| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Day by Day Electro version [CEZ4700 - 12] |
0 | 2'29 | Elisabeth Skornik, Guy Skornik | Electronic version with a new-age feel. Relaxed, mystical & dreamy | 稳定的 气氛 神奇 从容 | F | 78 | |||
|
What Tomorrow Holds - Electro
[CEZ4700 - 18] |
0 | 2'45 | Elisabeth Skornik, Guy Skornik | Electronic version. Percussive, strange, quirky, repetitive, | 奇怪 现代芭蕾 周期性的 电影原声带 | F | 110 | |||
|
Countdown To Midnight [CEG5058 - 1] |
1'14 | Les Cosmonotes | Dark Clockwork. Cold, anxious & tense. Timer pulse with modulation & | 悬念 令人不安 恐怖片 时间(滴答声) | Ebm | 120 | ||||
|
Countdown To Midnight
[CEG5058 - 16] |
版本. | 1'13 | Les Cosmonotes | Alternate without FX. | 悬念 令人不安 恐怖片 时间(滴答声) | Ebm | 120 | |||
|
The Final Lap [CEG5058 - 15] |
1'22 | Les Cosmonotes | Suspenseful Clockwork. Steady, strange & minimal. Rhythmic sound | (音效)滴答声 时间(滴答声) 金属 声音设计 | Bm | 85 | ||||
|
The Final Lap Alternate [CEG5058 - 19] |
版本. | 1'22 | Les Cosmonotes | Alternate without FX. | (音效)滴答声 时间(滴答声) 金属 声音设计 | Bm | 85 | |||
|
Midnight On Kepler [AMS5061 - 8] |
1'57 | Felix Weber | Cinematic trap. Bright, shimmering & peaceful. Trap beat, piano, | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | ||||
|
Midnight On Kepler Alternate 1 [AMS5061 - 57] |
版本. | 1'57 | Felix Weber | Version without percussion | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 2 [AMS5061 - 58] |
版本. | 1'57 | Felix Weber | Version with percussion only | 疑问 调查研究 电影节奏 周期性的 | Abm | 143 | |||
|
Midnight On Kepler Alternate 3 [AMS5061 - 59] |
版本. | 1'57 | Felix Weber | Version without strings | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 4 [AMS5061 - 60] |
版本. | 1'57 | Felix Weber | Bed version | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 5 [AMS5061 - 61] |
版本. | 1'57 | Felix Weber | Underscore version | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Edit 1 30
[AMS5061 - 62] |
版本. | 0'31 | Felix Weber | 30 second cut | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Edit 2 15
[AMS5061 - 63] |
版本. | 0'17 | Felix Weber | 15 second cut | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Shimmer [TBX227 - 10] |
0 | 2'37 | Jack Selby | Wistful, overwhelming, spacey. Warm movements of strings play out a | 气氛 反省 新古典音乐 历史旁白 | Dm | 100 | |||
|
A Bird in the Desert [CEO2182 - 7] |
0 | 1'55 | Gregory Cotti | Lamented, lonely & mysterious. Like a calling. Nay & piano. Suggested | 地理政治 传统东方音乐 神秘 悬念 | C | 117 | |||
|
Higher and Higher [CCB1069 - 4] |
2'32 | Hiroki Ishikura | Electro ambient. Mechanical, precise & suspended. Constant | 气氛 命运 缓拍 进行中 | Am | 163 | ||||
|
Higher and Higher Alternate [CCB1069 - 15] |
版本. | 2'26 | Hiroki Ishikura | Alternate no rhythm. | 气氛 命运 缓拍 进行中 | Am | 162 | |||
|
Epilogue [CCB1069 - 8] |
1'58 | Hiroki Ishikura | Electro ambient. Doomed, nocturne & sad. Electronic piano, strings & | electronic score 伤心 社会悲剧 夜晚 | Gm | 81 | ||||
|
Epilogue Alternate 1 [CCB1069 - 18] |
版本. | 1'57 | Hiroki Ishikura | Extended version no rhythm. | electronic score 伤心 社会悲剧 夜晚 | Gm | 86 | |||
|
Epilogue Alternate 2 [CCB1069 - 19] |
版本. | 1'56 | Hiroki Ishikura | Alternate solo piano. | 伤心 夜晚 伴音 独立电影 | Gm | 60 | |||
|
Fairy Gnossienne [CEZ4673 - 3] |
3'14 | 埃里克·萨蒂 | Electro dub, after Satie's Gnossienne No.1. Mysterious, enchanting & | 仙境 梦幻 明朗 广告 | Fm | 136 | ||||
|
Fairy Gnossienne Alternate [CEZ4673 - 23] |
版本. | 3'14 | The Quantum | Alternate no rhythm. | 梦幻 仙境 明朗 广告 | Fm | 136 | |||
|
Fairy Gnossienne Edit 60 sec [CEZ4673 - 24] |
版本. | 1'00 | The Quantum | 60 second cut. | 梦幻 仙境 明朗 广告 | Fm | 136 | |||
|
Fairy Gnossienne Edit 30 sec [CEZ4673 - 25] |
版本. | 0'30 | The Quantum | 30 second cut. | 梦幻 仙境 明朗 广告 | Bbm | 136 | |||
|
Fairy Gnossienne Edit 20 sec [CEZ4673 - 26] |
版本. | 0'20 | The Quantum | 20 second cut. | 梦幻 仙境 明朗 广告 | Bbm | 136 | |||
|
Fairy Gnossienne Edit Sting [CEZ4673 - 27] |
版本. | 0'15 | The Quantum | Sting. | 梦幻 仙境 明朗 广告 | G | 137 | |||
|
Shine Bright [INP079 - 5] |
2'19 | Alexander Gordon De Menthon | Cinematic, explosive, meaningful. Glassy pads and light piano traces 歌词 | 阴险 男歌手 影院摇滚 固执 | Dm | 93 | ||||
|
Shine Bright Instrumental [INP079 - 22] |
版本. | 2'19 | Alexander Gordon De Menthon | Cinematic, explosive, meaningful. Glassy pads and light piano traces | 阴险 影院摇滚 固执 进步 | Dm | 90 | |||
|
Shine Bright Underscore [INP079 - 23] |
版本. | 2'19 | Alexander Gordon De Menthon | Cinematic, explosive, meaningful. Glassy pads and light piano traces | 阴险 固执 进步 青春剧 | Dm | 90 | |||
|
Business as Usual [CEG5057 - 4] |
2'20 | Ben Williamson | Hip-hop beat. Lazy, warm & panoramic. Synth, strings & rhythm. Ideal | 漂泊 懒惰 都市景色 都市 | C | 120 | ||||
|
Business as Usual Edit 20 sec [CEG5057 - 29] |
版本. | 0'20 | Ben Williamson | 20 second cut. | 漂泊 懒惰 都市景色 都市 | C | 120 | |||
|
Business as Usual Edit 30 sec [CEG5057 - 30] |
版本. | 0'30 | Ben Williamson | 30 second cut. | 漂泊 懒惰 都市景色 都市 | Am | 120 | |||
|
Business as Usual Edit 60 sec [CEG5057 - 31] |
版本. | 1'00 | Ben Williamson | 60 second cut. | 漂泊 懒惰 都市景色 都市 | Am | 120 | |||
|
Business as Usual Edit Sting [CEG5057 - 32] |
版本. | 0'09 | Ben Williamson | Sting. | 漂泊 懒惰 都市景色 都市 | G | 120 | |||
|
Drug Lord [CEG5057 - 8] |
2'11 | Antoine Berquet | Hip-hop beat, trap beat. Proud, heavy & agressive. Strings, synth, | 态度 都市景色 社会悲剧 夜晚 | Gbm | 163 | ||||
|
Drug Lord Alternate [CEG5057 - 45] |
版本. | 2'12 | Antoine Berquet | Underscore version. | 骄傲 都市景色 社会悲剧 夜晚 | Gbm | 164 | |||
|
Drug Lord Edit 20 sec [CEG5057 - 46] |
版本. | 0'20 | Antoine Berquet | 20 second cut. | 骄傲 都市景色 社会悲剧 夜晚 | Gbm | 82 | |||
|
Drug Lord Edit 30 sec [CEG5057 - 47] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 骄傲 都市景色 社会悲剧 夜晚 | Gbm | 163 | |||
|
Drug Lord Edit 60 sec [CEG5057 - 48] |
版本. | 1'00 | Antoine Berquet | 60 second cut. | 骄傲 都市景色 社会悲剧 夜晚 | Gbm | 164 | |||
|
Drug Lord Edit Sting [CEG5057 - 49] |
版本. | 0'13 | Antoine Berquet | Sting. | 骄傲 都市景色 社会悲剧 夜晚 | Gbm | 163 | |||
|
Forensic Science Evolution [CEG5055 - 7] |
2'05 | Louis Edlinger | Organic electro. Haunting, undulating & pulsating with a quirky | 周期性的 间谍片 稳定的 信息技术 | Am | 119 | ||||
|
Forensic Science Evolution
[CEG5055 - 23] |
版本. | 2'05 | Louis Edlinger | Version with less synth pad & less arpeggiator. | 信息技术 周期性的 极简电子音乐 稀疏 | Am | 119 | |||
|
Forensic Science Evolution
[CEG5055 - 24] |
版本. | 1'59 | Louis Edlinger | Version without melody & without rhythmics. | 周期性的 稳定的 信息技术 稀疏 | Am | 118 | |||
|
The Sound and the Fury [CEZ4650 - 10] |
0 | 2'26 | Olivier Militon | Cinematic. Eerie, secretive & haunted. Full orchestra with emotional | 画面感 自然灾害 背景音 漂泊 | Dm | 62 | |||
|
Amongst The Ruins [BIB283 - 2] |
2'44 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 地理政治 军事冲突 进步 热沙漠 | C | 90 | ||||
|
Amongst The Ruins (Underscore
[BIB283 - 13] |
版本. | 2'44 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 进步 进行中 稀疏 地理政治 | C | 90 | |||
|
Amongst The Ruins (Underscore
[BIB283 - 14] |
版本. | 2'36 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 进步 热沙漠 稀疏 地理政治 | C | 90 | |||
|
Gisèle [CEO2178 - 6] |
0 | 2'18 | Olivier Militon | Ethereal, suspended & pensive then moving. Synth pads, piano with | 电影原声带 反省 内心 安静 | Dm | 92 | |||
|
Just Another Day [CEG5053 - 2] |
1'30 | Baptiste Charvet | Atmospheric, interrogative, sparse, mysterious & waiting. Piano with | Fender Rhodes 调查研究 耐心 进行中 | E | 88 | ||||
|
Just Another Day Alternate [CEG5053 - 22] |
版本. | 1'32 | Baptiste Charvet | Version without percussion. | 调查研究 耐心 进行中 疑问 | E | 86 | |||
|
The Night Was Ours [CEO2179 - 6] |
0 | 2'39 | Baptiste Charvet | Atmospheric, enigmatic & resilient. Rhythm & evolving synth pads. | 工业 气氛 稳定的 反省 | C | 125 | |||
|
The Unbearable Waiting [CEO2179 - 8] |
0 | 2'02 | Baptiste Charvet | Suspense. Fatal, dark, tragic & sad. Electric guitar, acoustic | 进行中 夜晚 耐心 悬念 | Am | 140 |