| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Forbidden Name [ISC115 - 4] |
2'29 | Christophe Le Guen | Horror trailer. Intro with mechanical sounds, haunted whistling & | 画面感 恐怖片 令人不安 沉重 | Am | 90 | ||||
|
The Forbidden Name Alternate 1 [ISC115 - 17] |
版本. | 2'29 | Christophe Le Guen | Version without percussion. | 画面感 恐怖片 令人不安 沉重 | Am | 185 | |||
|
The Forbidden Name Alternate 2 [ISC115 - 18] |
版本. | 2'29 | Christophe Le Guen | Light version. | 画面感 恐怖片 令人不安 沉重 | Am | 90 | |||
|
The Blood Rite [ISC115 - 5] |
3'09 | Christophe Le Guen | Horror trailer. Gloomy intro. Build-up @ 0'30 with ghostly enchanting | 画面感 高潮 史诗 预告片 | Cm | 100 | ||||
|
The Blood Rite Alternate 1 [ISC115 - 19] |
版本. | 3'09 | Christophe Le Guen | Version without percussion. | 画面感 高潮 史诗 预告片 | Cm | 100 | |||
|
The Blood Rite Alternate 2 [ISC115 - 20] |
版本. | 3'09 | Christophe Le Guen | Light version. | 画面感 高潮 史诗 预告片 | Cm | 100 | |||
|
Ave Maledictus [ISC115 - 8] |
3'45 | Christophe Le Guen | Horror trailer. Spooky intro with creepy sounds & breath. Liturgical | 固执 冲突 强调突出 画面感 | Fm | 140 | ||||
|
Ave Maledictus Alternate 1 [ISC115 - 25] |
版本. | 3'45 | Christophe Le Guen | Version without percussion. | 固执 画面感 恐怖片 无情 | Fm | 140 | |||
|
Ave Maledictus Alternate 2 [ISC115 - 26] |
版本. | 3'45 | Christophe Le Guen | Light version. | 固执 冲突 强调突出 画面感 | Fm | 140 | |||
|
The Gates of Hell [ISC115 - 10] |
3'59 | Christophe Le Guen | Horror trailer. Dark & murky intro with shrilling strings & synth. | 固执 冲突 画面感 史诗 | Cm | 120 | ||||
|
The Gates of Hell Alternate 1 [ISC115 - 29] |
版本. | 3'59 | Christophe Le Guen | Version without percussion. | 固执 画面感 史诗 动作片 | Cm | 120 | |||
|
The Gates of Hell Alternate 2 [ISC115 - 30] |
版本. | 3'59 | Christophe Le Guen | Light version. | 固执 冲突 画面感 史诗 | Cm | 120 | |||
|
Lost In Mumbai [AMS5064 - 2] |
2'14 | Ilan Kunik | Indian cinematic. Mysterious intro with sitar, tabla, then chimes. | 紧急 骑马 画面感 固执 | Cm | 127 | ||||
|
Lost In Mumbai Alternate 1 [AMS5064 - 17] |
版本. | 2'14 | Ilan Kunik | Version without percussion. | 紧急 骑马 画面感 固执 | C | 128 | |||
|
Lost In Mumbai Alternate 2 [AMS5064 - 18] |
版本. | 2'14 | Ilan Kunik | Version with percussion only. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 3 [AMS5064 - 19] |
版本. | 2'14 | Ilan Kunik | Version without strings. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 4 [AMS5064 - 20] |
版本. | 2'14 | Ilan Kunik | Version without voices. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 5 [AMS5064 - 21] |
版本. | 2'14 | Ilan Kunik | "Bed" version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 6 [AMS5064 - 22] |
版本. | 2'14 | Ilan Kunik | Underscore version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Edit 1 30 sec [AMS5064 - 23] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
Lost In Mumbai Edit 2 15 sec [AMS5064 - 24] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
The Orients [AMS5064 - 5] |
2'06 | Ilan Kunik | Asian cinematic. Ceremonial intro. Assertive, jerky & determined. | 冒险片 画面感 中断 亚洲 | Bm | 143 | ||||
|
The Orients Alternate 1 [AMS5064 - 40] |
版本. | 2'06 | Ilan Kunik | Version without percussion. | 冒险片 画面感 中断 亚洲 | Bm | 143 | |||
|
The Orients Alternate 2 [AMS5064 - 41] |
版本. | 2'06 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 中断 亚洲 | Em | 144 | |||
|
The Orients Alternate 3 [AMS5064 - 42] |
版本. | 2'06 | Ilan Kunik | Version without strings. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 4 [AMS5064 - 43] |
版本. | 2'06 | Ilan Kunik | Version without voices. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 5 [AMS5064 - 44] |
版本. | 2'06 | Ilan Kunik | "Bed" version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 6 [AMS5064 - 45] |
版本. | 2'06 | Ilan Kunik | Underscore version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Edit 1 30 sec [AMS5064 - 46] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
The Orients Edit 2 15 sec [AMS5064 - 47] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
My Turn [AMS5065 - 7] |
3'09 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Punchy, driving & increasingly aggressive. Metal rock | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | ||||
|
My Turn Alternate 1 [AMS5065 - 39] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Version without drums. | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 99 | |||
|
My Turn Alternate 2 [AMS5065 - 40] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Version with drums only | speed metal 乐队 动作游戏 垃圾音效 | Fm | 100 | |||
|
My Turn Alternate 3 [AMS5065 - 41] |
版本. | 3'09 | Flaviu Ciocan, Revesz Gabor | Underscore version | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 99 | |||
|
My Turn Edit 1 30 sec [AMS5065 - 42] |
版本. | 0'28 | Flaviu Ciocan, Revesz Gabor | 30 second cut | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | |||
|
My Turn Edit 2 15 sec [AMS5065 - 43] |
版本. | 0'17 | Flaviu Ciocan, Revesz Gabor | 15 second cut | speed metal 乐队 电吉他效果器 动作游戏 | Dm | 100 | |||
|
Dragon Protocol [CET9110 - 7] |
4'15 | Gabriel Saban, Bo Tian | Orchestral East Asian trailer. Suspended intro with erhu & guzheng. | 中国电影 冒险片 史诗 预告片 | Dm | 166 | ||||
|
Dragon Protocol Alternate [CET9110 - 20] |
版本. | 4'15 | Gabriel Saban, Bo Tian | Version without percussion | 中国电影 冒险片 史诗 预告片 | Dm | 167 | |||
|
It's A Money Game [TBX232 - 2] |
2'20 | Edoardo Bombace | Pacy, raw, explorative. Deep piano impacts contrast with tricky | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | ||||
|
It's A Money Game (Underscore) [TBX232 - 14] |
版本. | 2'20 | Edoardo Bombace | Pacy, raw, explorative. Plucked strings join fun stabs, built up with | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | |||
|
It's A Money Game (Underscore
[TBX232 - 15] |
版本. | 2'20 | Edoardo Bombace | Pacy, raw, explorative. Plucked strings join fun stabs, built up with | trapedy 恐怖喜剧 固执 态度 | Ebm | 162 | |||
|
No Loose Ends [TBX232 - 4] |
2'13 | Edoardo Bombace | Playful, rough, confident. Light string stabs offer an environment of | trapedy 态度 讽刺 & 恶意 沉重 | Dm | 135 | ||||
|
No Loose Ends (Underscore) [TBX232 - 18] |
版本. | 2'13 | Edoardo Bombace | Playful, rough, confident. Light string stabs offer an environment of | trapedy 态度 讽刺 & 恶意 沉重 | Dm | 135 | |||
|
No Loose Ends (Underscore No
[TBX232 - 19] |
版本. | 2'13 | Edoardo Bombace | Playful, rough, confident. Light string stabs offer an environment of | trapedy 态度 讽刺 & 恶意 沉重 | Dm | 135 | |||
|
Substance Abuse [TBX232 - 5] |
2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | ||||
|
Substance Abuse (Underscore) [TBX232 - 20] |
版本. | 2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | |||
|
Flicker Of Doubt [TBX232 - 10] |
1'46 | Ernesto Lopez Amestica | Strong, bright, street. Plucked strings and finger clicks dive into | 节奏乐器组 trapedy 态度 电影节奏 | Dm | 145 | ||||
|
Flicker Of Doubt (Underscore) [TBX232 - 27] |
版本. | 1'46 | Ernesto Lopez Amestica | Strong, bright, street. Plucked strings and finger clicks offer a | 节奏乐器组 trapedy 态度 电影节奏 | Dm | 145 | |||
|
Skylift [TBX230 - 3] |
2'56 | Darren Mccaughey | Powerful, emotive, spirited. Muted delayed guitar conveys emotion | 自信 青春剧 态度 周期性的 | A | 136 | ||||
|
Skylift (Underscore) [TBX230 - 16] |
版本. | 2'49 | Darren Mccaughey | Powerful, emotive, spirited. Muted delayed guitar conveys emotion | 自信 青春剧 态度 周期性的 | A | 136 | |||
|
Observer [TBX230 - 7] |
2'53 | Richard Smithson | Entertaining, fun, trippy. Rolling drum and bassline get together | 动人 青春剧 喜剧 自信 | Am | 157 | ||||
|
Observer (Underscore) [TBX230 - 20] |
版本. | 2'53 | Richard Smithson | Entertaining, fun, trippy. Rolling drum and bassline get together | 动人 青春剧 喜剧 自信 | Am | 156 | |||
|
Breathe [IOM044 - 4] |
1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with 歌词 | 时尚 广告 现代 态度 | Gm | 111 | ||||
|
Breathe (Instrumental) [IOM044 - 20] |
版本. | 1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with | 时尚 广告 现代 态度 | Gm | 111 | |||
|
Breathe (Underscore) [IOM044 - 21] |
版本. | 1'53 | Oswald Allicock, Iain Harper | Charismatic, confident, driven. Menacing sub bass pulses along with | 时尚 广告 现代 态度 | Gm | 111 | |||
|
Live Wire [IOM044 - 8] |
2'13 | Omer Agca, Adela Hassan, John Spengemann | Energetic, lively, fiery. Bubbling electronic instrumentation joined 歌词 | 态度 说唱 青春剧 女歌手 | Abm | 112 | ||||
|
Live Wire (Instrumental) [IOM044 - 28] |
版本. | 2'09 | Omer Agca, Adela Hassan, John Spengemann | Energetic, lively, fiery. Bubbling electronic instrumentation slides | 态度 青春剧 舞蹈流行音乐 令人激动 | Bbm | 112 | |||
|
Live Wire (Underscore) [IOM044 - 29] |
版本. | 2'05 | Omer Agca, Adela Hassan, John Spengemann | Energetic, lively, fiery. Bubbling electronic instrumentation slides | 态度 青春剧 舞蹈流行音乐 令人激动 | Am | 112 | |||
|
C4 [IOM044 - 11] |
1'52 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a 歌词 | 态度 舞蹈流行音乐 时尚 女歌手 | Gm | 118 | ||||
|
C4 (Instrumental) [IOM044 - 34] |
版本. | 1'49 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a | 态度 舞蹈流行音乐 时尚 动人 | Gm | 118 | |||
|
C4 (Underscore) [IOM044 - 35] |
版本. | 1'49 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Explosive, charismatic, bratty. Nonsensical vocal sample gives a | 态度 舞蹈流行音乐 时尚 动人 | Cm | 118 | |||
|
Antagonist [INP083 - 11] |
1'58 | Joel Stoner | Eerie, terrifying, alien. Spooky ambience builds with rising notes | 沉重 恐怖 冲突 画面感 | Dm | 60 | ||||
|
Antagonist (Underscore) [INP083 - 23] |
版本. | 1'58 | Joel Stoner | Eerie, terrifying, alien. Spooky ambience builds with rising notes | 沉重 恐怖 冲突 画面感 | Dm | 60 | |||
|
Rise Of The Brave [INP083 - 12] |
2'05 | Adrien Sabathier, Lucas Safaru | Heroic, powerful, energetic. Gritty sounds welcome in dramatic | 画面感 史诗 动作片 火热 | Cm | 162 | ||||
|
Rise Of The Brave (Underscore) [INP083 - 24] |
版本. | 2'01 | Adrien Sabathier, Lucas Safaru | Heroic, powerful, energetic. Gritty sounds welcome in dramatic | 画面感 史诗 动作片 火热 | Cm | 162 | |||
|
Dressed Naked [BIB296 - 5] |
2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | ||||
|
Dressed Naked (Instrumental) [BIB296 - 21] |
版本. | 2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (Bed) [BIB296 - 22] |
版本. | 2'19 | Elias Kolkas | Tragic, futuristic, laidback. Dusty pad chords create a super modern | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (30 sec) [BIB296 - 23] |
版本. | 0'30 | Elias Kolkas | Tragic, futuristic, laidback. Glamorous energy tinged with melancholy | 令人激动 时尚 夜晚 广告 | Am | 106 |