| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
March of the Lost Souls [CEG5022 - 21] |
0 | 2'08 | Loïs Blanca | Loud, punctuated & inexorable. Treated piano & strings. | 恐怖片 诡异 恐怖 无情 | Dbm | 120 | |||
|
Tornado [CEZ4380 - 16] |
2'09 | Maxence Dussere, David Gubitsch | Soundscape / horror movie. Swirling, windy & creepy. Sound design. | 背景音 声音设计 深邃 恐怖 | Em | 152 | ||||
|
Tornado Alternate [CEZ4380 - 51] |
版本. | 1'35 | Maxence Dussere, David Gubitsch | Alternate version with wave fx. Soundscape / horror movie. Swirling, | 背景音 声音设计 深邃 恐怖 | Em | 135 | |||
|
Dystopian Futures [TBX030 - 11] |
1'31 | Mark Peter Revell | Dark, dramatic, ominous. Brooding, modulating synth atmospheres with | 无情 科幻片 军事冲突 令人不安 | Gm | 86 | ||||
|
Dystopian Futures - 30sec [TBX030 - 23] |
版本. | 0'31 | Mark Peter Revell | Dark, dramatic, ominous. Brooding, modulating synth atmospheres with | 无情 科幻片 军事冲突 令人不安 | Gm | 85 | |||
|
Chara [INP014 - 4] |
1'40 | Matthew Howes | Fearful, threatening, dark. Industrial sound design hits with eerie | 恐怖 悬念 令人不安 不稳定 | Em | 63 | ||||
|
Chara - 30sec [INP014 - 16] |
版本. | 0'30 | Matthew Howes | Fearful, threatening, dark. Industrial sound design hits with eerie | 恐怖 悬念 令人不安 不稳定 | Ebm | 99 | |||
|
Demonophobia [CET9007 - 1] |
1'52 | Gabriel Saban, Philippe Briand | Progressive, intense, loud & creepy intro. Hammering percussion & | 恐怖 预告片 恐怖片 灾难 | E | 129 | ||||
|
Demonophobia - No Perc [CET9007 - 13] |
版本. | 1'52 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | 军事冲突 无情 战士 悬念 | E | 130 | |||
|
Rebirth [INP009 - 8] |
1'56 | Alessandro Ciani | Tense, dark, glitchy. Determined, pulsing electronic beats with tough | 军事冲突 冲突 恐怖 战争 | Bbm | 122 | ||||
|
Rebirth Underscore [INP009 - 19] |
版本. | 1'56 | Alessandro Ciani | Tense, dark, glitchy. Determined, pulsing electronic beats with tough | 军事冲突 冲突 战争 恐怖 | Bbm | 122 | |||
|
Strange Ways [INP008 - 9] |
2'17 | Jack Samuel Pashley | Intense, determined, heroic. Dramatic trailer percussion with | 无情 悬念 预告片 果断 | Cm | 92 | ||||
|
Strange Ways 30sec [INP008 - 30] |
版本. | 0'28 | Jack Samuel Pashley | Alternate version. 30 seconds. | 无情 悬念 预告片 果断 | Cm | 92 | |||
|
Become As One [INP008 - 10] |
2'39 | Jack Samuel Pashley | Epic, heroic, dynamic. Intense sound design stabs with huge trailer | 无情 悬念 预告片 果断 | Cm | 120 | ||||
|
Become As One 30sec [INP008 - 31] |
版本. | 0'28 | Jack Samuel Pashley | Alternate version. 30 seconds. | 无情 悬念 预告片 果断 | Cm | 120 | |||
|
Before The Gate [INP005 - 12] |
0 | 1'37 | Nico Willems | Dark and dramatic score like trailer sound design. Orchestral hybrid. | 画面感 爆炸 战士 大电影打击乐 | Em | 120 | |||
|
Pris au Piège [CEO2059 - 8] |
0 | 2'06 | Jérôme Lemonnier | Suspense, threatening & tragic. Orchestra with piano & timpany. | 令人不安 黑色电影 警匪片 无情 | Am | 65 | |||
|
Darkness Rising [CEZ4321 - 2] |
0 | 4'03 | Vincent Leibovitz | Dark, toxic & tragic. Electronics, cello & sequencer | 深邃 有毒 嗡嗡声 灾难 | Cm | 104 | |||
|
The Prowler [CEZ4015 - 13] |
0 | 1'31 | Michel Redolfi | Frightening & unstable. Doppler fx & whispering voice @ 0'36. | 诡异 恐怖片 恐怖 神经病 | C | 113 | |||
|
Sewer Chase [CEZ4000 - 7] |
0 | 2'20 | Bruno Letort, Romuald Tual | Chase. Thriller. String & keyboard orchestra. | 周期性的 魔幻电影 令人不安 紧急 | Em | 172 | |||
|
L'Entrée des Juges [CEZ4043 - 11] |
0 | 2'24 | Marc Marder | Evocative & frightening. Plodding bass with echoing strings. Eve of | 进行中 令人不安 无情 pulsation | D | 86 | |||
|
Media Storm [CEG5061 - 5] |
1'18 | Nill O'maha | Film score. Solemn, grave & dramatic. Intro with anxious strings & | 悲剧 强调突出 画面感 社会悲剧 | Fm | 77 | ||||
|
Media Storm Alternate 1 [CEG5061 - 20] |
版本. | 1'16 | Nill O'maha | Version without drum | 悲剧 强调突出 画面感 社会悲剧 | Bbm | 77 | |||
|
Media Storm Alternate 2 [CEG5061 - 21] |
版本. | 1'17 | Nill O'maha | Underscore version | 悲剧 强调突出 画面感 社会悲剧 | Bbm | 77 | |||
|
Incantation [INP080 - 4] |
2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | ||||
|
Incantation Underscore [INP080 - 14] |
版本. | 2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | |||
|
Black Tape Archives [ISC103 - 2] |
2'22 | Emmanuel Rousseau | Classic movie score. Ominous & sneaky. Suspenseful woodwinds & | 令人不安 恐怖片 无情 固执 | Dm | 120 | ||||
|
Black Tape Archives Alternate [ISC103 - 12] |
版本. | 2'22 | Emmanuel Rousseau | Version without percussion. | 令人不安 恐怖片 无情 固执 | Dm | 120 | |||
|
Full Ignition [CET9105 - 9] |
3'00 | Gabriel Saban | Epic tension trailer. Cello intro with piano ping & marching | 画面感 无情 进行中 史诗 | Em | 120 | ||||
|
Full Ignition Alternate 1 [CET9105 - 27] |
版本. | 3'00 | Gabriel Saban | Version without percussion. | 画面感 进行中 史诗 预告片 | Em | 120 | |||
|
Full Ignition Alternate 2 [CET9105 - 28] |
版本. | 3'00 | Gabriel Saban | Tense version without brass. | 画面感 进行中 史诗 预告片 | Em | 120 | |||
|
Aftermath [IOM035 - 10] |
2'06 | David Birnie | Dystopian, raw, dangerous. Impact into shadowy sci-fi soundscape with | 战争 冲突 战士 画面感 | Bm | 150 | ||||
|
Aftermath (Underscore) [IOM035 - 81] |
版本. | 1'55 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 冲突 战士 画面感 | Abm | 150 | |||
|
Aftermath (Percussion Only) [IOM035 - 82] |
版本. | 2'03 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 画面感 火热 固执 | B | 151 | |||
|
Aftermath (60 sec) [IOM035 - 83] |
版本. | 1'02 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (30 sec) [IOM035 - 84] |
版本. | 0'30 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (15 sec) [IOM035 - 85] |
版本. | 0'15 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (10 sec) [IOM035 - 86] |
版本. | 0'10 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (5 sec) [IOM035 - 87] |
版本. | 0'06 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 136 | |||
|
Aftermath (Sting) [IOM035 - 88] |
版本. | 0'04 | David Birnie | Dystopian, raw, dangerous. Screeching riser for sci-fi action | 战争 冲突 战士 画面感 | Cm | 145 | |||
|
Drop Dead [INP063 - 8] |
2'30 | Markus Gleissner | Dirty, violent, antagonistic. Deep bass rumbles with scary pads | 冲击 气势 预告片 画面感 | Fm | 80 | ||||
|
Drop Dead (Underscore) [INP063 - 20] |
版本. | 2'30 | Markus Gleissner | Dirty, violent, antagonistic. Deep bass rumbles with scary pads | 冲击 气势 预告片 画面感 | Fm | 80 |