| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Lookout [CEG5064 - 1] |
2'29 | Hiroki Ishikura | Industrial beat. Interrogative, suspended more and more disturbing. | 进行中 阴险 沉重 固执 | Eb | 135 | ||||
|
Lookout Alternate [CEG5064 - 13] |
版本. | 2'29 | Hiroki Ishikura | Alternate no drums. | 进行中 阴险 固执 美国独立制片电影 | Eb | 134 | |||
|
Walking a Fine Line [CEG5059 - 2] |
2'13 | Felix Halbe | Hesitant, cautious, tense, doubtful & questioning. Piano, drone, | 美国独立制片电影 反省 耐心 调查研究 | Gbm | 151 | ||||
|
Walking a Fine Line Alternate [CEG5059 - 14] |
版本. | 2'12 | Felix Halbe | Version with less strings, percussion & SFX. | 美国独立制片电影 反省 light tension 耐心 | Gbm | 150 | |||
|
Obsessed [CEG5059 - 5] |
2'01 | Felix Halbe | Stubborn, cyclical & repetitive, building up gradually with synth | 固执 周期性的 社会悲剧 动荡 | A | 125 | ||||
|
Obsessed Alternate [CEG5059 - 16] |
版本. | 1'40 | Felix Halbe | Version without piano ostinato. | 固执 周期性的 社会悲剧 动荡 | E | 125 | |||
|
Sparkles in the Darkness [CEZ4685 - 7] |
0 | 2'11 | Third Act | Post-classical music, neo-classical music, film score. Cold, dreamy & | 反省 社会悲剧 气氛 画面感 | G | 100 | |||
|
Only One Of Us [BIB284 - 1] |
2'23 | Omer Agca, Alexandre Méaux | Dramatic, struggling, intriguing. Muffled acoustic guitar sequence | 命运 社会悲剧 美国独立制片电影 电影原声带 | D | 131 | ||||
|
Only One Of Us (Underscore) [BIB284 - 11] |
版本. | 2'23 | Omer Agca, Alexandre Méaux | Dramatic, struggling, intriguing. Muffled acoustic guitar sequence | 命运 社会悲剧 美国独立制片电影 电影原声带 | Dm | 130 | |||
|
Chemical Rush [CEZ4641 - 3] |
3'05 | Apollo Noir | Ambient electro, analog horror. Disturbing, insistant & psychotic | 电子实验室 令人不安 奇怪 催眠 | C | 120 | ||||
|
Chemical Rush Alternate [CEZ4641 - 13] |
版本. | 2'36 | Apollo Noir | Alternate ambient. | 令人不安 奇怪 催眠 有毒 | C | 120 | |||
|
The Mechanics of Evil
[CEZ4641 - 12] |
2'19 | Adrien Degioanni | Ambient electro, analog horror. Unstable, diabolic & worrying. Ideal | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
Singularity [CEG5050 - 5] |
0 | 2'03 | Jia | Cinematic Dark Score. Intriguing & nebulous intro blending strings | 画面感 催眠 反省 背景电子乐 | Dbm | 120 | |||
|
Stepping Back in Time [CEG5048 - 3] |
2'03 | Baptiste Thiry | Mysterious, suspended, moving & nostalgic. Piano with reverse effect, | 反省 美国独立制片电影 闪回 催眠 | D | 100 | ||||
|
Stepping Back in Time
[CEG5048 - 17] |
版本. | 1'55 | Baptiste Thiry | Alternate minimalist version | 反省 闪回 催眠 伴音 | D | 100 | |||
|
Stepping Back in Time
[CEG5048 - 18] |
版本. | 1'52 | Baptiste Thiry | Alternate minimalist version | 美国独立制片电影 闪回 反省 伴音 | D | 100 | |||
|
Corruption Chronicles [CEG5047 - 11] |
2'15 | Ben Berkenbosch | Investigation. Dark, ominous, confidential & questioning. Cyclique & | 司法 警匪片 令人不安 稳定的 | C | 140 | ||||
|
Corruption Chronicles
[CEG5047 - 72] |
版本. | 2'14 | Ben Berkenbosch | Underscore alternate version. | 司法 警匪片 令人不安 调查研究 | C | 140 | |||
|
Corruption Chronicles 15 sec
[CEG5047 - 73] |
版本. | 0'15 | Ben Berkenbosch | 15 second cut. | 司法 警匪片 令人不安 稳定的 | Cm | 140 | |||
|
Corruption Chronicles 30 sec
[CEG5047 - 74] |
版本. | 0'30 | Ben Berkenbosch | 30 second cut. | 司法 警匪片 令人不安 稳定的 | C | 140 | |||
|
Corruption Chronicles 60 sec
[CEG5047 - 75] |
版本. | 1'00 | Ben Berkenbosch | 60 second cut. | 司法 警匪片 令人不安 稳定的 | Cm | 140 | |||
|
Corruption Chronicles sting [CEG5047 - 76] |
版本. | 0'13 | Ben Berkenbosch | Sting. | 司法 警匪片 令人不安 稳定的 | Cm | 91 | |||
|
Numbers Among Numbers [TBX198 - 3] |
2'29 | Sergey Kolosov | Thoughtful, vital, dedicated. Shrill bells play out a hypnotic | 科学 电影原声带 独立电影 疑问 | Bm | 118 | ||||
|
Numbers Among Numbers
[TBX198 - 14] |
版本. | 2'29 | Sergey Kolosov | Thoughtful, vital, dedicated. Shrill bells play out a hypnotic | 科学 电影原声带 独立电影 疑问 | Bm | 118 | |||
|
A Tangled Web [IOM017 - 5] |
2'26 | Benedic Lamdin, Riaan Vosloo | Graceful, bright, gentle. Decadent piano trills create a fragile but | 电影爵士乐 疑问 调查研究 反省 | Fm | 104 | ||||
|
A Tangled Web (Underscore) [IOM017 - 18] |
版本. | 2'27 | Benedic Lamdin, Riaan Vosloo | Graceful, bright, gentle. Decadent piano trills create a fragile but | 电影爵士乐 疑问 调查研究 反省 | Fm | 104 | |||
|
A Tangled Web (Underscore
[IOM017 - 19] |
版本. | 2'17 | Benedic Lamdin, Riaan Vosloo | Graceful, bright, gentle. Mallets find a slow and simplistic rhythmic | 电影爵士乐 疑问 调查研究 反省 | Fm | 104 | |||
|
Subway Chase [CEG5040 - 3] |
3'16 | Apollo Noir | Electronic music in the spirit of an 80s horror film. Mysterious, | 调查研究 悬念 独立电影 画面感 | Dm | 145 | ||||
|
Subway Chase Alternate [CEG5040 - 11] |
版本. | 3'16 | Apollo Noir | Alternative version without sound design. | 独立电影 催眠 悬念 画面感 | Dm | 145 | |||
|
Assembly Line Ballet [CCB1060 - 9] |
0 | 3'38 | Thibault Gomez, Teddy Lasry | Very fast. Mechanical, repetitive, haunting & percussive. Piano | 预置钢琴 追逐场面 周期性的 心理剧 | Am | 115 | |||
|
Nocturnal Manoeuvres [IOM015 - 3] |
2'05 | Benedic Lamdin, Riaan Vosloo | Eerie, determined, whimsical. Twinkling bells and piano create a | 拨奏低音提琴 夜晚 都市景色 boom bap | Bm | 95 | ||||
|
Nocturnal Manoeuvres
[IOM015 - 14] |
版本. | 1'34 | Benedic Lamdin, Riaan Vosloo | Eerie, determined, whimsical. Launch into hip hop beat with a sense | 拨奏低音提琴 电吉他 夜晚 都市景色 | Gm | 95 | |||
|
Slipping Away Memories [CEZ4608 - 4] |
0 | 1'58 | Raphael Olivier | Ballad. Nostalgic, fragile & ineluctable. Piano & synth. Ideal for | 反省 忧伤 叙事曲/民谣 独立电影 | Gm | 86 | |||
|
Monstermind [CEZ4604 - 9] |
0 | 2'19 | Borussia | Electronic hip hop. Trap. Future beat. Wonky beat. Tormented, | 都市景色 都市 态度 社会悲剧 | Bb | 80 | |||
|
Austere Aspect [TBX168 - 1] |
0 | 2'38 | Michael Walters | Grand, majestic, hopeful. Subtle piano tune creates a sense of scale | 热沙漠 反省 神秘 电影原声带 | C | 82 | |||
|
Far From Vilno [CEO2154 - 5] |
0 | 2'20 | Marc-Olivier Dupin | Jewish theme. Metallic, sad, restrained & wandering. Flashback. Steel | 神秘 当代艺术 逝去的文明 自然灾害 | Fm | 62 | |||
|
Nights of Solitude [CEO2156 - 2] |
0 | 2'01 | Baptiste Thiry, Daoud | Constant build-up. Tragic, mysterious & poignant. Piano, trumpet with | 当代西部片 反省 忧伤 画面感 | Em | 94 |