| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Intentions [ISC116 - 9] |
2'59 | Francesco Bondi | Electro. Long intro that builds up, suspenseful, urgent & unsettling. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | ||||
|
Dark Intentions Alternate [ISC116 - 26] |
版本. | 2'59 | Francesco Bondi | Version without percussion. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | |||
|
The Gates of Hell [ISC115 - 10] |
3'59 | Christophe Le Guen | Horror trailer. Dark & murky intro with shrilling strings & synth. | 固执 冲突 画面感 史诗 | Cm | 120 | ||||
|
The Gates of Hell Alternate 1 [ISC115 - 29] |
版本. | 3'59 | Christophe Le Guen | Version without percussion. | 固执 画面感 史诗 动作片 | Cm | 120 | |||
|
The Gates of Hell Alternate 2 [ISC115 - 30] |
版本. | 3'59 | Christophe Le Guen | Light version. | 固执 冲突 画面感 史诗 | Cm | 120 | |||
|
Wine and Spirits [CEO2187 - 3] |
0 | 2'08 | Kirosen | Neoclassical. Delicate, crystalline & moving. Piano & string quartet. | 手工业 感动 新古典音乐 果断 | Am | 110 | |||
|
The Thread of Life - Electro
[CEZ4700 - 9] |
0 | 2'23 | Elisabeth Skornik, Guy Skornik | Electronic version. Interrogative, investigative, restrained & | 间谍片 调查研究 electronic score 悬念 | A | 123 | |||
|
A New Birth [CEZ4700 - 13] |
2'50 | Elisabeth Skornik, Guy Skornik | Neo-classical. Solemn intro with legato strings. Fast, punctuated & | 历史片 命运 令人激动 进步 | Gm | 96 | ||||
|
A New Birth Alternate [CEZ4700 - 33] |
版本. | 1'48 | Elisabeth Skornik, Guy Skornik | Alternate version without slow introduction. | 历史片 命运 令人激动 历史旁白 | Gm | 96 | |||
|
What Tomorrow Holds - Piano
[CEZ4700 - 17] |
0 | 2'50 | Elisabeth Skornik, Guy Skornik | Solo piano version. The same note is repeated from beginning to end. | 社会悲剧 稀疏 叙述 历史旁白 | F | 110 | |||
|
Maybe I'm Dreaming [CEZ4700 - 28] |
2'11 | Elisabeth Skornik, Guy Skornik | Neo-classical. Calm, confident & sustained with a touch of hope. | 命运 叙述 强调突出 安静 | Bb | 140 | ||||
|
Maybe I'm Dreaming Alternate [CEZ4700 - 34] |
版本. | 2'14 | Elisabeth Skornik, Guy Skornik | Alternate with piano with strings gradually appear. | 叙述 政治 安静 命运 | Bb | 142 | |||
|
A Dramatic Dilemma [CEG5059 - 4] |
2'38 | Felix Halbe | Sad, questioning, introspective & haunting. Constant piano arpeggio, | 反省 神秘 令人不安 疑问 | Cm | 89 | ||||
|
A Dramatic Dilemma Alternate [CEG5059 - 15] |
版本. | 2'37 | Felix Halbe | Version without percussion & less strings | 反省 神秘 令人不安 疑问 | Cm | 178 | |||
|
Regret or Remorse [CEG5059 - 11] |
1'55 | Felix Halbe | Introspective, lonely, sad & quite desperate. Haunting piano | 反省 漂泊 抱歉 警匪片 | Em | 111 | ||||
|
Regret or Remorse Alternate [CEG5059 - 20] |
版本. | 1'55 | Felix Halbe | Minimalist version without synth. | 反省 漂泊 抱歉 警匪片 | Em | 111 | |||
|
Dynasty of Fire [CET9110 - 2] |
3'07 | Gabriel Saban, Bo Tian | Orchestral East Asian trailer. Martial intro with gong, braams, | 画面感 史诗 令人不安 预告片 | Am | 108 | ||||
|
Dynasty of Fire Alternate [CET9110 - 13] |
版本. | 3'07 | Gabriel Saban, Bo Tian | Version without percussion | 画面感 史诗 令人不安 预告片 | Am | 108 | |||
|
The Last Warlord [CET9110 - 9] |
2'25 | Gabriel Saban, Bo Tian | Orchestral East Asian trailer. Mysterious & ominous intro with | 中国电影 画面感 预告片 冒险片 | Bm | 125 | ||||
|
The Last Warlord Alternate [CET9110 - 22] |
版本. | 2'25 | Gabriel Saban, Bo Tian | Version without percussion | 中国电影 画面感 预告片 冒险片 | Bm | 125 | |||
|
Dressed Naked [BIB296 - 5] |
2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | ||||
|
Dressed Naked (Instrumental) [BIB296 - 21] |
版本. | 2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (Bed) [BIB296 - 22] |
版本. | 2'19 | Elias Kolkas | Tragic, futuristic, laidback. Dusty pad chords create a super modern | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (30 sec) [BIB296 - 23] |
版本. | 0'30 | Elias Kolkas | Tragic, futuristic, laidback. Glamorous energy tinged with melancholy | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Tribulations in Wonderland [CEZ4688 - 12] |
4'19 | Gréco Casadesus | Worried, doubtful & uncertain. Dramatic & bombastic progression @ | 令人不安 orchestral score 悬念 动画 | Cm | 60 | ||||
|
Tribulations in Wonderland
[CEZ4688 - 45] |
版本. | 1'42 | Gréco Casadesus | Reduced mysterious alternate version. | 令人不安 orchestral score 悬念 动画 | Gb | 82 | |||
|
Tribulations in Wonderland
[CEZ4688 - 46] |
版本. | 1'38 | Gréco Casadesus | Reduced alternate version feat brass with climax & back-end. | 令人不安 orchestral score 悬念 动画 | C | 60 | |||
|
Tribulations in Wonderland
[CEZ4688 - 47] |
版本. | 1'02 | Gréco Casadesus | 60 second cut with climax. | 令人不安 orchestral score 悬念 动画 | G | 65 | |||
|
Solace [ISC111 - 4] |
4'29 | Sacha Meyer | Progressive. Melodic techno. Melodic intro with synth & string | 令人激动 感动 催眠 固执 | Bb | 123 | ||||
|
Solace Alternate [ISC111 - 13] |
版本. | 4'29 | Sacha Meyer | Version without percussion. | 令人激动 感动 催眠 固执 | Bb | 123 | |||
|
Sparkles in the Darkness [CEZ4685 - 7] |
0 | 2'11 | Third Act | Post-classical music, neo-classical music, film score. Cold, dreamy & | 反省 社会悲剧 气氛 画面感 | G | 100 | |||
|
The Winds of Fate [CEZ4683 - 3] |
0 | 2'29 | Third Act | Electronic score. Tense, sinuous & mysterious. Piano, electronics & | 神秘 美国独立制片电影 司法 调查研究 | Ebm | 154 | |||
|
Lost in the Distance [CEZ4683 - 8] |
0 | 2'17 | Third Act | Post-classical music, neo-classical music, film score. Far, lost & | 内心活动 地理政治 反省 历史旁白 | Dm | 60 | |||
|
Suspended Stillness Variation
[CEO2183 - 5] |
0 | 1'52 | Irina Prieto Botella | Piano version. Post-classical. Suspended & hesitant. Calm resolution | 害羞 内心活动 抽象艺术 悬念 | Ebm | 90 | |||
|
A Universe of Forms [CEO2183 - 9] |
0 | 2'49 | Irina Prieto Botella, Pablo Saguez | Resonant & suspended. A slow, almost psychedelic progression. Towards | 抽象艺术 当代艺术 诞生 催眠 | E | 107 | |||
|
Releasing the Self [CEO2183 - 11] |
0 | 1'30 | Irina Prieto Botella | Post-classical. Dreamy, mysterious, atmospheric & humid. Resilient. | 反省 诞生 悬念 内心活动 | G | 86 |