| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Savage Planet [ISC079 - 1] |
3'01 | Tony Gram | Orchestral trailer. Suspended intro with strings & rumbling FX. Build | 史诗 预告片 画面感 超级英雄 | Cm | 120 | ||||
|
The Savage Planet Alternate 1 [ISC079 - 11] |
版本. | 3'01 | Tony Gram | Version without percussion. | 史诗 预告片 画面感 战士 | Cm | 120 | |||
|
The Savage Planet Alternate 2 [ISC079 - 12] |
版本. | 3'01 | Tony Gram | Version without choir. | 史诗 预告片 画面感 战士 | Cm | 120 | |||
|
Clock Is Ticking [BIB271 - 8] |
2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as | 预告片 画面感 固执 紧急 | C | 150 | ||||
|
Clock Is Ticking (Underscore
[BIB271 - 27] |
版本. | 2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as | 预告片 画面感 固执 紧急 | C | 150 | |||
|
Clock Is Ticking (Underscore
[BIB271 - 28] |
版本. | 2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as a | 预告片 画面感 固执 紧急 | C | 150 | |||
|
Hydraulic Pulse [CET9095 - 5] |
1'34 | Sigurd Johnk-Jensen | Trailer Track. Suspenseful intro with weird synths & reverse FX. | 冲突 预告片 恐怖片 爆炸 | Cm | 100 | ||||
|
Eclipse Alternate 1 [CET9095 - 31] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate without percussion. | 冲突 预告片 恐怖片 战争 | C | 100 | |||
|
Eclipse Alternate 2 [CET9095 - 32] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate percussion only. | 冲突 预告片 恐怖片 爆炸 | Gm | 100 | |||
|
Eclipse Alternate 3 [CET9095 - 33] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate underscore. | 冲突 预告片 恐怖片 爆炸 | C | 133 | |||
|
Eclipse Alternate 4 [CET9095 - 34] |
版本. | 0'36 | Sigurd Johnk-Jensen | Alternate 30 second. | 冲突 预告片 恐怖片 爆炸 | Cm | 100 | |||
|
Eclipse Alternate 5 [CET9095 - 35] |
版本. | 0'19 | Sigurd Johnk-Jensen | Alternate 15 second. | 冲突 预告片 恐怖片 爆炸 | C | 100 | |||
|
Lift Off [CET9095 - 8] |
1'21 | Sigurd Johnk-Jensen | Trailer Track. Intro with martial percussion & weird synth FX. Build | 冲突 战争 预告片 恐怖片 | Em | 120 | ||||
|
Lift Off Alternate 1 [CET9095 - 46] |
版本. | 1'21 | Sigurd Johnk-Jensen | Alternate without percussion. | 冲突 战争 预告片 恐怖片 | E | 120 | |||
|
Lift Off Alternate 2 [CET9095 - 47] |
版本. | 1'21 | Sigurd Johnk-Jensen | Alternate percussion only. | 冲突 战争 预告片 恐怖片 | Gbm | 120 | |||
|
Lift Off Alternate 3 [CET9095 - 48] |
版本. | 1'21 | Sigurd Johnk-Jensen | Alternate underscore. | 冲突 战争 预告片 恐怖片 | E | 120 | |||
|
Lift Off Alternate 4 [CET9095 - 49] |
版本. | 0'33 | Sigurd Johnk-Jensen | Alternate 30 second. | 冲突 战争 预告片 恐怖片 | Em | 120 | |||
|
Lift Off Alternate 5 [CET9095 - 50] |
版本. | 0'19 | Sigurd Johnk-Jensen | Alternate 15 second. | 冲突 战争 预告片 恐怖片 | Em | 120 | |||
|
Wrecked [CET9095 - 10] |
1'34 | Sigurd Johnk-Jensen | Trailer Track. Strange intro with disturbing synth & metallic FX over | 冲突 恐怖 恐怖片 战争 | Dm | 130 | ||||
|
Wrecked Alternate 1 [CET9095 - 56] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate without percussion. | 冲突 恐怖 恐怖片 战争 | D | 129 | |||
|
Wrecked Alternate 2 [CET9095 - 57] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate percussion only. | 冲突 恐怖 恐怖片 战争 | Gm | 130 | |||
|
Wrecked Alternate 3 [CET9095 - 58] |
版本. | 1'34 | Sigurd Johnk-Jensen | Alternate underscore. | 冲突 恐怖 恐怖片 战争 | D | 130 | |||
|
Wrecked Alternate 4 [CET9095 - 59] |
版本. | 0'34 | Sigurd Johnk-Jensen | Alternate 30 second. | 冲突 恐怖 恐怖片 战争 | Dm | 130 | |||
|
Wrecked Alternate 5 [CET9095 - 60] |
版本. | 0'20 | Sigurd Johnk-Jensen | Alternate 15 second. | 冲突 恐怖 恐怖片 战争 | Dm | 130 | |||
|
Enemy Advances [TBX193 - 6] |
1'51 | Michael Walters | Scary, dangerous, approaching. Large drum impact gives rise to | 画面感 战争 令人不安 冲突 | Gm | 132 | ||||
|
Enemy Advances (Underscore) [TBX193 - 16] |
版本. | 1'51 | Michael Walters | Scary, dangerous, approaching. Rough striking strings give a feeling | 画面感 战争 令人不安 冲突 | Gm | 132 | |||
|
The Call of Cthulhu [CEG5043 - 12] |
0 | 3'04 | Denis Levaillant | Constant, rumbling, frightening, claustrophobic & suffocating. | 嗡嗡声 地下 自然灾害 低沉 | Cm | 112 | |||
|
From Ashes [INP068 - 4] |
1'24 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands with huge impact, | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | ||||
|
From Ashes (Underscore) [INP068 - 14] |
版本. | 1'25 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands slithers around like | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | |||
|
Terror Time [INP068 - 9] |
1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 | ||||
|
Terror Time (Underscore) [INP068 - 19] |
版本. | 1'55 | Richard Reinhardt | Epic, scary, urgent. Yawning drones give a feeling of discomfort, a | 恐怖片 画面感 恐怖 战争 | C | 120 | |||
|
Unrivalled [INP068 - 10] |
1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a | 冲突 战士 固执 恐怖 | D | 115 | ||||
|
Unrivalled (Underscore) [INP068 - 20] |
版本. | 1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a | 冲突 战士 固执 恐怖 | D | 115 | |||
|
Departure [INP064 - 8] |
2'44 | Niklas Aaman | Epic, powerful, gigantic. Large sci-fi thud pushes into tense bass | 科幻片 画面感 令人不安 黑暗的合成器 | Am | 164 | ||||
|
Departure (Underscore) [INP064 - 20] |
版本. | 1'22 | Niklas Aaman | Epic, powerful, daunting. Nailbiting sequence with rising eerie pads | 科幻片 画面感 令人不安 黑暗的合成器 | Am | 82 | |||
|
Calculated Risk [INP064 - 9] |
2'36 | Niklas Aaman | Frantic, urgent, sprawling. Large cataclysmic thud is followed by | 令人不安 画面感 无情 固执 | Dm | 100 | ||||
|
Calculated Risk (Underscore) [INP064 - 21] |
版本. | 1'26 | Niklas Aaman | Frantic, urgent, sprawling. Subtle bass gives a sense of foreboding | 令人不安 画面感 无情 固执 | Gm | 100 | |||
|
Abyss [INP061 - 7] |
1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Heavy impact with dissonance and | 冲突 画面感 战士 无情 | Cm | 100 | ||||
|
Abyss (Underscore) [INP061 - 17] |
版本. | 1'12 | Damir Agovic | Apocalyptic, relentless, terrifying. Bass impacts mix with | 冲突 画面感 战士 无情 | C | 99 | |||
|
Dungeon [INP061 - 10] |
1'34 | Damir Agovic | Desolate, dystopian, terrifying. Muffled impact sets out a feeling of | 画面感 战争 动作游戏 声音设计 | Dm | 120 | ||||
|
Dungeon (Underscore) [INP061 - 20] |
版本. | 1'36 | Damir Agovic | Desolate, dystopian, terrifying. Dissonance builds with gentle but | 画面感 战争 动作游戏 声音设计 | Dm | 90 | |||
|
Cold Lang Syne [INP060 - 2] |
2'35 | Trad | Creepy, raw, dramatic. Grimy electronic instrumentation plays out | 冲突 固执 electro beat 失真效果器 | Bm | 96 | ||||
|
Cold Lang Syne (Instrumental) [INP060 - 16] |
版本. | 2'28 | Trad | Creepy, raw, dramatic. Grimy electronic instrumentation plays out. | 冲突 固执 electro beat 失真效果器 | Bm | 96 | |||
|
Cold Lang Syne (Underscore) [INP060 - 17] |
版本. | 1'23 | Trad | Creepy, dangerous, looming. Bass drones move into solitary old | 稀疏 失真效果器 令人不安 电子琴 | B | 96 | |||
|
We Wish You A Merry Christmas [INP060 - 9] |
2'12 | Trad | Robotic, dystopian, christmas. Monotonous robot voice sings through | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 89 | ||||
|
We Wish You A Merry Christmas
[INP060 - 29] |
版本. | 2'02 | Trad | Robotic, dystopian, christmas. Large percussive impacts and droning | 进行曲 撞击电子乐 沉重 科幻片 | Dm | 90 | |||
|
We Wish You A Merry Christmas
[INP060 - 30] |
版本. | 1'08 | Trad | Robotic, dystopian, christmas. Droning bass sets out a sinister | 阴险 进行曲 失真效果器 轰隆声 | D | 67 | |||
|
El Diablo [CET9085 - 1] |
1'45 | Zoltan Zadori | Horror track. Anguish & disturbing intro with strings pizz & heavy | 恐怖 恐怖片 画面感 神经病 | Dm | 106 | ||||
|
El Diablo Alternate [CET9085 - 11] |
版本. | 1'45 | Zoltan Zadori | Alternate version without strings. | 恐怖 恐怖片 画面感 神经病 | Abm | 106 | |||
|
Unnatural [CET9085 - 4] |
0 | 2'06 | Zoltan Zadori | Horror track. Suspenseful intro with creepy sound design & haunting | 恐怖 悬念 画面感 恐怖片 | Dm | 130 | |||
|
Creepy Memories [CET9085 - 5] |
2'00 | Zoltan Zadori | Horror track. Discontinuous & ominous intro with loud cinematic | 中断 进行中 恐怖片 悬念 | Cm | 105 | ||||
|
Creepy Memories Alternate [CET9085 - 14] |
版本. | 2'00 | Zoltan Zadori | Alternate version without strings. | 中断 进行中 恐怖片 悬念 | Cm | 104 | |||
|
V For Vengeance [INP059 - 8] |
2'28 | Markus Gleissner | Redemptive, powerful, eerie. Slow synths emerge from a gloomy | 动作片 冲突 动作游戏 极限运动 | E | 100 | ||||
|
V For Vengeance (Underscore) [INP059 - 20] |
版本. | 2'28 | Markus Gleissner | Redemptive, powerful, eerie. Slow kick drum brings out synth notes | 动作片 冲突 动作游戏 极限运动 | Em | 100 |