Hip Hop track. Combative , competitive, stimulating, epic with ...Hip Hop track. Combative , competitive, stimulating, epic with arrogant & determined. Beat, synth & vocal. For fighting sport, action, trailer, boxe entrance & video games.歌词
Upbeat, swaying & danceable pop sung in Spanish. Flirting in the ...Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Dembow version. Upbeat, swaying & danceable pop sung in Spanish. ...Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Hard rock / heavy rock. Urgent, fiery, determined, crunchy & ...Hard rock / heavy rock. Urgent, fiery, determined, crunchy & reckless. Distorded guitar & drum. Lead guitar @ 0'58. For video games / stadium / sport / motor racing.
Hard rock / clap rock. Rollicking, boisterous, bluesy, confident & ...Hard rock / clap rock. Rollicking, boisterous, bluesy, confident & gutsy. Distorded guitar & drum. For american roads / sport / entertainment / stadium.
Delicate, tender & romantic French waltz in the style of the 40s & ...Delicate, tender & romantic French waltz in the style of the 40s & 50s. Small ensemble with piano, pizzicato strings & flute. Suggested for nostalgic romance.
Stimulating & confident indie pop tracks with british male singer, ...Stimulating & confident indie pop tracks with british male singer, drums & guitar. Lively, driving & dynamic. Break @ 2'04. Suggested for ads, corporate & indie movie.歌词
I was searching
Even though I could be found
On the coastlands
In the corners of the dust of my mind
I knew the religion
Every line, dot, phrase and code
Even dressed for redemption
Yet a part of my heart had closed, down, down, down, down
You reached out your hand
From the highest of heavens
You reach out where fingers collide Bright hands, Bright heart
You reached out your hand
From the highest of heavens
You’ve come in, you’ve turned my head
Bright hands, bright heart
And in the suppression
When faith lies in hospitals
When holding on is hurting
When walking away seems the only hope I knew somewhere you were
There longing for me to see
But somehow my mindset
Needed climbing over or breaking down
This is why they say
Your love, love, love is better than life This is why they say
Your love, love, love is better than life I’ve tasted the dream
I’ve been to the edge and I’ve dived in This is why they say
Your love, love, love is better than life
Deep indie pop track with synth & male singer in a cool & groovy ...Deep indie pop track with synth & male singer in a cool & groovy spirit. Lead synth break @ 2'03 until dynamic & catchy finale. Suggested for commercial ads, indie movie & teens tv shows.歌词
I’ve been wearing a mask
Living like a lonely ghost of my past
In this time
I’ve been hanging there
Though I’m hidden in, shadow, shadowy nights
And i’ve been wondering, wondering If I let go now
Wondering, wondering
And i’ve been wondering, wondering If I let go
You’ve got me holding tight Tighter than I though possible You’ve got me
You got me holding long
And I breathe your breath Come inflate my lungs You’ve got me
I can’t seem to add up
What I thought was easy to solve In this sum
I see anomalies there
And I can’t work it out alone
It’s a spinning mind
Flung to the spiralling sides
It’s a spinning mind
A tinnitus interference piercing me Probing, provoking, it’s punctured my skin It’s a spinning mind
It’s a spinning mind
Loving, impassioned, romantic. Slow folk guitar sequence provides an ...Loving, impassioned, romantic. Slow folk guitar sequence provides an emotive atmosphere as male vocals sing about needing an individual to stay grounded and fulfilled. Growing instrumentation builds sense of passion, with xylophone and choral voices maintaining an aura of vulnerability. Vocals question the meaning of a life without their loved one, begging the individual to stay with them. Feeling of desperation and deep affection.歌词
What would I do? I just need you You keep me true with all I’m into I need your time I need your grace Please stay the same dear please keep me safe Don’t let me down Don’t let me down Cos, I need you hour to hour Don’t let me down Don’t let me down Oh please keep me aground What would I see If I could say All of those things I’d meant to someday Should take you out Should lift you up But all these things dear I get caught up Don’t let me down Don’t let me down Cos I need you hour to hour Don’t let me down Don’t let me down Oh please keep me aground Don’t let me down So if I’m left With my own world Should I be brave in a life without you? Would I have time? Would I have grace? Would I stay sane dear without your face? And all I ask Is that you’ll stay Here beside me not any other way I need your touch I need your truth I hope you see dear I just need you Don’t let me down Don’t let me down Cos I need you hour to hour Don’t let me down Don’t let me down Oh please keep me aground Don’t let me down Don’t let me down Cos I need you hour to hour Don’t let me down Don’t let me down Oh please keep me aground Oh please please stay around Oh please don’t let me down Don’t let me down
Loving, impassioned, romantic. Slow folk guitar sequence provides an ...Loving, impassioned, romantic. Slow folk guitar sequence provides an emotive atmosphere, growing gradually with light percussion and piano. A sense of building passion, with xylophone and choral voices maintaining an aura of vulnerability. Feeling of desperation and deep affection. Instrumental version.
Loving, impassioned, romantic. Slow folk guitar sequence provides an ...Loving, impassioned, romantic. Slow folk guitar sequence provides an emotive atmosphere, growing gradually with light percussion and piano. A sense of building passion, with xylophone and choral voices maintaining an aura of vulnerability. Feeling of desperation and deep affection. Stripped back underscore version.
Wistful, gentle, heartfelt. Soft and angsty guitar sequence gives ...Wistful, gentle, heartfelt. Soft and angsty guitar sequence gives emotive backdrop for folky male vocals reminiscing about falling in love. Cathartic chorus at 01:04 with echoed vocals and euphoric ambience. Bass and light percussion give a sense of momentum as vocals sing about losing touch with someone, the heartache that separation brings.歌词
When you and I were young We’d chase the setting sun And run into the night I was waiting on the world To finally find a girl And settle into life Somewhere in the years We seemed to disappear We’ve never been the same Slowly over time Year’s bend and wind Everything has changed Bad dreams rough seas You and I have nowhere left to run Hard nights long fights You and I are dying all alone We got lost along the way It’s what we don’t see The cracks in between How could we have known? A place we don’t speak A room we don’t sleep Can we call it home? Bad dreams rough seas You and I have nowhere left to run Hard nights long fights You and I are dying all alone We got lost along the way Bad dreams rough seas You and I have nowhere left to run Hard nights long fights You and I are dying all alone We got lost along the way We got lost along the way
Wistful, gentle, heartfelt. Soft and angsty guitar sequence creates ...Wistful, gentle, heartfelt. Soft and angsty guitar sequence creates emotive atmosphere, joined by soft euphoric ambience in the background. Dulcet electric guitar gifts an energy, into cathartic section at 01:04 with bass and light percussion. Instrumental version.
Wistful, gentle, heartfelt. Soft and angsty guitar sequence creates ...Wistful, gentle, heartfelt. Soft and angsty guitar sequence creates emotive atmosphere, joined by soft euphoric ambience in the background. Dulcet electric guitar gifts a delicate beautiful energy. Stripped back underscore version.
Theatrical intro with string ensemble playing ostinato. Dramatical ...Theatrical intro with string ensemble playing ostinato. Dramatical synth line build-up @ 1'31. Hybrid & retro, evoking 80's sci-fi. Climax @ 2'04 with drum beat & cinematic FX. Suggested for video games, corporate film & space.
Trap, Latino, workout music, affirmative, sporty. Minor key brass, ...Trap, Latino, workout music, affirmative, sporty. Minor key brass, 80s toms, 808 kick drum 4/4, building 808 snare, 00:23 drop into trap beat, skanking brass, filter bass, sub bass. New York, Latino club. Working out at the gym, boxing, deadlifts. 01:09 distorted lead synth over continued trap beat. 01:30 sparse beat, brass and 808s only, 01:52 brass improv solo.
