Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.歌词
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Epic, meaningful, strong. Timid strings gradually move in atop ...Epic, meaningful, strong. Timid strings gradually move in atop lumbering low notes, creating an atmosphere of intrigue and a feeling of grave importance. Dancing higher notes cushioned by optimistic string movements. Reminiscent of giants striding across fields and endless plains. War drums at 00:58 gift a triumphant momentum, as choirs reach up in pitch toward a climax breakthrough at 01:26 into low vocals conveying anxiety and uncertainty. Heroes striding valiantly into a dangerous battle.
Epic, meaningful, strong. Timid strings gradually move in atop ...Epic, meaningful, strong. Timid strings gradually move in atop lumbering low notes, creating an atmosphere of intrigue and a feeling of grave importance. Dancing higher notes cushioned by optimistic string movements. Stripped back underscore version.
Patient, proud & feminine Latin-hip-hop sung in Spanish. We all come ...Patient, proud & feminine Latin-hip-hop sung in Spanish. We all come from the sea. Female rap singer, female backing vocals, electric guitar, synth, sampling & electronic percussion. Strings, scratch fx & vocal melody break @ 1'50.歌词
ES:
Tanto a pasado y
Mi historia sigue en el telediario
Yo he dejado algo más que un legado
Que ni dios había imaginado
No te metas conmigo niño
Porque soy parte de tu pasado
Y por mas que lo intentes
No podrías cambiarlo
Todos venimos de la arena
De la arena que tu sientes en los pies
Cuando dejas huellas en el mar
Al atardecer
Todos venimos de la mar
No no
No esperes a que suba la marea
Porque todo puede acabar
Soy el regalo más preciado
Y la existencia te he otorgado
Le doy lugar a tu vida
A tu vida a tu boca tu mente tus manos
Puedo soportar tu dolor
Puedo soportar tu indiferencia
Puedo respirar tu aire
Pero no se si tu existencia
Todos venimos de la arena
De la arena que tu sientes en los pies
Cuando dejas huellas en el mar
Al atardecer
Todos venimos de la mar
No no
No esperes a que suba la marea
Porque todo puede acabar
Todos venimos de la arena
De la arena que tu sientes en los pies
Cuando dejas huellas en el mar
Al atardecer
Todos venimos de la mar
No no
No esperes a que suba la marea
Porque todo puede acabar
EN:
So much has happened and
My story is still on the news.
I have left more than a legacy
That not even God had imagined
Don't mess with me kid
Cause I'm part of your past
And even if you try your hardest
You couldn't change it
We all come from the sand
From the sand that you feel in your feet
When you leave footprints in the sea
At sunset
We all come from the sea
No no
Don't wait for the tide to come in
Cause it may all end
I am the most precious gift
And existence I have bestowed upon you
I give place to your life
To your life to your mouth your mind your hands
I can bear your pain
I can bear your indifference
I can breathe your air
But I don't know if your existence
We all come from the sand
From the sand that you feel in your feet
When you leave footprints in the sea
At sunset
We all come from the sea
No no
Don't wait for the tide to come in
Cause it may all end
We all come from the sand
From the sand that you feel in your feet
When you leave footprints in the sea
At sunset
We all come from the sea
No no
Don't wait for the tide to come in
Cause it may all end
Decided, patient & narrative. The problem seems to be solved! Cello ...Decided, patient & narrative. The problem seems to be solved! Cello pizz with delay FX, marimba, mallets & textures. Suggested for dramedy & light tension.
Confident but patient. Little by little the solution is emerging! ...Confident but patient. Little by little the solution is emerging! Keyboards, mallets & textures. Suggested for light tension & human stories.
Sombre, decadent, cool. Heavy euphoria joins with hang drum notes to ...Sombre, decadent, cool. Heavy euphoria joins with hang drum notes to create an atmosphere of suspense and subtle beauty, a serious situation in a picturesque paradise or holiday spot. Kick drum plays out a slow rhythm as percussive FX slither from one side to the other. Heartfelt refrain peels off of the steady beat, with soaring ambient notes emerging to convey a sense of epic magnitude. Hang drum melody falls into improvised emotional performance.
Sombre, decadent, cool. Hang drum melody creates an atmosphere of ...Sombre, decadent, cool. Hang drum melody creates an atmosphere of suspense and subtle beauty, a serious situation in a picturesque paradise or holiday spot. Hang drum melody falls into improvised emotional performance. Stripped back underscore version.
Sombre, decadent, cool. Heavy euphoria joins with hang drum notes to ...Sombre, decadent, cool. Heavy euphoria joins with hang drum notes to create an atmosphere of suspense and subtle beauty, a serious situation in a picturesque paradise or holiday spot. Kick drum plays out a slow rhythm as percussive FX slither from one side to the other. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a ...Dramatic, longing, optimistic. Echoing synth pulses out into a distant space. Male vocals about feeling assured, looking for light to block out the darkness, having an epiphany. Break into heavy rap instrumentation with vocals echoing out from somewhere high and important. Trusting in oneself, doing what you believe is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with determined vocal delivery.歌词
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Yeah, Up on the the top Level unlocked,
Why you moving stones? We keep it loose, We keep it hot, Making you lose control, You care bout me? Don’t care a lot, That’s why I got the flow, Taking it minute by minute, I can’t wait to hit it, I’m running the show, And I know that you notice, I’m on a mission, My weapon is loaded with ammunition, my mental is right for this very moment,
Don’t need no approval or recognition, My decisions are based on the feeling of trusting my vision,
I’m charging through all the glass in the ceiling, I’m showing you facts,
To be exact, I’m here to act,
I’m here to win it!
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Dramatic, longing, optimistic. Echoing synth pulses out into a ...Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Instrumental version.
Dramatic, longing, optimistic. Echoing synth pulses out into a ...Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a ...Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, launch into sudden serious section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a ...Dramatic, longing, optimistic. Echoing synth pulses out into a distant space with a voicelike melody following with it. Shift into determined section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies.
