| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Viral Evolution [CEG5020 - 1] |
0 | 2'22 | Guy Skornik, Elisabeth Skornik | Urgent, worried & mysterious. Synth & electronic percussion. | 信息技术 令人不安 调查研究 社会悲剧 | Gbm | 120 | |||
|
Blue Lights [CEG5020 - 8] |
0 | 1'54 | Christian Zanesi | Bizarre, worried & nocturnal. Synth pads & electronics. | 令人不安 进行中 电子音乐 飞碟 | Am | 64 | |||
|
Waiting to Run [TBX052 - 13] |
1'52 | Stuart Michael Peck | Tense, brooding, mysterious. Dramatic string hits with ethereal | 悬念 固执 悬念 警匪片 | Bm | 130 | ||||
|
Waiting to Run Underscore [TBX052 - 31] |
版本. | 1'52 | Stuart Michael Peck | Tense, brooding, mysterious. Dramatic string hits with ethereal | 悬念 固执 悬念 警匪片 | Bm | 130 | |||
|
Waiting to Run 30 sec [TBX052 - 32] |
版本. | 0'30 | Stuart Michael Peck | Tense, brooding, mysterious. Dramatic string hits with ethereal | 悬念 固执 悬念 警匪片 | Bm | 130 | |||
|
In the Aftermath [BIB121 - 10] |
1'54 | Joseph Isaac Archer, Harry George Lightfoot | Cinematic, expansive, determined. Reflective Americana blues intro of | 意大利西部 漂泊 全景图 热沙漠 | Gm | 60 | ||||
|
In the Aftermath Underscore [BIB121 - 32] |
版本. | 1'54 | Joseph Isaac Archer, Harry George Lightfoot | Cinematic, expansive, determined. Reflective Americana blues intro of | 全景图 热沙漠 漂泊 当代西部片 | Gm | 60 | |||
|
In the Aftermath 30 sec [BIB121 - 33] |
版本. | 0'30 | Joseph Isaac Archer, Harry George Lightfoot | Cinematic, expansive, determined. Reflective Americana blues with | 漂泊 悬念 史诗 意大利西部 | Gm | 118 | |||
|
Meeting With Our Dead [CEZ4386 - 20] |
0 | 2'37 | Piotr Moss | Frightening but funny & old-fashionned. The Dead Speak! Piano with | 万圣节 无调性音乐 恐怖喜剧 不和谐音 | Gbm | 107 | |||
|
Ritmo de Favela [CEZ4388 - 1] |
1'51 | Vermair | Wild, lively & driving. Percussion ensemble. | 嘉年华 打击乐合奏 野性 团队运动 | Abm | 110 | ||||
|
Ritmo de Favela Alternate [CEZ4388 - 25] |
版本. | 0'47 | Vermair | Wild, lively & driving. Percussion ensemble. 45 seconds version. | 嘉年华 野性 打击乐合奏 团队运动 | Abm | 109 | |||
|
Ritmo de Favela Alternate 2 [CEZ4388 - 26] |
版本. | 0'33 | Vermair | Wild, lively & driving. Percussion ensemble. 30 seconds version. | 嘉年华 野性 打击乐合奏 团队运动 | Gbm | 110 | |||
|
Tribal Rites [CEZ4388 - 10] |
0 | 1'24 | Sebastien Forrester | Tribal, swirling & relentless. Percussion ensemble | 打击乐合奏 追逐场面 derbouka 固执 | Gbm | 137 | |||
|
Random Patterns [CEZ4388 - 12] |
1'16 | Boris Popov | Relentless & rigorous. Electronic percussion. | 打击乐合奏 电子鼓 节奏乐器组 固执 | Am | 140 | ||||
|
Random Patterns Alternate [CEZ4388 - 38] |
版本. | 0'33 | Boris Popov | Relentless & rigorous. Electronic percussion. 30 seconds version. | 打击乐合奏 电子鼓 节奏乐器组 固执 | Am | 140 | |||
|
Running in Large Space [EOS37 - 5] |
0 | 2'18 | Jocelyn Mienniel | Repetitive music / contemporary western. Hypnotic, relentless & | 催眠 固执 稳定的 旋律重复的音乐 | Gm | 86 | |||
|
Social Sharing [CEZ4387 - 21] |
0 | 2'22 | Colo Colo | Spy movie. Atmospheric, tense & suspended. Synth & rhythm. | 现代 调查研究 神秘 冷波 | Dm | 114 | |||
|
The Pendulum Clock 2 [CEZ4390 - 10] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Serious & punctuated but with elegance. Piano, marimba & string | 耐心 稳定的 高雅 政治 | Bbm | 110 | |||
|
Every Picture Tells a Story 2 [CEZ4390 - 14] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Narrative, bouncy, mischievous & bitter-sweet. Piano & cello. | 企业宣传 疑问 无电声钢琴 政治 | Fm | 94 | |||
|
Fritz Bauer, Procureur [CEO2100 - 6] |
0 | 1'53 | Baptiste Thiry | Post-classical. Restrained & suspended. Agitato, virtuoso & urgent @ | 使人心碎 悲剧 命运 后古典 | A | 86 | |||
|
Les Plumes d'Orphéus [CEO2100 - 10] |
0 | 3'12 | Alice Guerlot Kourouklis | Mysterious, crystalline, dreamy & delicate. Fender Rhodes piano, | 梦幻 通透 明朗 背景电子乐 | Dbm | 113 | |||
|
A Road to Phirilongwe [CEO2100 - 28] |
0 | 2'13 | Thomas Dappelo | Underscore. Determined & tense. Acoustic guitar, string section & | 跟踪摄影 冒险片 固执 全景 | D | 89 | |||
|
Caméra au Poing [CEG5018 - 20] |
0 | 1'44 | Vincent Leibovitz | Intro with fade in. Arid, panoramic, narrative & moving. Busy banjo, | 自然灾害 地理政治 全景图 悬念 | Em | 102 | |||
|
Obscura [CET9014 - 1] |
2'22 | Martin Emilio Insaurgarat | Brutal, creepy & ghostly. Heavy percussion with clock & trailer weird | 恐怖 进行中 恐怖片 诡异 | Em | 163 | ||||
|
Obscura Alternate [CET9014 - 13] |
版本. | 2'20 | Martin Emilio Insaurgarat | Alternate without percussion. Discontinuous, clanchy, creepy & | 恐怖 令人不安 进行中 恐怖片 | E | 110 | |||
|
South African Beauty [CEG5017 - 4] |
2'19 | Abaji | Spy movie / underscore. Determined, panoramic & positive. Percussion, | 逝去的文明 南非 地理政治 全景 | F | 129 | ||||
|
South African Beauty Alternate [CEG5017 - 22] |
版本. | 2'19 | Abaji | Determined but mysterious. Percussion, African guitar, ethnic flute & | 逝去的文明 地理政治 神秘 全景 | F | 129 | |||
|
Les Apaches [CEZ4383 - 11] |
3'36 | Daniel Dénécheau | Song sung in French. 20's & 50's. Waltz. Disturbing & dramatic. 歌词 | 复古歌舞表演 法语歌唱 法国电影 巴黎 | G | 86 | ||||
|
Les Apaches Alternate [CEZ4383 - 33] |
版本. | 3'37 | Daniel Dénécheau | Instrumental version, no voice. France. 10th & 20's . Waltz.Dancing & | 复古歌舞表演 复古法式喜剧 令人不安 巴黎 | G | 86 | |||
|
Minerals [BIB113 - 7] |
2'13 | Eamonn Patrick Downes | Dark, contemporary, cool. Propulsive electronic beats with tribal | 冲击 节奏感 tropical house 俱乐部 | Gm | 120 | ||||
|
Minerals - 30sec [BIB113 - 21] |
版本. | 0'30 | Eamonn Patrick Downes | Dark, contemporary, cool. Propulsive electronic beats with tribal | 冲击 节奏感 tropical house 俱乐部 | Gm | 120 |