| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stubborn Behaviour [CEZ4418 - 16] |
0 | 02'48 | Alice Guerlot Kourouklis | Simple, delicate, narrative & expectent but insistent. Keyboard | 美国独立制片电影 进行中 加速镜头 社会悲剧 | Am | 112 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
Maximum Outburst [CET9022 - 10] |
2'07 | Nick Tzios, Paul Copestake | Oppressive intro with bass synth & ticking clock. Tense but | 进行中 冲击 画面感 无情 | Em | 162 | ||||
|
Maximum Outburst Alternate 1 [CET9022 - 31] |
版本. | 2'07 | Nick Tzios, Paul Copestake | Alternate without percussion. Oppressive & sweeping intro with | 进行中 预告片 画面感 无情 | Em | 162 | |||
|
Maximum Outburst Alternate 2 [CET9022 - 32] |
版本. | 2'02 | Nick Tzios, Paul Copestake | Alternate percussion only. Oppressive intro with a weird ticking | 冲击 预告片 画面感 无情 | Gm | 80 | |||
|
Killing Machine [CET9021 - 1] |
01'14 | Philippe Briand | Percussive trailer track. Violent, ticking & pulsating. Anticipating | 冲突 爆炸 火热 冲击 | Em | 145 | ||||
|
Killing Machine Alternate 1 [CET9021 - 11] |
版本. | 01'13 | Philippe Briand | Alternate without percussion. Weird & disjointed. Agressive @ 0'30. | 冲击 火热 进行中 沉重 | Em | 144 | |||
|
Killing Machine Alternate 2 [CET9021 - 12] |
版本. | 01'13 | Philippe Briand | Alternate without voice fx. Violent, ticking & pulsating. | 冲突 爆炸 火热 冲击 | Em | 145 | |||
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | 军事冲突 进行中 冲击 时间(滴答声) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
版本. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | 进行中 影院摇滚 恐怖片 火热 | Fm | 110 | |||
|
Beware The White Gloves [CEZ4401 - 19] |
0 | 1'30 | André Charlier, Benoît Sourisse | 70's. TV series. Suspense. Tense. Piano, bass, electric guitar, | 悬念 七十年代 进行中 New York | Gm | 65 | |||
|
Stadium Fever [CET9018 - 1] |
2'08 | Gabriel Saban | Anticipating & stimulating piano intro with synth pulse. On the road | 预告片 凯旋 赛事 团队运动 | A | 140 | ||||
|
Stadium Fever Alternate [CET9018 - 16] |
版本. | 2'08 | Gabriel Saban | Alternate without percussion. Anticipating & stimulating piano intro | 公司 联盟 庄严 团队运动 | A | 140 | |||
|
A Sprint Finish [CET9018 - 6] |
2'08 | Gabriel Saban | Anticipating & urgent intro with pulsating & fast synth sequence. | 团队运动 预告片 史诗 紧急 | Cm | 106 | ||||
|
A Sprint Finish Alternate [CET9018 - 24] |
版本. | 2'08 | Gabriel Saban | Alternate without percussion. Anticipating & urgent intro with | 团队运动 极限运动 画面感 史诗 | Cm | 162 | |||
|
A Sprint Finish Alternate 2 [CET9018 - 25] |
版本. | 2'08 | Gabriel Saban | Alternate without choir. Anticipating & urgent intro with pulsating | 团队运动 预告片 进行中 画面感 | Cm | 106 | |||
|
Push the Limits [CET9018 - 7] |
2'01 | Philippe Briand | Obsessive & powerful first part. Break @ 1'00 featuring emotional | 预告片 赛车 固执 极限运动 | Em | 138 | ||||
|
Push the Limits Alternate [CET9018 - 26] |
版本. | 2'01 | Philippe Briand | Alternate without percussion. Obsessive & determined first part. | 固执 体育中的戏剧性 史诗 预告片 | Em | 138 | |||
|
Push the Limits Alternate 2 [CET9018 - 27] |
版本. | 2'01 | Philippe Briand | Alternate underscore. Obsessive & powerful first part. Break @ 1'00. | 固执 史诗 赛车 预告片 | Em | 138 | |||
|
Digital Overdose [CEZ4387 - 10] |
0 | 2'16 | Vermair | Spy movie / sci fi. Constant progression. Synth with arpeggiator & | 催眠 信息技术 无情 令人不安 | Bbm | 89 | |||
|
Why we fight [CEG5018 - 2] |
0 | 2'31 | Bruno Alexiu | Oppressive, mysterious & threatening. Heavy & dark loops with | 令人不安 悬念 间谍片 工业 | Cm | 74 | |||
|
Metal Fusion [CEG5018 - 11] |
0 | 2'12 | Christophe Zurfluh | Disturbing, mysterious & anticipating. Electronics & rhythm. | 自然灾害 令人不安 科学 地下 | F | 118 | |||
|
Before the Storm [CEG5018 - 22] |
0 | 2'47 | Hiroki Ishikura | Interrogative, sparse & suspended. Piano & sequencing. Suggested for | 自然灾害 疑问 社会悲剧 神秘 | Dm | 82 | |||
|
Dangerous Radiation [CEZ4380 - 19] |
1'33 | Maxence Dussere, David Gubitsch | Soundscape / spy movie. Urgent, agressive & chaotic. Sound design | 声音设计 进行中 背景音 恐怖 | D | 120 | ||||
|
Dangerous Radiation Alternate [CEZ4380 - 52] |
版本. | 1'24 | Maxence Dussere, David Gubitsch | Alternate version. Soundscape / spy movie. Urgent, menacing & | 声音设计 进行中 背景音 恐怖 | D | 120 | |||
|
Industrial Craft [CEZ4380 - 23] |
0 | 1'03 | Maxence Dussere, David Gubitsch | Soundscape / electro ambient. Pulsing, intense & urgent. Fast synth | 声音设计 pulsation 背景音 进行中 | Bb | 114 | |||
|
Sunken Cities [CEZ4355 - 10] |
0 | 1'52 | Benedict Bridgen | Fantastic movie / cinematic / trailer. Mysterious, epic & | 史诗 预告片 画面感 魔幻电影 | Gbm | 115 | |||
|
Running for Power [CEZ4306 - 5] |
0 | 1'10 | Eric Caissy | History, corporate, convention, news. Urgent,solemn & exhilarating. | 庄重 进行中 高潮 经典好莱坞 | D | 132 | |||
|
Dry Bone Desert [CEZ4279 - 18] |
0 | 2'24 | Adrien Robert Patterson | Arid & atmospheric. Electric guitar solo with delay & reverb fx. | 进行中 沉闷 稀疏 电吉他 | C | 110 | |||
|
The Last Journey [CEZ4161 - 5] |
0 | 4'35 | David Reyes | Constant sequence & Majestic orchestral crescendo. | 社会悲剧 稀疏 神秘 进行中 | Em | 120 | |||
|
The Sneaky Detective [CEZ4704 - 10] |
1'40 | Sebastijan Duh | 60s 70s jazz groove. Sneaky, interrogative & sudden. Orchestral final | 侦探喜剧 讽刺 & 恶意 美式复古电视剧 好玩 | Cm | 123 | ||||
|
The Sneaky Detective Alternate [CEZ4704 - 31] |
版本. | 1'39 | Sebastijan Duh | Alternate no drums no perc. | Cm | 124 |