Classic soul. Warm, soulful & bittersweet song. Fragile male vocals, ...Classic soul. Warm, soulful & bittersweet song. Fragile male vocals, piano, organ, handclaps & backing vocals. Suggested for romance & family drama.歌词
ENG:
I won't battle it up, I'm just gonna let it spill, yeah. I won't cover it up, I'm just gonna let it be seen.
I won't shut my heart out, I'm just gonna let it feel.
Make room for love, joy and pain, all the emotions under the sun.
You don't have to worry that you don't know how I really feel inside.
Just one look at me and you will see that I'm living in the absence of cool.
The absence of cool.
Ain't nothing cool about me.
I won't sing for the cool, never for the lights, flash or that blue
I'll sing two happy times to follow all those crazy times, but most of all I'll sing too.
I won't bottle it up, I'm just gonna let it spill, yeah.
Just one look at me and you will see that I'm living in the absence of cool.
Absence of cool, oh yeah, do -do -do -do.
I won't bottle it up, no, no.
I'm just gonna let it spill.
Make a room for love, joy and good health so I can live to rip the seeds I saw.
I won't shut my heart's out. I'm just gonna let it feel.
Make room for love, joy and pain, all the emotions under the sun.
I won't bottle it up. I'm just gonna let it spill, yeah.
Just one look at me and you will see that I'm living in the absence of cool, absence of cool.
Ain't nothing cool about me, that don't bother me one bit. No, no, no, no
Ain't nothing cool about me. Ain't nothing cool about me. Ain't nothing cool about me. Ain't nothing cool about me.
FR:
Je ne vais pas le garder pour moi, je vais juste le laisser couler, ouais.
Je ne vais pas le cacher, je vais juste le laisser se voir.
Je ne vais pas fermer mon cœur, je vais juste le laisser ressentir.
Faire de la place pour l’amour, la joie et la douleur, toutes les émotions sous le soleil.
Tu n’as pas à t'inquiéter, tu ne sais peut-être pas vraiment ce que je ressens à l'intérieur.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool.
L'absence de cool.
Il n’y a rien de cool chez moi.
Je ne chanterai pas pour être cool, jamais pour les lumières, les flashs ou ce bleu.
Je chanterai des moments heureux après tous ces moments fous, mais surtout je chanterai aussi.
Je ne vais pas le garder pour moi, je vais juste le laisser couler, ouais.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool.
Absence de cool, oh ouais, do-do-do-do.
Je ne vais pas le garder pour moi, non, non.
Je vais juste le laisser couler.
Faire de la place pour l'amour, la joie et la bonne santé pour que je puisse vivre pour récolter les graines que j’ai semées.
Je ne vais pas fermer mon cœur. Je vais juste le laisser ressentir.
Faire de la place pour l’amour, la joie et la douleur, toutes les émotions sous le soleil.
Je ne vais pas le garder pour moi. Je vais juste le laisser couler, ouais.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool, absence de cool.
Il n’y a rien de cool chez moi, ça ne me dérange même pas un peu. Non, non, non, non.
Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi.
Classic, confident, explosive. Scratchy guitar leads into classic ...Classic, confident, explosive. Scratchy guitar leads into classic rock style joined by rebellious vocal tone, 60s folk tone with lyrics about feeling confident in yourself, standing tall and proud, supported by hot guitar tones and blues piano. A feeling of completion, a happy celebratory scene with an individual finally believing in themselves. Rock breakdown at 01:38 with relentless snares following soaring guitar lead.歌词
The white and shining building Things are going up This morning lasts forever My sweet buttercup The building getting bigger As the people get smaller And the rhythms is more funky And the water is cool It looks like everyone loves you It looks like you're gonna win Just like that shiny white building We're bigger bigger bigger than everything I saw you in the board room Everyone sat on their chair But I saw that you were different You had that thing in your hair I know that They're gonna love this It looks like you're gonna win Just like that shiny white building We're bigger bigger bigger than everything And when the Viking’s invaded And when the Saxons when home You have permission to land here Yeah you are free to roam
Classic, confident, explosive. Scratchy guitar leads into classic ...Classic, confident, explosive. Scratchy guitar leads into classic rock style with blues tinge. A feeling of completion, a happy celebratory scene with an individual finally believing in themselves. Rock breakdown at 01:38 with relentless snares following soaring guitar lead. Instrumental version.
Classic, confident, explosive. Scratchy guitar leads into classic ...Classic, confident, explosive. Scratchy guitar leads into classic rock style with blues tinge. A feeling of completion, a happy celebratory scene with an individual finally believing in themselves. Rock breakdown at 01:38 with relentless snares. Stripped back underscore version.
Bluesy, fiery, rough. Solo female vocals illustrate a passionate ...Bluesy, fiery, rough. Solo female vocals illustrate a passionate atmosphere, joined by large steady drumbeat and sharp harmonica. Lyrics lamenting loneliness and hard times, looking to the lord for guidance and acceptance. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Bluesy verse dives into slow heavy chorus, communicating pain but relentless hope.歌词
I 'been shaking in my boots too long.
Lookin' out babe, how these boots are made, God made them for walking, You know I couldn't help and stop when I heard, heard those people talking, The Lord went for these lonely walks, now it won't be long till the hailstorm starts, I don't wanna be here no more, what am I waiting for.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Moving right along after the storm the dawn is drawing night, My heart is breaking my legs are shaking, here comes another night, The stars will soon be shining bright, got to get my head right, It might be a long walk, you know I can't stop.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Now I've walked for miles, feeling sanctified, I was high when the skies turned blue at night, I was just a little girl and every time my hair would curl, Little boy blue he was a prince, he just walked by.
Lord, Lord, Lord don't let me down, Lord, Lord, I'm on shaky ground.
Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a ...Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a rough and unforgiving atmosphere. Lyrics lamenting loneliness and hard times, looking to the lord for guidance and acceptance. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Bluesy verse dives into slow heavy chorus, communicating pain but relentless hope. No lead vocal version.
Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a ...Bluesy, fiery, rough. Steady drumbeat and sharp harmonica give a rough and unforgiving atmosphere. Country-style religious sentiment. An individual in the blaring sun, making their way through a dustbowl place, a rough rebellious figure. Instrumental version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Raspy female vocals sing about lies and wrongdoing by greedy members of the society. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, chorus lyrics about peace and understanding, a cathartic religious-coded refrain. Percussion becomes more fiery, a sense of upheaval and passion.歌词
Got us hatin', feedin' us their lies, Cash in on division, rake it in that’s right, Shine on, you're tough, what you hating for, Shake down in love until we're all gone, Yeah and if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Got no ticket to leave it all behind, yeah, Got the spirit in our drunken minds, Shine on, you're tough, what d’you shake ‘em for, Shake down in love until we're all gone, And if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, choral vocal flood in with a sense of love and warmth. No lead vocal version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Tone shift at 00:50 into a gospel style, organ pushes out with pride into more striding section, major chords giving a feeling of triumph. Instrumental version.
Rough, cool, energetic. Crunchy country style with distorted guitars ...Rough, cool, energetic. Crunchy country style with distorted guitars and acoustic giving a full tone. Hollering female vocals about a bar where cool people hang out in a classic dustbowl style. Badass style, visions of a bar full of people with loud music and fighting, pool and drinking. Explosive country style offers a sense of fun and stereotypical Americana vibe.歌词
I know a place just out of town,Comes to life when the sun goes down,Where everybody knows your name,And no two nights are ever the same. There’s a band playing country blues,King of the road and blue suede shoes,Two steppin' on the worn oak floor,People don’t dance like that no more. This is where they come to play,After a long day,Come and drink the night away.At the sunset saloon,We hope ya come back soon. With a friend or by yourself,The beer's always cold and the liquor's top shelf,Smoke twirling under neon lights,You won't be blue for long on whiskey night. Shooting pool, hustling from the pros,Knocking down shots like dominoes,Leave your money on the table, double or quits,You don't even know you've lost when the tequila hits. This is where they come to play,After a long day,Come and drink the night away.At the sunset saloon,We hope ya come back soon. This is where they come to play,After a long day,Come and drink the night away.At the sunset saloon,We hope ya come back soon.
Rough, cool, energetic. Crunchy country style with distorted guitars ...Rough, cool, energetic. Crunchy country style with distorted guitars and acoustic giving a full tone. Badass style, visions of a bar full of people with loud music and fighting, pool and drinking. Explosive country style offers a sense of fun and stereotypical Americana vibe. Instrumental version.
Rough, cool, energetic. Crunchy country style with distorted guitars ...Rough, cool, energetic. Crunchy country style with distorted guitars and acoustic giving a full tone. Badass style, visions of a bar full of people with loud music and fighting, pool and drinking. Explosive country style offers a sense of fun and stereotypical Americana vibe. Stripped back underscore version.
Wistful, rustic, dramatic. Marching country guitar sequence gives a ...Wistful, rustic, dramatic. Marching country guitar sequence gives a slow and smouldering rhythm, communicating drama and intrigue. A dustbowl town where a serious situation is occurring. Guitar riffs give a feeling of emotion.
Wistful, rustic, dramatic. Marching country guitar sequence gives a ...Wistful, rustic, dramatic. Marching country guitar sequence gives a slow and smouldering rhythm, communicating drama and intrigue. A dustbowl town where a serious situation is occurring. Slight slapback echo supports wistful vibe with chugging country tempo. Stripped back underscore version.
Waltzing, anticipatory, cool. Sharp sequence on a warm electric ...Waltzing, anticipatory, cool. Sharp sequence on a warm electric guitar is joined by twanging lead to create a cool, twilight vibe. A dustbowl country setting as the sun goes down. Twinkling guitar gives a wondrous vibe as main rhythm offers a sense of uncertainty and intrigue.
Waltzing, anticipatory, cool. Sharp sequence on a warm electric ...Waltzing, anticipatory, cool. Sharp sequence on a warm electric guitar is joined by twanging lead to create a cool, twilight vibe. A dustbowl country setting as the sun goes down. Stripped back underscore version.
Suspicious, laidback, sunny. Low, subtle blues guitar starts with a ...Suspicious, laidback, sunny. Low, subtle blues guitar starts with a slowly marching rhythm. Lead guitar plays out with a laidback but impassioned riff. An atmosphere of unease in a usually relaxed little town. Reverbed percussion gives further support to sense of slow-moving country life.
Suspicious, laidback, sunny. Low, subtle blues guitar starts with a ...Suspicious, laidback, sunny. Low, subtle blues guitar starts with a slowly marching rhythm. An atmosphere of unease in a usually relaxed little town. Reverbed percussion gives further support to sense of slow-moving country life. Stripped back underscore version.
Passionate, empowering, determined. Soulful country rock with chorus ...Passionate, empowering, determined. Soulful country rock with chorus of voices gives a sense of emotive power and coolness through dirty guitar. Male lyrics encourage self-belief from a rebellious rock-y vibe. 00:59 brings chorus with rousing instrumentation, backing vocals add a sense of passion.歌词
Behind that door,It’s a crying shame,Never live it down,No one is to blame. No matter what they say,Be who you are,Don't stand in your way,Get out of your face. I could see the road you're on and it wasn't pretty,You will never be denied, Don't ask why,You will never be denied, If you never say die,Don't ever be denied, Along for the ride,You will never be denied, If you never say die. So you tore it down,It was a big mistake,You may never live it down,No matter what you do or say. It’s a long time gone,You're as high as a bird,And it’s a crying shame,But no one is to blame. And I could see the road you're on and it weren't pretty. Never say die, Never say die.
Passionate, empowering, determined. Soulful country rock gives a ...Passionate, empowering, determined. Soulful country rock gives a sense of coolness through dirty guitar. 00:59 brings chorus with rousing instrumentation, organ accentuating uplifting but rock-y tune. Instrumental version.
Passionate, empowering, determined. Soulful country rock gives a ...Passionate, empowering, determined. Soulful country rock gives a sense of coolness through dirty guitar. 00:59 brings chorus with rousing instrumentation, accentuated uplifting but rock-y tune. A feeling of tenacity and spirit coming from chord progression. Stripped back underscore version.
Homespun, lively, fun. Acoustic guitar plays through rough country ...Homespun, lively, fun. Acoustic guitar plays through rough country sequence with pacy drumbeat keeping things tight and rapid. Sharp vocals sing of a love interest who moves in a passionate and fun way, having a good time at any time. Uncontrollable dance vibe supported by quick tempo. Breakdown at 01:07 shows a restrained wildness, ad libbed vocals encourage a sense of instrumentation being improv and unexpected.歌词
I move real vicious, On a Saturday night, She gimme three wishes, That’s the kinda girl I like,
Put your phone down,
And you'll feel alright,
Sky’s the limit, Yeah she takes me high.
Alright, okay, any time of day, Alright, okay, don't wish your time away, Said yeah oh yeah, getting hotter in here, Have you dance all night ‘til your morning prayer, Alright, okay, any time of day, Alright, okay,hear the words I say,Said yeah oh yeah, all the people in here,Have you dance all night ‘til your morning prayer. I’ma show how, You'll be kicking the blues yeah,Bring the band along, Play your favourite tune now,Lemme you help you out, Have you kick those blues yeah,I bring the band along, They’ll be kicking it too.From second I arrive on set, Turn their heads Lickedy split, Don't need no new regret,Like to thank you for the thanks I get, In the mirror, in the mood that’s me,On the screen, on the scene that’s me,I can tell you ‘bout the life I lead,Don't got nowhere better to be.
Homespun, lively, fun. Acoustic guitar plays through rough country ...Homespun, lively, fun. Acoustic guitar plays through rough country sequence with pacy drumbeat keeping things tight and rapid. Uncontrollable dance vibe supported by quick tempo. Breakdown at 01:07 shows a restrained wildness. Instrumental version.
Homespun, lively, fun. Acoustic guitar plays through rough country ...Homespun, lively, fun. Acoustic guitar plays through rough country sequence with pacy tempo keeping things rapid. Organs and breakdown at 01:07 give things an unkempt, wild feel. Stripped back underscore version.
Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore ...Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore vibe. Visions of a cool individual in snakeskin boots, leaning against a wall and looking nonchalant. Cooing vocals add to a sense of mystery. Gravelly male vocals cycle through rustic imagery, injecting a sense of anticipation through lyrics. Push upwards with major chords at 01:18, more emotive section accompanied by organ.歌词
When the jig is up,When the ace is drawn,When the sky’s ablaze,We gonna get along, In Cadillac, In a crown of thorns,I'll been waiting up,Just gimme the call. Don’t wait all night, Don’t wait all night, Don’t wait all night, I'm dying to prove you right, Don’t wait all night, Gonna set your soul alight,Don’t wait all night, I'm dying to prove you right. Paying for a past life, yeah,You know that it’s true,When the feeling hits you,Running from my old life, yeah, Before I was keeping you by my side,Well let’s take a ride, When the time is up,And they ring the bell,All your well-wishing,Done served me well. Spent 90 days,Here in this cell, Not much to say,‘Bout heaven and hell,‘Bout heaven and hell. Don’t wait all night,Don’t wait all night, Don’t wait all night, I'm dying to prove you right, Don’t wait all night, Gonna set your soul alight, Don’t wait all night, I'm dying to prove you right.Does it ever make you wonder,Kinda spell they keep you under,Hear you calling loud as thunder. Paying for a past life, yeah,You know that it’s true,When the feeling hits you,Running from my old life, yeah,Before I could keep you by my side,Well let’s take a ride.
Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore ...Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore vibe. Visions of a cool individual in snakeskin boots, leaning against a wall and looking nonchalant. Push upwards with major chords at 01:18, more emotive section accompanied by organ. Instrumental version.
Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore ...Bad, smokey, cool. Fuzzy guitar and subtle kick drum gives a hardcore vibe. Visions of a cool individual in snakeskin boots, leaning against a wall and looking nonchalant. Push upwards with major chords at 01:18, more emotive section accompanied by organ. Stripped back underscore version.
Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick ...Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick and subtle humming. A sense of anticipation in hushed tone of instrumentation. Male vocals sing about a natural attraction to an individual. Rush of organs and guitar in a poppy soul sequence, lyrics about a fiery female character inspiring feelings of passion and danger.歌词
Find my way to you,And it's by design, Do it all by feel,And I'm feelin' fine, Can't keep talking no,Coz I've been tongue tied,So sensational,If she's on my side.Alright. Don't believe it,The game she plays,Ì hope to break out of these dark and lonely days,Red hot mama with the big brown eyes,Takes time to satisfy, She cuts me down to size, She's red hot, Red hot.Ooh yeah she's a red hot mama.Hey sweetie, You're so divine,Don't you know I'm needin',For you to be mine, Hey, hot mama,I've developed a crush,No, no drama,But you're makin' me blush. Don't believe it,The game she plays,Ì hope to break out of these dark and lonely days,Red hot mama with the big brown eyes,Takes time to satisfy, She cuts me down to size, She's red hot, Red hot.Red hot mama,Red hot mama, I'm tellin' you,Shes red hot, Red hot, Red hot.
Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick ...Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick and subtle humming. A sense of anticipation in hushed tone of instrumentation. Rush of organs and guitar in a poppy soul sequence. Instrumental version.
Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick ...Passionate, fiery, soulful. Fuzzy guitar meets with fast-moving kick and subtle humming. A sense of anticipation in hushed tone of instrumentation. Rush of organs and guitar in a poppy soul sequence. Modern vibe from whining synth. Stripped back underscore version.
African-American spiritual song of the 19th century. "Go, tell it on ...African-American spiritual song of the 19th century. "Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction with gospel lead vocal & choir a cappella. Rhythm section & electric guitar @ 0'31. Instrumental tr-30.歌词
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Vintage rockabilly boogie in the style of the 50s. Driving, bouncy & ...Vintage rockabilly boogie in the style of the 50s. Driving, bouncy & danceable. Rockabilly band.
Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit ...Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit demanding. Emotional & serious @ 1'00.
Attitude, swagger, relaxed. Cool drums with confident piano and ...Attitude, swagger, relaxed. Cool drums with confident piano and double bass weave with upbeat melodies. Playful solos drift with percussion and dancing basslines. Atmospheric and stylish late-night jazz with foot-tapping rhythms.
Brooding, rebellious, dark. Stomp clap rock with determined guitar ...Brooding, rebellious, dark. Stomp clap rock with determined guitar lines, eerie, mysterious harmonics and purposeful beats. Atmospheric rock cue with a creeping feel of dark intentions. Stripped back underscore version.
Psyche rock. Confident, determined & captivating in an Andean mood. ...Psyche rock. Confident, determined & captivating in an Andean mood. Recommended for road-trip. Rock band with electric guitars, bass & drums.
Atmospheric, expansive, dramatic. Cool electric guitar riffs with ...Atmospheric, expansive, dramatic. Cool electric guitar riffs with panoramic slide guitar in reflective melodies. Mysterious, relaxed and cinematic blues with attitude.
Atmospheric, expansive, dramatic. Cool electric guitar riffs with ...Atmospheric, expansive, dramatic. Cool electric guitar riffs with panoramic slide guitar in reflective melodies. Mysterious, relaxed and cinematic blues with attitude.
