| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sky Whales [CEZ4621 - 6] |
0 | 1'45 | Gopal Sound | Ambient, organic. Serene, contemplative & patient. Synth. Ideal for | 海底 宁静 背景音 放松 | Eb | 60 | |||
|
Smoky Jazzy Vibrations [AUD012 - 1] |
1'49 | Franck Dadure | Mid-tempo - Jazzy ambient electronica. Repetitive, atmospheric and | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | ||||
|
Smoky Jazzy Vibrations
[AUD012 - 6] |
版本. | 0'18 | Franck Dadure | Short Edit. | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | |||
|
Smoky Jazzy Vibrations
[AUD012 - 11] |
版本. | 1'49 | Franck Dadure | No drums version. | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | |||
|
The End is Nigh [CEZ4611 - 1] |
1'59 | Anselm Kreuzer, Andreas Suttner | Suspenseful. Ominous, dark & funereal. Cello drone, synth strings, | 令人不安 调查研究 夜晚 悬念 | C | 99 | ||||
|
The End is Nigh Alternate [CEZ4611 - 2] |
版本. | 1'59 | Anselm Kreuzer, Andreas Suttner | Alternative version without bass synth sequence. | 令人不安 调查研究 夜晚 悬念 | C | 99 | |||
|
In All Innocence [MAG6092 - 2] |
2'49 | Jia Lee | Folktronica, ambient. Organic, imaginary & delicate. Piano, | 诞生 女性 梦幻 背景电子乐 | D | 120 | ||||
|
In All Innocence Alternate [MAG6092 - 12] |
版本. | 2'50 | Jia Lee | Instrumental alternate version. | 诞生 女性 梦幻 背景电子乐 | D | 120 | |||
|
In All Innocence Alternate 2 [MAG6092 - 13] |
版本. | 2'48 | Jia Lee | Alternate version no perc no FX. | 诞生 女性 梦幻 背景电子乐 | D | 120 | |||
|
Enigmas [CEZ4584 - 9] |
0 | 1'13 | Hugo Lascoux | Lofi hip hop. Classy, cozy & relaxed. Sampled voices, electric piano, | lofi hip hop BEAT MAKING 时尚 放松 | Am | 96 | |||
|
Intimidation [CEG5036 - 10] |
0 | 1'41 | Baptiste Charvet | Mysterious, suspended & sparse. Synth layers, percussion with reverb | 神秘 间谍片 调查研究 伴音 | Cm | 102 | |||
|
Lovesickness [CEZ4577 - 2] |
2'51 | Jumo | Electro beat, downtempo. Fatal, dark, wandering. Synth & rhythm. | 社会悲剧 electro beat 周期性的 反省 | Ab | 150 | ||||
|
Lovesickness Alternate [CEZ4577 - 19] |
版本. | 2'51 | Clement Leveau | Alternate without vocal. | 社会悲剧 electro beat 周期性的 反省 | Ab | 150 | |||
|
Over Hostile Territory [CEZ4570 - 23] |
2'10 | Elisabeth Skornik, Guy Skornik | Dark, desolate, haunting, clanking, aerial & regular. Voice drone, | 司法 抱歉 自然灾害 合成合唱 | C | 104 | ||||
|
Over Hostile Territory
[CEZ4570 - 42] |
版本. | 2'06 | Elisabeth Skornik, Guy Skornik | Scary, tense & menacing. Constant low pulse, drone & percussion. | 嗡嗡声 进行中 pulsation 灾难 | C | 104 | |||
|
Over Hostile Territory
[CEZ4570 - 24] |
0 | 1'46 | Elisabeth Skornik, Guy Skornik | Ominious, cyclic, hypmotic, suspensful, pulsating & mysterious. | 司法 嗡嗡声 进行中 稀疏 | C | 104 | |||
|
A Question of Urgency
[CEZ4566 - 39] |
1'31 | Louis Edlinger | Sparse alternate version(sequencer & FX only) | 奇怪 科学 紧急 琶音器 | Em | 135 | ||||
|
A Question of Urgency [CEZ4566 - 8] |
版本. | 1'31 | Louis Edlinger | Fast & urgent sequence, futuristic, intermittent & technologic. | 信息技术 工业 固执 科学 | Em | 135 | |||
|
Darkness and Loneliness [AMS5003 - 2] |
1'58 | Philippe Briand | Crime score. Deep, hazy, mysterious & intriguing. Piano, strings, | 高雅 警匪片 懒惰 夜晚 | Fm | 114 | ||||
|
Darkness and Loneliness
[AMS5003 - 13] |
版本. | 1'58 | Philippe Briand | Alternate without percussion. | 社会悲剧 懒惰 夜晚 稳定的 | Fm | 114 | |||
|
Solitude and Desolation
[CEO2144 - 11] |
0 | 1'31 | Alice Guerlot Kourouklis | Suspended. Toxic, desolate & disturbing. Electric guitar, organ & | 漂泊 抱歉 气氛 自然灾害 | Am | 115 | |||
|
Temple of Secrets [CEZ4529 - 20] |
0 | 1'54 | Yann Kornowicz | Experimental, ambiant music. Random, interrogative & a bit worrying. | 当代艺术 电子实验室 奇怪 诡异 | Bm | 105 | |||
|
Radioactive Decay [CEG5034 - 3] |
0 | 1'56 | Baptiste Thiry | Tense, apocalyptic, haunting, grim & obscur. Drone, low pulsation & | 嗡嗡声 恐怖 深邃 恐怖片 | D | 120 | |||
|
Juggling [MAG6075 - 13] |
0 | 2'59 | Christophe Zurfluh | Suspenseful, strange, questioning & mysterious. Synths, sound-design | 神秘 缓拍 进行中 悬念 | Am | 87 | |||
|
Odin's Killers [CEZ4510 - 4] |
0 | 2'14 | Sigurd Jøhnk-Jensen | Confused & foggy with anxious drones, visceral percussion & strange | 逝去的文明 北欧风 心理剧 奇怪 | D | 115 | |||
|
A Last Adjournment [CEZ4505 - 14] |
0 | 1'06 | Sonny Nieuwenhuizen | Misty & confused. Questioning piano & disturbing FX. Dark textures @ | 司法 间谍片 令人不安 调查研究 | D | 100 | |||
|
Landscape Machinery [CEO2140 - 6] |
0 | 2'24 | Vincent Carlo | Electro corporate. Disturbing, cyclic, heady & dark. Rhythmic synth | 夜晚 pulsation 电子乐宣传片 间谍片 | D | 100 | |||
|
Hacking the System [ISC010 - 9] |
0 | 2'23 | Gregory Cotti | Worrying & insidious synth layers evolving with intriguing FX & | 宇宙音乐 太空 阴险 科幻片 | Cm | 71 | |||
|
Carry The Weight [BIB181 - 4] |
2'33 | Oliver Green, Gethin Pearson | Cool, gritty, powerful. Intense guitar and drum burst falls into | 失真效果器 赛车 斯托纳摇滚 态度 | Bm | 86 | ||||
|
Carry The Weight (Underscore) [BIB181 - 17] |
版本. | 2'33 | Oliver Green, Gethin Pearson | Cool, gritty, powerful. Intense snare and cymbal burst falls into | 动作片 电吉他效果器 沉重 态度 | Bm | 86 | |||
|
Carry The Weight (Drums Only) [BIB181 - 18] |
版本. | 2'33 | Oliver Green, Gethin Pearson | Slow, heavy, raw drum break with bongos and percussion. Nice drums | 鼓 BEAT MAKING 冲击 节奏感 | Gbm | 86 |