| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Plover [CEZ4032 - 2] |
0 | 1'15 | Philippe Hersant | Haunting & agitated. Solo piano. | 抽象艺术 混乱 无电声钢琴 默剧 | Bbm | 122 | |||
|
Hurricane [CEZ4032 - 7] |
0 | 1'37 | Philippe Hersant | Determined, fiery & stormy. | 令人不安 吵闹 混乱 火热 | Cm | 111 | |||
|
The Milky Way [CEZ4032 - 21] |
0 | 3'22 | Philippe Hersant | Tormented & tumultuous. Solo piano. | 动荡 吵闹 混乱 复杂 | Bbm | 148 | |||
|
The Moor [CEZ4032 - 24] |
0 | 5'04 | Philippe Hersant | Poignant, tragic & punctuated. Solo piano. | 令人不安 | Fm | 62 | |||
|
Officer Bobblehead [CEZ4704 - 14] |
2'06 | Louis-Ronan Choisy | Orchestral piece. Metallic, mechanical & bouncy. Pizzicati, brass, | 恐怖喜剧 悲喜剧 好玩 动画 | Dm | 110 | ||||
|
Officer Bobblehead Alternate 1 [CEZ4704 - 35] |
版本. | 2'06 | Louis-Ronan Choisy | Alternate no theremin. | Dm | 110 | ||||
|
Officer Bobblehead Alternate 2 [CEZ4704 - 36] |
版本. | 2'03 | Louis-Ronan Choisy | Alternate no perc. | Dm | 110 | ||||
|
Take Me There [CCB1075 - 3] |
3'02 | Kritix | UK drum 'n' bass. Inflamed, lively & frantic. Synth, sampled vocals & | 动人 鼓和贝司 令人激动 极限运动 | Am | 87 | ||||
|
Take Me There Alternate [CCB1075 - 16] |
版本. | 3'02 | Kritix | Alternate no vocals. | 动人 鼓和贝司 令人激动 极限运动 | Em | 172 | |||
|
Take Me There Edit 60 sec [CCB1075 - 17] |
版本. | 1'00 | Kritix | 60 second cut. | 动人 鼓和贝司 令人激动 极限运动 | Am | 87 | |||
|
Take Me There Edit 30 sec [CCB1075 - 18] |
版本. | 0'30 | Kritix | 30 second cut. | 动人 鼓和贝司 令人激动 极限运动 | Am | 87 | |||
|
Take Me There Edit 20 sec [CCB1075 - 19] |
版本. | 0'20 | Kritix | 20 second cut. | 动人 鼓和贝司 令人激动 极限运动 | Em | 87 | |||
|
Take Me There Edit Sting [CCB1075 - 20] |
版本. | 0'13 | Kritix | Sting. | 动人 鼓和贝司 令人激动 极限运动 | Em | 172 | |||
|
Koiwaabunai [CEZ4706 - 3] |
2'37 | Cheik Sound | Kawaii, J-pop. Lively, tender, cute & romantic. Drum machine, keys, 歌词 | j-pop 日本 广告 现代 | C | 163 | ||||
|
Koiwaabunai Alternate 1 [CEZ4706 - 17] |
版本. | 2'37 | Cheik Sound | Instrumental version | j-pop 日本 广告 现代 | C | 81 | |||
|
Koiwaabunai Alternate 2 [CEZ4706 - 18] |
版本. | 2'37 | Cheik Sound | No lead synth instrumental version | j-pop 日本 广告 现代 | C | 81 | |||
|
Koiwaabunai Edit 30s [CEZ4706 - 19] |
版本. | 0'30 | Cheik Sound | 30 second instrumental cut | j-pop 日本 广告 现代 | C | 81 | |||
|
Magic Synthland [CEZ4706 - 10] |
2'07 | Cheik Sound | Kawaii, electro-pop. Catchy, danceable, bright & determined. | 时尚 流行电子音乐 动人 好玩 | Abm | 102 | ||||
|
Magic Synthland Alternate 1 [CEZ4706 - 37] |
版本. | 2'07 | Cheik Sound | No lead synth version | 时尚 流行电子音乐 动人 好玩 | Cm | 102 | |||
|
Magic Synthland Alternate 2 [CEZ4706 - 38] |
版本. | 2'07 | Cheik Sound | No rhythm version | 时尚 流行电子音乐 动人 好玩 | Abm | 102 | |||
|
Magic Synthland Edit 30s [CEZ4706 - 39] |
版本. | 0'30 | Cheik Sound | 30 second instrumental cut | 时尚 流行电子音乐 动人 好玩 | Abm | 102 | |||
|
WINTER ARC [CEM3026 - 2] |
2'02 | Léo Natale | Melodic liquid phonk. Slow. Introspective, proud & nocturnal. | phonk 气氛 时尚 都市景色 | D | 110 | ||||
|
WINTER ARC Alternate 1 [CEM3026 - 20] |
版本. | 2'02 | Léo Natale | Instrumental version | phonk 气氛 时尚 都市景色 | D | 110 | |||
|
WINTER ARC Alternate 2 [CEM3026 - 21] |
版本. | 2'22 | Léo Natale | Slowed version | 进行曲 phonk 气氛 时尚 | Gbm | 94 | |||
|
WINTER ARC Alternate 3 [CEM3026 - 22] |
版本. | 2'22 | Léo Natale | Instrumental slowed version | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 1 (60 sec) [CEM3026 - 23] |
版本. | 1'00 | Léo Natale | 60 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 2 (30 sec) [CEM3026 - 24] |
版本. | 0'30 | Léo Natale | 30 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 3 (20 sec) [CEM3026 - 25] |
版本. | 0'20 | Léo Natale | 20 second cut | phonk 气氛 时尚 都市景色 | Am | 110 | |||
|
WINTER ARC Edit 4 (sting) [CEM3026 - 26] |
版本. | 0'11 | Léo Natale | Sting | phonk 气氛 时尚 都市景色 | D | 73 | |||
|
WINTER ARC
[CEM3026 - 27] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC
[CEM3026 - 28] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 7 (20 sec
[CEM3026 - 29] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | phonk 气氛 时尚 都市景色 | Gbm | 94 | |||
|
WINTER ARC Edit 8 (sting
[CEM3026 - 30] |
版本. | 0'12 | Léo Natale | Slowed sting | phonk 气氛 时尚 都市景色 | B | 94 | |||
|
ECTOPLASM [CEM3026 - 8] |
2'38 | Léo Natale | Phonk. Medium. Nocturnal, heavy & obsessive. Chopped synths, cowbell, | 赛车 动人 动作游戏 沉重 | Gbm | 115 | ||||
|
ECTOPLASM Alternate 1 [CEM3026 - 84] |
版本. | 2'38 | Léo Natale | Instrumental version | 赛车 动人 动作游戏 沉重 | Gbm | 115 | |||
|
ECTOPLASM Alternate 2 [CEM3026 - 85] |
版本. | 3'05 | Léo Natale | Slowed version | 进行曲 赛车 动人 动作游戏 | B | 98 | |||
|
ECTOPLASM Alternate 3 [CEM3026 - 86] |
版本. | 3'05 | Léo Natale | Instrumental slowed version | 赛车 动人 动作游戏 沉重 | B | 99 | |||
|
ECTOPLASM Edit 1 (60 sec) [CEM3026 - 87] |
版本. | 1'00 | Léo Natale | 60 second cut | 赛车 动人 动作游戏 沉重 | Gbm | 115 | |||
|
ECTOPLASM Edit 2 (30 sec) [CEM3026 - 88] |
版本. | 0'30 | Léo Natale | 30 second cut | 赛车 动人 动作游戏 沉重 | Bm | 116 | |||
|
ECTOPLASM Edit 3 (20 sec) [CEM3026 - 89] |
版本. | 0'20 | Léo Natale | 20 second cut | 赛车 动人 动作游戏 沉重 | Bm | 115 | |||
|
ECTOPLASM Edit 4 (sting) [CEM3026 - 90] |
版本. | 0'10 | Léo Natale | Sting | 赛车 动人 动作游戏 沉重 | A | 112 | |||
|
ECTOPLASM Edit 5 (60 sec
[CEM3026 - 91] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | 赛车 动人 动作游戏 沉重 | B | 98 | |||
|
ECTOPLASM Edit 6 (30 sec
[CEM3026 - 92] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | 赛车 动人 动作游戏 沉重 | B | 99 | |||
|
ECTOPLASM Edit 7 (20 sec
[CEM3026 - 93] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | 赛车 动人 动作游戏 沉重 | Ebm | 99 | |||
|
ECTOPLASM Edit 8 (sting
[CEM3026 - 94] |
版本. | 0'12 | Léo Natale | Slowed sting | 赛车 动人 动作游戏 沉重 | Ebm | 98 | |||
|
The Bad Touch [AMS5066 - 3] |
2'15 | Philippe Briand, Salvador Casais | Rock. Funky, catchy & casual. Lively climax @ 1'26. Break @ 0'34, @ | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | ||||
|
The Bad Touch Alternate 1 [AMS5066 - 19] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Version without percussion | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Alternate 2 [AMS5066 - 20] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Version with percussion only | 日间节目 黑人电影 影院摇滚 动人 | Bbm | 118 | |||
|
The Bad Touch Alternate 3 [AMS5066 - 21] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Bed version | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Alternate 4 [AMS5066 - 22] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Underscore version | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Edit 1 30 sec [AMS5066 - 23] |
版本. | 0'26 | Philippe Briand, Salvador Casais | 30 second cut | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Edit 2 15 sec [AMS5066 - 24] |
版本. | 0'17 | Philippe Briand, Salvador Casais | 15 second cut | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
Resurgence [CEG5060 - 8] |
2'32 | Arttu Silvast | Hybrid Scoring. Cold, sinister, insidious & dark. Relentless deep | 阴险 恐怖片 冰冷 有毒 | Dm | 80 | ||||
|
Resurgence Alternate [CEG5060 - 26] |
版本. | 2'31 | Arttu Silvast | Underscore version | 阴险 恐怖片 冰冷 有毒 | Dm | 107 | |||
|
Behind Smoked Glass [MAG6105 - 9] |
1'51 | Mad Rey | Ghetto house, lofi house. Heavy, muffled & groovy. Synth, sampled | 低沉 人物 俱乐部 时尚 | Gbm | 123 | ||||
|
Behind Smoked Glass Edit 60
[MAG6105 - 45] |
版本. | 1'00 | Mad Rey | 60 second cut. | 低沉 人物 俱乐部 时尚 | Dbm | 123 | |||
|
Behind Smoked Glass Edit 30
[MAG6105 - 46] |
版本. | 0'30 | Mad Rey | 30 second cut. | 低沉 人物 俱乐部 时尚 | Dbm | 123 | |||
|
Behind Smoked Glass Edit 20
[MAG6105 - 47] |
版本. | 0'20 | Mad Rey | 20 second cut. | 低沉 人物 俱乐部 时尚 | Dbm | 121 | |||
|
Behind Smoked Glass Edit Sting [MAG6105 - 48] |
版本. | 0'09 | Mad Rey | Sting. | 低沉 人物 俱乐部 时尚 | Abm | 123 | |||
|
Drive 'til Infinity [MAG6105 - 10] |
2'49 | Mad Rey | Acid house. Cyclic, regular & obsessive. Synth & rhythm. Ideal for | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | ||||
|
Drive 'til Infinity Edit 60
[MAG6105 - 49] |
版本. | 1'00 | Mad Rey | 60 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit 30
[MAG6105 - 50] |
版本. | 0'30 | Mad Rey | 30 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit 20
[MAG6105 - 51] |
版本. | 0'20 | Mad Rey | 20 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit Sting [MAG6105 - 52] |
版本. | 0'10 | Mad Rey | Sting. | 动人 夜晚 都市景色 俱乐部 | Gbm | 121 | |||
|
Watch Me Go Like [BIB298 - 1] |
2'05 | Olivier Bibeau | Energetic, fun, poppy. Fresh atmosphere comes through wiggling 歌词 | 舞蹈流行音乐 广告 态度 日间节目 | Bm | 130 | ||||
|
Watch Me Go Like
[BIB298 - 11] |
版本. | 2'05 | Olivier Bibeau | Energetic, fun, poppy. Fresh atmosphere comes through wiggling | 态度 舞蹈流行音乐 日间节目 合成贝斯 | Bm | 130 | |||
|
Watch Me Go Like (Bed) [BIB298 - 12] |
版本. | 2'05 | Olivier Bibeau | Energetic, fun, poppy. Fresh atmosphere comes through wiggling | 态度 舞蹈流行音乐 日间节目 合成贝斯 | Bm | 130 | |||
|
Big Lit Energy [BIB298 - 2] |
1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip 歌词 | 态度 都市景色 青春剧 陷阱音乐 | Bm | 155 | ||||
|
Big Lit Energy (Instrumental) [BIB298 - 13] |
版本. | 1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip | 态度 都市景色 南部脏口 沉重 | Bm | 155 | |||
|
Big Lit Energy (Bed) [BIB298 - 14] |
版本. | 1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip | 态度 都市景色 南部脏口 沉重 | Bm | 155 | |||
|
We Got The Flow [BIB298 - 4] |
2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with vocal samples skipping off 歌词 | 2010 喜庆 海滨 人物 | Bm | 128 | ||||
|
We Got The Flow (Instrumental) [BIB298 - 17] |
版本. | 2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with chiptune chords. Visions of | 2010 喜庆 海滨 人物 | Em | 129 | |||
|
We Got The Flow (Bed) [BIB298 - 18] |
版本. | 2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with chiptune chords. Visions of | 2010 喜庆 海滨 人物 | Em | 128 | |||
|
Getting Hot [BIB298 - 5] |
2'32 | Olivier Bibeau | Pumped, sultry, excited. Gritty bassline sets out a cool and 歌词 | 时尚 广告 态度 electro beat | Bm | 118 | ||||
|
Getting Hot (Instrumental) [BIB298 - 19] |
版本. | 2'32 | Olivier Bibeau | Pumped, sultry, excited. Gritty bassline sets out a cool and | 时尚 广告 态度 electro beat | Em | 118 | |||
|
Getting Hot (Bed) [BIB298 - 20] |
版本. | 2'32 | Olivier Bibeau | Pumped, sultry, excited. Gritty bassline sets out a cool and | 时尚 广告 态度 electro beat | Em | 118 | |||
|
Gangsta Lean [BIB297 - 5] |
2'00 | Audio Aroma, Ari Goldhand | Modern, leftfield, stylish. Jagged bell notes fall out in a rough but | 社会悲剧 稳定的 夜晚 都市景色 | Ebm | 116 | ||||
|
Gangsta Lean (Underscore) [BIB297 - 15] |
版本. | 1'59 | Audio Aroma, Ari Goldhand | Modern, leftfield, stylish. Jagged bell notes fall out in a rough but | 社会悲剧 稳定的 夜晚 都市景色 | Ebm | 116 | |||
|
Legacy Of Power [INP084 - 9] |
2'45 | Edward Pszeniczka | Honourable, passionate, dark. Piano and guitar set out on a dramatic | 电吉他效果器 动作游戏 动作片 火热 | Am | 120 | ||||
|
Legacy Of Power (Underscore) [INP084 - 19] |
版本. | 2'45 | Edward Pszeniczka | Honourable, passionate, dark. Piano and guitar set out on a dramatic | 电吉他效果器 动作游戏 动作片 火热 | Am | 120 |