| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | 调查研究 阴险 工业噪音 令人不安 | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
版本. | 3'00 | Bruno Alexiu | Version with percussion only. | 工业 IDM 令人不安 电子鼓 | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
Spy Phone [CEG5049 - 3] |
2'15 | Lars Jebsen | Tense, tragic, distressing & sinister. On-hold phone FX, synth | 神秘 耐心 信息技术 司法 | Gm | 70 | ||||
|
Spy Phone Alternate [CEG5049 - 15] |
版本. | 2'09 | Lars Jebsen | Reduced version. | 神秘 耐心 信息技术 司法 | Gm | 80 | |||
|
A Man at the Crossroads [EOS125 - 4] |
0 | 1'22 | Anthony Mowat, David Poirier, Tommy Rizzitelli, Laurent Rochelle | Mysterious, distant & wandering. Guitar, clarinet, bass, drums & wind | 令人不安 神秘 夜晚 气氛 | Bb | 101 | |||
|
Push Through [AMS5043 - 8] |
2'23 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Mysterious & inspirational intro | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | ||||
|
Push Through Alternate 1 [AMS5043 - 45] |
版本. | 2'23 | Aleksandar Dimitrijevic | Version without drums | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Alternate 2 [AMS5043 - 46] |
版本. | 2'23 | Aleksandar Dimitrijevic | Version with rock band only | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Alternate 3 [AMS5043 - 47] |
版本. | 2'23 | Aleksandar Dimitrijevic | Underscore | 社会悲剧 忧伤 警匪片 后摇滚 | Em | 105 | |||
|
Push Through Edit 1 (30 sec) [AMS5043 - 48] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Edit 2 (15 sec) [AMS5043 - 49] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 社会悲剧 电吉他 忧伤 警匪片 | Em | 104 | |||
|
Chronostasis [CEG5050 - 6] |
2'18 | Jia | Cinematic Dark Score. Enigmatic & alien-like intro with deep | 画面感 神秘 太空 令人不安 | Gm | 60 | ||||
|
Chronostasis Alternate [CEG5050 - 16] |
版本. | 2'18 | Jia | Version underscore. | 画面感 神秘 太空 令人不安 | Gm | 60 | |||
|
Apprehension [ISC082 - 4] |
2'03 | Zoltan Zadori | Cinematic ticking. Ticking intro with percussion like claps. Edgy | 团队运动 火热 固执 冲击 | Gm | 106 | ||||
|
Apprehension Alternate [ISC082 - 14] |
版本. | 2'03 | Zoltan Zadori | Version with percussion only | 冲击 团队运动 爆炸 火热 | Gm | 106 | |||
|
In the Middle of Nowhere [CEG5048 - 12] |
2'06 | Antoine Glatard | Wandering, mysterious, dark, desolate, toxic & disturbing. Synth | 气氛 电影原声带 稳定的 社会悲剧 | G | 118 | ||||
|
In the Middle of Nowhere
[CEG5048 - 28] |
版本. | 2'06 | Antoine Glatard | Alternate minimalist version | 气氛 电影原声带 稳定的 社会悲剧 | G | 118 | |||
|
Outrageous [ISC081 - 2] |
2'26 | Bohdan Yeremenko | Hybrid neo-classical. Noble, elegant & emotional. Shimmering intro | 新古典电音 画面感 令人激动 信息技术 | Em | 77 | ||||
|
Outrageous Alternate [ISC081 - 12] |
版本. | 2'26 | Bohdan Yeremenko | Version without percussion. | 新古典电音 令人激动 画面感 信息技术 | Em | 77 | |||
|
The Deserted House [CCB1064 - 6] |
0 | 2'45 | Laurent Dury | Contemporary classical piano solo. Tenderly melancholic, intimate, | 反省 忧伤 夜晚 无电声钢琴 | Am | 163 | |||
|
Mysterious Arrival [EOS122 - 1] |
0 | 2'21 | Damien Poupart-Taussat | Enigmatic, spooky & expecting. Piano, strings, harp, woodwinds, | 进行中 画面感 恐怖喜剧 万圣节 | Gm | 97 | |||
|
The Secret Passage [EOS122 - 2] |
0 | 2'02 | Damien Poupart-Taussat | Mysterious, stealthy & surprising with a touch of mischief. Tubular | 令人不安 动画 画面感 恐怖喜剧 | Cm | 93 | |||
|
Parts [TBX203 - 10] |
3'21 | Luke Gambling | Evil, epic, rough. Chugging synth bass joined by echoing vocals about 歌词 | 冲突 工业摇滚 九十年代 男歌手 | Dm | 118 | ||||
|
Parts (Instrumental) [TBX203 - 28] |
版本. | 3'21 | Luke Gambling | Evil, epic, rough. Chugging synth bass joined by dirty drums and | 冲突 工业摇滚 九十年代 固执 | Gm | 118 | |||
|
Parts (Underscore) [TBX203 - 29] |
版本. | 3'21 | Luke Gambling | Evil, epic, rough. Chugging synth bass joined by dirty drums and | 冲突 工业摇滚 九十年代 固执 | Gm | 118 | |||
|
Don't Play [ISC078 - 7] |
2'24 | Benjamin Nalepa, Letreez, Lionel Fabert | Drum n Bass & Rap. Fierce, ominous & intimidating. Male rapper, drum 歌词 | 鼓和贝司 固执 节奏乐器组 赛车 | Fm | 166 | ||||
|
Don't Play Alternate [ISC078 - 17] |
版本. | 2'24 | Lionel Fabert, Benjamin Nalepa | Instrumental version. | 鼓和贝司 固执 节奏乐器组 赛车 | Fm | 165 | |||
|
Dark Shadow [AMS5036 - 2] |
2'01 | SHIFUMI | Cinematic trap. Strange, stubborn & stressful. Rhythmic @ 0'19. Drum | 固执 都市景色 陷阱音乐 恐怖片 | Am | 150 | ||||
|
Dark Shadow Alternate 1 [AMS5036 - 16] |
版本. | 2'01 | SHIFUMI | Alternate without percussion. | 固执 都市景色 陷阱音乐 恐怖片 | Am | 151 | |||
|
Dark Shadow Alternate 2 [AMS5036 - 17] |
版本. | 2'01 | SHIFUMI | Alternate without choirs. | 固执 都市景色 陷阱音乐 恐怖片 | Am | 150 | |||
|
Dark Shadow Alternate 3 [AMS5036 - 18] |
版本. | 2'01 | SHIFUMI | Alternate "light" version. | 固执 都市景色 陷阱音乐 恐怖片 | Am | 150 | |||
|
Dark Shadow Edit 1 (30 sec) [AMS5036 - 19] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 固执 都市景色 陷阱音乐 恐怖片 | Am | 150 | |||
|
Dark Shadow Edit 2(15 sec) [AMS5036 - 20] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 固执 都市景色 陷阱音乐 恐怖片 | Am | 150 | |||
|
Sleeping Giants [CEO2162 - 2] |
0 | 2'07 | Baptiste Thiry | Hybrid score. Strange, mysterious & disturbing. Organic synth, sharp | 信息技术 奇怪 令人不安 固执 | Abm | 113 | |||
|
Digital Nightmare [CEO2162 - 12] |
0 | 2'54 | Baptiste Thiry | Hybrid score. First serious, intense & stubborn, then break @ 1'24. | 画面感 命运 果断 小说纪录片 | Gm | 96 | |||
|
Drifting in Dreams [CEO2163 - 7] |
0 | 1'09 | Olivier Militon | Nostalgic, pensive, intimate & solitary. Strings & electronics. | 忧伤 使人心碎 伤心 电影原声带 | Am | 61 | |||
|
City of Sadness [CEZ4630 - 10] |
3'13 | Thomas Lucas | Hip-hop beat. Lonely, sad & narrative. Piano, synth, strings & | 反省 BEAT MAKING 命运 叙述 | Am | 124 | ||||
|
City of Sadness Alternate 1 [CEZ4630 - 53] |
版本. | 3'13 | Thomas Lucas | Alternate no rhythm. | 反省 BEAT MAKING 命运 叙述 | Am | 123 | |||
|
City of Sadness Alternate 2 [CEZ4630 - 54] |
版本. | 1'00 | Thomas Lucas | 60 second cut. | 反省 BEAT MAKING 命运 叙述 | Am | 124 | |||
|
City of Sadness Alternate 3 [CEZ4630 - 55] |
版本. | 0'30 | Thomas Lucas | 30 second cut. | 反省 BEAT MAKING 命运 叙述 | Am | 124 | |||
|
City of Sadness Alternate 4 [CEZ4630 - 56] |
版本. | 0'17 | Thomas Lucas | Sting. | 反省 BEAT MAKING 命运 叙述 | C | 124 | |||
|
Pieces Of The Puzzle [BIB269 - 4] |
2'52 | Emma Jackson | Deep, concerning, determined. Chilling piano echoes out, caught by | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | ||||
|
Pieces Of The Puzzle
[BIB269 - 18] |
版本. | 2'52 | Emma Jackson | Deep, concerning, determined. Chilling piano echoes out, caught by | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | |||
|
Pieces Of The Puzzle
[BIB269 - 19] |
版本. | 2'44 | Emma Jackson | Deep, concerning, determined. Spritely high-pitched string notes sway | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | |||
|
Doll's House [TBX195 - 10] |
3'04 | Patrick Roberts | Creepy, graceful, fearful. Soft piano trickles out on unsure strings, | 画面感 灾难 恐怖片 阴险 | Gm | 70 | ||||
|
Doll's House (Underscore) [TBX195 - 24] |
版本. | 3'04 | Patrick Roberts | Creepy, graceful, fearful. Soft piano trickles out on unsure strings, | 画面感 灾难 恐怖片 阴险 | Gm | 70 |