| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dawn [BIB043 - 3] |
2'18 | Perry Beth, Chris Doney | Soft, slightly melancholic intro which switches and opens out into a | 反省 乡村 悬念 疑问 | F | 90 | ||||
|
Dawn (30s) [BIB043 - 17] |
版本. | 0'29 | Perry Beth, Chris Doney | Soft, slightly melancholic intro which switches and opens out into a | 反省 乡村 悬念 疑问 | F | 89 | |||
|
Dawn (15s) [BIB043 - 18] |
版本. | 0'14 | Perry Beth, Chris Doney | Soft, slightly melancholic intro which switches and opens out into a | 反省 乡村 悬念 疑问 | F | 89 | |||
|
Nights Draw [BIB043 - 10] |
2'26 | Perry Beth, Chris Doney | Ambient, minimal piano evoking a certain sadness. | 反省 无电声钢琴 悬念 忧伤 | A | 136 | ||||
|
Nights Draw (30s) [BIB043 - 31] |
版本. | 0'30 | Perry Beth, Chris Doney | Ambient, minimal piano evoking a certain sadness. | 反省 无电声钢琴 悬念 忧伤 | A | 134 | |||
|
Nights Draw (15s) [BIB043 - 32] |
版本. | 0'14 | Perry Beth, Chris Doney | Ambient, minimal piano evoking a certain sadness. | 反省 无电声钢琴 悬念 忧伤 | A | 136 | |||
|
Pupil Dilatation [EOS22 - 7] |
0 | 2'39 | Eric Volpatti | Sound design. Obsessive, suspended & undulating. Piano & electronics. | 悬念 fx backwards 疑问 科学 | Am | 140 | |||
|
Dilluted Medecine [EOS22 - 11] |
0 | 2'30 | Eric Volpatti | Sound design. Mysterious, tense & glitchy. Piano & electronics. | 令人不安 神秘 科学 故障 | Bm | 162 | |||
|
Being the President [CEZ4290 - 7] |
0 | 1'52 | Eric Caissy, Benoit Cimbé | Solemn & exhilarating. Constant progression. cinematic orchestra & | 电影乐团 庄重 当代历史 大电影打击乐 | Eb | 162 | |||
|
Suspicious Minds [CEZ4295 - 17] |
0 | 2'27 | Thomas Didier | Trip hop / downtempo. Inevitable, dark & urban. Electric guitar, | 调查研究 社会悲剧 间谍片 令人不安 | Bbm | 150 | |||
|
The Tana River [CEO2043 - 11] |
0 | 1'53 | Gregory Cotti | Scintillating & panoramic. Electronics. | 科学 拥挤 催眠 仙境 | C | 128 | |||
|
Une Vie Douloureuse [CEO2042 - 7] |
0 | 1'29 | Kevin Seddiki | Wandering & introspective. Acoustic guitar trio. | 社会悲剧 民族吉他 反省 感动 | Cm | 82 | |||
|
Dark Horizon [CEZ4279 - 15] |
0 | 2'41 | Claude Samard | Menacing & loud. Baryton guitar, pedal steel guitar & electronic pads. | 公路电影 全景图 沉闷 小说纪录片 | Am | 75 | |||
|
Le Sémaphore Ambigu [SIG11095 - 4] |
0 | 6'31 | Franck Dadure, The Fakir Orchestra | Contemporary jazz. Interrogative & desolated. Soprano saxophone, | 当代爵士 神秘 高音萨克斯 电声低音 | Dm | 100 | |||
|
Ghost Avenue [CEZ4262 - 2] |
0 | 3'01 | Lionel Lhote, Morgan Sansous | Hip Hop / Beat making. Mysterious, heavy & dangerous. Synth & rhythm. | 都市景色 都市 BEAT MAKING 现代 | Dbm | 130 | |||
|
Dark Intention [CEZ4254 - 1] |
0 | 2'34 | Benoit Cimbé | Sudden & frightening. Electronics. | 伴音 间谍片 调查研究 悬念 | Cm | 106 | |||
|
Steel Freight [CEZ4241 - 1] |
0 | 2'57 | Ben Williamson | Melancholic, metallic & mechanical. Electronics & rhythm. | 科学 信息技术 忧伤 金属 | Ebm | 86 | |||
|
Crystals [BIB037 - 8] |
0 | 2'15 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Contemporary cinematic / atmospheric trap. Slow, chilled and brooding | 抽象嘻哈 明朗 气氛 BEAT MAKING | Em | 71 | |||
|
Counting Votes [CEZ4209 - 12] |
0 | 2'02 | Baptiste Thiry | Sad & disturbing. Electronics. | 调查研究 政治 fx backwards 夜晚 | Am | 101 | |||
|
On the Brink [CEZ4206 - 22] |
0 | 2'43 | Benoit Cimbé | Underscore. Suspense. Disturbing & silent. Piano & electronics. | 伴音 疑问 气氛 抱歉 | Am | 72 | |||
|
Infinitely Small [CEZ4206 - 27] |
1'46 | Selma Mutal | Underscore. Interrogative & minimalist. Piano & electronics. | 抱歉 冷沙漠 社会悲剧 悬念 | Gb | 78 | ||||
|
Infinitely Small 2 [CEZ4206 - 40] |
版本. | 2'27 | Selma Mutal | Underscore. Interrogative & minimalist. Piano, rhythm & electronics. | 冷沙漠 悬念 疑问 伴音 | Db | 96 | |||
|
Punched Out [BIB018 - 4] |
0 | 3'50 | Aaron Robinson, Justin John Shearn | Gentle waves invoke the outdoors with acoustic circling guitar. | 忧伤 伤心 飞行 感动 | Bbm | 115 | |||
|
Cargo [CEZ4191 - 2] |
0 | 2'53 | Mathias Delplanque, Denis Levaillant | Hypnotic & mysterious. Electronics, strings & rhythm. | 缓拍 气氛 开阔 催眠 | Db | 134 | |||
|
Forensic Scientists [EOS15 - 8] |
0 | 1'54 | Eric Volpatti | Constant & lonely. Synth & piano. | 疑问 气氛 稳定的 冷沙漠 | Em | 112 |