| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Création [CEZ4068 - 12] |
2'43 | Selma Mutal | Determined & positive. Piano, harp, glockenspiel, marimba, xylophone, | 企业宣传 进行曲 政治 严谨 | Bb | 139 | ||||
|
Création 2 [CEZ4068 - 25] |
版本. | 2'43 | Selma Mutal | Determined & positive.Alternative version of P12. Piano, military | 企业宣传 政治 严谨 手工业 | Bb | 139 | |||
|
The Burglars' Dance [CEZ4704 - 12] |
2'04 | Julien Vega | 70s jazz groove. Intermittent, suspect & funny. Hammond organ, brass | 侦探喜剧 喜剧 动画 滑稽镜头 | Fm | 110 | ||||
|
The Burglars' Dance Alternate [CEZ4704 - 33] |
版本. | 2'04 | Julien Vega | Alternate no perc. | Gm | 110 | ||||
|
Insights [CEG5061 - 3] |
2'09 | Jérémy Dirat | Film score. Reflective, urgent & reflective. Running harp & pizz, | 高雅 固执 紧急 画面感 | Gm | 128 | ||||
|
Insights Alternate 1 [CEG5061 - 16] |
版本. | 2'09 | Jérémy Dirat | Version without beat | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
Insights Alternate 2 [CEG5061 - 17] |
版本. | 2'09 | Jérémy Dirat | Underscore version | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
Don't Stop [ISC118 - 3] |
2'38 | George Wilkinson | Neoclassical trailer. Erratic intro with dark cello & soundcape, | 预告片 固执 动荡 中断 | Dm | 162 | ||||
|
Don't Stop Alternate 1 [ISC118 - 14] |
版本. | 2'38 | George Wilkinson | Version without percussion | 预告片 固执 动荡 中断 | Dm | 162 | |||
|
Don't Stop Alternate 2 [ISC118 - 15] |
版本. | 2'38 | George Wilkinson | Version without percussion | 预告片 画面感 固执 声音设计 | Dm | 80 | |||
|
Scraping By [ISC118 - 9] |
2'40 | George Wilkinson | Neoclassical trailer. Eerie & suspenseful intro with strings & | 预告片 恐怖 疑问 新古典音乐 | Dm | 85 | ||||
|
Scraping By Alternate 1 [ISC118 - 24] |
版本. | 2'40 | George Wilkinson | Version without percussion | 预告片 恐怖 疑问 新古典音乐 | Dm | 86 | |||
|
Scraping By Alternate 2 [ISC118 - 25] |
版本. | 2'40 | George Wilkinson | Version without strings. | 预告片 画面感 声音设计 恐怖 | Dm | 85 | |||
|
Atmospheric Release [CEG5063 - 9] |
3'02 | Sylvain Pelier | Ambient. Cosmic, dreamy & hypnotic. Analog synth. Ideal for space, | 太空 神秘 梦幻 反省 | Am | 120 | ||||
|
Atmospheric Release Alternate [CEG5063 - 22] |
版本. | 3'02 | Sylvain Pelier | Alternate underscore. | 太空 神秘 梦幻 反省 | F | 162 | |||
|
Purple Clouds from the East [CEC8067 - 1] |
1'54 | Zhang Hao, Qingfeng Mu | Suspended, ethereal & dreamy. Pad, guzheng, bell, celesta & xiao. | 中国 飞行 传统亚洲 安静 | A | 65 | ||||
|
Purple Clouds from the East
[CEC8067 - 11] |
版本. | 1'54 | Zhang Hao, Qingfeng Mu | Version without percussion | 中国 飞行 传统亚洲 安静 | A | 65 | |||
|
Ambient II [EOS148 - 6] |
0 | 2'06 | Mathieu Harlaut | Wandering, floating & nocturnal. Layers of analog synth. | 美国独立制片电影 环境 模拟合成器 气氛 | Ab | 62 | |||
|
Propagation [CEG5060 - 2] |
2'32 | Arttu Silvast | Hybrid Scoring. Tragic, sad, grim & unsettling. Evolving sequence | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | ||||
|
Propagation Alternate 2 [CEG5060 - 12] |
版本. | 2'32 | Arttu Silvast | Version without percussion | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Propagation Alternate 3 [CEG5060 - 13] |
版本. | 2'32 | Arttu Silvast | Underscore version | 社会悲剧 当代历史 悲剧 催眠 | Fm | 109 | |||
|
Epicenter [CEG5060 - 6] |
2'03 | Arttu Silvast | Hybrid Scoring. Fast & tense intro, with repetitive sequence & | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | ||||
|
Epicenter Alternate 1 [CEG5060 - 21] |
版本. | 2'04 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 2 [CEG5060 - 22] |
版本. | 2'26 | Arttu Silvast | Short version | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 3 [CEG5060 - 23] |
版本. | 2'26 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Resurgence [CEG5060 - 8] |
2'32 | Arttu Silvast | Hybrid Scoring. Cold, sinister, insidious & dark. Relentless deep | 阴险 恐怖片 冰冷 有毒 | Dm | 80 | ||||
|
Resurgence Alternate [CEG5060 - 26] |
版本. | 2'31 | Arttu Silvast | Underscore version | 阴险 恐怖片 冰冷 有毒 | Dm | 107 | |||
|
Smart Camera [CEG5064 - 12] |
0 | 2'07 | Claude Samard | Ambient. Atmospheric, cyclic & evasive. Synth. Ideal for | 悬念 周期性的 信息技术 electronic score | Em | 100 | |||
|
Los Llanos [CEL7047 - 11] |
2'33 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Mysterious, narrative, exotic & suspenseful. 10-string guitar, | 地理政治 调查研究 叙述 疑问 | Am | 92 | ||||
|
Los Llanos Alternate [CEL7047 - 52] |
版本. | 2'20 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | 地理政治 调查研究 叙述 疑问 | Am | 92 | |||
|
Hoping for Rain [CEL7047 - 25] |
2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Wild, narrative, mysterious & suspenseful. 7-string guitar, prepared | 漂泊 地理政治 神秘 热沙漠 | Cm | 93 | ||||
|
Hoping for Rain Alternate 1 [CEL7047 - 72] |
版本. | 2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 漂泊 地理政治 神秘 热沙漠 | Cm | 92 | |||
|
Hoping for Rain Alternate 2 [CEL7047 - 73] |
版本. | 2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | 漂泊 地理政治 神秘 热沙漠 | Cm | 92 | |||
|
Game Time [IOM045 - 7] |
1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | ||||
|
Game Time (Underscore) [IOM045 - 23] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | |||
|
Game Time (Drums Only) [IOM045 - 24] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Em | 123 | |||
|
Tales Of Ascension [TBX234 - 5] |
2'01 | Reid Durtschi | Mysterious, searching, elegant. High-pitched melody unfolds in an | 疑问 神秘 悬念 热带雨林 | Em | 112 | ||||
|
Tales Of Ascension
[TBX234 - 15] |
版本. | 2'01 | Reid Durtschi | Mysterious, searching, elegant. High-pitched melody unfolds in an | 疑问 神秘 悬念 热带雨林 | Em | 112 | |||
|
Terminal Dawn [ISC117 - 2] |
2'42 | Caleb Swift | Hybrid Dystopian Trailer. Intro on hold & ominous. Slow hypnotic | 令人不安 预告片 画面感 史诗 | Gbm | 130 | ||||
|
Terminal Dawn Alternate 1 [ISC117 - 12] |
版本. | 2'42 | Caleb Swift | Version without percussion. | 令人不安 预告片 画面感 史诗 | Gbm | 130 | |||
|
Terminal Dawn Alternate 2 [ISC117 - 13] |
版本. | 2'42 | Caleb Swift | Version without lead. | 令人不安 预告片 画面感 史诗 | Gbm | 130 | |||
|
City of Chrome [ISC117 - 5] |
3'13 | Caleb Swift | Hybrid Dystopian Trailer. Slow, breathless & muffled progression | 科幻片 预告片 史诗 战士 | E | 140 | ||||
|
City of Chrome Alternate [ISC117 - 18] |
版本. | 3'13 | Caleb Swift | Version without percussion. | 科幻片 预告片 史诗 战士 | E | 140 | |||
|
Voidborn [ISC117 - 9] |
2'27 | Caleb Swift | Hybrid Dystopian Trailer. Long, tense, sinister & dark introduction. | 科幻片 灾难 预告片 恐怖 | Gbm | 100 | ||||
|
Voidborn Alternate 1 [ISC117 - 23] |
版本. | 2'27 | Caleb Swift | Version without percussion. | 科幻片 灾难 预告片 恐怖 | Gb | 100 | |||
|
Voidborn Alternate 2 [ISC117 - 24] |
版本. | 2'27 | Caleb Swift | Version without lead. | 科幻片 灾难 预告片 恐怖 | Gb | 100 | |||
|
Nightscape [ISC116 - 7] |
2'02 | Francesco Bondi | Electro. Heavy, powerful, rough & undulating. Climax @ 1'25 with big | 动作游戏 沉重 固执 追逐场面 | Cm | 130 | ||||
|
Nightscape Alternate 1 [ISC116 - 22] |
版本. | 2'02 | Francesco Bondi | Version without percussion. | 动作游戏 沉重 固执 追逐场面 | C | 130 | |||
|
Nightscape Alternate 2 [ISC116 - 23] |
版本. | 2'02 | Francesco Bondi | Version without lead. | 动作游戏 沉重 固执 追逐场面 | Cm | 130 |