| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ready To Blow [CEZ4671 - 6] |
0 | 1'52 | Emma Jackson | Dramedy. In a neoclassical mood. Noble, stealthy & edgy. Double bass, | 悲喜剧 无情 阴险 light tension | Am | 108 | |||
|
On A Knife Edge [CEZ4671 - 7] |
1'57 | Benjamin Doherty | Dramedy. Edgy, mysterious & discreet. Bowed piano, cello, piano, | light tension 神秘 悲喜剧 调查研究 | Gm | 99 | ||||
|
On A Knife Edge Alternate [CEZ4671 - 23] |
版本. | 1'57 | Benjamin Doherty | Underscore version | light tension 神秘 悲喜剧 调查研究 | Cm | 100 | |||
|
Sneaking At Night [CEZ4671 - 9] |
1'45 | Benjamin Doherty | Dramedy. Tiptoeing, cautious & surreptitious. Bass, bowed piano, | light tension 神秘 悲喜剧 害羞 | Gm | 100 | ||||
|
Sneaking At Night Alternate [CEZ4671 - 25] |
版本. | 1'45 | Benjamin Doherty | Underscore version | light tension 神秘 悲喜剧 害羞 | Gm | 100 | |||
|
Clumsy Move [CEZ4671 - 15] |
1'34 | Benjamin Doherty | Dramedy. Stealthy, awkward & sparkling. Cello, dulcimer, | 悲喜剧 阴险 悲喜剧 疑问 | B | 100 | ||||
|
Clumsy Move Alternate [CEZ4671 - 31] |
版本. | 1'14 | Benjamin Doherty | Underscore version | 悲喜剧 阴险 悲喜剧 疑问 | Em | 100 | |||
|
Judgement Day [AMS5053 - 1] |
2'00 | Thomas Langan | Trailer. Toxic intro with layers of synths & cinematic percussion. | 预告片 冲突 画面感 战争 | B | 147 | ||||
|
Judgement Day Alternate 1 [AMS5053 - 9] |
版本. | 2'00 | Thomas Langan | Version without percussion. | 画面感 预告片 科幻片 战争 | B | 98 | |||
|
Judgement Day Alternate 2 [AMS5053 - 10] |
版本. | 2'00 | Thomas Langan | Version with percussion only. | 画面感 预告片 冲突 沉重 | Ebm | 147 | |||
|
Judgement Day Alternate 3 [AMS5053 - 11] |
版本. | 2'00 | Thomas Langan | Bed version. | 画面感 预告片 沉重 科幻片 | B | 98 | |||
|
Judgement Day Edit 1 30 sec [AMS5053 - 12] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 画面感 预告片 冲突 沉重 | B | 147 | |||
|
Judgement Day Edit 2 15 sec [AMS5053 - 13] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 画面感 预告片 冲突 沉重 | B | 98 | |||
|
Launch Codes [AMS5053 - 4] |
2'12 | Thomas Langan | Trailer. Noxious intro with ticking FX & bass synth. Tense, urgent & | 无情 画面感 令人不安 沉重 | Dm | 88 | ||||
|
Launch Codes Alternate 1 [AMS5053 - 24] |
版本. | 2'12 | Thomas Langan | Version without percussion. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Alternate 2 [AMS5053 - 25] |
版本. | 2'12 | Thomas Langan | Version with percussion only. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Alternate 3 [AMS5053 - 26] |
版本. | 2'12 | Thomas Langan | Bed version. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Edit 1 30 sec [AMS5053 - 27] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Edit 2 15 sec [AMS5053 - 28] |
版本. | 0'18 | Thomas Langan | 15 second cut. | 无情 画面感 令人不安 沉重 | Gm | 88 | |||
|
Rise Up [AMS5053 - 6] |
2'07 | Thomas Langan | Trailer. Sustained intro with bass synth pulse. Waiting, violent & | 冲突 画面感 紧急 爆炸 | Fm | 102 | ||||
|
Rise Up Alternate 1 [AMS5053 - 34] |
版本. | 2'07 | Thomas Langan | Version without percussion. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Alternate 2 [AMS5053 - 35] |
版本. | 2'07 | Thomas Langan | Version with percussion only. | 冲突 画面感 紧急 爆炸 | Gm | 102 | |||
|
Rise Up Alternate 3 [AMS5053 - 36] |
版本. | 2'07 | Thomas Langan | Bed version. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Edit 1 30 sec [AMS5053 - 37] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲突 画面感 紧急 爆炸 | Fm | 102 | |||
|
Rise Up Edit 2 15 sec [AMS5053 - 38] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 画面感 紧急 爆炸 | Gbm | 102 | |||
|
The Art of Movement [CEZ4663 - 2] |
1'56 | Laurent Dury | Obstinate, repetitive but with breaks & driving. Piano, trumpet, | 现代芭蕾 旋律重复的音乐 都市景色 加速镜头 | Am | 93 | ||||
|
The Art of Movement Alternate [CEZ4663 - 13] |
版本. | 1'56 | Laurent Dury | Underscore version | 现代芭蕾 果断 动人 旋律重复的音乐 | Am | 93 | |||
|
Heaven Incorporated [TBX220 - 11] |
1'48 | Sergey Kolosov | Epic, climactic, grand. Large synth sequence marches out with a slow, | 太空 全景图 画面感 气氛 | Am | 103 | ||||
|
Heaven Incorporated
[TBX220 - 23] |
版本. | 1'48 | Sergey Kolosov | Epic, climactic, grand. Large synth sequence marches out with a slow, | 太空 全景图 画面感 气氛 | Am | 72 | |||
|
From Question to Solution [CEG5055 - 3] |
2'28 | Louis Edlinger | Organic electro. Mysterious, constant, dark & waiting. Wind FX, synth | 司法 极简电子音乐 伴音 社会悲剧 | Bbm | 91 | ||||
|
From Question to Solution
[CEG5055 - 15] |
版本. | 1'35 | Louis Edlinger | Version with less pulsation & without pad & without kick. | 伴音 司法 气氛 稳定的 | Bbm | 122 | |||
|
From Question to Solution
[CEG5055 - 16] |
版本. | 2'07 | Louis Edlinger | Version without rhythm, bass & hang drum. | 神秘 气氛 社会悲剧 科学 | Bbm | 122 | |||
|
A Serious Doubt [CEG5055 - 9] |
2'12 | Louis Edlinger | Organic electro. Suspended, atmospheric, mysterious & dark. Synth | 疑问 叙述 科学 极简电子音乐 | Ab | 100 | ||||
|
A Serious Doubt Alternate 1 [CEG5055 - 27] |
版本. | 1'51 | Louis Edlinger | Version without synths. | 稀疏 叙述 设计与建筑 反省 | Ab | 100 | |||
|
A Serious Doubt Alternate 2 [CEG5055 - 28] |
版本. | 2'12 | Louis Edlinger | Version without rhythm. | 疑问 叙述 科学 极简电子音乐 | Ab | 135 | |||
|
Parallax [CET9105 - 8] |
3'41 | Brian Delgado | Epic tension trailer. Breathless, nerve wracking intro with ghostly | 史诗 动作片 画面感 令人不安 | Dm | 178 | ||||
|
Parallax Alternate 1 [CET9105 - 25] |
版本. | 3'41 | Brian Delgado | Version without percussion. | 史诗 动作片 画面感 令人不安 | Dm | 120 | |||
|
Parallax Alternate 2 [CET9105 - 26] |
版本. | 3'41 | Brian Delgado | Tense version without choir, strings & brass. | 史诗 动作片 画面感 令人不安 | Dm | 185 | |||
|
Imminent Collapse [EOS135 - 2] |
0 | 3'27 | Astronotes | 进行中 阴险 神秘 气氛 | A | 70 | ||||
|
Awkward Moment [TBX215 - 3] |
2'08 | Anthony Sallis, Ben Bodie | Theatrical, nervy, comedic. Xylophone notes and clicking percussion | 悲喜剧 动画 讽刺 & 恶意 中断 | Abm | 110 | ||||
|
Awkward Moment (Underscore) [TBX215 - 13] |
版本. | 1'39 | Anthony Sallis, Ben Bodie | Theatrical, nervy, comedic. Subtle rough bass and clicking percussion | 悲喜剧 动画 讽刺 & 恶意 中断 | Abm | 110 | |||
|
Tread Carefully [TBX215 - 4] |
2'25 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Goofy, entertaining, wacky. Light plucked strings create a whimsical | 动画 悲喜剧 讽刺 & 恶意 动物喜感 | Gm | 115 | ||||
|
Tread Carefully (Underscore) [TBX215 - 14] |
版本. | 2'10 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Goofy, entertaining, wacky. Subtle double bass creates a dramatic | 动画 悲喜剧 动物喜感 童年 | Gm | 115 | |||
|
Zanzibar Sunset [CEZ4659 - 12] |
2'31 | Patchworks | Tanzania. Taarab. Mysterious, sensual & secretive. Lead oud, kanun, | Zanzibar 懒惰 阿拉伯音乐 神秘 | C | 154 | ||||
|
Zanzibar Sunset Alternate [CEZ4659 - 70] |
版本. | 2'11 | Patchworks | Underscore version | 热沙漠 Zanzibar 懒惰 阿拉伯音乐 | Cm | 154 | |||
|
Zanzibar Sunset Edit 60 sec [CEZ4659 - 71] |
版本. | 1'00 | Patchworks | 60 second cut | Zanzibar 懒惰 阿拉伯音乐 神秘 | C | 153 | |||
|
Zanzibar Sunset Edit 30 sec [CEZ4659 - 72] |
版本. | 0'30 | Patchworks | 30 second cut | Zanzibar 懒惰 阿拉伯音乐 神秘 | Cm | 154 | |||
|
Zanzibar Sunset Edit 20 sec [CEZ4659 - 73] |
版本. | 0'20 | Patchworks | 20 second cut | Zanzibar 懒惰 阿拉伯音乐 神秘 | Cm | 153 | |||
|
Zanzibar Sunset Sting [CEZ4659 - 74] |
版本. | 0'12 | Patchworks | Sting | Zanzibar 懒惰 阿拉伯音乐 神秘 | Gm | 153 | |||
|
Internet Censorship [CEG5054 - 5] |
2'39 | analog_anxiety | Electro beat. Murky, deep & sinuous. Constant progression. Synth & | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | ||||
|
Internet Censorship Alternate [CEG5054 - 34] |
版本. | 2'39 | analog_anxiety | Alternate no rhythm. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 60
[CEG5054 - 35] |
版本. | 0'15 | analog_anxiety | 60 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 30
[CEG5054 - 36] |
版本. | 0'30 | analog_anxiety | 30 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 15
[CEG5054 - 37] |
版本. | 1'00 | analog_anxiety | 15 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit Sting [CEG5054 - 38] |
版本. | 0'11 | analog_anxiety | Sting. | 间谍片 调查研究 信息技术 阴险 | Cm | 113 | |||
|
A Descent into the Maelstrom [CEZ4650 - 3] |
0 | 1'05 | Olivier Militon | Cinematic. Eerie, scary & dangerous. Long intro & outro. Edgy strings | 画面感 灾难 无情 令人不安 | Dm | 102 | |||
|
Saharan Shadows [BIB283 - 6] |
1'59 | Michael Panayiotis | Tense, sinister, alert. Large impact gives rise to a murky, shadowy | 稳定的 追逐场面 气氛 画面感 | Gm | 60 | ||||
|
Saharan Shadows (Underscore A) [BIB283 - 21] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Drums open out onto suspenseful sparse | 稳定的 pulsation 追逐场面 气氛 | C | 60 | |||
|
Saharan Shadows (Underscore B) [BIB283 - 22] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Droning detuned strings and plucked notes | 稳定的 稀疏 追逐场面 气氛 | G | 118 | |||
|
One Thing Leads to Another [CEG5053 - 3] |
2'50 | Baptiste Charvet | Investigative cinematic jazz. Suspended, crystalline & dreamy. Piano, | 疑问 Fender Rhodes 调查研究 电影爵士乐 | Cm | 62 | ||||
|
One Thing Leads to Another
[CEG5053 - 23] |
版本. | 2'53 | Baptiste Charvet | Version without trumpet. | Cm | 123 |