| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Synthetic Shadows [AMS5052 - 4] |
2'05 | Thomas Lucas | Electro clash. Ghostly intro with synths, arpeggiator, FX riser, | 撞击电子乐 动作片 固执 态度 | Dm | 116 | ||||
|
Synthetic Shadows Alternate 1 [AMS5052 - 21] |
版本. | 2'05 | Thomas Lucas | Percussion only version. | 撞击电子乐 动作片 固执 态度 | Abm | 115 | |||
|
Synthetic Shadows Alternate 2 [AMS5052 - 22] |
版本. | 2'05 | Thomas Lucas | Underscore version. | 撞击电子乐 动作片 固执 态度 | Gm | 116 | |||
|
Synthetic Shadows Edit 1 30
[AMS5052 - 23] |
版本. | 0'33 | Thomas Lucas | 30 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Synthetic Shadows Edit 2 15
[AMS5052 - 24] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Overdrive Resistance [AMS5052 - 8] |
2'00 | Thomas Lucas | Electro clash / Dubstep. Glitchy, mechanical, fiery & heavy. | 态度 回响贝斯 动人 沉重 | Bm | 120 | ||||
|
Overdrive Resistance
[AMS5052 - 37] |
版本. | 2'00 | Thomas Lucas | Percussion only version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance
[AMS5052 - 38] |
版本. | 2'00 | Thomas Lucas | Underscore version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance Edit 1
[AMS5052 - 39] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 | |||
|
Overdrive Resistance Edit 2
[AMS5052 - 40] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 | |||
|
Bombastic [IOM035 - 1] |
2'13 | David Birnie | Raw, powerful, determined. Muffled bass drives through modest | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | ||||
|
Bombastic (Underscore) [IOM035 - 11] |
版本. | 2'13 | David Birnie | Raw, powerful, determined. Modest drumbeat and risers give a sense of | 极限运动 气势 冲突 态度 | Em | 100 | |||
|
Bombastic (60 sec) [IOM035 - 12] |
版本. | 1'03 | David Birnie | Raw, powerful, determined. Muffled bass drives through modest | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (30 sec) [IOM035 - 13] |
版本. | 0'30 | David Birnie | Raw, powerful, determined. Bass and beat explode at 00:08 into strong | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (15 sec) [IOM035 - 14] |
版本. | 0'17 | David Birnie | Raw, powerful, determined. Bass and beat explode at 00:04 into strong | 态度 动作游戏 画面感 撞击电子乐 | Em | 99 | |||
|
Bombastic (10 sec) [IOM035 - 15] |
版本. | 0'12 | David Birnie | Raw, powerful, determined. Squelchy bass and beat give a confident | 态度 动作游戏 画面感 撞击电子乐 | Em | 100 | |||
|
Bombastic (5 sec) [IOM035 - 16] |
版本. | 0'07 | David Birnie | Raw, powerful, determined. Squelchy bass and beat offer confident | 态度 动作游戏 画面感 撞击电子乐 | Em | 99 | |||
|
Bombastic (Sting) [IOM035 - 17] |
版本. | 0'03 | David Birnie | Raw, powerful, determined. Confident drum and bass cue with sci-fi | 态度 动作游戏 画面感 撞击电子乐 | Em | 199 | |||
|
Big Shot [IOM035 - 6] |
1'42 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 120 | ||||
|
Big Shot (Percussion Only) [IOM035 - 50] |
版本. | 1'42 | David Birnie | Epic, determined, climactic. Large war drums pound out with | 画面感 气势 极限运动 态度 | Abm | 120 | |||
|
Big Shot (60 sec) [IOM035 - 51] |
版本. | 1'00 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 120 | |||
|
Big Shot (30 sec) [IOM035 - 52] |
版本. | 0'32 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 161 | |||
|
Big Shot (15 sec) [IOM035 - 53] |
版本. | 0'16 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 119 | |||
|
Big Shot (10 sec) [IOM035 - 54] |
版本. | 0'10 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 120 | |||
|
Big Shot (5 sec) [IOM035 - 55] |
版本. | 0'06 | David Birnie | Epic, determined, climactic. Large war drums pound out a rebellious | 画面感 气势 极限运动 态度 | Abm | 120 | |||
|
Big Shot (Sting) [IOM035 - 56] |
版本. | 0'04 | David Birnie | Epic, determined, climactic. Large-scale sci-fi cue for high-octane | 画面感 气势 极限运动 态度 | Ab | 119 | |||
|
Detonate [IOM035 - 7] |
2'35 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere is fuelled by | 紧急 画面感 火热 高潮 | Gbm | 150 | ||||
|
Detonate (Underscore) [IOM035 - 57] |
版本. | 2'35 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere with airy notes and | 紧急 画面感 火热 高潮 | Gbm | 150 | |||
|
Detonate (Percussion Only) [IOM035 - 58] |
版本. | 2'35 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere with squelching | 紧急 画面感 火热 高潮 | Gbm | 150 | |||
|
Detonate (60 sec) [IOM035 - 59] |
版本. | 1'01 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere with squelching | 紧急 画面感 火热 固执 | Gbm | 150 | |||
|
Detonate (30 sec) [IOM035 - 60] |
版本. | 0'31 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere with squelching | 紧急 画面感 火热 固执 | Gb | 150 | |||
|
Detonate (15 sec) [IOM035 - 61] |
版本. | 0'15 | David Birnie | Gritty, acidic, panicked. Anticipatory atmosphere with squelching | 紧急 画面感 火热 固执 | Gb | 150 | |||
|
Detonate (10 sec) [IOM035 - 62] |
版本. | 0'10 | David Birnie | Gritty, acidic, panicked. Fast pace bass rises gives a timed element, | 紧急 画面感 火热 固执 | Gb | 150 | |||
|
Detonate (5 sec) [IOM035 - 63] |
版本. | 0'04 | David Birnie | Gritty, acidic, panicked. A time trial scene. Fast techno beat gives | 紧急 画面感 火热 固执 | Gb | 149 | |||
|
Detonate (Sting) [IOM035 - 64] |
版本. | 0'06 | David Birnie | Gritty, acidic, panicked. A time trial scene. Fast techno beat gives | 紧急 画面感 火热 固执 | Gb | 149 | |||
|
The Weight of Silence [AMS5048 - 6] |
1'52 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Discontinuous intro with electric guitar, | 影院摇滚 动作游戏 极限运动 爆炸 | Em | 126 | ||||
|
The Weight of Silence
[AMS5048 - 37] |
版本. | 1'52 | Philippe Briand, Salvador Casais | Version without percussion | 动作游戏 极限运动 影院摇滚 骄傲 | Em | 84 | |||
|
The Weight of Silence
[AMS5048 - 38] |
版本. | 1'52 | Philippe Briand, Salvador Casais | Version with percussion only | 动作游戏 极限运动 影院摇滚 爆炸 | Abm | 126 | |||
|
The Weight of Silence
[AMS5048 - 39] |
版本. | 1'52 | Philippe Briand, Salvador Casais | Bed version | 动作游戏 极限运动 影院摇滚 爆炸 | Em | 126 | |||
|
The Weight of Silence
[AMS5048 - 40] |
版本. | 1'52 | Philippe Briand, Salvador Casais | Underscore version | 动作游戏 极限运动 影院摇滚 爆炸 | Bm | 126 | |||
|
The Weight of Silence Edit 1
[AMS5048 - 41] |
版本. | 0'30 | Philippe Briand, Salvador Casais | 30 second cut | 动作游戏 极限运动 影院摇滚 爆炸 | Em | 166 | |||
|
The Weight of Silence Edit 2
[AMS5048 - 42] |
版本. | 0'15 | Philippe Briand, Salvador Casais | 15 second cut | 动作游戏 极限运动 影院摇滚 爆炸 | Em | 126 | |||
|
Breach [AMS5047 - 2] |
1'50 | Salvador Casais | Cinematic percussion. Ominous intro. Build-up @ 0'16 with fast | 冲击 冲突 吵闹 画面感 | Em | 130 | ||||
|
Breach Alternate 1 [AMS5047 - 14] |
版本. | 1'50 | Salvador Casais | Version without percussion | 画面感 预告片 高潮 史诗 | Em | 130 | |||
|
Breach Alternate 2 [AMS5047 - 15] |
版本. | 1'50 | Salvador Casais | Version with percussion only | 冲击 冲突 画面感 高潮 | Am | 130 | |||
|
Breach Alternate 3 [AMS5047 - 16] |
版本. | 1'50 | Salvador Casais | Bed version | 画面感 高潮 预告片 吵闹 | Em | 130 | |||
|
Breach Alternate 4 [AMS5047 - 17] |
版本. | 1'50 | Salvador Casais | Underscore version | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 1 (30 sec) [AMS5047 - 18] |
版本. | 0'32 | Salvador Casais | 30 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 2 (15 sec) [AMS5047 - 19] |
版本. | 0'16 | Salvador Casais | 15 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Gang Wars [AMS5047 - 6] |
2'01 | Salvador Casais | Cinematic percussion. Violent, aggressive & ruthless. Build-up with | 冲突 极限运动 画面感 骄傲 | Fm | 100 | ||||
|
Gang Wars Alternate 1 [AMS5047 - 38] |
版本. | 2'01 | Salvador Casais | Version without percussion | 极限运动 画面感 骄傲 动作游戏 | Fm | 100 | |||
|
Gang Wars Alternate 2 [AMS5047 - 39] |
版本. | 2'01 | Salvador Casais | Version with percussion only | 冲突 极限运动 画面感 骄傲 | Gm | 100 | |||
|
Gang Wars Alternate 3 [AMS5047 - 40] |
版本. | 2'01 | Salvador Casais | Instrumental version | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Alternate 4 [AMS5047 - 41] |
版本. | 2'01 | Salvador Casais | Bed version | 极限运动 冲突 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Alternate 5 [AMS5047 - 42] |
版本. | 2'01 | Salvador Casais | Underscore version | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Edit 1 (30 sec) [AMS5047 - 43] |
版本. | 0'31 | Salvador Casais | 30 second cut | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Edit 2 (15 sec) [AMS5047 - 44] |
版本. | 0'14 | Salvador Casais | 15 second cut | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Break the Fake [CEZ4653 - 9] |
2'04 | G.Bonson | Big Beat. 1990s. Upbeat, edgy & relentless. Male vocals, drums & | 赛车 大节奏 沉重 极限运动 | Gm | 127 | ||||
|
Break The Fake Alternate [CEZ4653 - 134] |
版本. | 2'03 | G.Bonson | Instrumental version | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 1 (60 sec) [CEZ4653 - 135] |
版本. | 1'00 | G.Bonson | 60 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 2 (60 sec) [CEZ4653 - 136] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 3 (60 sec) [CEZ4653 - 137] |
版本. | 1'00 | G.Bonson | 60 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 4 (60 sec) [CEZ4653 - 138] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 5 (30 sec) [CEZ4653 - 139] |
版本. | 0'30 | G.Bonson | 30 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 6 (30 sec) [CEZ4653 - 140] |
版本. | 0'30 | G.Bonson | 30 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 7 (30 sec) [CEZ4653 - 141] |
版本. | 0'30 | G.Bonson | 30 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 8 (15 sec) [CEZ4653 - 142] |
版本. | 0'15 | G.Bonson | 15 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 128 | |||
|
Break The Fake Edit 9 (15 sec) [CEZ4653 - 143] |
版本. | 0'15 | G.Bonson | 15 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 10 (15
[CEZ4653 - 144] |
版本. | 0'15 | G.Bonson | 15 second cut 2 | 赛车 大节奏 沉重 极限运动 | G | 127 | |||
|
Break The Fake Edit 11 (Sting
[CEZ4653 - 145] |
版本. | 0'09 | G.Bonson | Sting 1 | 赛车 大节奏 沉重 极限运动 | Bb | 128 | |||
|
Break The Fake Edit 12 (Sting
[CEZ4653 - 146] |
版本. | 0'08 | G.Bonson | Sting instrumental 1 | 赛车 大节奏 沉重 极限运动 | Bb | 124 | |||
|
Break The Fake Edit 13 (Sting
[CEZ4653 - 147] |
版本. | 0'07 | G.Bonson | Sting 2 | 赛车 大节奏 沉重 极限运动 | Gm | 129 | |||
|
Break The Fake Edit 14 (Sting
[CEZ4653 - 148] |
版本. | 0'07 | G.Bonson | Sting 3 | 赛车 大节奏 沉重 极限运动 | Em | 130 | |||
|
Break The Fake Edit 15 (Sting
[CEZ4653 - 149] |
版本. | 0'05 | G.Bonson | Sting instrumental 3 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Vandal [CEZ4648 - 7] |
3'56 | Racelink | UK Garage. Powerful, upbeat & gets more & more danceable. Male vocals | 俱乐部 丛林音乐 固执 赛车 | Bbm | 140 | ||||
|
Vandal Alternate [CEZ4648 - 60] |
版本. | 3'56 | Racelink | Instrumental version | 俱乐部 丛林音乐 固执 赛车 | Bbm | 140 | |||
|
Vandal Edit 1 (15s Instru) [CEZ4648 - 61] |
版本. | 0'15 | Racelink | 15 seconds instrumental cut | 俱乐部 丛林音乐 固执 赛车 | F | 140 | |||
|
Vandal Edit 2 (15s) [CEZ4648 - 62] |
版本. | 0'15 | Racelink | 15 seconds cut | 俱乐部 丛林音乐 固执 赛车 | Db | 140 | |||
|
Vandal Edit 3 (30s Instru) [CEZ4648 - 63] |
版本. | 0'30 | Racelink | 30 seconds instrumental cut | 俱乐部 丛林音乐 固执 赛车 | F | 140 | |||
|
Vandal Edit 4 (30s) [CEZ4648 - 64] |
版本. | 0'30 | Racelink | 30 seconds cut | 俱乐部 丛林音乐 固执 赛车 | Dbm | 140 | |||
|
Vandal Edit 5 (60s Instru) [CEZ4648 - 65] |
版本. | 1'00 | Racelink | 60 seconds instrumental cut | 俱乐部 丛林音乐 固执 赛车 | F | 140 | |||
|
Vandal Edit 6 (60s) [CEZ4648 - 66] |
版本. | 1'00 | Racelink | 60 seconds cut | 俱乐部 丛林音乐 固执 赛车 | Dbm | 140 | |||
|
Vandal Edit 7 (sting) [CEZ4648 - 67] |
版本. | 0'09 | Racelink | Sting | 俱乐部 丛林音乐 固执 赛车 | C | 140 | |||
|
The Only One [BIB278 - 3] |
1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Passionate, wild, confident. Solid bass bounces along with heavy 歌词 | 赛车 男歌手 街头运动 火热 | Bm | 82 | ||||
|
The Only One (Instrumental) [BIB278 - 15] |
版本. | 1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Passionate, wild, confident. Solid bass bounces along with heavy | 赛车 街头运动 火热 电吉他效果器 | Bm | 82 | |||
|
The Only One (Underscore) [BIB278 - 16] |
版本. | 1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Passionate, wild, confident. Solid bass bounces along with heavy | 赛车 街头运动 火热 独立摇滚 | Bm | 82 | |||
|
Crawling [BIB278 - 5] |
1'52 | Renny Carroll, Mark Coupe, Eamonn Downes | Sadistic, wild, passionate. Punky guitar solo gives a feeling of cool 歌词 | 街头运动 男歌手 态度 稳定的 | Em | 122 | ||||
|
Crawling (Instrumental) [BIB278 - 19] |
版本. | 1'52 | Renny Carroll, Mark Coupe, Eamonn Downes | Sadistic, wild, passionate. Punky guitar solo gives a feeling of cool | 街头运动 态度 稳定的 电吉他效果器 | Em | 122 | |||
|
Crawling (Underscore) [BIB278 - 20] |
版本. | 1'52 | Renny Carroll, Mark Coupe, Eamonn Downes | Sadistic, wild, passionate. Solid bass meets with drums carrying a | 街头运动 态度 稳定的 独立摇滚 | Em | 122 | |||
|
Road Trip [BIB278 - 9] |
2'53 | Christopher Rome | Fun, adventurous, spirited. Old school rock vibe from full layered 歌词 | 火热 车库摇滚 室外 态度 | D | 138 | ||||
|
Road Trip (Instrumental) [BIB278 - 27] |
版本. | 2'53 | Christopher Rome | Fun, adventurous, spirited. Old school rock vibe from full layered | 火热 车库摇滚 室外 态度 | Am | 138 | |||
|
Road Trip (Underscore) [BIB278 - 28] |
版本. | 2'53 | Christopher Rome | Fun, adventurous, spirited. Old school rock vibe from fuzzy guitar. | 火热 车库摇滚 室外 态度 | Am | 137 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
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Blasting [AMS5042 - 3] |
1'42 | Danijel Grubovic | Hybrid trailer. Suspended intro. Sneaky build-up @ 0'20 with metallic | 画面感 战争 战士 动作游戏 | Dm | 154 | ||||
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Blasting Alternate 1 [AMS5042 - 25] |
版本. | 1'42 | Danijel Grubovic | No percussion version | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
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Blasting Alternate 2 [AMS5042 - 26] |
版本. | 1'42 | Danijel Grubovic | Percussion only version | 画面感 战争 战士 动作游戏 | Am | 155 | |||
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Blasting Alternate 3 [AMS5042 - 27] |
版本. | 1'42 | Danijel Grubovic | Bed | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Blasting Alternate 4 [AMS5042 - 28] |
版本. | 1'42 | Danijel Grubovic | Underscore | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 1 (60 sec) [AMS5042 - 29] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Edit 2 (30 sec) [AMS5042 - 30] |
版本. | 0'31 | Danijel Grubovic | 30 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 3 (15 sec) [AMS5042 - 31] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Condition Zero [AMS5042 - 4] |
1'32 | Danijel Grubovic | Hybrid trailer. Heavy, jittery & edgy. Tribal build-up @ 0'14 with | 冲击 动作游戏 画面感 火热 | Am | 120 | ||||
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Condition Zero Alternate 1 [AMS5042 - 32] |
版本. | 1'32 | Danijel Grubovic | No percussion version | 动作游戏 画面感 火热 沉重 | Cm | 130 | |||
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Condition Zero Alternate 2 [AMS5042 - 33] |
版本. | 1'32 | Danijel Grubovic | Percussion only version | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
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Condition Zero Alternate 3 [AMS5042 - 34] |
版本. | 1'32 | Danijel Grubovic | No voice fx version | 冲击 动作游戏 画面感 火热 | Am | 119 | |||
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Condition Zero Alternate 4 [AMS5042 - 35] |
版本. | 1'32 | Danijel Grubovic | Bed | 冲击 动作游戏 画面感 火热 | Fm | 120 | |||
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Condition Zero Alternate 5 [AMS5042 - 36] |
版本. | 1'32 | Danijel Grubovic | Underscore | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
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Condition Zero Edit 1 (60 sec) [AMS5042 - 37] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
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Condition Zero Edit 2 (30 sec) [AMS5042 - 38] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
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Condition Zero Edit 3 (15 sec) [AMS5042 - 39] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
|
Reloaded [ISC083 - 2] |
2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
|
Reloaded Alternate [ISC083 - 12] |
版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 | |||
|
Prototypes [ISC083 - 4] |
2'00 | Martin Emilio Insaurgarat | Cinematic. Technological, thrilling & sneaky. Electronics, percussion | 冲突 画面感 沉重 预告片 | Fm | 143 | ||||
|
Prototypes Alternate [ISC083 - 14] |
版本. | 2'00 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 沉重 预告片 | Fm | 142 | |||
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Team X [ISC083 - 8] |
1'39 | Martin Emilio Insaurgarat | Cinematic. Heavy, powerful & hectic. Electronics, percussion, alarm & | 冲突 画面感 沉重 冲击 | Cm | 135 | ||||
|
Team X Alternate [ISC083 - 18] |
版本. | 1'39 | Martin Emilio Insaurgarat | No alarms version | 冲突 画面感 沉重 冲击 | Cm | 135 |