| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Whispering Evil [CEZ4674 - 8] |
2'02 | Baptiste Thiry | Choral work. Chanted, obstinate, tense, disturbing, hypnotic & | 固执 画面感 令人不安 男女合唱 | Cm | 90 | ||||
|
Whispering Evil Alternate 1 [CEZ4674 - 25] |
版本. | 2'03 | Baptiste Thiry | A capella version. | 固执 画面感 令人不安 男女合唱 | Cm | 90 | |||
|
Whispering Evil Alternate 2 [CEZ4674 - 26] |
版本. | 2'03 | Baptiste Thiry | Whispers only. | 固执 画面感 令人不安 魔幻电影 | C | 90 | |||
|
Whispering Evil Alternate 3 [CEZ4674 - 27] |
版本. | 2'03 | Baptiste Thiry | Ostinato only. | 固执 画面感 令人不安 男女合唱 | Cm | 90 | |||
|
Whispering Evil Alternate 4 [CEZ4674 - 28] |
版本. | 2'03 | Baptiste Thiry | Underscore. | 固执 画面感 令人不安 男女合唱 | Cm | 90 | |||
|
On A Knife Edge [CEZ4671 - 7] |
1'57 | Benjamin Doherty | Dramedy. Edgy, mysterious & discreet. Bowed piano, cello, piano, | light tension 神秘 悲喜剧 调查研究 | Gm | 99 | ||||
|
On A Knife Edge Alternate [CEZ4671 - 23] |
版本. | 1'57 | Benjamin Doherty | Underscore version | light tension 神秘 悲喜剧 调查研究 | Cm | 100 | |||
|
Sneaking At Night [CEZ4671 - 9] |
1'45 | Benjamin Doherty | Dramedy. Tiptoeing, cautious & surreptitious. Bass, bowed piano, | light tension 神秘 悲喜剧 害羞 | Gm | 100 | ||||
|
Sneaking At Night Alternate [CEZ4671 - 25] |
版本. | 1'45 | Benjamin Doherty | Underscore version | light tension 神秘 悲喜剧 害羞 | Gm | 100 | |||
|
Bit Crusher [TBX217 - 6] |
2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 动人 调查研究 | A | 100 | ||||
|
Bit Crusher (Underscore) [TBX217 - 31] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Underscore No
[TBX217 - 32] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (30 Sec) [TBX217 - 33] |
版本. | 0'30 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into factory-like | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Sting) [TBX217 - 34] |
版本. | 0'14 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into and sharp | 信息技术 电子琴 调查研究 神秘 | A | 133 | |||
|
News Leak [CEG5054 - 1] |
2'27 | Antoine Berquet | Electro beat. Urgent, disturbing & narrative. Synth, piano & rhythm. | 复古游戏 紧急 令人不安 新闻 | Cm | 88 | ||||
|
News Leak Alternate [CEG5054 - 13] |
版本. | 2'43 | Antoine Berquet | Alternate no rhythm. | 复古游戏 紧急 令人不安 叙述 | Cm | 117 | |||
|
News Leak Edit 60 sec [CEG5054 - 14] |
版本. | 0'15 | Antoine Berquet | 60 second cut. | 复古游戏 紧急 令人不安 叙述 | Cm | 178 | |||
|
News Leak Edit 30 sec [CEG5054 - 15] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 复古游戏 紧急 令人不安 叙述 | Cm | 178 | |||
|
News Leak Edit 15 sec [CEG5054 - 16] |
版本. | 1'00 | Antoine Berquet | 15 second cut. | 复古游戏 紧急 令人不安 叙述 | Cm | 88 | |||
|
News Leak Edit Sting [CEG5054 - 17] |
版本. | 0'13 | Antoine Berquet | Sting. | 复古游戏 紧急 令人不安 叙述 | Cm | 118 | |||
|
Feelings are Fatal [CEZ4650 - 6] |
0 | 1'31 | Olivier Militon | Cinematic. Emotional, quiet & solemn. Full orchestra with choir & | 画面感 命运 自然灾害 太空 | Am | 68 | |||
|
Logical Outcome [CEZ4650 - 7] |
0 | 1'29 | Olivier Militon | Cinematic. Constant build-up. Mélancholy, moving & slightly building | 画面感 忧伤 司法 社会悲剧 | Fm | 112 | |||
|
Hidden Valley [BIB283 - 4] |
2'12 | Michael Panayiotis | Epic, mystic, important. Humming euphoria with low droning noises | 稳定的 稀疏 抱歉 嗡嗡声 | C | 117 | ||||
|
Hidden Valley (Underscore No
[BIB283 - 17] |
版本. | 2'12 | Michael Panayiotis | Epic, mystic, important. Humming euphoria with low droning noises | 稳定的 稀疏 抱歉 嗡嗡声 | C | 119 | |||
|
Hidden Valley (Underscore
[BIB283 - 18] |
版本. | 2'10 | Michael Panayiotis | Epic, mystic, important. Humming euphoria with low droning noises | 稳定的 稀疏 抱歉 嗡嗡声 | C | 118 | |||
|
The Horizon [BIB283 - 8] |
2'44 | Michael Panayiotis | Epic, climactic, shadowy. An oud or Middle Eastern guitar edges out | 稀疏 伴音 热沙漠 地理政治 | Cm | 61 | ||||
|
The Horizon (Underscore No
[BIB283 - 26] |
版本. | 2'41 | Michael Panayiotis | Epic, climactic, shadowy. A ragged string pushes out into an empty | 稀疏 伴音 热沙漠 地理政治 | Cm | 60 | |||
|
The Horizon (Underscore No
[BIB283 - 27] |
版本. | 2'42 | Michael Panayiotis | Epic, climactic, shadowy. An oud or Middle Eastern guitar edges out | 稀疏 伴音 热沙漠 地理政治 | Cm | 60 | |||
|
One Thing Leads to Another [CEG5053 - 3] |
2'50 | Baptiste Charvet | Investigative cinematic jazz. Suspended, crystalline & dreamy. Piano, | 疑问 Fender Rhodes 调查研究 电影爵士乐 | Cm | 62 | ||||
|
One Thing Leads to Another
[CEG5053 - 23] |
版本. | 2'53 | Baptiste Charvet | Version without trumpet. | Cm | 123 | ||||
|
Chasing the Fog [CEG5051 - 7] |
3'03 | Bruno Alexiu | Strange, jerky, constant, hypnotic & nightmarish. Electronic | 低沉 工业 机械的 电子鼓 | Fm | 120 | ||||
|
Chasing the Fog Alternate [CEG5051 - 37] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 追逐场面 进行中 低沉 工业 | Dm | 120 | |||
|
Chasing the Fog Edit 1 (60s) [CEG5051 - 38] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 2 (60s) [CEG5051 - 39] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 3 (30s) [CEG5051 - 40] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 4 (30s) [CEG5051 - 41] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Am | 118 | |||
|
Chasing the Fog Edit 5 (15s) [CEG5051 - 42] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 6 (15s) [CEG5051 - 43] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | Am | 120 | |||
|
White Willow [BIB279 - 7] |
2'51 | Luke Coltman | Dramatic, wondrous, suspicious. Breathy strings lead into lower tones | 电影原声带 社会悲剧 周期性的 固执 | C | 60 | ||||
|
White Willow (Underscore) [BIB279 - 18] |
版本. | 2'52 | Luke Coltman | Dramatic, wondrous, suspicious. Breathy strings lead into lower tones | 电影原声带 社会悲剧 周期性的 固执 | C | 60 | |||
|
Juniper [BIB279 - 9] |
5'59 | Luke Coltman | Spirited, energetic, serious. Fast string stabs work up a flurry of | 现代芭蕾 动人 固执 电影原声带 | G | 140 | ||||
|
Juniper (Underscore A) [BIB279 - 20] |
版本. | 4'36 | Luke Coltman | Spirited, energetic, serious. Fast bells work up a flurry of energy | 动人 固执 电影原声带 周期性的 | Em | 140 | |||
|
Juniper (Underscore B) [BIB279 - 21] |
版本. | 5'58 | Luke Coltman | Spirited, energetic, serious. Fast bells work up a flurry of energy | 动人 固执 现代芭蕾 抽象艺术 | G | 140 | |||
|
Lost Places [CEG5052 - 4] |
2'37 | Louis Edlinger | Minimal ambient. Smooth, floating & dreamy. Synth pads, light pulse & | 气氛 自信 稀疏 反省 | Dm | 100 | ||||
|
Lost Places Alternate 1 [CEG5052 - 19] |
版本. | 2'37 | Louis Edlinger | Version without lead synth & without pulse. | 气氛 自信 稀疏 反省 | Dm | 100 | |||
|
Lost Places Alternate 2 [CEG5052 - 20] |
版本. | 2'37 | Louis Edlinger | Version without melody & with reduced pad. | 稀疏 反省 原声电子 梦幻 | Dm | 100 | |||
|
Spy Phone [CEG5049 - 3] |
2'15 | Lars Jebsen | Tense, tragic, distressing & sinister. On-hold phone FX, synth | 神秘 耐心 信息技术 司法 | Gm | 70 | ||||
|
Spy Phone Alternate [CEG5049 - 15] |
版本. | 2'09 | Lars Jebsen | Reduced version. | 神秘 耐心 信息技术 司法 | Gm | 80 | |||
|
Je Le Savais Très Bien [CEZ4645 - 5] |
2'30 | Iain Harper | Future garage. Groovy, determined & futuristic. Lively drum & bass | 车库 丛林音乐 夜晚 固执 | Em | 140 | ||||
|
Je Le Savais Très Bien
[CEZ4645 - 45] |
版本. | 2'30 | Iain Harper | Instrumental version | 车库 夜晚 固执 果断 | Em | 140 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 46] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 47] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 48] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 49] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 50] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 51] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 52] |
版本. | 0'08 | Iain Harper | Sting | 车库 夜晚 固执 果断 | Bm | 139 | |||
|
Faith [EOS125 - 8] |
0 | 2'08 | Anthony Mowat | Sad, with regret then resilience. Drums, guitar, bass & synth. | 忧伤 漂泊 夜晚 内心 | B | 80 | |||
|
Ritual [INP075 - 10] |
2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 78 | ||||
|
Ritual (Instrumental) [INP075 - 30] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 66 | |||
|
Ritual (Underscore A) [INP075 - 31] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 112 | |||
|
Ritual (Underscore B) [INP075 - 32] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through | 恐怖片 令人不安 背景音 漂泊 | Bbm | 80 | |||
|
The Law of Chance [CEC8056 - 7] |
3'17 | Pei Zhao, Haojie Zheng | Electronic score. Ethereal, mellow & shimmering. Spacey intro with | 进行中 催眠 缓拍 间谍片 | Bm | 150 | ||||
|
The Law of Chance Edit 1 (60
[CEC8056 - 37] |
版本. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | 进行中 催眠 缓拍 间谍片 | Bm | 150 | |||
|
The Law of Chance Edit 2 (30
[CEC8056 - 38] |
版本. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | 进行中 催眠 缓拍 间谍片 | Bm | 150 | |||
|
The Law of Chance Edit 3 (15
[CEC8056 - 39] |
版本. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | 进行中 催眠 缓拍 间谍片 | Bm | 149 | |||
|
The Inquiry Goes Wild [CEG5048 - 14] |
1'25 | Antoine Glatard | Desolate, wandering, mysterious, dark & questioning. Decided, fast & | 司法 当代历史 电影原声带 社会悲剧 | D | 104 | ||||
|
The Inquiry Goes Wild
[CEG5048 - 32] |
版本. | 1'20 | Antoine Glatard | Alternate minimalist version | 司法 当代历史 电影原声带 社会悲剧 | D | 104 |