Powerful & intense hip hop trailer track. Clock like intro ...Powerful & intense hip hop trailer track. Clock like intro building-up with swagger male voice rapping adversity lyrics. Hybrid percussion with trap beat & brass. Break @ 1'15. Epic & combative climax @ 1'34. Fiery finale. Suggested for action sport, entertainment & racing.歌词
New levels new records, aye
Say it’s new levels newer records, yeah,
Yea you guessed it never second, nah
Man them boys is not impressive, no
No one could ride with me,
Standing beside of me,
This Motor inside of me,
Should never have doubted me,
I give em Permanent damage,
I got a demon to manage,
Watch me go fuse with the magic,
I’ll make a scene turn to tragic,
I bring my troops, to the battle,
Running the field with the baddest,
1 on 1 ima blast y’a,
And with my team here, it’s no match, yeah,
Hello, dem boys soft like jello,
Don’t deserve no medal,
They can’t reach my level,
I been the one like melo,
Cuz I Never settled
They call me the Living rebel,
New levels,
Same boss,
New problem,
Been solved,
New records,
Broke off,
Hell yeah, We the big dawgs,
New levels,
Same boss,
New problem,
Been solved,
New records,
Broke off,
Hell yeah, We the big dawgs,
New levels new records, aye
Say it’s new levels newer records, yeah,
Yea you guessed it never second, nah
Man them boys is not impressive, no
Yeah I’m on a new level,
Yeah I’m on a new level,
Yeah I’m on a new level,
New level breaking old records,
Yeah I’m on a new level,
Yeah I’m on a new level,
Yeah I’m on a new level,
New level breaking old records
Uplifting intro with triumphant brass pattern building-up with male ...Uplifting intro with triumphant brass pattern building-up with male rapper. Powerful & swagger hip hop build-up @ 0'25 with trailer percussion (riser & braams). Break @ 1'14 with a suspenseful beat. Motivational & pulsing climax @ 1'40. Finale & back end. Perfect for action sport, entertainment, video games & racing movie.歌词
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Make way this the take over,
I see em looking down,
when we coming closer,
Step up Get a close up, of a pro soldier,
An overdose of work, grind, and composure,
I want big bags,
Live life like rich brat,
Put a price on they head,
We never hit back,
Catch me out on the field than that’s a
Mismatch,
Everyday on a jet, now watch me sit back,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Take over,
Ima take it, the world is yours, encore, the world is yours,
Ima take it, the world is yours, it’s never over
And we taking over,
Yeah yeah yeah, taking over,
Whole world watch us taking over,
Whole world watch us taking over,
Dignified & austere prelude. Jupiter's theme @ 1'04. Peaceful & ...Dignified & austere prelude. Jupiter's theme @ 1'04. Peaceful & solemn followed by a moving & stately crescendo. Solo organ in a cathedral context. Suggested for British & Anglican ceremonial occasions.
G.F. Haendel's baroque sarabande in D minor HWV 437. Solemn, stately ...G.F. Haendel's baroque sarabande in D minor HWV 437. Solemn, stately & serious. Solo organ in a temple/chapel environment. Suggested for Anglican & Protestant ceremonial occasions.
Introspective, hypnotic & dreamy. Deep piano loop with low percussion ...Introspective, hypnotic & dreamy. Deep piano loop with low percussion & electro. Constantly evolving & drawing an intriguing soundscape.
Mysterious, explorative, daunting. Slow organic strings set out a ...Mysterious, explorative, daunting. Slow organic strings set out a sharp rhythmic sequence with light percussion. Piano and bass arpeggiation supports a feeling of build up, reminiscent of a slow journey through a dark and strange forest area. Light bell melody adds a tinge of fantasy and uncertainty. Percussion works itself into a heavy march, disappearing as melody climaxes at 01:51. Slow rumbling drums infer a daunting and scary force at work.
Mysterious, explorative, daunting. Slow organic strings set out a ...Mysterious, explorative, daunting. Slow organic strings set out a sharp rhythmic sequence. Bass arpeggiation supports a feeling of build up, reminiscent of a slow journey through a dark and strange forest area. Striding string melody adds to the feeling of motion, driving forward into a mystic location. Bass disappears a melody reaches a climax. Stripped back underscore version.
Hesitating & unstable with a touch of tango. Interrogative, enigmatic ...Hesitating & unstable with a touch of tango. Interrogative, enigmatic & restrained. Samulnori, saenghwang, drums, harmochord, brass & flute. Vibraphone @ 0'47. Suggested for k-drama, dramedy, investigation & tv series.
Canadian indie folk band. Emotive & blue piano. Acoustic picking ...Canadian indie folk band. Emotive & blue piano. Acoustic picking guitar 0'29. Peaceful & melancholic. Suggested for rural environment, sad stories & resilience.
Canadian indie folk band. Sad & introspective. Piano, male & female ...Canadian indie folk band. Sad & introspective. Piano, male & female voices singing painful emotions. Cello @ 2'47. Suggested for funeral, indie film & bad ending.歌词
Sorry buddy, it just got too emotional for me
Making music so great it could move the heart of a caveman And cast it to the sea
We played three nights in a summer and God, I’ll remember The smiles on those faces forever
But then our blue skies turned to grey Couldn’t watch you throw it all away
And now I love the girl you used to love It wasn’t planned, it just happened Miss you, my friend
I miss your songs, I miss the band
Canadian indie folk band. Poignant, resilient & lonely. Female singer ...Canadian indie folk band. Poignant, resilient & lonely. Female singer & piano. 2nd part starting @ 1'53 evolving with cello & electric guitar. Lyrics about hope & love. Drum @ 3'30 Suggested for rainy day, indie film, countryside & mournful episode.歌词
Treasure me just like a child Let me see the light in you Give your love a little while Let me be the light in you
Drop your weapons on the ground Let your anger slip away
Don't be a fool when I'm around Welcome my boat in your bay
Spread your wings Spread them wide Say something
Let it slide
Treasure me just like a child Let me see the light in you Give your love a little while Let me be the light in you
Spread your wings Spread them wide Say something
Let it slide
Canadian indie folk band. Disenchanted & lonely piano intro. Unsteady ...Canadian indie folk band. Disenchanted & lonely piano intro. Unsteady laid-back rhythm @ 0'32 with acoustic guitar. Male voice @ 1'03 singing adversity / painful emotions lyrics. Depressing break @ 1'36. Female voice & cello @ 2'27. Suggested for indie film, tv drama & anti hero.歌词
You're acting all brave like you don't feel a thing Your heart is in glass, you can't hide a storm from me Your tears running down your throat, swallow
A bowling ball, a mouthful of six inch nails
This pain inside your head is killing me
I won't be the one to say that time heals everything Well I know it's true, but you wouldn't want me to Though I've been there a thousand times before Still I never know the words to say
Now who made that hole in your chest Now you deserve some rest
Open the valves and let it flow
You wouldn't want to keep that cancer into you Just don't let your soul get stuck in muddy waters When the fog is gone, you'll find a road ahead
And I'll be there cheering for you Like you've been there before for me For me
Canadian indie folk band. Peaceful, emotional & dreamy. Piano, ...Canadian indie folk band. Peaceful, emotional & dreamy. Piano, electric guitar & FX. Suggested for rural environment, social drama & resilience.
Attitude, energetic & raw speed-rock sung in Spanish. Revealing the ...Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. ...Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. ...Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Determined, solid & punchy hard-rock sung in Spanish. Looking for a ...Determined, solid & punchy hard-rock sung in Spanish. Looking for a "yes" answer from a love crush. Female singer, distorted electric bass, choir synth, & rock band.歌词
ES:
Si me dijeras que sí,
yo no tendría que descifrar
la lógica que hay en ti,
ni tu manera de hablar.
Tan sólo dime que sí
para no aparentar
que siento algo por ti
y que quiero verte más.
Tan sólo dime que sí,
para no tener que seguir así,
sólo dime,
sólo dame,
dime que sí.
Sólo dime da,
sólo dime da,
sólo dime, dime, dame.
Sólo dime da,
sólo dime da,
sólo dime, dame, dame, dame.
Tan sólo dime que sí,
para no aparentar
que siento algo por ti
y que quiero verte más.
Me harías tan feliz
si dieras todo para mí,
conocerías un mundo
que no gire por ti.
Tan sólo dime que sí,
para no tener que seguir así,
sólo dime,
sólo dame,
dime que sí.
Sólo dime da,
sólo dime da,
sólo dime, dime, dame.
Sólo dime da,
sólo dime da,
sólo dime, dame, dame, dame.
EN:
If you said yes,
I wouldn't have to decipher
the logic in you,
or the way you talk.
Just say yes
so that I don't pretend
that I feel something for you
and that I want to see you more.
Just say yes to me
so I don't have to go on like this,
just tell me,
just give me,
just say yes to me.
Just tell me da,
just tell me da,
just tell me, just tell me, just tell me.
Just tell me da,
just tell me da,
just tell me, give me, give me, give me, give me.
Just say yes to me
so I don't pretend
that I feel something for you
and that I want to see you more.
You would make me so happy
if you gave everything for me,
you'd know a world
that doesn't revolve around you.
Just say yes to me,
so I don't have to go on like this,
just tell me,
just give me,
just say yes to me.
Just tell me da,
just tell me da,
just tell me, tell me, give me.
Just tell me da,
just tell me da,
just tell me, give me, give me, give me, give me.
