| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Souffrances Animales [CEO2062 - 7] |
0 | 1'40 | Selma Mutal | Tense & sad. Piano & sequencing. | 耐心 手工业 悬念 无电声钢琴 | Bm | 97 | |||
|
Long Days [EOS26 - 5] |
0 | 1'19 | Lone Kent | Wandering, panoramic & hovering. Electric guitar. | 漂泊 全景 自然灾害 悬念 | Bm | 100 | |||
|
Chaos Butterflies [INP006 - 11] |
0 | 1'40 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Synth intro drops | 强调突出 复杂 电子游戏 冲击 | Ab | 135 | |||
|
Atitlan Lake [CEO2058 - 1] |
0 | 1'27 | Gregory Cotti | Majestic & melancholic. Cinematic orchestra, electric guitar & | 地理政治 画面感 小说纪录片 逝去的文明 | Bb | 74 | |||
|
Seaweed Overflow [CEO2058 - 3] |
0 | 1'27 | Gregory Cotti | Determined & majestic. Sequencing, percussion & cinematic strings. | 小说纪录片 地理政治 工业 气氛 | Gm | 167 | |||
|
Fatalitas [CEO2056 - 2] |
1'04 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Climax with cluster @ 0'45. | 完成 当代历史 调查研究 新闻 | Gm | 128 | ||||
|
Fatalitas Alternate 1 [CEO2056 - 12] |
版本. | 0'49 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & string ensemble. | 固执 政治 不平稳 强调突出 | G | 128 | |||
|
Fatalitas Alternate 2 [CEO2056 - 13] |
版本. | 0'32 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. Piano & rhythm. | 强调突出 新闻 固执 政治 | G | 64 | |||
|
Fatalitas Alternate 3 [CEO2056 - 14] |
版本. | 0'48 | Elisabeth Skornik, Guy Skornik | Oppressive, repetitive & descending. String ensemble. | 新闻 固执 政治 不平稳 | G | 128 | |||
|
Kindness [EOS25 - 1] |
0 | 10'25 | Damien Poupart-Taussat | Intimate & gentle. Solo acoustic piano. | 无电声钢琴 内心活动 后古典 乡村 | Eb | 108 | |||
|
Loyalty [EOS25 - 5] |
0 | 5'40 | Damien Poupart-Taussat | Relaxing & gentle. Post-classical style. Solo acoustic piano. | 无电声钢琴 后古典 宁静 乡村 | C | 72 | |||
|
Going to Gaza [CEO2054 - 9] |
0'55 | Eric Lohrer | Travel. Wide open Space. Cyclic & determined. Electric guitar, | 地理政治 跟踪摄影 全景图 全景 | Am | 100 | ||||
|
Going to Gaza 2 [CEO2054 - 32] |
版本. | 1'55 | Eric Lohrer | Wide open space. Determined & strange. Electric guitar, ebow, | 地理政治 反省 全景图 跟踪摄影 | Am | 110 | |||
|
Going to Gaza 3 [CEO2054 - 33] |
版本. | 1'03 | Eric Lohrer | Sad & nervous. Electric guitar, ebow & charango. | 全景 反省 全景图 跟踪摄影 | Am | 133 | |||
|
Yet another Hotel Room [CEO2054 - 24] |
0 | 1'34 | Eric Lohrer | Science. Investigation. Disturbing & mysterious. Electric guitar, | 气氛 安静 冷沙漠 神秘 | Db | 70 | |||
|
What is the Question [CEZ4320 - 4] |
0 | 2'16 | Baptiste Thiry | TV series. Daily life. Interrogative & uneasy. Piano, sequencing & | 疑问 政治 气氛 调查研究 | Dm | 118 | |||
|
Will You Have Time? [CEZ4320 - 6] |
0 | 2'19 | Gregory Cotti | Urgent & interrogative. Disturbing break @ 0'50. Piano, cymbal & | 疑问 气氛 政治 日常生活 | F | 126 | |||
|
Augmented Future [CEO2053 - 1] |
0 | 4'03 | Stéphane Lopez | Analog electro. Rigorous, intense & determined. Build up & climax @ | 信息技术 科幻片 周期性的 太空 | Em | 140 | |||
|
A Mysterious Eruption [CEO2052 - 4] |
0 | 1'55 | Baptiste Thiry | Landscapes. Peaceful, melancholic & interrogative. Heartbeat. | 电影乐团 气氛 魔幻电影 全景 | Gm | 89 | |||
|
Space Under the Seas [EOS24 - 2] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Nocturnal & mysterious. Acoustic guitar, female choir, piano, synth, | 夜晚 稳定的 魔幻电影 神秘 | C | 61 | |||
|
Stange Apocalypse [EOS24 - 3] |
0 | 2'40 | Clinton Charles, Sandy Mahut | Introspective & desolate. Acoustic guitar, synth choir, piano, | 深邃 社会悲剧 原声吉他 夜晚 | D | 93 | |||
|
The Old Cedar [CEO2051 - 3] |
0 | 2'03 | Gregory Cotti | Peaceful & moving. Piano, strings & ud. | 反省 中东 感动 地理政治 | C | 83 | |||
|
The Island of Zire [CEO2051 - 9] |
0 | 1'59 | Gregory Cotti | Travel. Underscore. Landscapes. Middle East. Peaceful, suspended & | 气氛 地理政治 全景图 全景 | Em | 68 | |||
|
Dark Magic [TBX013 - 7] |
0 | 2'37 | Paul Thorne | Tense yet comedic mallets with pizzicato strings and dramedy feel. | 恐怖喜剧 万圣节 马戏团 仙境 | Em | 80 | |||
|
The Cave People [CEZ4316 - 13] |
0 | 2'04 | Silvano Michelino | Underground, damp & nocturnal. Acoustic & electronic percussion | 电子鼓 打击乐合奏 低沉 工业 | Am | 106 |