Aggressive, obstinate & competitive reggaeton-metal sung in Spanish. Aggressive, obstinate & competitive reggaeton-metal sung in Spanish. Ready to step over anyone to win. Male singer, distorted electric guitars, synth, electronic percussion, cymbals & rock band.歌词
ES:
Ya no quiero escucharte
Ya no te excuses
Estoy harto de contenerme
No lo soporto más
Siempre con dificultades
Siempre una condición
No tengo más que enfrentarte
Déjanos avanzar
Ya basta de tanto verso y dale paso a la acción
El tiempo se nos acaba, ya no hay mas que hacer
Ya basta de rezongar, ya deja de procrastinar
Tengo el hambre, tengo el deseo, solo quiero ganar!
Apártate
Retírate
No estorbes más
Y no aportes!
Solo quiero ganar
Solo quiero ganar
Sólo recuerda que la muerte llama y vendrá por ti
Pero antes que eso ocurra yo lograré salir de aquí
Ya no quiero escucharte
Ya no te excuses
Estoy harto de contenerme
No lo soporto más
Siempre con dificultades
Siempre una condición
No tengo más que enfrentarte
Déjanos avanzar
EN:
I don't want to listen to you anymore
Don't excuse yourself
I'm tired of holding back
I can't take it anymore
Always with difficulties
Always a condition
I have no choice but to face you
Let us move forward
Enough of all this talk, give way to action.
We're running out of time, there's no more to be done
Enough nagging, stop procrastinating
I've got the hunger, I've got the desire, I just want to win!
Step aside
Back off
Don't get in the way
And don't contribute!
I just want to win
I just want to win
Just remember that death calls and it will come for you
But before that happens I'll manage to get out of here
I don't want to listen to you anymore
Don't excuse yourself
I'm tired of holding back
I can't take it anymore
Always with difficulties
Always a condition
I have no choice but to face you
Let us move forward
Insidious intro building-up with pitched voice, male rapper & brass. Insidious intro building-up with pitched voice, male rapper & brass. Hip hop trailer track with powerful percussion with trap beat & hybrid orchestra. Lyrics about overcoming adversity. Build-up @ 1'10. Break @ 1'23. Climax starting @ 1'41 in a relentless & resolute spirit. Back end. Suggested for action sport, entertainment, fight movie & racing.歌词
Going mad yeah,
Going mad yeah,
Nah never lacking
Going mad yeah,
Going mad yeah,
Ready for the action,
Don’t push me Into my zone,
Don’t make me speed, down on that road,
Don’t let me feed, the demons I own,
This madness all that I know,
I been Running from this madness,
No matter the time and place,
Yeh, you know I’m ready for the action, never passive,
I put em to sleep ain’t no mattress,
Fully committed no fraction,
You cannot question, my passion,
And I got no pity to pass you,
These demons all that I know,
I fight em at night, alone when it’s cold,
Put the battery in then and I go,
You don’t follow me down that hole,
Best believe I’m cracking the code,
climbing up like a goat,
Rising up to my foes,
Making a feast, of all these imposers,
I’m everything and more,
Make em scream encore,
Make em feel my force,
Madness madness
I’m everything and more,
Make em scream encore,
Make em feel my force,
Madness madness
Don’t push me Into my zone,
Don’t make me speed, down on that road,
Don’t let me feed, the demons I own,
This madness all that I know,
Mysterious, calming, spiritual. Cool, sultry drum sequence is joined Mysterious, calming, spiritual. Cool, sultry drum sequence is joined by weaving bass melody and sharp organic string sounds. Reminiscent of walking or driving through a hot, sandy country. Male vocal calls out with impassioned melody that follows alongside flute. Visions of a deeply religious place, tall buildings and a burning sun.
Mysterious, calming, spiritual. Cool, sultry drum sequence is joined Mysterious, calming, spiritual. Cool, sultry drum sequence is joined by weaving bass melody and sharp organic string sounds. Reminiscent of walking or driving through a hot, sandy country. Visions of a deeply religious place, tall buildings and a burning sun. Instrumental version.
Mysterious, calming, spiritual. Cool, sultry drum sequence is joined Mysterious, calming, spiritual. Cool, sultry drum sequence is joined by weaving bass melody and sharp organic string sounds. Reminiscent of walking or driving through a hot, sandy country. Visions of a deeply religious place, tall buildings and a burning sun. Stripped back underscore version.
Weird & suspenseful intro evolving into a spectacular, fast & Weird & suspenseful intro evolving into a spectacular, fast & powerful build-up with ostinato strings, huge percussion & brass. Percussive, massive & nervous @ 0'53. Climax @ 1'14 building-up strongly to a ferocious & bombastic finale with epic orchestra & choir. Back end. Trailer music suggested for modern sci-fi, space opera & dramatic action movies.
Low, dark & tense intro building-up with ostinato strings & powerful Low, dark & tense intro building-up with ostinato strings & powerful trailer percussion. Epic & vengeful brass @ 0'45 until accelerating part. Break @ 1'21 with synth strings & celestial / floating pads. Climax @ 1'57 with a tragic orchestra & male choir. Finale & back end. Epic trailer music sugested for dystopias, dark worlds & outer space.
Attitude, energetic & raw speed-rock sung in Spanish. Revealing the Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Nu soul, nu disco, electronic beat. Catchy & nocturnal with attitude. Nu soul, nu disco, electronic beat. Catchy & nocturnal with attitude. Suggested for clubbing & party. Vocals samples, synth & rhythm with snaps.
Suspenseful & barren intro with sudden impact & crying harmonica. Suspenseful & barren intro with sudden impact & crying harmonica. Galloping rhythm @ 0'52 with electric guitar. Adventurous & courageous build-up @ 1'30 with hybrid orchestra & finale climax. Trailer music suggested for western, hot / desert landscape & cowboy. Like a gunfight in a spaghetti western...
Menacing & dark intro with agressive percussion & ominous textures. Menacing & dark intro with agressive percussion & ominous textures. Build-up starting @ 0'45 evolving with low synth sequence. Violent impact break starting @ 1'25 & building-up with hybrid orchestra. Epic climax @ 2'04 with synth brass, fast staccato strings & fateful choir. Imperious finale & back end. Trailer music suggested for thriller film, sci-fi, dark fantasy & video games.
Alternate without percussion. Menacing & dark intro with ominous Alternate without percussion. Menacing & dark intro with ominous textures. Build-up starting @ 0'45 evolving with low sequence. Violent impact break starting @ 1'25 & building-up with hybrid orchestra. Epic climax @ 2'04 with synth brass, fast staccato strings & fateful choir. Imperious finale & back end. Trailer music suggested for thriller film, sci-fi, dark fantasy & video games.
Alternate without choir. Menacing & dark intro with agressive Alternate without choir. Menacing & dark intro with agressive percussion & ominous textures. Build-up starting @ 0'45 evolving with low sequence. Violent impact break starting @ 1'25 & building-up with hybrid orchestra. Epic climax @ 2'04 with synth brass, fast staccato strings. Imperious finale & back end. Trailer music suggested for thriller film, sci-fi, dark fantasy & video games.
Strong & stimulating intro building-up with arpeggiator in an electro Strong & stimulating intro building-up with arpeggiator in an electro mood. Build-up starting @ 0'48 with huge synth line & riser. Break @ 1'11 with massive pads. Agressive & futuristic climax @ 1'41 in a swagger spirit. Back end.Trailer music suggested for action movie, sport & video games.
Alternate without lead. Strong & stimulating intro building-up with Alternate without lead. Strong & stimulating intro building-up with arpeggiator in an electro mood. Build-up starting @ 0'48 with huge synth line & riser. Break @ 1'11 with massive pads. Agressive & futuristic climax @ 1'41 in a swagger spirit. Back end.Trailer music suggested for action movie, sport & video games.
