| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Monstermind [CEZ4604 - 9] |
0 | 2'19 | Borussia | Electronic hip hop. Trap. Future beat. Wonky beat. Tormented, | 都市景色 都市 态度 社会悲剧 | Bb | 80 | |||
|
We Wish You A Merry Christmas [INP060 - 9] |
2'12 | Trad | Robotic, dystopian, christmas. Monotonous robot voice sings through | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 89 | ||||
|
We Wish You A Merry Christmas
[INP060 - 29] |
版本. | 2'02 | Trad | Robotic, dystopian, christmas. Large percussive impacts and droning | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 90 | |||
|
We Wish You A Merry Christmas
[INP060 - 30] |
版本. | 1'08 | Trad | Robotic, dystopian, christmas. Droning bass sets out a sinister | 阴险 进行曲 失真效果器 轰隆声 | D | 67 | |||
|
Angels We Have Heard On High [INP060 - 12] |
2'11 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | ||||
|
Angels We Have Heard On High
[INP060 - 33] |
版本. | 2'08 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | |||
|
Left it All Behind [ISC052 - 8] |
4'05 | Anne-Sophie Versnaeyen | Cinematic néoclassical. In suspense & restraint. Obstinate & | 命运 小说纪录片 新古典电音 当代历史 | Fm | 100 | ||||
|
Left it All Behind Alternate 1 [ISC052 - 21] |
版本. | 4'05 | Anne-Sophie Versnaeyen | Alternate version without percussion. | 命运 小说纪录片 新古典电音 当代历史 | Fm | 100 | |||
|
Left it All Behind Alternate 2 [ISC052 - 22] |
版本. | 4'05 | Anne-Sophie Versnaeyen | Alternate version without strings. | 命运 小说纪录片 新古典电音 当代历史 | Fm | 100 | |||
|
Tangled Desires [ISC052 - 10] |
3'16 | Anne-Sophie Versnaeyen | Electroacoustic music. Mysterious, disturbing and atmospheric. | 固执 社会悲剧 新古典电音 催眠 | Gm | 110 | ||||
|
Tangled Desires Alternate [ISC052 - 25] |
版本. | 3'16 | Anne-Sophie Versnaeyen | Alternate version without strings. | 固执 社会悲剧 新古典电音 催眠 | G | 110 | |||
|
Gavotte Cello Suite No. 6 in
[IOM006 - 2] |
0 | 1'29 | Johann Bach | Emotive, stumbling, unsure. Low violin notes play out with a | 大提琴 遗产 高雅 艺术 | A | 90 | |||
|
Moon Palace [BIB245 - 9] |
2'03 | Kohshi Kamata | Ornate, tense, grandiose. Unsure string sequence starts, sharp | 周期性的 果断 旋律重复的音乐 手工业 | Gm | 124 | ||||
|
Moon Palace (Underscore) [BIB245 - 21] |
版本. | 2'02 | Kohshi Kamata | Ornate, tense, grandiose. Unsure string sequence starts, sharp | 周期性的 果断 旋律重复的音乐 手工业 | Gm | 124 | |||
|
End Of Days [TBX164 - 9] |
2'28 | Michael Tedstone | Exotic, sultry, determined. Sub bass gives rise to sharp dissonance, | BEAT MAKING 夜晚 固执 电子鼓 | Cm | 147 | ||||
|
End Of Days (Underscore) [TBX164 - 24] |
版本. | 2'28 | Michael Tedstone | Exotic, sultry, determined. Sub bass gives rise to sharp dissonance, | BEAT MAKING 夜晚 固执 电子鼓 | Cm | 73 | |||
|
Night Terror [CET9084 - 9] |
2'02 | Salvador Casais | Creepy intro with synth lead & sound design. Urgent & stressful build | 恐怖片 悬念 画面感 恐怖 | Gm | 140 | ||||
|
Night Terror Alternate [CET9084 - 21] |
版本. | 2'02 | Salvador Casais | Alternative version without percussion. | 恐怖片 悬念 画面感 恐怖 | Gm | 140 | |||
|
Photofit [CEO2152 - 10] |
0 | 1'17 | Baptiste Charvet | Sinister, squeaky & disturbing. Low drone, electronics, synth | 进行中 调查研究 夜晚 气氛 | Dm | 102 | |||
|
Missing Person Case [CEZ4578 - 10] |
1'11 | Benjamin Doherty | Cinematic. Enigmatic, dark & sinuous. Cinematic orchestra with pizz. | 令人不安 阴险 悬念 画面感 | Dm | 60 | ||||
|
Missing Person Case Alternate [CEZ4578 - 32] |
版本. | 1'08 | Benjamin Doherty | Alternate light arrangement. | 令人不安 阴险 悬念 画面感 | Dm | 60 | |||
|
Le Carnaval des animaux [CLA3087 - 15] |
0 | 0'55 | 卡米尔·圣桑 | VIII. Characters with Long Ears. Two violins. Small ensemble. | 下降 儿歌 (音效)和谐 小提琴 | B | 107 | |||
|
Party Life [CEZ4545 - 1] |
0 | 2'49 | The Highway Stars | Nu disco, italo disco. Danceable, funky & festive. E-Bow guitar solo | 新迪斯科 自信 日间节目 舞动 | Em | 121 | |||
|
Permission Bikini [CEZ4545 - 6] |
2'57 | Pedro Da Silva Resende | French touch, nu disco. Filtered intro. Confident, danceable & 歌词 | 日间节目 开心 自信 法式 | Ebm | 115 | ||||
|
Permission Bikini Alternate [CEZ4545 - 23] |
版本. | 2'56 | Pedro Da Silva Resende | Alternate version without vocoder & choir. | 日间节目 新迪斯科 开心 自信 | Ebm | 115 | |||
|
Ideal Identity [MAG6082 - 5] |
0 | 2'39 | GASTON DDD | Hyperpop, digicore electro. Urgent, exalted & supercharged. Suggested | 电子游戏 体育电竞 现代 怪异 | Ab | 90 | |||
|
The Way of Viking [CET9075 - 10] |
2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Anticipating, ancestral & suspenseful intro with lyre & kantele. | 令人不安 冒险游戏 中世纪 冒险片 | Ebm | 110 | ||||
|
The Way of Viking Alternate 1 [CET9075 - 29] |
版本. | 2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without percussion. | 令人不安 冒险游戏 中世纪 冒险片 | Eb | 110 | |||
|
The Way of Viking Alternate 2 [CET9075 - 30] |
版本. | 2'36 | Philippe Briand, Salvador Casais, Arttu Kustaa Silvast | Alternative version without choir. | 令人不安 冒险游戏 中世纪 冒险片 | Eb | 110 | |||
|
Unwoven [BIB226 - 1] |
4'29 | Conor O'Brien | Cool, minimalist, anticipatory. Soft quiet keys play out a knowing | 电子 信息技术 艺术风格 自信 | D | 120 | ||||
|
Unwoven (Underscore) [BIB226 - 11] |
版本. | 4'29 | Conor O'Brien | Cool, minimalist, anticipatory. Soft quiet keys play out a knowing | 电子 信息技术 艺术风格 自信 | D | 120 | |||
|
Best of the Day [ISC026 - 1] |
0 | 3'04 | Kabes | EDM. Intro build up with synth, clap & sampled voice. Mainstream, | 俱乐部 电子舞曲 喜庆 电子琴 | Gm | 126 | |||
|
Occult Symbols [CEZ4529 - 14] |
0 | 1'39 | Thomas Danigo | Alternative rock. Dark intro, then evil & disturbing. Recommended for | 无情 令人不安 神秘 固执 | Bm | 118 | |||
|
Over Mountains and Plains [CEC8028 - 7] |
0 | 2'17 | 果敢 | Traditional rural Chinese music. Peaceful, confident & cheerful. Erhu | 民族 乡村 二胡 田园 | Em | 185 |