐心 进行中 调查研究 神秘 | C | 109 | |||
|
Online Fact Verification [CEG5054 - 6] |
2'59 | Gopal Sound | Electro beat, chiptune with a vintage vibe. Bouncy, determined & | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | ||||
|
Online Fact Verification
[CEG5054 - 39] |
版本. | 2'58 | Gopal Sound | Alternate no rhythm. | 间谍片 稳定的 信息技术 electro beat | Cm | 178 | |||
|
Online Fact Verification Edit
[CEG5054 - 40] |
版本. | 0'15 | Gopal Sound | 60 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 41] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 42] |
版本. | 1'00 | Gopal Sound | 15 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 43] |
版本. | 0'06 | Gopal Sound | Sting. | 间谍片 稳定的 信息技术 electro beat | Cm | 172 | |||
|
Information Disorder [CEG5054 - 7] |
0 | 2'18 | Jérémy Dirat | Electro beat. Vibrating, lonely & inexorable. Constant progression. | electro beat 间谍片 信息技术 阴险 | Cm | 99 | |||
|
Interference [CEG5054 - 12] |
2'37 | Gopal Sound | Electro beat, electro indus. Suspended, dark & disturbing. Synth & | 间谍片 令人不安 工业噪音 阴险 | Fm | 107 | ||||
|
Interference Alternate [CEG5054 - 64] |
版本. | 2'37 | Gopal Sound | Alternate no rhythm. | 间谍片 令人不安 工业噪音 阴险 | F | 105 | |||
|
Interference Edit 60 sec [CEG5054 - 65] |
版本. | 0'15 | Gopal Sound | 60 second cut. | 间谍片 令人不安 工业噪音 阴险 | Fm | 162 | |||
|
Interference Edit 30 sec [CEG5054 - 66] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 令人不安 工业噪音 阴险 | Fm | 162 | |||
|
Interference Edit 15 sec [CEG5054 - 67] |
版本. | 1'00 | Gopal Sound | 15 second cut. | 间谍片 令人不安 工业噪音 阴险 | Fm | 107 | |||
|
Interference Edit Sting [CEG5054 - 68] |
版本. | 0'08 | Gopal Sound | Sting. | 间谍片 令人不安 工业噪音 阴险 | F | 90 | |||
|
Fear from the Abyss [CEZ4650 - 4] |
0 | 2'42 | Olivier Militon | Cinematic. Fearful, insidious & sneaky. Full orchestra with synths & | 画面感 科幻片 自然灾害 令人不安 | D | 78 |