| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Toxic Serum [INP059 - 9] |
3'16 | Adrien Sabathier, Lucas Safaru | Explorative, heroic, rapid. Dirty resonant tone builds up into | 俱乐部 电子游戏 都市景色 电子鼓 | D | 122 | ||||
|
Toxic Serum (Underscore) [INP059 - 21] |
版本. | 2'48 | Adrien Sabathier, Lucas Safaru | Explorative, heroic, rapid. Ambience builds up as synth notes offer a | 俱乐部 电子游戏 都市景色 极限运动 | D | 163 | |||
|
Tension In The System [INP056 - 4] |
2'33 | Jack Pierce | Anticipatory, urgent, serious. Choral voices and strings play out | 果断 冒险片 画面感 进步 | Ebm | 140 | ||||
|
Tension In The System
[INP056 - 18] |
版本. | 2'33 | Jack Pierce | Anticipatory, urgent, serious. Choral voices and strings play out | 果断 冒险片 画面感 进步 | Ebm | 140 | |||
|
Historic Splendour [EOS96 - 7] |
0 | 2'49 | Damien Poupart-Taussat | Elegant & dignified cello, strings, piano & percussion. Horn @ 1'30. | 历史旁白 遗产 画面感 命运 | Am | 135 | |||
|
End Of Days [TBX164 - 9] |
2'28 | Michael Tedstone | Exotic, sultry, determined. Sub bass gives rise to sharp dissonance, | BEAT MAKING 夜晚 固执 电子鼓 | Cm | 147 | ||||
|
End Of Days (Underscore) [TBX164 - 24] |
版本. | 2'28 | Michael Tedstone | Exotic, sultry, determined. Sub bass gives rise to sharp dissonance, | BEAT MAKING 夜晚 固执 电子鼓 | Cm | 73 | |||
|
The Sleepless Kind Part 1 [TBX162 - 5] |
2'02 | Andrew Fleet | Passionate, nostalgic, bittersweet. Sultry trumpet plays out with | 黑色电影 电影爵士乐 懒惰 无电声钢琴 | Cm | 80 | ||||
|
The Sleepless Kind Part 1
[TBX162 - 16] |
版本. | 1'58 | Andrew Fleet | Passionate, nostalgic, bittersweet. Sombre piano plays out pained | 黑色电影 电影爵士乐 懒惰 无电声钢琴 | Cm | 82 | |||
|
Opticonique [BIB237 - 6] |
2'07 | Reuben Galore | Glittery, eventful, quaint. Rhythmic synths present a soft but | 科学 气氛 自信 明朗 | Eb | 123 | ||||
|
Opticonique (Underscore) [BIB237 - 18] |
版本. | 2'07 | Reuben Galore | Glittery, eventful, quaint. Rhythmic synths present a soft but | 科学 气氛 自信 明朗 | Eb | 124 | |||
|
Blind Terror [CEG5036 - 17] |
0 | 1'26 | Baptiste Charvet | Scary, heavy and paranormal. Drone, electronics & sound-design. | 神秘 自然灾害 嗡嗡声 令人不安 | Dm | 89 | |||
|
Stardust Memories [CEZ4576 - 14] |
3'15 | Terry Darquies | Retro futuristic. Confident, 80's, carefree but determined. Synth | 复古游戏 忧伤 全景 稳定的 | Bm | 86 | ||||
|
Stardust Memories Alternate [CEZ4576 - 23] |
版本. | 3'15 | Terry Darquies | Alternate without beat. | 复古游戏 忧伤 全景 稳定的 | Bm | 86 | |||
|
Royal Betrayal [CET9082 - 4] |
2'34 | Philippe Briand, Salvador Casais, Lucas Napoleone | Cinematic / Film score. Anticipating intro building to a fateful | 气势 画面感 史诗 无情 | Cm | 161 | ||||
|
Royal Betrayal Alternate [CET9082 - 15] |
版本. | 2'34 | Philippe Briand, Salvador Casais, Lucas Napoleone | Alternative version without percussion. | 气势 画面感 史诗 无情 | Cm | 106 | |||
|
The Fall of an Empire part 1 [CEO2151 - 13] |
0 | 1'04 | Baptiste Thiry | Sudden, mysterious & narrative. Percussions, siku (Andean pan flute) | 历史旁白 逝去的文明 神秘 叙述 | Em | 108 | |||
|
Lonely Full Moon [CEC8039 - 10] |
0 | 2'25 | Zhang Hao, 赵君睿 | Meditative, airy & moving. Intro with electric guitar arpeggio with | 全景 梦幻 飞行 反省 | D | 108 | |||
|
Phoenix Rising [CEZ4571 - 17] |
3'01 | Thomas Rozes | Cinematic. Anticipating, grandiose & panoramic. Cinematic orchestra | 飞行 画面感 神秘 全景 | Em | 60 | ||||
|
Phoenix Rising Alternate [CEZ4571 - 24] |
版本. | 3'00 | Thomas Rozes | Alternate without percussion. | 画面感 神秘 气氛 全景 | Em | 62 | |||
|
Robotic Assembly Line [CEZ4566 - 3] |
2'00 | Louis Edlinger | Mechanical & percussive but positive. Electronics, electric bass | 工业 疑问 伴音 电声低音 | Cm | 118 | ||||
|
Robotic Assembly Line
[CEZ4566 - 23] |
版本. | 1'43 | Louis Edlinger | Reduced alternate version | 工业 疑问 伴音 电声低音 | Cm | 118 | |||
|
Robotic Assembly Line
[CEZ4566 - 24] |
版本. | 2'01 | Louis Edlinger | Alternate version (percussion & bass guitar) | 工业 疑问 伴音 电声低音 | Cm | 118 | |||
|
Robotic Assembly Line
[CEZ4566 - 25] |
版本. | 2'00 | Louis Edlinger | Alternate version (only percussion) | 工业 机械的 节奏感 电声低音 | Gbm | 118 | |||
|
Moving Mountains [CET9081 - 14] |
2'29 | Zoltan Zadori | Film score / Trailer. Anticipating intro evolving with punctuated FX, | 固执 画面感 无情 预告片 | Dm | 76 | ||||
|
Moving Mountains Alternate 1 [CET9081 - 40] |
版本. | 2'29 | Zoltan Zadori | Alternate without percussion. | 固执 画面感 无情 预告片 | Dm | 152 | |||
|
Moving Mountains Alternate 2 [CET9081 - 41] |
版本. | 2'29 | Zoltan Zadori | Alternate wihtout choir. | 固执 画面感 无情 预告片 | Dm | 76 | |||
|
Origins of Time [CET9081 - 15] |
2'36 | Benjamin Koehn | Film score / Trailer. Cavernous intro with mysterious FX. Confident & | 冲击 预告片 画面感 高潮 | Cm | 130 | ||||
|
Origins of Time Alternate 1 [CET9081 - 42] |
版本. | 2'36 | Benjamin Koehn | Alternate without percussion. | 预告片 画面感 高潮 进行中 | Cm | 130 | |||
|
Origins of Time Alternate 2 [CET9081 - 43] |
版本. | 2'36 | Benjamin Koehn | Alternate wihtout vocal. | 冲击 预告片 画面感 高潮 | Cm | 130 | |||
|
Moving Vision [CEZ4565 - 5] |
1'39 | Citokid, Andreas Suttner | Crystalline, restrained, vibrating & atmospheric. Electric guitar | 科学 伴音 气氛 稳定的 | Gm | 86 | ||||
|
Moving Vision Alternate 1 [CEZ4565 - 22] |
版本. | 1'39 | Citokid, Andreas Suttner | Alternare version without rhythm. | 科学 伴音 气氛 稳定的 | Gm | 86 | |||
|
Moving Vision Alternate 2 [CEZ4565 - 23] |
版本. | 1'39 | Citokid, Andreas Suttner | Alternare version without rhythm & percussion. | 科学 伴音 气氛 稳定的 | Gm | 86 | |||
|
Moving Vision Alternate 3 [CEZ4565 - 24] |
版本. | 1'24 | Citokid, Andreas Suttner | Alternate version with guitar only. | 伴音 气氛 稳定的 科学 | Gm | 86 | |||
|
Stunt Show [CEZ4567 - 13] |
0 | 2'55 | Kanchi | Electro clash, electro French touch. Nervous, angry & violent. Synth | 赛车 撞击电子乐 沉重 固执 | Dm | 100 | |||
|
Take It All [INP055 - 11] |
3'02 | Markus Gleissner, Michael Mcquaid | Funky, smooth, determined. Solid drumbeat with electronic backing | cinematic pop 固执 电子鼓 节奏乐器组 | Am | 90 | ||||
|
Take It All (Instrumental) [INP055 - 41] |
版本. | 3'02 | Markus Gleissner, Michael Mcquaid | Funky, smooth, determined. Solid drumbeat with electronic backing | cinematic pop 固执 电子鼓 节奏乐器组 | Am | 90 | |||
|
Take It All (Underscore) [INP055 - 42] |
版本. | 3'02 | Markus Gleissner, Michael Mcquaid | Funky, smooth, determined. Solid drumbeat with electronic backing | cinematic pop 固执 电子鼓 节奏乐器组 | Am | 90 | |||
|
Positive Motion [BIB236 - 9] |
3'15 | Pat Lennix, Xander Talim | Optimistic, bright, wondrous. Excitable piano plays out a lively and | 周期性的 工业 旋律重复的音乐 原声乐器 | Bb | 100 | ||||
|
Positive Motion (Underscore A) [BIB236 - 27] |
版本. | 3'13 | Pat Lennix, Xander Talim | Optimistic, bright, wondrous. Excitable piano plays out a lively and | 周期性的 工业 旋律重复的音乐 原声乐器 | F | 100 | |||
|
Positive Motion (Underscore B) [BIB236 - 28] |
版本. | 3'13 | Pat Lennix, Xander Talim | Optimistic, bright, wondrous. Notes play out rapidly with a windswept | 周期性的 工业 旋律重复的音乐 原声乐器 | F | 134 | |||
|
Serious [BIB235 - 8] |
2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 | ||||
|
Serious (Instrumental) [BIB235 - 25] |
版本. | 2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 | |||
|
Serious (Underscore) [BIB235 - 26] |
版本. | 2'35 | Ian Britt, Richard Lewis | Rhythmic, climactic, cool. Simple bell melody meets with trappy hi | 固执 赛车 回响贝斯 追逐场面 | Am | 120 |