| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Internet Censorship [CEG5054 - 5] |
2'39 | analog_anxiety | Electro beat. Murky, deep & sinuous. Constant progression. Synth & | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | ||||
|
Internet Censorship Alternate [CEG5054 - 34] |
版本. | 2'39 | analog_anxiety | Alternate no rhythm. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 60
[CEG5054 - 35] |
版本. | 0'15 | analog_anxiety | 60 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 30
[CEG5054 - 36] |
版本. | 0'30 | analog_anxiety | 30 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit 15
[CEG5054 - 37] |
版本. | 1'00 | analog_anxiety | 15 second cut. | 间谍片 调查研究 信息技术 阴险 | Cm | 115 | |||
|
Internet Censorship Edit Sting [CEG5054 - 38] |
版本. | 0'11 | analog_anxiety | Sting. | 间谍片 调查研究 信息技术 阴险 | Cm | 113 | |||
|
Ominous Landscape [CEZ4650 - 8] |
0 | 2'35 | Olivier Militon | Cinematic. Ominous, sparse & eerie. Full orchestra with deep choir. | 画面感 自然灾害 奇怪 令人不安 | C | 60 | |||
|
Memories [TBX210 - 6] |
2'14 | Patrick Roberts | Breathy, pained, nostalgic. Raspy string gives an antiquated feel, | 爱情 电影原声带 忧伤 青春剧 | D | 100 | ||||
|
Memories (Underscore) [TBX210 - 16] |
版本. | 2'14 | Patrick Roberts | Breathy, pained, nostalgic. Raspy string gives an antiquated feel, | 爱情 电影原声带 忧伤 青春剧 | D | 100 | |||
|
Facing the Unknown [ISC087 - 1] |
2'46 | Norbert Gobor | Cinematic score. Mysterious, bewitching, panoramic & slowly rising. | 画面感 军事冲突 社会悲剧 阴险 | E | 70 | ||||
|
Facing the Unknown Alternate [ISC087 - 11] |
版本. | 2'46 | Norbert Gobor | Version without piano | 画面感 军事冲突 社会悲剧 阴险 | E | 69 | |||
|
Time Is A Factor [TBX200 - 27] |
1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 149 | ||||
|
Time Is A Factor (Underscore) [TBX200 - 82] |
版本. | 1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 151 | |||
|
Time Is A Factor (Underscore
[TBX200 - 83] |
版本. | 1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 99 | |||
|
Gravity [AUD024 - 2] |
2'18 | Lee Volfoni | Mid-tempo. Circular, spacey and glistening synthwave. Light build up | 科幻片 信息技术 周期性的 催眠 | Gm | 104 | ||||
|
Gravity Alternate [AUD024 - 7] |
版本. | 0'34 | Lee Volfoni | Alternate short version. | 科幻片 信息技术 周期性的 催眠 | Gm | 104 | |||
|
Extensive Research [AUD022 - 1] |
2'32 | Matthieu Rabaté | Fast tempo - Pulsing, time passing and suspenseful investigation | 调查研究 间谍片 pulsation 令人不安 | Dm | 164 | ||||
|
Extensive Research Alternate 1 [AUD022 - 6] |
版本. | 0'26 | Matthieu Rabaté | Alternative short version. | 调查研究 间谍片 pulsation 令人不安 | Am | 164 | |||
|
Extensive Research Alternate 2 [AUD022 - 11] |
版本. | 2'32 | Matthieu Rabaté | Alternative version without percussion. | 调查研究 间谍片 pulsation 令人不安 | Dm | 164 | |||
|
One Way [CEZ4626 - 1] |
0 | 2'00 | Claude Samard | Ambient, electronica. Urgent, determined & definitive. Modular synth. | 信息技术 催眠 科幻片 模块 | C | 135 | |||
|
Elegy [AUD021 - 4] |
2'27 | Renaud Pion | Slow - Deep, moody and wistful solo bass clarinet in an Oriental | 低音单簧管 忧伤 逝去的文明 抱歉 | F | 84 | ||||
|
Elegy Alternate [AUD021 - 9] |
版本. | 0'46 | Renaud Pion | Alternative short version. | 低音单簧管 忧伤 逝去的文明 抱歉 | F | 62 | |||
|
Up Now [BIB264 - 7] |
2'42 | Oswald Allicock, Olivier Bibeau | Cool, modern, heroic. Swirling samples joined by modern hip hop beat 歌词 | 极限运动 陷阱音乐 团队运动 阴险 | Fm | 144 | ||||
|
Up Now (Instrumental) [BIB264 - 27] |
版本. | 2'42 | Oswald Allicock, Olivier Bibeau | Cool, modern, heroic. Swirling samples joined by modern hip hop beat | 极限运动 陷阱音乐 团队运动 阴险 | Fm | 144 | |||
|
Up Now (Underscore) [BIB264 - 28] |
版本. | 2'42 | Oswald Allicock, Olivier Bibeau | Cool, modern, heroic. Swirling samples joined by modern hip hop beat | 极限运动 陷阱音乐 团队运动 阴险 | Fm | 144 | |||
|
From Magma to Mankind [CEZ4620 - 9] |
0 | 2'32 | Camille Petitjean | Ambient, organic. Emerging, glittering & ascending. Synth, piano & | 背景电子乐 悬念 飞行 通透 | Am | 105 | |||
|
On The Other Side [IOM011 - 10] |
2'54 | Benedic Lamdin, Riaan Vosloo | Odd, uncertain, endearing. Mysterious chords and keys produce an | 神秘 鼓 无电声钢琴 美式复古电视剧 | Dm | 87 | ||||
|
On The Other Side (Underscore) [IOM011 - 19] |
版本. | 2'54 | Benedic Lamdin, Riaan Vosloo | Odd, uncertain, endearing. Mysterious chords and keys produce an | 神秘 鼓 无电声钢琴 美式复古电视剧 | Dm | 86 | |||
|
Full Moon [CEZ4615 - 4] |
2'59 | Laboreal | Abstract hip-hop. Sad, introspective, sparkling & inevitable. Synth & | 夜晚 抽象嘻哈 都市景色 都市 | Fm | 140 | ||||
|
Full Moon (Alternate) [CEZ4615 - 18] |
版本. | 2'59 | Laboreal | Alternate no drums. | 夜晚 抽象嘻哈 都市景色 都市 | F | 140 | |||
|
Wandering Backwards [CEZ4615 - 9] |
2'33 | Thomas Didier | Hip-hop beat. Interrogative, relentless & dark. Break @ 1'01. Piano, | 体育中的戏剧性 BEAT MAKING 稳定的 调查研究 | Dbm | 78 | ||||
|
Wandering Backwards
[CEZ4615 - 25] |
版本. | 2'34 | Thomas Didier | Alternate no drums. | 体育中的戏剧性 BEAT MAKING 稳定的 调查研究 | Dbm | 156 | |||
|
Harsh Reality [CEZ4611 - 7] |
2'06 | Anselm Kreuzer, Andreas Suttner | Tense, alarming, grim, sinister, dark & insidious. Piano, synth | 漂泊 神秘 夜晚 间谍片 | Ebm | 120 | ||||
|
Harsh Reality Alternate [CEZ4611 - 8] |
版本. | 2'07 | Anselm Kreuzer, Andreas Suttner | Alternative version without synth sequence. | 漂泊 神秘 夜晚 间谍片 | Ebm | 120 | |||
|
At Risk [TBX181 - 9] |
2'29 | Claire Batchelor | Theatrical, dangerous, reserved. Plodding bass notes offer a feeling | 调查研究 固执 严谨 社会悲剧 | Bm | 108 | ||||
|
At Risk (Underscore) [TBX181 - 21] |
版本. | 2'30 | Claire Batchelor | Theatrical, dangerous, reserved. Plodding bass notes offer a feeling | 调查研究 固执 严谨 社会悲剧 | Bm | 108 | |||
|
Bond's Exit [TBX178 - 4] |
2'56 | Sergey Kolosov, Conor O Brien | Spooky, tense, climactic. Foreboding piano note strides into | 间谍片 令人不安 影院摇滚 调查研究 | Gm | 74 | ||||
|
Bond's Exit (Underscore) [TBX178 - 16] |
版本. | 2'57 | Sergey Kolosov, Conor O Brien | Spooky, tense, climactic. Foreboding piano note strides into | 间谍片 令人不安 影院摇滚 调查研究 | Gm | 74 | |||
|
Focus On The Challenge [TBX173 - 12] |
1'36 | Jacob Deas | Delicate, important, creepy. Large impact gives way to strings and | 调查研究 时间(滴答声) 令人不安 疑问 | A | 130 | ||||
|
Focus On The Challenge
[TBX173 - 26] |
版本. | 1'35 | Jacob Deas | Delicate, important, creepy. High pitched bell sounds play out into | 调查研究 时间(滴答声) 令人不安 疑问 | A | 130 | |||
|
Long is the Road [CEO2156 - 1] |
2'29 | Baptiste Thiry | Constant build-up. Introspective, melancholic, nocturnal & wandering. | 叙述 内心 反省 公路电影 | Em | 92 | ||||
|
Long is the Road Alternate [CEO2156 - 14] |
版本. | 1'54 | Baptiste Thiry | Alternate version with acoustic guitar. | 叙述 内心 反省 公路电影 | Em | 90 | |||
|
Starting Over Again [CEO2156 - 8] |
1'55 | Baptiste Thiry, Daoud | Atmospheric, dreamy, narrative, soaring & introspective. Drone, synth | 反省 社会悲剧 地理政治 夜晚 | Bb | 92 | ||||
|
Starting Over Again Alternate [CEO2156 - 18] |
版本. | 1'55 | Baptiste Thiry | Alternate version without trumpet. | 反省 社会悲剧 地理政治 疑问 | Bb | 92 |