Upbeat, joyful & pumped-up afro-Caribbean beat sung in Spanish. ...Upbeat, joyful & pumped-up afro-Caribbean beat sung in Spanish. Hoping for a rainy season after a drought. Female singer, synth, sampling, electric guitar, auto-tune, fx delay, Latin & electronic percussion. Lead traditional Colombian gaita @ 1'33.歌词
ES:
Aguarere
Tanto luche pa' sembrar
Mi cultivo e' caña
Pa' sacar panela
Vende' la mas buena
de la carretera
Del cielo no cae agua
Nada puedo hace'
Tremenda sequía
Pido to' los días
Que vuelva a llove'
Aguarere
Aguarere
Aguarere
Aguarere
Cuando llega el tiempo malo
Se empieza a desconfiar
Pero este va pasando
Aunque sigas preguntando
Cuando se va acabar
Todo pasa con el tiempo
La risa y el lamento
Sabía que esta sequía
Eterna no sería
Ya veo gotas caer
Ya va a llover
Ya va a llover
Ya va a llover
Ya va a llover
Electro dub, trap fusion. Heavy and suspended intro then cool & ...Electro dub, trap fusion. Heavy and suspended intro then cool & confident. Suggested for modern brass band, party. Brass, synth & rhythm.
Samba in the pure tradition of the Rio carnival. Lively, joyful, ...Samba in the pure tradition of the Rio carnival. Lively, joyful, extrovert & festive. Voices, brass & Brazilian percussion.歌词
La lalaia laia
laialaia lalaia laia
la la laiala
laialaiala laia laia
Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated ...Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.歌词
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
Traditional samba/choro in the spirit of the 20's, 30's & 40's. ...Traditional samba/choro in the spirit of the 20's, 30's & 40's. Carefree, catchy, old-fashionned & joyful. Cavaquihno, guitar & Brazilian percussion.
Calm, interrogative & almost mysterious with marimba & various wooden ...Calm, interrogative & almost mysterious with marimba & various wooden percussion sounds. Progressive build-up. Cello & celesta @ 1'24.
Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, ...Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, male choir. Piano, bass, percussions & brass solo @ 2'22.歌词
ES:
Seguimos por buen camino y cimarroneando
Con la orquesta Chaworó comunicando
No hay tiempo que perder
Ni espacio para el atraso
Así que proyecta el éxito
y evita el fracaso
Vengan, traemos música
El mejor antídoto
Para el cuerpo humano
Venga traemos música
El mejor antídoto
Para el cuerpo humano
Coro 1: venga traemos música
El mejor remedio
Para el cuerpo humano
Coro 2: venga traemos música
Coro 3: ven a vacilar con la música
EN:
We continue on the right track and cimarroneando
With the Chaworó orchestra communicating
There is no time to lose
Nor room for delay
So project success
And avoid failure
Come, we bring music
The best antidote
For the human body
Come, we bring music
The best antidote
For the human body
Chorus 1: Come we bring music
The best remedy
For the human body
Chorus 2: come we bring music
Chorus 3: come and swing to the music
Translated with www.DeepL.com/Translator (free version)
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & ...Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & extravert with a strong rootsy influence. Afro-Cuban percussion, male singer & choir. Full band with brass section @ 1'33.歌词
ES:
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
La Fulia se presenta con su ritmo original
Va jugando con la clave
Repicando en el compás
Palo endoe
Tierra de tambor
Y con su sabor
Suena el campanario, san juan del congo
Prima cruzado y pujao
Van derrochando mello
La cultura de mi pueblo casi nadie la olvidao'
Tambores de libertad
Fue Curieto el precursor
desde 1721 esta sonando mi tambor
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
Coro 1: Alcánzame si puedes que ya no ando a pie
Ahora si vengo rapidito
Montadito en TGV
Que lo baile todo el mundo,
Que lo goce el japonés
Desde Francia para el mundo
Voy cantado cheveré
La comparsa que es de Cuba
Sin barrera de cultura
Coro 2: que ya no ando a pie
Coro 3: oye no quiero cuento
Llegó el momento con Chaworó
Coro 4: esto no se va a parar esto sigue
Con la orquesta Chaworó
Coro 5: me llevo los tambores nos vemos después
Me llevo los tambores nos vemos después
EN:
There is an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
La Fulia is presented with its original rhythm
Playing with the clave
Tapping on the beat
Palo endoe
Land of the drum
And with its flavor
Sounds the bell tower, san juan del congo
Prima cruzado and pujao
They go splurging melao
The culture of my people almost no one has forgotten it
Drums of freedom
Curieto was the precursor
Since 1721 my drum has been beating
There's an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
Chorus 1: Reach me if you can I'm not walking anymore
Now I'm coming fast
I'm on a TGV
Let the whole world dance to it,
Let the Japanese enjoy it
From France to the world
I'm singing cheveré
The comparsa that is from Cuba
Without a barrier of culture
Chorus 2: I don't walk on foot anymore
Chorus 3: hey I don't want any stories
The time has come with Chaworó
Chorus 4: this is not going to stop this goes on
With the Chaworó orchestra
Chorus 5: I'll take the drums I'll see you later
I'll take the drums I'll see you later
Underscore version. Percussive, spicy & extravert with a strong ...Underscore version. Percussive, spicy & extravert with a strong rootsy influence. Fulia con Conga (traditional Venezuelan rhythm). Afro-Cuban percussion. Full band with brass section @ 1'33.
Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban ...Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.歌词
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz ...Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Driving, fast-paced & sustained in an African mood. Guitar duet & ...Driving, fast-paced & sustained in an African mood. Guitar duet & percussions. From Prelude n°2 in Cm BWV 847 by J.S Bach.
Driving, fast-paced & sustained in an African mood. Guitar duet. From ...Driving, fast-paced & sustained in an African mood. Guitar duet. From Prelude n°2 in Cm BWV 847 by J.S Bach.
Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking ...Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking percussive textures and bright synth bursts and pulses. Propulsive hand drum rhythms join with hypnotic synths. Dramatic vocal FX with mysterious, middle-eastern vibes join and drift atmospherically, before building again with determined beats and deep reverb. Contemporary and expansive electronic chillwave.
Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking ...Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking percussive textures and bright synth bursts and pulses. Propulsive hand drum rhythms join with hypnotic synths. Drifts atmospherically before building again with determined beats and deep reverb. Contemporary and expansive electronic chillwave.
Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking ...Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking percussive textures and bright synth bursts and pulses. Drifts atmospherically, before building again with deep reverb. Contemporary and expansive electronic chillwave. Stripped back underscore version.
Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking ...Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking propulsive hand drum rhythms. Dramatic vocal FX with mysterious, middle-eastern vibes join and drift atmospherically, before building again with deep reverb. Contemporary and expansive electronic chillwave. Stripped back underscore version.
Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking ...Dreamy, cool, uplifting. Relaxed ambience SFX are joined by ticking percussive textures and bright synth bursts and pulses. Drifts atmospherically before building again with determined beats and deep reverb. Contemporary and expansive electronic chillwave. Stripped back underscore version.
Cool, determined, attitude. Relaxed, summery keys with dub rhythms ...Cool, determined, attitude. Relaxed, summery keys with dub rhythms and brooding vocal shout outs build with hypnotic synths and electronic beats. Restrained, percussive verses with dramatic siren build again with risers and vocal cuts to energetic chorus sections with driving beats. Hypnotic bridge from 01:37 builds with warm, dreamy keys, handclaps, atmospheric vocal shout outs and suspenseful melodies to a dynamic and rousing final section. Upbeat and motivating pop with swagger.
Cool, determined, attitude. Relaxed, summery keys with dub rhythms ...Cool, determined, attitude. Relaxed, summery keys with dub rhythms build with hypnotic synths and electronic beats. Restrained, percussive verses with dramatic siren build again with risers to energetic chorus sections with driving beats. Hypnotic bridge from 01:37 builds with warm, dreamy keys, handclaps and suspenseful melodies to a dynamic and rousing final section. Upbeat and motivating pop with swagger.
Cool, determined, attitude. Relaxed, summery keys with dub rhythms ...Cool, determined, attitude. Relaxed, summery keys with dub rhythms build with hypnotic synths and electronic beats. Restrained, percussive verses build again with risers to stripped back chorus sections with sparse beats. Hypnotic bridge from 01:29 builds with warm, dreamy keys and handclaps to a dynamic and rousing final section. Upbeat and motivating pop with swagger. Stripped back underscore version.
