| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Irae [AMS5056 - 2] |
2'47 | Dmytro Berezhnyi from P.D. | ☆ Nominated "Best Wildcard" @Production Music Awards UK 2025 ☆ | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | ||||
|
Irae Alternate 1 [AMS5056 - 16] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without percussion | 古典音乐改编曲 史诗 极限运动 动作片 | Gm | 147 | |||
|
Irae Alternate 2 [AMS5056 - 17] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 极限运动 史诗 动作片 | Gm | 148 | |||
|
Irae Alternate 3 [AMS5056 - 18] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without choir | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 4 [AMS5056 - 19] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without strings | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 5 [AMS5056 - 20] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Bed version | 古典音乐改编曲 极限运动 动作片 史诗 | Gm | 148 | |||
|
Irae Alternate 6 [AMS5056 - 21] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Underscore version | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 1 30s [AMS5056 - 22] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 2 15s [AMS5056 - 23] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Old Photographs [BIB289 - 5] |
2'14 | Richard Lewis, Paper Boy | Eerie, ghostly, sad. Soft piano notes spread along with strings, | 悬念 反省 美国独立制片电影 伴音 | C | 67 | ||||
|
Old Photographs Alt Version [BIB289 - 18] |
版本. | 2'40 | Richard Lewis, Paper Boy | Eerie, ghostly, sad. Soaring ambience spreads out like sun rays | 悬念 反省 美国独立制片电影 伴音 | C | 66 | |||
|
Discarded Promises Variation [CEO2180 - 8] |
0 | 1'28 | Antoine Glatard | Variation with tremolo violin. Dignified, disillusioned & poignant. | 历史旁白 使人心碎 强调突出 命运 | Gm | 136 | |||
|
One Step Ahead [BIB288 - 1] |
2'24 | Iain Harper | Wild, manic, competitive. Shouting vocals blurt out a frantic shout 歌词 | 广告 团队运动 电影节奏 时尚 | Cm | 145 | ||||
|
One Step Ahead Instrumental [BIB288 - 11] |
版本. | 2'24 | Iain Harper | Wild, manic, competitive. Big snare rolls and booming tom drums offer | 态度 极限运动 电影节奏 动人 | Cm | 145 | |||
|
One Step Ahead Underscore [BIB288 - 12] |
版本. | 2'24 | Iain Harper | Wild, manic, competitive. Big bass drum boom following stick rolls | 态度 打击流行乐 极限运动 动人 | Cm | 145 | |||
|
Dust Devils [TBX223 - 3] |
2'28 | Lee Franklin, Ethan Maltby | Dusty, mysterious, dangerous. Large drum rolls marches forward with a | 固执 电影原声带 骄傲 美国西部 | Em | 80 | ||||
|
Dust Devils Underscore [TBX223 - 13] |
版本. | 2'28 | Lee Franklin, Ethan Maltby | Dusty, mysterious, dangerous. Large drum rolls marches forward with a | 固执 电影原声带 骄傲 美国西部 | Am | 80 | |||
|
Midnight In The Heartland [TBX223 - 4] |
2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | ||||
|
Midnight In The Heartland
[TBX223 - 14] |
版本. | 2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | |||
|
On the Lam [CEZ4667 - 6] |
1'55 | Cvd | Cinematic soul. Enthralling, hypnotic & obstinate. Guitars, bass, | 催眠 固执 美式复古电视剧 社会悲剧 | Cm | 85 | ||||
|
On the Lam Alternate [CEZ4667 - 34] |
版本. | 1'55 | Cvd | Underscore version. | 催眠 固执 美式复古电视剧 社会悲剧 | Cm | 86 | |||
|
On the Lam Edit 1 60 sec [CEZ4667 - 35] |
版本. | 1'00 | Cvd | 60 seconds instrumental cut. | 催眠 固执 美式复古电视剧 社会悲剧 | Fm | 86 | |||
|
On the Lam Edit 2 30 sec [CEZ4667 - 36] |
版本. | 0'30 | Cvd | 30 seconds instrumental cut. | 催眠 固执 美式复古电视剧 社会悲剧 | Cm | 86 | |||
|
On the Lam Edit 3 20 sec [CEZ4667 - 37] |
版本. | 0'20 | Cvd | 20 seconds instrumental cut. | 催眠 固执 美式复古电视剧 社会悲剧 | Fm | 86 | |||
|
On the Lam Edit 4 Sting [CEZ4667 - 38] |
版本. | 0'10 | Cvd | Sting. | 催眠 固执 美式复古电视剧 社会悲剧 | Dm | 86 | |||
|
Circular Minded Tension [CEZ4668 - 8] |
2'46 | Laetitia Frenod | Electronic score. Nostalgic, hypnotic & paranormal. Break @ 1'01. | 合成波 进行中 恐怖片 警匪片 | F | 79 | ||||
|
Circular Minded Tension
[CEZ4668 - 45] |
版本. | 2'46 | Laetitia Frenod | Version without drums | 气氛 画面感 周期性的 神秘 | F | 79 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 46] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 气氛 画面感 周期性的 神秘 | F | 118 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 47] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 气氛 画面感 周期性的 神秘 | Am | 118 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 48] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 气氛 画面感 周期性的 神秘 | Am | 79 | |||
|
Circular Minded Tension Sting [CEZ4668 - 49] |
版本. | 0'20 | Laetitia Frenod | Sting | 气氛 画面感 周期性的 神秘 | F | 118 | |||
|
A Divergent Perspective [EOS111 - 1] |
0 | 2'08 | Pierre Bats | Noble, emotional & delicate. Solo cello. Suggested for historical | 大提琴 感动 反省 忧伤 | Am | 69 | |||
|
Passing Years [TBX220 - 2] |
2'35 | Sergey Kolosov | Sneaky, dramatic, determined. Trip hop beat pushes forward with | 都市景色 社会悲剧 夜晚 电子鼓 | Am | 99 | ||||
|
Passing Years (Underscore) [TBX220 - 14] |
版本. | 2'35 | Sergey Kolosov | Sneaky, dramatic, determined. Bright piano gives rise to rumbling | 都市景色 社会悲剧 夜晚 电子鼓 | Am | 99 | |||
|
Paranoid Office [CEG5056 - 12] |
3'19 | Gopal Sound | Electro Jazz. Disconcerting, insidious, ghostly, supported & | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | ||||
|
Paranoid Office Alternate [CEG5056 - 74] |
版本. | 3'17 | Gopal Sound | Underscore version. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 1 (20
[CEG5056 - 75] |
版本. | 0'20 | Gopal Sound | 20 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 2 (30
[CEG5056 - 76] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 调查研究 神秘 令人不安 | Dbm | 65 | |||
|
Paranoid Office Edit 3 (60
[CEG5056 - 77] |
版本. | 1'00 | Gopal Sound | 60 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 4 (sting) [CEG5056 - 78] |
版本. | 0'17 | Gopal Sound | Sting. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Another Shady Deal [CEG5057 - 6] |
2'27 | Supernaive | Hip-hop beat. Dark, mysterious & hidden. Synth & rhythm. Ideal for | 都市景色 阴险 神秘 夜晚 | Fm | 147 | ||||
|
Another Shady Deal Edit 20 sec [CEG5057 - 37] |
版本. | 0'20 | Supernaive | 20 second cut. | 都市景色 阴险 神秘 夜晚 | Fm | 147 | |||
|
Another Shady Deal Edit 30 sec [CEG5057 - 38] |
版本. | 0'30 | Supernaive | 30 second cut. | 都市景色 阴险 神秘 夜晚 | Fm | 147 | |||
|
Another Shady Deal Edit 60 sec [CEG5057 - 39] |
版本. | 1'00 | Supernaive | 60 second cut. | 都市景色 阴险 神秘 夜晚 | Fm | 147 | |||
|
Another Shady Deal Edit Sting [CEG5057 - 40] |
版本. | 0'09 | Supernaive | Sting. | 都市景色 阴险 神秘 夜晚 | Fm | 147 | |||
|
The Shadow Economy [CEG5057 - 9] |
2'00 | Colo Colo | Hip-hop beat, trap beat. Inevitable, sad & constant. Pizz, electric | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | ||||
|
The Shadow Economy Alternate [CEG5057 - 50] |
版本. | 1'39 | Colo Colo | Underscore version. | 都市景色 电子琴 陷阱音乐 都市 | Fm | 148 | |||
|
The Shadow Economy Edit 20 sec [CEG5057 - 51] |
版本. | 0'20 | Colo Colo | 20 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit 30 sec [CEG5057 - 52] |
版本. | 0'30 | Colo Colo | 30 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit 60 sec [CEG5057 - 53] |
版本. | 1'00 | Colo Colo | 60 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit Sting [CEG5057 - 54] |
版本. | 0'08 | Colo Colo | Sting. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
Ground Rumble [CET9104 - 4] |
2'09 | Sigurd Johnk-Jensen | Trailer rock. Introduction with distorted synth, neo piano ping & | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | ||||
|
Ground Rumble Alternate 1 [CET9104 - 26] |
版本. | 2'09 | Sigurd Johnk-Jensen | Version without percussion. | 影院摇滚 令人激动 预告片 态度 | Em | 70 | |||
|
Ground Rumble Alternate 2 [CET9104 - 27] |
版本. | 2'09 | Sigurd Johnk-Jensen | Version with percussion only. | 影院摇滚 令人激动 沉重 冲击 | Gm | 70 | |||
|
Ground Rumble Alternate 3 [CET9104 - 28] |
版本. | 2'09 | Sigurd Johnk-Jensen | Bed version. | 影院摇滚 令人激动 预告片 冲突 | Em | 70 | |||
|
Ground Rumble Alternate 4 [CET9104 - 29] |
版本. | 2'09 | Sigurd Johnk-Jensen | Underscore version. | 影院摇滚 令人激动 预告片 强调突出 | Em | 70 | |||
|
Ground Rumble Edit 1 30s [CET9104 - 30] |
版本. | 0'29 | Sigurd Johnk-Jensen | 30 second cut. | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | |||
|
Ground Rumble Edit 2 15s [CET9104 - 31] |
版本. | 0'18 | Sigurd Johnk-Jensen | 15 second cut. | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | |||
|
Every Lead Is Important [CEG5055 - 4] |
3'09 | Louis Edlinger | Organic electro. Interrogative, suspended, disturbing, repetitive & | 信息技术 调查研究 司法 神秘 | Gbm | 86 | ||||
|
Every Lead Is Important
[CEG5055 - 17] |
版本. | 3'02 | Louis Edlinger | Version with no rhythm & less synth. | 信息技术 调查研究 司法 神秘 | Gbm | 87 | |||
|
Every Lead Is Important
[CEG5055 - 18] |
版本. | 2'15 | Louis Edlinger | Version with less synth. | 极简电子音乐 间谍片 原声电子 令人不安 | Gbm | 86 | |||
|
Nice Disruption [AMS5052 - 1] |
1'56 | Thomas Lucas | Electro clash. Fiery, energetic, violent & glitchy. Drum machine, | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | ||||
|
Nice Disruption Alternate 1 [AMS5052 - 9] |
版本. | 1'56 | Thomas Lucas | Percussion only version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Alternate 2 [AMS5052 - 10] |
版本. | 1'56 | Thomas Lucas | Underscore version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Edit 1 30 sec [AMS5052 - 11] |
版本. | 0'30 | Thomas Lucas | 30 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Nice Disruption Edit 2 15 sec [AMS5052 - 12] |
版本. | 0'15 | Thomas Lucas | 15 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Synthetic Shadows [AMS5052 - 4] |
2'05 | Thomas Lucas | Electro clash. Ghostly intro with synths, arpeggiator, FX riser, | 撞击电子乐 动作片 固执 态度 | Dm | 116 | ||||
|
Synthetic Shadows Alternate 1 [AMS5052 - 21] |
版本. | 2'05 | Thomas Lucas | Percussion only version. | 撞击电子乐 动作片 固执 态度 | Abm | 115 | |||
|
Synthetic Shadows Alternate 2 [AMS5052 - 22] |
版本. | 2'05 | Thomas Lucas | Underscore version. | 撞击电子乐 动作片 固执 态度 | Gm | 116 | |||
|
Synthetic Shadows Edit 1 30
[AMS5052 - 23] |
版本. | 0'33 | Thomas Lucas | 30 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Synthetic Shadows Edit 2 15
[AMS5052 - 24] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Agrabah Dance [AMS5051 - 1] |
2'11 | Ilan Kunik | Middle East trailer. Dynamic, powerful yet mesmerizing. Oud, | 中东 画面感 火热 冒险游戏 | Dm | 128 | ||||
|
Agrabah Dance Alternate 1 [AMS5051 - 9] |
版本. | 2'11 | Ilan Kunik | Version without percussion. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 2 [AMS5051 - 10] |
版本. | 2'11 | Ilan Kunik | Version with percussion only. | 中东 画面感 火热 冒险游戏 | Gm | 128 | |||
|
Agrabah Dance Alternate 3 [AMS5051 - 11] |
版本. | 2'11 | Ilan Kunik | Version without strings. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 4 [AMS5051 - 12] |
版本. | 2'11 | Ilan Kunik | Version without vocal. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 5 [AMS5051 - 13] |
版本. | 2'11 | Ilan Kunik | Bed version. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 6 [AMS5051 - 14] |
版本. | 2'11 | Ilan Kunik | Underscore version. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Edit 1 30 sec [AMS5051 - 15] |
版本. | 0'31 | Ilan Kunik | 30 second cut. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Edit 2 15 sec [AMS5051 - 16] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Desert Racing [AMS5051 - 5] |
2'05 | Ilan Kunik | Middle East trailer. Middle East trailer. Exhilarating & dominant. | 动作片 中东 追逐场面 节奏感 | Em | 125 | ||||
|
Desert Racing Alternate 1 [AMS5051 - 38] |
版本. | 2'05 | Ilan Kunik | Version without percussion. | 中东 节奏感 冒险片 画面感 | E | 125 | |||
|
Desert Racing Alternate 2 [AMS5051 - 39] |
版本. | 2'05 | Ilan Kunik | Version with percussion only. | 动作片 中东 追逐场面 节奏感 | Gm | 125 | |||
|
Desert Racing Alternate 3 [AMS5051 - 40] |
版本. | 2'05 | Ilan Kunik | Version without strings. | 动作片 中东 追逐场面 节奏感 | Em | 125 | |||
|
Desert Racing Alternate 4 [AMS5051 - 41] |
版本. | 2'05 | Ilan Kunik | Bed version. | 动作片 中东 追逐场面 节奏感 | Am | 125 | |||
|
Desert Racing Alternate 5 [AMS5051 - 42] |
版本. | 2'05 | Ilan Kunik | Underscore version. | 动作片 中东 追逐场面 节奏感 | Am | 125 | |||
|
Desert Racing Edit 1 30 sec [AMS5051 - 43] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 动作片 中东 追逐场面 节奏感 | Em | 125 | |||
|
Desert Racing Edit 2 15 sec [AMS5051 - 44] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 动作片 中东 追逐场面 节奏感 | Am | 125 |