| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Deserts Drones (Part 1) [CEZ4038 - 25] |
0 | 2'26 | Teddy Lasry | Loud. Deep. Piano resonances. Hammond organ & double bass. | 抱歉 灾难 有毒 嗡嗡声 | E | 136 | |||
|
Orchestral Pieces No10 [AUD052 - 5] |
2'03 | Bruno Letort | Avant-garde classical. Edgy, adventurous & tense. String orchestra & | 悬念 军事冲突 令人不安 无调性音乐 | G | 60 | ||||
|
Orchestral Pieces No10 (Short
[AUD052 - 10] |
版本. | 0'36 | Bruno Letort | Short edit version | 后古典 悬念 军事冲突 令人不安 | G | 105 | |||
|
Hybrid Reality [ISC117 - 1] |
2'48 | Caleb Swift | Hybrid Dystopian Trailer. Slow, disturbing & mysterious progression | 预告片 史诗 令人不安 悬念 | D | 100 | ||||
|
Hybrid Reality Alternate [ISC117 - 11] |
版本. | 2'48 | Caleb Swift | Version without percussion. | 预告片 史诗 令人不安 悬念 | D | 100 | |||
|
Fury Rising [ISC116 - 4] |
2'03 | Francesco Bondi | Electro. Jerky & discontinuous, constantly progressing. Psychotic, | 神经病 冲突 electro beat 动作片 | D | 90 | ||||
|
Fury Rising Alternate [ISC116 - 17] |
版本. | 2'03 | Francesco Bondi | Version without percussion. | 神经病 冲突 electro beat 动作片 | A | 90 | |||
|
Dark Intentions [ISC116 - 9] |
2'59 | Francesco Bondi | Electro. Long intro that builds up, suspenseful, urgent & unsettling. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | ||||
|
Dark Intentions Alternate [ISC116 - 26] |
版本. | 2'59 | Francesco Bondi | Version without percussion. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | |||
|
The Gates of Hell [ISC115 - 10] |
3'59 | Christophe Le Guen | Horror trailer. Dark & murky intro with shrilling strings & synth. | 固执 冲突 画面感 史诗 | Cm | 120 | ||||
|
The Gates of Hell Alternate 1 [ISC115 - 29] |
版本. | 3'59 | Christophe Le Guen | Version without percussion. | 固执 画面感 史诗 动作片 | Cm | 120 | |||
|
The Gates of Hell Alternate 2 [ISC115 - 30] |
版本. | 3'59 | Christophe Le Guen | Light version. | 固执 冲突 画面感 史诗 | Cm | 120 | |||
|
Lost In The Seconds [CEG5058 - 14] |
1'00 | Les Cosmonotes | Creepy Clockwork. Punctuated, suspenseful & insidious. Clocklike & | 灾难 进行中 恐怖片 (音效)滴答声 | Bm | 85 | ||||
|
Lost In The Seconds Alternate [CEG5058 - 18] |
版本. | 1'01 | Les Cosmonotes | Alternate without FX. | 灾难 进行中 恐怖片 (音效)滴答声 | B | 86 | |||
|
Hellraiser [INP082 - 7] |
2'22 | Bradley White | Evil, malicious, loud. Dangerous atmosphere emerges from dirty bass | 工业金属 极限运动 冲突 电吉他效果器 | C | 111 | ||||
|
Hellraiser (Underscore) [INP082 - 17] |
版本. | 2'22 | Bradley White | Evil, malicious, loud. Dangerous atmosphere emerges from dirty bass | 工业金属 极限运动 冲突 电吉他效果器 | C | 83 | |||
|
The Last Hour [CET9107 - 10] |
1'52 | Jon Du | Cinematic trailer. Repetitive & elvish intro with ticking fx & bells. | 火热 冲突 恐怖 恐怖片 | Dm | 140 | ||||
|
The Last Hour Alternate 1 [CET9107 - 76] |
版本. | 1'52 | Jon Du | Version without percussion | 火热 恐怖 恐怖片 万圣节 | Dm | 140 | |||
|
The Last Hour Alternate 2 [CET9107 - 77] |
版本. | 1'52 | Jon Du | Version with percussion only | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
The Last Hour Alternate 3 [CET9107 - 78] |
版本. | 1'52 | Jon Du | Bed version | 火热 恐怖片 万圣节 固执 | Dm | 140 | |||
|
The Last Hour Alternate 4 [CET9107 - 79] |
版本. | 1'52 | Jon Du | Underscore version | 火热 恐怖 恐怖片 万圣节 | Dm | 140 | |||
|
The Last Hour Alternate 5 [CET9107 - 80] |
版本. | 0'30 | Jon Du | 30 second cut | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
The Last Hour Alternate 6 [CET9107 - 81] |
版本. | 0'15 | Jon Du | 15 second cut | 火热 冲突 恐怖 恐怖片 | Dm | 140 | |||
|
Vault of Eternity [ISC103 - 6] |
2'04 | Emmanuel Rousseau | Classic movie score. Mysterious & suspenseful flowing strings | 神秘 恐怖片 令人不安 orchestral score | Cm | 149 | ||||
|
Vault of Eternity Alternate [ISC103 - 16] |
版本. | 2'04 | Emmanuel Rousseau | Version without percussion. | 神秘 恐怖片 令人不安 orchestral score | Cm | 149 | |||
|
Death Blossom [AMS5053 - 3] |
2'06 | Thomas Langan | Trailer. Intro with bass synth, trailer FX & ticking FX. Industrial, | 沉重 画面感 高潮 令人不安 | G | 80 | ||||
|
Death Blossom Alternate 1 [AMS5053 - 19] |
版本. | 2'06 | Thomas Langan | Version without percussion. | 画面感 高潮 令人不安 沉重 | G | 80 | |||
|
Death Blossom Alternate 2 [AMS5053 - 20] |
版本. | 2'06 | Thomas Langan | Version with percussion only. | 沉重 画面感 高潮 令人不安 | Em | 162 | |||
|
Death Blossom Alternate 3 [AMS5053 - 21] |
版本. | 2'06 | Thomas Langan | Bed version. | 画面感 高潮 令人不安 预告片 | G | 80 | |||
|
Death Blossom Edit 1 30 sec [AMS5053 - 22] |
版本. | 0'28 | Thomas Langan | 30 second cut. | 沉重 画面感 高潮 令人不安 | G | 80 | |||
|
Death Blossom Edit 2 15 sec [AMS5053 - 23] |
版本. | 0'15 | Thomas Langan | 15 second cut. | 沉重 画面感 高潮 令人不安 | Gm | 162 | |||
|
Insurgency [AMS5047 - 3] |
1'58 | Salvador Casais | Cinematic percussion. Sneaky intro. Build-up @ 0'23 with dark | 极限运动 冲突 画面感 沉重 | Em | 89 | ||||
|
Insurgency Alternate 1 [AMS5047 - 20] |
版本. | 1'58 | Salvador Casais | Version without percussion | 极限运动 画面感 骄傲 预告片 | Em | 89 | |||
|
Insurgency Alternate 2 [AMS5047 - 21] |
版本. | 1'58 | Salvador Casais | Version with percussion only | 极限运动 冲突 画面感 史诗 | Fm | 89 | |||
|
Insurgency Alternate 3 [AMS5047 - 22] |
版本. | 1'58 | Salvador Casais | Bed version | 极限运动 冲突 画面感 史诗 | Em | 90 | |||
|
Insurgency Alternate 4 [AMS5047 - 23] |
版本. | 1'58 | Salvador Casais | Underscore version | 极限运动 冲突 画面感 史诗 | Em | 89 | |||
|
Insurgency Edit 1 (30 sec) [AMS5047 - 24] |
版本. | 0'33 | Salvador Casais | 30 second cut | 极限运动 冲突 画面感 史诗 | Em | 90 | |||
|
Insurgency Edit 2 (15 sec) [AMS5047 - 25] |
版本. | 0'16 | Salvador Casais | 15 second cut | 极限运动 冲突 画面感 史诗 | Em | 89 | |||
|
Falling World [ISC086 - 4] |
2'27 | Stanislav Barantsov | Cinematic hybrid trailer. Emotional & atmospheric intro with piano | 超级英雄 科幻片 画面感 神秘 | Fm | 120 | ||||
|
Falling World Alternate [ISC086 - 14] |
版本. | 2'27 | Stanislav Barantsov | Version without percussion | 超级英雄 科幻片 画面感 神秘 | Fm | 120 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Relentless Enemy [CEO2171 - 9] |
0 | 1'20 | Nicolas Mollard | Dark, aggressive, warlike & hard-hitting. Synth & cinematic | 令人不安 夜晚 画面感 军事冲突 | A | 96 | |||
|
Scorching Heat [TBX188 - 5] |
1'56 | Marvin Mcmahon | Alien, powerful, uncertain. Strange futuristic kick FX play out | 令人不安 时间(滴答声) 间谍片 调查研究 | C | 110 | ||||
|
Scorching Heat (Underscore) [TBX188 - 21] |
版本. | 1'47 | Marvin Mcmahon | Alien, powerful, uncertain. Dormant droning bass plays out into an | 令人不安 间谍片 调查研究 悬念 | C | 136 | |||
|
Scorching Heat (30 sec) [TBX188 - 22] |
版本. | 0'30 | Marvin Mcmahon | Alien, powerful, uncertain. Droning bass and trickling notes meet | 令人不安 时间(滴答声) 间谍片 调查研究 | C | 110 | |||
|
Bare Knuckles [INP066 - 5] |
2'29 | Rupert Gibb | Tough, dangerous, climactic. Impact joined by alarm FX creating an | 态度 气势 极限运动 固执 | Fm | 136 | ||||
|
Bare Knuckles (Underscore) [INP066 - 15] |
版本. | 2'13 | Rupert Gibb | Tough, dangerous, climactic.Alarm FX synth creates an uncertain and | 态度 气势 极限运动 固执 | Fm | 136 | |||
|
Road Rage [CET9093 - 4] |
2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | ☆☆ WINNER "Best Sci-Fi Score" @Production Music Awards UK 2024 | 冲突 撞击电子乐 动作片 动作游戏 | Em | 93 | ||||
|
Road Rage Alternate 1 [CET9093 - 33] |
版本. | 2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version without percussion. | 冲突 工业噪音 动作片 动作游戏 | Em | 125 | |||
|
Road Rage Alternate 2 [CET9093 - 34] |
版本. | 2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version with percussion only. | 冲突 动作片 动作游戏 沉重 | Em | 93 | |||
|
Road Rage Alternate 3 [CET9093 - 35] |
版本. | 2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate version without vocal. | 冲突 工业噪音 动作片 动作游戏 | Em | 93 | |||
|
Road Rage Alternate 4 [CET9093 - 36] |
版本. | 2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate bed version. | 冲突 工业噪音 动作片 动作游戏 | Em | 93 | |||
|
Road Rage Alternate 5 [CET9093 - 37] |
版本. | 2'33 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternate underscore version. | 冲突 工业噪音 动作片 动作游戏 | Em | 96 | |||
|
Road Rage Alternate 6 [CET9093 - 38] |
版本. | 1'01 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 60-second version. | 冲突 工业噪音 动作片 动作游戏 | Em | 93 | |||
|
Road Rage Alternate 7 [CET9093 - 39] |
版本. | 0'32 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 30-second version. | 冲突 工业噪音 动作片 动作游戏 | Em | 93 | |||
|
Road Rage Alternate 8 [CET9093 - 40] |
版本. | 0'15 | Philippe Briand, Salvador Casais, Thomas Dubreuil | Alternative 15-second version. | 冲突 工业噪音 动作片 动作游戏 | E | 93 | |||
|
Under the Goose Step [CEO2158 - 7] |
0 | 2'58 | Gréco Casadesus | Dramatic, insistent, menacing & ominous. Strings, timpani & winds. | 军事冲突 画面感 战士 无情 | Dm | 77 | |||
|
Martial Call [CEZ4606 - 7] |
1'40 | Jon Du | Tribal Hybrid Percussion. Warlike, powerful, martial & impactful. | 战士 气势 果断 动作片 | Gm | 125 | ||||
|
Martial Call Instrumental [CEZ4606 - 19] |
版本. | 1'40 | Jon Du | Alternate no vocal. | 战士 气势 果断 动作片 | Am | 125 |