| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
When the Bell Tolls [CEZ4571 - 21] |
1'45 | Joaquim Plossu | Cinematic. Urgent, fatal & dramatic. String orchestra with bell & | 画面感 果断 历史旁白 固执 | Gm | 104 | ||||
|
When the Bells Toll Alternate [CEZ4571 - 26] |
版本. | 1'45 | Joaquim Plossu | Alternate without FX. | 画面感 果断 历史旁白 固执 | Gm | 104 | |||
|
The City Below [CEZ4570 - 11] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Mysterious intro then staccato @ 0'32. Uncertain insidious & tense. | 都市景色 社会悲剧 司法 全景 | C | 120 | |||
|
Time's Up [BIB234 - 2] |
1'54 | David Birnie | Climactic, triumphant, heavy. Heavy percussion meets with hammering | 动作片 冲击 强调突出 影院摇滚 | Dm | 140 | ||||
|
Time's Up (Underscore) [BIB234 - 12] |
版本. | 1'54 | David Birnie | Climactic, triumphant, heavy. Heavy percussion meets with bass notes | 动作片 冲击 强调突出 影院摇滚 | Gm | 140 | |||
|
Flat Out [EOS88 - 8] |
0 | 1'42 | Sébastien Gisbert, Lone Kent | Urgent, relentless & insidious. Mystical choir. Reverberated acoustic | 奇怪 无情 神秘 阴险 | G | 156 | |||
|
Wrecking Ball [CET9077 - 2] |
2'40 | Salvador Casais | Creepy intro with vibrant sound design, strings & riser. Epic build | 史诗 冒险片 画面感 高潮 | Em | 125 | ||||
|
Wrecking Ball Alternate 1 [CET9077 - 16] |
版本. | 2'40 | Salvador Casais | Alternative version without percussion. | 史诗 冒险片 画面感 高潮 | Em | 125 | |||
|
Wrecking Ball Alternate 2 [CET9077 - 17] |
版本. | 2'40 | Salvador Casais | Alternative version without choirs. | 史诗 冒险片 画面感 高潮 | Em | 125 | |||
|
Time is of the Essence [CEG5035 - 2] |
0 | 1'38 | Baptiste Thiry | Urgent, determined & rigourous... every second counts. Staccato | 果断 新古典音乐 严谨 画面感 | Am | 162 | |||
|
Battle Royale [CEZ4547 - 8] |
0 | 3'53 | Tommy Kessler, Romain Magnan, Manon Sauger-Ouvrard | Electro French touch, EBM, dark disco, electroclash. Jerky, lively & | 撞击电子乐 动人 冲击 高雅 | Cm | 99 | |||
|
The Chase [BIB223 - 7] |
2'02 | Benedic Lamdin, Nathaniel Pearn | Hurried, panicked, fun. Brash drumbeat glides through with slowly | 果断 固执 电子琴 琶音器 | C | 98 | ||||
|
The Chase (Underscore) [BIB223 - 17] |
版本. | 2'00 | Benedic Lamdin, Nathaniel Pearn | Hurried, panicked, fun. Brash drumbeat glides through providing a | 果断 固执 周期性的 动人 | C | 98 | |||
|
Genesis [TBX150 - 5] |
2'40 | Adam Brown, Kyle Kniceley | Atmospheric, brave, stoic. Serious pads emerge gradually in a large | 调查研究 间谍片 动作片 电吉他效果器 | Fm | 164 | ||||
|
Genesis (Underscore A) [TBX150 - 21] |
版本. | 2'40 | Adam Brown, Kyle Kniceley | Atmospheric, brave, stoic. Serious pads emerge gradually in a large | 调查研究 间谍片 动作片 电吉他效果器 | Fm | 164 | |||
|
Genesis (Underscore B) [TBX150 - 22] |
版本. | 2'40 | Adam Brown, Kyle Kniceley | Atmospheric, brave, stoic. Serious pads emerge gradually in a large | 调查研究 间谍片 动作片 电吉他效果器 | Fm | 163 | |||
|
Undercover [TBX150 - 13] |
2'12 | Adam Brown, Kyle Kniceley | Raw, heavy, bold. Gritty rock power chords play out with light | 影院摇滚 爆炸 动作片 电吉他效果器 | Cm | 162 | ||||
|
Undercover (Underscore A) [TBX150 - 34] |
版本. | 2'12 | Adam Brown, Kyle Kniceley | Raw, heavy, bold. Gritty rock power chords play out with light | 影院摇滚 爆炸 动作片 电吉他效果器 | Cm | 161 | |||
|
Undercover (Underscore B) [TBX150 - 35] |
版本. | 2'12 | Adam Brown, Kyle Kniceley | Raw, heavy, bold. Gritty rock power chords play out. Pads and synths | 影院摇滚 爆炸 动作片 电吉他效果器 | Cm | 80 | |||
|
Entering the Stadium [CEZ4538 - 3] |
1'44 | Mark Alberts, Morgan Sansous | Obstinate, masculine, powerful & explosive. Rock band with chanted | 赛车 摇滚圣歌 男人 极限运动 | Am | 150 | ||||
|
Entering the Stadium Alternate [CEZ4538 - 41] |
版本. | 1'44 | Mark Alberts, Morgan Sansous | Alternate version without vocals. | 赛车 摇滚圣歌 男人 极限运动 | Am | 150 | |||
|
Forgotten Planet [INP049 - 10] |
2'10 | Lukas Roher | Rough, electrifying, evil. Electronic kick and percussion meld with | 夜晚 科幻片 社会悲剧 奇怪 | Fm | 110 | ||||
|
Forgotten Planet (Underscore
[INP049 - 27] |
版本. | 2'10 | Lukas Roher | Rough, electrifying, evil. Electronic kick and percussion meld with | 夜晚 科幻片 社会悲剧 奇怪 | Fm | 110 | |||
|
Forgotten Planet (Underscore
[INP049 - 28] |
版本. | 2'10 | Lukas Roher | Rough, electrifying, evil. Bass tone melds with granular feedback and | 夜晚 科幻片 奇怪 令人不安 | F | 110 | |||
|
Once [TBX147 - 6] |
0 | 2'01 | Sergey Kolosov | Elegant, devastating, atmospheric. Patient piano sequence inspires a | 社会悲剧 进行曲 忧伤 无电声钢琴 | B | 67 | |||
|
Suspicious Activity [ISC022 - 7] |
2'04 | Zoltan Zadori | Dark Underscore. Anxious, oppressive, menacing & minimal. Insidious | 悬念 画面感 进行中 间谍片 | Eb | 100 | ||||
|
Suspicious Activity Alternate [ISC022 - 17] |
版本. | 2'04 | Zoltan Zadori | Alternate no percussion. | 悬念 进行中 间谍片 令人不安 | Eb | 100 | |||
|
Subtle Pulsation [CEZ4533 - 15] |
3'04 | Louis Edlinger | Underscore/bed. Organic, minimalist, disturbing, obstinate & | 进行中 令人不安 pulsation 稳定的 | Fm | 100 | ||||
|
Subtle Pulsation Alternate 1 [CEZ4533 - 47] |
版本. | 3'02 | Louis Edlinger | Minimalist alternate version. Sparse & strange. Sound-design only. | 稀疏 无声 自然灾害 令人不安 | Ab | 98 | |||
|
Subtle Pulsation Alternate 2 [CEZ4533 - 48] |
版本. | 3'04 | Louis Edlinger | Minimalist alternate version. Pulsation only. | 令人不安 pulsation 稀疏 耐心 | Fm | 100 | |||
|
Lack of Lights [CEG5034 - 13] |
0 | 2'17 | Felipe Sierra Burbano | Ambivalent, cloudy, rough, distorted & noisy. Synth & drone textures. | 嗡嗡声 阴险 神秘 漂泊 | A | 117 | |||
|
A Ferocious Ride [CEC8025 - 6] |
2'38 | Gabriel Saban, Bo Tian | Urgent, relentless, intense & fatal. Hybrid orchestra with string | 画面感 固执 悬念 紧急 | Am | 108 | ||||
|
A Ferocious Ride Alternate [CEC8025 - 15] |
版本. | 2'38 | Gabriel Saban, Bo Tian | Alternate without percussion. | 固执 悬念 令人不安 pulsation | Am | 108 | |||
|
Cadaver Waltz [TBX140 - 7] |
2'58 | Liam Quinn | Odd, slow, sophisticated. Dissonant string gives way to sinister | 万圣节 华尔兹舞步 进步 悲喜剧 | Cm | 92 | ||||
|
Cadaver Waltz (Underscore) [TBX140 - 25] |
版本. | 2'58 | Liam Quinn | Odd, slow, sophisticated. Dissonant string gives way to sinister | 万圣节 华尔兹舞步 进步 悲喜剧 | Cm | 92 | |||
|
Mechanical Ballet [CEZ4500 - 14] |
0 | 2'40 | Arnaud de Buchy | Mysterious, strange, fantastic, funny & scary. Symphony orchestra | 万圣节 恐怖喜剧 阴险 悬念 | C | 120 | |||
|
The Final Enigma [ISC015 - 5] |
2'43 | Gabriel Saban | Spooky & anxious intro evolving with pulsation, piano & creepy FX. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 | ||||
|
The Final Enigma Alternate [ISC015 - 16] |
版本. | 2'43 | Gabriel Saban | Alternate version without percussion. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 |