| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Runaway [EOS88 - 1] |
0 | 1'48 | Sébastien Gisbert, Lone Kent | Introduction track. Cyclic piano & constant progression. Exalting & | 上升 周期性的 调查研究 神秘 | Cm | 133 | |||
|
Finger Tap [EOS88 - 3] |
0 | 1'53 | Sébastien Gisbert, Lone Kent | Relentless & insisting. Organic acoustique. Punctuated beat & jerky | 现代芭蕾 强调突出 工业 固执 | Am | 120 | |||
|
Organic Clockwork Machine
[CEZ4540 - 11] |
0 | 2'07 | Michel Barengo, Beda Thornton | Neutral version. Light tension. Ethereal, suspended, sparse, glitchy | 原声电子 稀疏 稳定的 信息技术 | Em | 65 | |||
|
Something to Believe In [CET9076 - 9] |
2'36 | Emmanuel Rousseau | Trailer / Film Score. Calm intro with water FX & luminous textures. | 画面感 令人不安 稳定的 自然灾害 | Cm | 100 | ||||
|
Something to Believe In
[CET9076 - 21] |
版本. | 2'36 | Emmanuel Rousseau | Alternate without percussion. | 画面感 令人不安 稳定的 自然灾害 | Cm | 123 | |||
|
Horizon in the Mist [CEO2144 - 13] |
0 | 2'17 | Alice Guerlot Kourouklis | Sinister, desolate & disturbing. Synth layers. Suggested for wasted | 气氛 反省 悬念 魔幻电影 | Em | 113 | |||
|
Waiting Game [TBX151 - 10] |
2'00 | Jack Pierce | Impatient, inquisitive, anticipatory. Twinkling bells meet with | 时间(滴答声) 调查研究 神秘 进行中 | Dbm | 91 | ||||
|
Waiting Game (Alt Version) [TBX151 - 31] |
版本. | 2'00 | Jack Pierce | Impatient, inquisitive, anticipatory. Twinkling bells meet with | 调查研究 神秘 疑问 严谨 | Dbm | 91 | |||
|
Waiting Game (Underscore) [TBX151 - 32] |
版本. | 2'00 | Jack Pierce | Impatient, inquisitive, anticipatory. Twinkling bells meet with | 时间(滴答声) 调查研究 神秘 疑问 | Dbm | 91 | |||
|
Offline [INP049 - 8] |
2'24 | Lukas Roher | Determined, spacey, epic. Sharp synth bass and lower sub march | 科幻片 社会悲剧 固执 电子琴 | D | 100 | ||||
|
Offline (Underscore A) [INP049 - 23] |
版本. | 2'24 | Lukas Roher | Determined, spacey, epic. Low sub bass marches in a sturdy rhythmic | 科幻片 社会悲剧 沉重 固执 | D | 100 | |||
|
Offline (Underscore B) [INP049 - 24] |
版本. | 2'24 | Lukas Roher | Determined, spacey, epic. Sharp synth bass and lower sub march | 科幻片 社会悲剧 固执 电子琴 | D | 100 | |||
|
In The Vastness Of Space [TBX147 - 9] |
0 | 2'06 | Sergey Kolosov | Jazzy, sombre, laidback. Jazz chord sets out a feeling of complex | 反省 命运 社会悲剧 悬念 | C | 100 | |||
|
Analysis in Progress [CEZ4533 - 12] |
2'01 | Louis Edlinger | Underscore/bed. Light tension. Organic, discontinuous, analytical, | 稳定的 稀疏 耐心 科学 | F | 80 | ||||
|
Analysis in Progress
[CEZ4533 - 41] |
版本. | 2'01 | Louis Edlinger | Minimalist alternate version. Sound-design & FX only. | 无声 稀疏 稳定的 叙述 | F | 80 | |||
|
Analysis in Progress
[CEZ4533 - 42] |
版本. | 2'01 | Louis Edlinger | Minimalist alternate version. Keyboard with delay FX only. | 无声 稳定的 稀疏 耐心 | F | 100 | |||
|
Rosewood At Night [TBX142 - 12] |
2'14 | Ethan Maltby | Inquisitive, meaningful, epic. Cymbal moves into tense bell sequence | 马林巴琴 夜晚 飞行 通透 | Cm | 130 | ||||
|
Rosewood At Night (Underscore) [TBX142 - 24] |
版本. | 2'14 | Ethan Maltby | Inquisitive, meaningful, epic. Cymbal moves into tense bell sequence | 马林巴琴 夜晚 飞行 通透 | Cm | 130 | |||
|
Lady from Mars [CEZ4523 - 2] |
2'17 | Yann Kornowicz | Ghostly & weird in the style of the 70s. Cosmic vintage synth like a | 七十年代 电视连续剧 女性 媚俗 & 艳俗 | Gm | 94 | ||||
|
Lady from Mars Alternate [CEZ4523 - 13] |
版本. | 2'17 | Yann Kornowicz | Instrumental Version without backing vocals | 电视连续剧 七十年代 女性 媚俗 & 艳俗 | Gm | 94 | |||
|
Aurora [INP046 - 1] |
2'04 | Reid Durtschi | Decadent, overwhelming, meaningful. Strings emerge rising up in | 飞行 魔幻电影 原声乐器 梦幻 | C | 60 | ||||
|
Aurora (Underscore) [INP046 - 11] |
版本. | 2'04 | Reid Durtschi | Decadent, overwhelming, meaningful. Strings emerge rising up in | 飞行 魔幻电影 原声乐器 梦幻 | C | 61 | |||
|
He Prowls the Night [CEZ4526 - 27] |
0 | 2'02 | Anselm Kreuzer, Andreas Suttner | Intriguing, nocturnal, narrative & discontinuous. Keyboards, light | 疑问 中断 调查研究 神秘 | C | 118 | |||
|
He Prowls the Night Alternate [CEZ4526 - 28] |
0 | 2'01 | Anselm Kreuzer, Andreas Suttner | Minimalist alternate version | 疑问 中断 调查研究 神秘 | C | 118 | |||
|
Chakra [CEZ4521 - 30] |
2'20 | Mathieu Laurent, Isabelle Salmon | Ambient / new age music. Contemplative, spiritual & introspective. | 环境 反省 安静 冰冷 | Am | 75 | ||||
|
Chakra Alternate [CEZ4521 - 48] |
版本. | 2'15 | Mathieu Laurent, Isabelle Salmon | Minimalist & neutral alternate version. | 环境 反省 安静 稀疏 | Am | 75 | |||
|
Fallen Angels [INP045 - 8] |
1'14 | Ronnie W Verboom | Hellish, tragic, chaotic. A clamour of choral voices call out with | 稀疏 诡异 令人不安 神秘 | Dm | 103 | ||||
|
Fallen Angels (Underscore) [INP045 - 22] |
版本. | 1'12 | Ronnie W Verboom | Hellish, tragic, chaotic. A clamour of choral voices call out with | 稀疏 诡异 令人不安 神秘 | D | 102 | |||
|
The Dark Ages [CEO2133 - 10] |
0 | 1'33 | Baptiste Thiry | Dark, threatening & suspended. String orchestra & timpanies. | 神秘 反省 命运 社会悲剧 | E | 76 | |||
|
The Murder [BIB197 - 4] |
0 | 1'30 | David Birnie | Sneaky, tense, scary. Light percussion beckons tentative string | 电影爵士乐 令人不安 阴险 突然 | Cm | 102 | |||
|
The Plan [BIB197 - 9] |
2'52 | David Birnie | Intense, cunning, secretive. Rhythmic double bass sets out an anxious | 黑色电影 电影爵士乐 稳定的 间谍片 | Gm | 87 | ||||
|
The Plan (Underscore A) [BIB197 - 23] |
版本. | 2'52 | David Birnie | Intense, cunning, secretive. Hand drumming and droning strings convey | 康加鼓 间谍片 神秘 夜晚 | D | 88 | |||
|
The Plan (Underscore B) [BIB197 - 24] |
版本. | 2'54 | David Birnie | Intense, cunning, secretive. Droning strings and bright bells convey | 黑色电影 稳定的 间谍片 神秘 | D | 88 | |||
|
CCTV Investigation [TBX135 - 1] |
0 | 2'17 | Frank Spears | Tense, eerie, suspenseful. Scattering synth crafts and investigative | 稳定的 悬念 恐怖片 调查研究 | C | 96 |