| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Eternal Rivals [CET9105 - 4] |
2'57 | Gabriel Saban | Epic tension trailer. Strategic & suspensful intro with braams. | 动作片 进步 预告片 冒险片 | Cm | 107 | ||||
|
Eternal Rivals Alternate 1 [CET9105 - 17] |
版本. | 2'57 | Gabriel Saban | Version without percussion. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Eternal Rivals Alternate 2 [CET9105 - 18] |
版本. | 2'57 | Gabriel Saban | Tense version without brass & choir. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Rush into Danger [CEO2175 - 4] |
0 | 2'29 | Olivier Militon | Cinematic/Orchestral score. Eerie, secretive & dangerous. Glissando. | 庄重 悲剧 画面感 军事冲突 | Dm | 63 | |||
|
Gang Wars [AMS5047 - 6] |
2'01 | Salvador Casais | Cinematic percussion. Violent, aggressive & ruthless. Build-up with | 冲突 极限运动 画面感 骄傲 | Fm | 100 | ||||
|
Gang Wars Alternate 1 [AMS5047 - 38] |
版本. | 2'01 | Salvador Casais | Version without percussion | 极限运动 画面感 骄傲 动作游戏 | Fm | 100 | |||
|
Gang Wars Alternate 2 [AMS5047 - 39] |
版本. | 2'01 | Salvador Casais | Version with percussion only | 冲突 极限运动 画面感 骄傲 | Gm | 100 | |||
|
Gang Wars Alternate 3 [AMS5047 - 40] |
版本. | 2'01 | Salvador Casais | Instrumental version | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Alternate 4 [AMS5047 - 41] |
版本. | 2'01 | Salvador Casais | Bed version | 极限运动 冲突 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Alternate 5 [AMS5047 - 42] |
版本. | 2'01 | Salvador Casais | Underscore version | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Edit 1 (30 sec) [AMS5047 - 43] |
版本. | 0'31 | Salvador Casais | 30 second cut | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Gang Wars Edit 2 (15 sec) [AMS5047 - 44] |
版本. | 0'14 | Salvador Casais | 15 second cut | 冲突 极限运动 画面感 骄傲 | Fm | 100 | |||
|
Hard Game [CEZ4660 - 4] |
2'14 | Jon Du | Dark Synthwave. Frenzied, aggressive & epic. Arpeggiator, analog | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | ||||
|
Hard Game Alternate [CEZ4660 - 26] |
版本. | 2'14 | Jon Du | Underscore version. | 黑暗的合成器 火热 紧急 冲突 | Dm | 140 | |||
|
Hard Game Edit 1 (15s) [CEZ4660 - 27] |
版本. | 0'15 | Jon Du | 15 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 2 (30s) [CEZ4660 - 28] |
版本. | 0'30 | Jon Du | 30 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 3 (60s) [CEZ4660 - 29] |
版本. | 1'00 | Jon Du | 60 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 4 (sting) [CEZ4660 - 30] |
版本. | 0'09 | Jon Du | Sting. | 火热 冲突 黑暗的合成器 紧急 | Gm | 136 | |||
|
Valhalla Calling [CET9101 - 1] |
2'45 | Philippe Briand, Salvador Casais | Cinematic Viking rock. Powerful, pounding, telluric & relentless. | 冲击 战士 斯堪的纳维亚 预告片 | Abm | 178 | ||||
|
Valhalla Calling Alternate 1 [CET9101 - 9] |
版本. | 2'45 | Philippe Briand, Salvador Casais | Version without percussion | 斯堪的纳维亚 预告片 画面感 战争 | Abm | 120 | |||
|
Valhalla Calling Alternate 2 [CET9101 - 10] |
版本. | 2'45 | Philippe Briand, Salvador Casais | Version with percussion only | 冲击 战士 斯堪的纳维亚 预告片 | Ebm | 178 | |||
|
Valhalla Calling Alternate 3 [CET9101 - 11] |
版本. | 2'45 | Philippe Briand, Salvador Casais | Bed | 冲击 战士 斯堪的纳维亚 预告片 | Abm | 178 | |||
|
Valhalla Calling Alternate 4 [CET9101 - 12] |
版本. | 2'45 | Philippe Briand, Salvador Casais | Underscore | 冲击 战士 斯堪的纳维亚 预告片 | Abm | 178 | |||
|
Valhalla Calling Edit 1 (30
[CET9101 - 13] |
版本. | 0'30 | Philippe Briand, Salvador Casais | 30 seconds cut | 冲击 战士 斯堪的纳维亚 预告片 | Abm | 185 | |||
|
Valhalla Calling Edit 2 (15
[CET9101 - 14] |
版本. | 0'17 | Philippe Briand, Salvador Casais | 15 seconds cut | 冲击 战士 斯堪的纳维亚 预告片 | Abm | 120 | |||
|
Shadowy Figures [INP075 - 9] |
2'15 | Michael Adels | Panicked, spooky, explorative. Halloween piano dances through a wall | 恐怖片 令人不安 画面感 逝去的文明 | Bbm | 100 | ||||
|
Shadowy Figures (Instrumental) [INP075 - 28] |
版本. | 2'12 | Michael Adels | Panicked, spooky, explorative. Discordant piano wanderings reach out | 恐怖片 令人不安 画面感 逝去的文明 | Bbm | 100 | |||
|
Shadowy Figures (Underscore) [INP075 - 29] |
版本. | 2'14 | Michael Adels | Panicked, spooky, explorative. Halloween piano dances through a wall | 恐怖片 令人不安 画面感 逝去的文明 | Bbm | 99 | |||
|
Conquering Civilization [CEO2174 - 1] |
1'45 | Erella Atlan | Epic cinematic score. Warlike, epic & urgent like a cavalcade. | 画面感 战士 固执 气势 | Am | 80 | ||||
|
Conquering Civilization
[CEO2174 - 13] |
版本. | 1'45 | Erella Atlan | Version without percussion. | 画面感 战士 固执 气势 | Am | 162 | |||
|
Conquering Civilization
[CEO2174 - 14] |
版本. | 1'45 | Erella Atlan | Version without choir. | 画面感 战士 固执 气势 | Am | 80 | |||
|
Wild Hell [ISC077 - 2] |
2'22 | Christophe Le Guen | Cinematic / Trailer. Very ominous & frightening intro with rumbling | 野性 追逐场面 画面感 民族打击乐器 | Dbm | 120 | ||||
|
Wild Hell Alternate [ISC077 - 12] |
版本. | 2'22 | Christophe Le Guen | Version with percussion only. | 野性 追逐场面 画面感 民族打击乐器 | Fm | 120 | |||
|
Political Storm [CEG5047 - 1] |
2'08 | Arttu Silvast, Michael Yang | Investigation / Cinematic. Urgent, serious, solemn, dark & | 政治 画面感 无情 调查研究 | Em | 154 | ||||
|
Political Storm Alternate 1 [CEG5047 - 13] |
版本. | 2'04 | Arttu Silvast, Michael Yang | Drumless alternate version. | 政治 无情 调查研究 令人不安 | Em | 154 | |||
|
Political Storm Alternate 2 [CEG5047 - 14] |
版本. | 2'17 | Arttu Silvast, Michael Yang | Underscore alternate version. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm Alternate 3 [CEG5047 - 15] |
版本. | 2'16 | Arttu Silvast, Michael Yang | Underscore alternate version. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm 15 sec edit [CEG5047 - 16] |
版本. | 0'15 | Arttu Silvast, Michael Yang | 15 second cut. | 政治 画面感 无情 调查研究 | Em | 153 | |||
|
Political Storm 30 sec edit [CEG5047 - 17] |
版本. | 0'30 | Arttu Silvast, Michael Yang | 30 second cut. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm 60 sec edit [CEG5047 - 18] |
版本. | 1'00 | Arttu Silvast, Michael Yang | 60 second cut. | 政治 画面感 无情 调查研究 | Em | 153 | |||
|
Political Storm sting [CEG5047 - 19] |
版本. | 0'08 | Arttu Silvast, Michael Yang | Sting. | 政治 画面感 无情 调查研究 | Em | 148 | |||
|
Clock Is Ticking [BIB271 - 8] |
2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as | 预告片 画面感 固执 紧急 | C | 150 | ||||
|
Clock Is Ticking (Underscore
[BIB271 - 27] |
版本. | 2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as | 预告片 画面感 固执 紧急 | C | 150 | |||
|
Clock Is Ticking (Underscore
[BIB271 - 28] |
版本. | 2'17 | Olivier Bibeau | Dreadful, apocalyptic, cataclysmic. Thundering bass rumbles as a | 预告片 画面感 固执 紧急 | C | 150 | |||
|
Overlord [INP072 - 5] |
2'34 | Sergey Kolosov | Heavy, evil, screeching. Thundering impact of drone bass gives a | 画面感 史诗 冲击 预告片 | Ebm | 90 | ||||
|
Overlord (Alt Version) [INP072 - 19] |
版本. | 2'34 | Sergey Kolosov | Heavy, evil, screeching. Thundering impact of drums and breathing FX | 画面感 史诗 冲击 预告片 | Gm | 135 | |||
|
Overlord (Underscore) [INP072 - 20] |
版本. | 2'11 | Sergey Kolosov | Heavy, evil, screeching. Thundering bass gives a sense of horror. Low | 画面感 史诗 冲击 预告片 | Dm | 85 | |||
|
Eclipse Of The Eternal Night [INP071 - 1] |
2'19 | Pablo Del Pino Bleijerveld, Raffael Pirngruber | Anticipatory, epic, monumental. Echoed impact gives rise to light, | 画面感 史诗 令人不安 气势 | Gbm | 135 | ||||
|
Eclipse Of The Eternal Night
[INP071 - 12] |
版本. | 2'20 | Pablo Del Pino Bleijerveld, Raffael Pirngruber | Anticipatory, epic, monumental. Echoed impact gives rise to light, | 画面感 史诗 令人不安 气势 | Gbm | 135 | |||
|
Rise Of The Infernal Legion [INP071 - 8] |
1'48 | Pablo Del Pino Bleijerveld, Raffael Pirngruber | Ominous, scary, anticipatory. Warbling bass is caught up in shadowy | 画面感 令人不安 预告片 冲突 | Gm | 130 | ||||
|
Rise Of The Infernal Legion
[INP071 - 20] |
版本. | 1'39 | Pablo Del Pino Bleijerveld, Raffael Pirngruber | Ominous, scary, anticipatory. Warbling bass is caught up in shadowy | 画面感 令人不安 预告片 冲突 | Gm | 130 | |||
|
Cold Stare [TBX195 - 1] |
2'12 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Wobbling bass emerges from reverbed | 心理剧 令人不安 画面感 神秘 | Gm | 63 | ||||
|
Cold Stare (Underscore A) [TBX195 - 13] |
版本. | 2'12 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Wobbling bass emerges from reverbed | 心理剧 令人不安 画面感 神秘 | Gm | 63 | |||
|
Cold Stare (Underscore B) [TBX195 - 14] |
版本. | 2'10 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Cold muffled piano leaks out with a spooky | 心理剧 令人不安 画面感 神秘 | Gm | 63 | |||
|
From Ashes [INP068 - 4] |
1'24 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands with huge impact, | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | ||||
|
From Ashes (Underscore) [INP068 - 14] |
版本. | 1'25 | Richard Reinhardt | Eerie, gothic, strange. Large yawning bass lands slithers around like | 画面感 恐怖 恐怖片 冲突 | Cm | 120 | |||
|
Hard Count [INP066 - 2] |
2'25 | Rupert Gibb | Competitive, daunting, heavy. Dissonant sounds peel off of dramatic | 冲击 冲突 电影节奏 令人不安 | Dm | 140 | ||||
|
Hard Count (Underscore) [INP066 - 12] |
版本. | 2'15 | Rupert Gibb | Competitive, daunting, heavy. Dissonant sounds peel off of dramatic | 冲突 电影节奏 令人不安 电子琴 | Dm | 140 | |||
|
Evolving Ecosystems [TBX180 - 10] |
3'01 | Sophie Carroll, Dimitrios Polychroniadis | Cautious, sophisticated, adventurous. Slowly revolving string element | 社会悲剧 历史旁白 果断 阴险 | Dbm | 147 | ||||
|
Evolving Ecosystems
[TBX180 - 28] |
版本. | 3'00 | Sophie Carroll, Dimitrios Polychroniadis | Cautious, sophisticated, adventurous. Slowly revolving string element | 固执 工业活动 果断 历史 | Db | 147 | |||
|
Evolving Ecosystems
[TBX180 - 29] |
版本. | 2'07 | Sophie Carroll, Dimitrios Polychroniadis | Cautious, sophisticated, adventurous. Serious string impacts set out | 疑问 拨奏 固执 无电声钢琴 | Db | 147 | |||
|
The Dragon King [AMS5018 - 7] |
1'58 | Salvador Casais | Cinematic. Wild, sinister, aggressive & ferocious. Tribal & cinematic | 战争 野性 冲突 画面感 | Cm | 172 | ||||
|
The Dragon King Alternate 1 [AMS5018 - 60] |
版本. | 1'58 | Salvador Casais | Alternate version without percussion. | 战争 野性 冲突 画面感 | C | 172 | |||
|
The Dragon King Alternate 2 [AMS5018 - 61] |
版本. | 1'58 | Salvador Casais | Alternate version without choirs. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 3 [AMS5018 - 62] |
版本. | 1'58 | Salvador Casais | Alternate version without strings. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 4 [AMS5018 - 63] |
版本. | 1'58 | Salvador Casais | Alternate version percussion only. | 战争 野性 冲突 画面感 | Gbm | 172 | |||
|
The Dragon King Alternate 5 [AMS5018 - 64] |
版本. | 1'58 | Salvador Casais | Alternate bed version. | 战争 野性 冲突 画面感 | C | 113 | |||
|
The Dragon King Alternate 6 [AMS5018 - 65] |
版本. | 1'58 | Salvador Casais | Alternate underscore version. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 7 [AMS5018 - 66] |
版本. | 0'59 | Salvador Casais | Alternate version 60 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 8 [AMS5018 - 67] |
版本. | 0'31 | Salvador Casais | Alternate version 30 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 9 [AMS5018 - 68] |
版本. | 0'16 | Salvador Casais | Alternate version 15 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
Auld Lang Syne [INP060 - 1] |
2'12 | Trad | Anticipatory, creepy, eerie. Soft female vocal sings old fashioned | 科幻片 令人不安 固执 冲击 | F | 128 | ||||
|
Auld Lang Syne (Instrumental) [INP060 - 14] |
版本. | 2'11 | Trad | Anticipatory, creepy, eerie. Gentle piano playing out old fashioned | 科幻片 令人不安 固执 冲击 | F | 129 | |||
|
Auld Lang Syne (Underscore) [INP060 - 15] |
版本. | 2'11 | Trad | Anticipatory, creepy, eerie. Gentle piano playing out old fashioned | 科幻片 令人不安 固执 冲击 | F | 128 | |||
|
Deck The Halls [INP060 - 5] |
2'55 | Thomas Oliphant | Serious, sinister, mischievous. Evil instrumentation emerges with | 冲击 预告片 男歌手 影院摇滚 | Dm | 162 | ||||
|
Deck The Halls (Instrumental
[INP060 - 22] |
版本. | 2'55 | Thomas Oliphant | Serious, sinister, mischievous. Evil instrumentation emerges with | 冲击 预告片 高潮 动作片 | Dm | 161 | |||
|
Deck The Halls (Instrumental
[INP060 - 23] |
版本. | 2'55 | Thomas Oliphant | Serious, sinister, mischievous. Evil instrumentation emerges with | 琶音器 冲击 预告片 影院摇滚 | Dm | 162 | |||
|
Deck The Halls (Underscore) [INP060 - 24] |
版本. | 2'55 | Thomas Oliphant | Serious, sinister, mischievous. Evil instrumentation emerges with | 琶音器 画面感 令人激动 动作片 | Dm | 161 |