| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
People Cry [CCB1070 - 6] |
2'42 | Donal Scott, Harriet Badby | Indie rock song. Intimate, delicate & dreamy. Ethereal female vocals 歌词 | 独立摇滚 内心活动 反省 小曲 | G | 68 | ||||
|
People Cry Alternate [CCB1070 - 37] |
版本. | 2'42 | Donal Scott, Harriet Badby | Instrumental version | 独立摇滚 小曲 内心活动 反省 | G | 68 | |||
|
People Cry Edit 1 20 sec [CCB1070 - 38] |
版本. | 0'20 | Donal Scott, Harriet Badby | 20 second cut | 独立摇滚 小曲 内心活动 反省 | D | 68 | |||
|
People Cry Edit 2 30 sec [CCB1070 - 39] |
版本. | 0'30 | Donal Scott, Harriet Badby | 30 second cut | 独立摇滚 小曲 内心活动 反省 | G | 68 | |||
|
People Cry Edit 3 60 sec [CCB1070 - 40] |
版本. | 1'00 | Donal Scott, Harriet Badby | 60 second cut | 独立摇滚 小曲 内心活动 反省 | G | 68 | |||
|
People Cry Edit 4 sting [CCB1070 - 41] |
版本. | 0'18 | Donal Scott, Harriet Badby | Sting | 独立摇滚 小曲 内心活动 反省 | G | 67 | |||
|
The Race for Truth [CEO2180 - 3] |
0 | 2'09 | Antoine Glatard | Urgent, obstinate & dramatic. Fast piano arpeggio, guitar & string | 电影原声带 命运 固执 司法 | Am | 124 | |||
|
In Case of Emergency [CEZ4668 - 5] |
2'28 | Laetitia Frenod | Electronic score. Sneaky, edgy, rusty & surreal. Break @ 1'19 with | 令人不安 画面感 恐怖 恐怖片 | C | 126 | ||||
|
In Case of Emergency Edit
[CEZ4668 - 32] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 84 | |||
|
In Case of Emergency Edit 30
[CEZ4668 - 33] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Edit 20
[CEZ4668 - 34] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 画面感 恐怖 恐怖片 | C | 126 | |||
|
In Case of Emergency Sting [CEZ4668 - 35] |
版本. | 0'20 | Laetitia Frenod | Sting | 令人不安 画面感 恐怖 恐怖片 | C | 124 | |||
|
Under Bad Influence [CEZ4668 - 6] |
2'37 | Laetitia Frenod | Electronic score. Retrofuturist & minimal intro with pulsating synth. | 司法 气势 画面感 信息技术 | Cm | 133 | ||||
|
Under Bad Influence Alternate [CEZ4668 - 36] |
版本. | 2'07 | Laetitia Frenod | Short version without drums | 司法 画面感 信息技术 周期性的 | Cm | 133 | |||
|
Under Bad Influence Edit 60sec [CEZ4668 - 37] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 30
[CEZ4668 - 38] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Edit 20
[CEZ4668 - 39] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 司法 气势 画面感 信息技术 | Cm | 100 | |||
|
Under Bad Influence Sting [CEZ4668 - 40] |
版本. | 0'16 | Laetitia Frenod | Sting | 司法 气势 画面感 信息技术 | Cm | 133 | |||
|
A Flash of Awarness [CEZ4668 - 7] |
2'53 | Laetitia Frenod | Electronic score. Supernatural, hypnotic, bewitching & surreal. Dark | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | ||||
|
A Flash of Awarness Edit 60sec [CEZ4668 - 41] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 30
[CEZ4668 - 42] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 20
[CEZ4668 - 43] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Sting [CEZ4668 - 44] |
版本. | 0'22 | Laetitia Frenod | Sting | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
Man of the Mirror [EOS111 - 10] |
0 | 1'33 | Laurent Rochelle | Confused, introspective & melancholic. Cello. Suggested for | 大提琴 新古典音乐 神秘 固执 | Cm | 140 | |||
|
Moral Coding [BIB285 - 2] |
3'46 | James Cameron | Investigative, squelchy, optimistic. Wavy guitar chord echoes out | 信息技术 周期性的 疑问 电子琴 | Dm | 118 | ||||
|
Moral Coding (Underscore A) [BIB285 - 14] |
版本. | 3'17 | James Cameron | Investigative, squelchy, optimistic. Big sub bass plays out a hopeful | 周期性的 疑问 伴音 果断 | Dm | 118 | |||
|
Moral Coding (Underscore B) [BIB285 - 15] |
版本. | 3'46 | James Cameron | Investigative, squelchy, optimistic. Bright bells play out a hopeful | 信息技术 周期性的 疑问 伴音 | Dm | 118 | |||
|
Modern Research [TBX220 - 7] |
2'47 | Sergey Kolosov | Investigative, persistent, intelligent. Wild rough synth barrels out | 工业 果断 调查研究 固执 | Gm | 120 | ||||
|
Modern Research (Underscore) [TBX220 - 19] |
版本. | 2'47 | Sergey Kolosov | Investigative, persistent, intelligent. Wild rough synth barrels out | 果断 工业 调查研究 固执 | Gm | 120 | |||
|
Premier Regard [ISC098 - 3] |
3'23 | IDALIA, Sandia | French pop ballad. Chanson. Moving, empathetic, haunting & uplifting. 歌词 | 爱情 感动 青春剧 流行民谣 | Ab | 71 | ||||
|
Premier Regard Alternate [ISC098 - 13] |
版本. | 3'23 | IDALIA, Sandia | Instrumental version. | 爱情 感动 青春剧 流行民谣 | Ab | 71 | |||
|
Paranoid Office [CEG5056 - 12] |
3'19 | Gopal Sound | Electro Jazz. Disconcerting, insidious, ghostly, supported & | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | ||||
|
Paranoid Office Alternate [CEG5056 - 74] |
版本. | 3'17 | Gopal Sound | Underscore version. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 1 (20
[CEG5056 - 75] |
版本. | 0'20 | Gopal Sound | 20 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 2 (30
[CEG5056 - 76] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 调查研究 神秘 令人不安 | Dbm | 65 | |||
|
Paranoid Office Edit 3 (60
[CEG5056 - 77] |
版本. | 1'00 | Gopal Sound | 60 second cut. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Paranoid Office Edit 4 (sting) [CEG5056 - 78] |
版本. | 0'17 | Gopal Sound | Sting. | 间谍片 调查研究 神秘 令人不安 | Ab | 65 | |||
|
Clear Conscience [CEG5055 - 10] |
2'17 | Louis Edlinger | Organic electro. Hypnotic, bright & swirling. Synth pads & sequences, | 科学 催眠 中立 慢镜头 | Bb | 106 | ||||
|
Clear Conscience Alternate 1 [CEG5055 - 29] |
版本. | 2'17 | Louis Edlinger | Version without violin & bass. | 催眠 伴音 安静 设计与建筑 | Bb | 70 | |||
|
Clear Conscience Alternate 2 [CEG5055 - 30] |
版本. | 2'17 | Louis Edlinger | Version without synth. | 中立 稳定的 气氛 安静 | Bb | 106 | |||
|
Miniatures No 1 [AUD046 - 1] |
0'42 | Bruno Letort | Orchestral. Eerie, mysterious & frightening. String orchestra | 悬念 心理剧 令人不安 orchestral score | Ab | 155 | ||||
|
Miniatures No 1 Short Edit [AUD046 - 6] |
版本. | 0'27 | Bruno Letort | Short edit version | 悬念 心理剧 令人不安 orchestral score | Ab | 123 | |||
|
Brute Force Attack [TBX217 - 1] |
1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | Cm | 115 | ||||
|
Brute Force Attack
[TBX217 - 11] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones, | 固执 信息技术 气势 琶音器 | C | 117 | |||
|
Brute Force Attack
[TBX217 - 12] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | C | 115 | |||
|
Brute Force Attack (30 Sec) [TBX217 - 13] |
版本. | 0'30 | Gary Meek | Explorative, nervous, futuristic. Sharp resonant synths and juddering | 固执 信息技术 气势 琶音器 | Cm | 115 | |||
|
Brute Force Attack (Sting) [TBX217 - 14] |
版本. | 0'12 | Gary Meek | Explorative, nervous, futuristic. Sharp sci-fi synths and juddering | 固执 信息技术 气势 琶音器 | C | 153 | |||
|
Elephant In The Room [TBX215 - 5] |
2'25 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Plodding, humorous, clownish. Large bass marches out with a foolish | 动画 悲喜剧 笨拙 进行曲 | Cm | 113 | ||||
|
Elephant In The Room
[TBX215 - 15] |
版本. | 2'00 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Plodding, humorous, clownish. Large bass marches out with a foolish | 悲喜剧 进行曲 悲喜剧 动画 | F | 113 | |||
|
Useless Burglars [TBX215 - 8] |
2'08 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Clownish, foolish, hilarious. Clarinet steps out in confident but | 动画 电影原声带 童年 讽刺 & 恶意 | Abm | 120 | ||||
|
Useless Burglars (Underscore) [TBX215 - 18] |
版本. | 1'27 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Clownish, foolish, hilarious. Bass plods along in confident but silly | 电影原声带 讽刺 & 恶意 动画 悲喜剧 | Abm | 118 | |||
|
Maroccan Night Party [CEZ4659 - 11] |
3'20 | Patchworks | Morocco. Gnawa. Hypnotic, rousing & mystical. Repetitive male vocals, 歌词 | 热沙漠 舞动 神奇 摩洛哥 | Fm | 140 | ||||
|
Maroccan Night Party Alternate [CEZ4659 - 65] |
版本. | 2'25 | Patchworks | Rhythmic version | 节奏感 摩洛哥 热沙漠 异域 | Am | 140 | |||
|
Maroccan Night Party Edit 60
[CEZ4659 - 66] |
版本. | 1'00 | Patchworks | 60 second cut | 热沙漠 舞动 神奇 摩洛哥 | C | 140 | |||
|
Maroccan Night Party Edit 30
[CEZ4659 - 67] |
版本. | 0'30 | Patchworks | 30 second cut | 热沙漠 舞动 神奇 摩洛哥 | Fm | 140 | |||
|
Maroccan Night Party Edit 20
[CEZ4659 - 68] |
版本. | 0'20 | Patchworks | 20 second cut | 热沙漠 舞动 神奇 摩洛哥 | Fm | 140 | |||
|
Maroccan Night Party Sting [CEZ4659 - 69] |
版本. | 0'08 | Patchworks | Sting | 热沙漠 舞动 神奇 摩洛哥 | Dm | 140 | |||
|
From the Depths of the
[EOS129 - 3] |
0 | 5'19 | Ingrid Obled | Abyssal & pure then tense & deep. Nyckelharpa & double bass. | 海底 鲸的歌声 nyckelharpa 令人不安 | E | 129 | |||
|
Into the Architecture of Time [EOS129 - 5] |
0 | 3'36 | Ingrid Obled | Scary, insidious & sinister. Nyckelharpa, double bass & ice recording. | 鲸的歌声 nyckelharpa 气氛 恐怖 | Em | 143 | |||
|
Spacetime [INP076 - 3] |
3'23 | Patrick Roberts | Majestic, otherworldly, scary. Large bass swells as cooing vocals | 画面感 科幻片 冒险片 庄严 | Dm | 140 | ||||
|
Spacetime (Underscore) [INP076 - 13] |
版本. | 3'19 | Patrick Roberts | Majestic, otherworldly, scary. Sidechained euphoria with eerie vocals | 画面感 科幻片 冒险片 庄严 | Dm | 140 | |||
|
Merci Simone [CEO2178 - 10] |
0 | 1'02 | Olivier Militon | Calm, suspended & waiting. Piano & celesta. Guitar @ 0'27. Suggested | 电影原声带 内心活动 反省 感动 | C | 65 |