Contemporary folk / Folktronica song. Warm female treated vocals with Contemporary folk / Folktronica song. Warm female treated vocals with light fx. Peaceful, elegant & soothing. Delicate guitar arpeggios, heavenly backing vocals & soft piano. Violin @ 1'06. A capella outro @ 3'02. Suggested for pastoral shows, trendy romantic comedies & promos.歌词
Driving away
I could have said Don’t go
I’m so out of reach
I seat on a beach alone There’s nothing here for me There’s nights I stay awake Drinking
Storms coming in I’m cold
I wish you would have stayed I wish you would have stayed
Looking at stars
I see your face And mine
We look alike Now don’t you mind The tears
There’s nothing here for me There’s nights I stay awake Drinking
Storms coming in
I’m cold
I wish you would have stayed I wish you would have stayed
And I gave my best I did all I could And I gave my best I did all I could
OUTRO
The river’s running low My bed my bad
The covers are too slow For our Goodbye
You drew a deer on me And I heard bye
I hear your saying please To love or die
Folk-dreamy pop song. Female vocals & piano. Lyrics about loneliness. Folk-dreamy pop song. Female vocals & piano. Lyrics about loneliness. Like a slow-motion waltz, touching & poetic. Suggested for teenage emotions, TV shows & romance.歌词
Look at her
She’s clumsy and poor
No one will ever be sure
What is it she does with her life
Strangest of girls
She never gets out
Find a friend you need someone
Posters hanging on the walls
She talks to them
When she’s alone
Hey John Martyn
I wrote you a song
And laughs and suns and afternoons
Wasted away
Alone
We’ll find a way to love you
From now on
Strangest of girls
She never gets out
Sorry we had never seen
The light of day
On what you bring
The world is better with you in it
Don’t go just now
We’d love you to sing
And laughs and suns and afternoons
Wasted away
Alone
We’ll find a way to love you
From now on
Cinematic neoclassical. Dramatic, emotional & epic. Cello & piano Cinematic neoclassical. Dramatic, emotional & epic. Cello & piano intro. Build-up @ 0'26 with string orchestra followed by faster staccato strings & cinematic hits. Grand climax @ 1'59 with full orchestra. Piano back end. Suggested for epic historical, trailers, period drama & biopics.
Cinematic. Emotional, poignant & melancholy with a hint of hope. Full Cinematic. Emotional, poignant & melancholy with a hint of hope. Full orchestra with panoramic strings & choir. Adagio. Suggested for natural disaster aftermath, nature drama & panoramic landscapes.
Cinematic. Flowing & dreamy intro with synth pads, piano & cello. Cinematic. Flowing & dreamy intro with synth pads, piano & cello. Slowly building up into an emotional panoramic mood with bass & strings orchestra. Passionate & grand climax @ 1'40 with arpeggiator & claps. Suggested for corporate, luxury & high-end commercials.
Crisp, bright, upbeat. Crystal piano chords dance along lightly with Crisp, bright, upbeat. Crystal piano chords dance along lightly with claps into a smooth lounge pop beat. Echoing vocals give a tranquil hazy energy. Sun shining on a positive scene, modern owing to contemporary pop style. People smiling, enjoying life, going travelling on an aeroplane.歌词
Alright, We Go Again, alright, We Go Again, alright, We Go Again, alright, Right.
Ohhh yeah.
Don't stop the light, We go again, Alright, We go again, Alright.
Under the stars we shine, Every step is divine, We go again, Alright, We go again, Right, Ohhh yeah.
Don't stop the light, Can't stop the groove, Live forever, All night.
Crisp, bright, upbeat. Crystal piano chords dance along lightly with Crisp, bright, upbeat. Crystal piano chords dance along lightly with claps into a smooth lounge pop beat. Sun shining on a positive scene, modern owing to contemporary pop style. People smiling, enjoying life, going travelling on an aeroplane. Instrumental version.
Crisp, bright, upbeat. Fun hand drum and clap beat gives an exotic Crisp, bright, upbeat. Fun hand drum and clap beat gives an exotic energy, joined by smooth drumming and bass. Sun shining on a positive scene, modern owing to contemporary pop style. People smiling, enjoying life, going travelling on an aeroplane. Stripped back underscore version.
Celtic orchestral song. Soothing, sentimental, graceful & majestic. Celtic orchestral song. Soothing, sentimental, graceful & majestic. Delicate lead female vocals, backing vocals, emotional strings, violin & Celtic pipe. Break @ 2'20 with harp & heavenly choir. Suggested for Celtic romance, tv shows & travel documentary series.歌词
VERSE 1
Up there on the hill
There’s a land of fairies
So many stories
Of a world green and still
In the glowing moonlight
Dancing ‘round the fire
When we were together
Future looked so bright
CHORUS
Down in the valley
I will not say goodbye
Our legend will say
Love will never die
I’ll keep forever
This world that is gone
Our time together
From dusk until dawn
VERSE 2
Up on the mountain
When our magic died
Where on earth did you hide?
In the storm, in the din?
I miss you my swain
But I hold back my tears
(Cos) I will sail for years
To meet you again
CHORUS
Down in the valley
I will not say goodbye
Our legend will say
Love will never die
I’ll keep forever
This world that is gone
Our time together
From dusk until dawn
Down in the valley
I will not say goodbye
Our legend will say
Love will never die
I’ll keep forever
This world that is gone
Our time together
From dusk until dawn
VERSE 3
From heaven above
On the first day of spring
The angels will sing
The song of our love
Right here by the sea
When for us the bells toll
Both body and soul
We will soon be free
CHORUS
Down in the valley
I will not say goodbye
Our legend will say
Love will never die
I’ll keep forever
This world that is gone
Our time together
From dusk until dawn
Down in the valley
I will not say goodbye
Our legend will say
Love will never die
I’ll keep forever
Our world green and still
Our time together
Up there on the hill
Our time together
Up there on the hill
Smooth soul pop. Romantic, cute & tender song about Paris. Warm male Smooth soul pop. Romantic, cute & tender song about Paris. Warm male voice singing in French & English, delicate piano, soft guitar & backing vocals. Suggested for vacation, holidays, advertising & romantic comedies.歌词
ENG/FR:
Paris c’est la ville des amoureux
A te mettre des étoiles plein les yeux.
Sur le grand boulevard, sur le pont des arts, un instant je me dis que je t’aimerai toute la vie.
I love Paris any day, Bastille, Saint-Germain des Prés.
Let's go to Champs-Élysées.
Moulin Rouge is very nice
French kiss by the Louvre at night
I don't wanna say goodbye.
Paris c’est la ville des amoureux.
Viens avec moi c’est mieux quand on est deux
En dinant aux chandelles sous la Tour Eiffel
Entourés de bateaux-mouches un baiser sur la bouche.
I love Paris any day, Bastille, Saint-Germain des Prés.
Let's go to Champs -Élysées.
Moulin Rouge is very nice
French kiss by the Louvre at night
I don't wanna say goodbye.
Tu m’as sûrement charmé d’un battement de cils
Jamais je n’oublierai cette idée.
À la Gare Saint-Lazare quand tu es repartie
J’ai saisi ta main et tu m’as souris
Reste près de moi, reste pour la vie.
I love Paris any day
Bastille, Saint-Germain des Prés.
Let's go to Champs-Élysées.
Moulin Rouge is very nice
French kiss by the Louvre at night
I don't wanna say goodbye.
I love, Paris any day
Je t’aime Paris, Je t’aime Paris, yeah.
Je t’aime Paris Je t’aime Paris Je t’aime Paris.
I love Paris any day
Bastille, Saint-Germain des Prés.
Let's go to Champs-Élysées.
Moulin Rouge is very nice
French kiss by the Louvre at night
I don't wanna say goodbye.
FR:
Paris, c’est la ville des amoureux
À te mettre des étoiles plein les yeux.
Sur le grand boulevard, sur le pont des arts, un instant je me dis que je t’aimerai toute la vie.
J'aime Paris tous les jours, Bastille, Saint-Germain-des-Prés.
Allons aux Champs-Élysées.
Le Moulin Rouge est très agréable.
Un baiser près du Louvre la nuit.
Je ne veux pas dire au revoir.
Paris, c’est la ville des amoureux.
Viens avec moi, c’est mieux quand on est deux.
En dînant aux chandelles sous la Tour Eiffel,
Entourés de bateaux-mouches, un baiser sur la bouche.
J'aime Paris tous les jours, Bastille, Saint-Germain-des-Prés.
Allons aux Champs-Élysées.
Le Moulin Rouge est très agréable.
Un baiser près du Louvre la nuit.
Je ne veux pas dire au revoir.
Tu m’as sûrement charmé d’un battement de cils.
Jamais je n’oublierai cette idée.
À la Gare Saint-Lazare, quand tu es repartie,
J’ai saisi ta main et tu m’as souri.
Reste près de moi, reste pour la vie.
J'aime Paris tous les jours
Bastille, Saint-Germain-des-Prés.
Allons aux Champs-Élysées.
Le Moulin Rouge est très agréable.
Un baiser près du Louvre la nuit.
Je ne veux pas dire au revoir.
J'aime Paris tous les jours
Je t’aime Paris, Je t’aime Paris, ouais.
Je t’aime Paris, Je t’aime Paris, Je t’aime Paris.
J'aime Paris tous les jours
Bastille, Saint-Germain-des-Prés.
Allons aux Champs-Élysées.
Le Moulin Rouge est très agréable.
Un baiser près du Louvre la nuit.
Je ne veux pas dire au revoir.
Electro Pop / Synthwave. Driving, upbeat, romantic & confident. 80s Electro Pop / Synthwave. Driving, upbeat, romantic & confident. 80s drum machine, male singer with English lyrics, guitar & synth. Neon aesthetic & retro-futuristic environment. Music for high-energy, driving sequences & urban settings.歌词
Oh I wouldn't leave the city without you, I wouldn't survive all the mess. Just wanna believe there's nothing we can't do if we trynna aim for the best.
I don't wanna lie,
Don't wanna tell you I'm feeling alright on my own,
I'd give it all To go for a ride, go for a ride and put stars in your eyes, I'd give it all.
Oh I wouldn't leave the city without you, I wouldn't survive all the mess. Just wanna believe there's nothing we can't do if we trynna aim for the best.
I don't wanna lie,
Don't wanna tell you I'm feeling alright on my own,
I'd give it all To go for a ride, go for a ride and put stars in your eyes, I'd give it all.
I'd give it all
Oh I wouldn't leave the city without you, I wouldn't survive all the mess. Just wanna believe there's nothing we can't do if we trynna aim for the best.
Early 20th century Spanish zarzuela-inspired vintage Latin bolero Early 20th century Spanish zarzuela-inspired vintage Latin bolero with a flamenco touch. Passionate, confident & sensual. Lead Spanish guitar, castanets, clarinet, claves, trumpet & vintage Latin symphony orchestra. Ideal for archive & romantic Latin epoch scenes.
Early 20th century Spanish zarzuela-inspired vintage Latin bolero Early 20th century Spanish zarzuela-inspired vintage Latin bolero with a flamenco touch. Passionate, confident & sensual. No strings. Lead Spanish guitar, castanets, clarinet, claves, trumpet & vintage Latin symphony orchestra. Ideal for archive & romantic Latin epoch scenes.
Early 20th century Spanish zarzuela-inspired vintage Latin bolero Early 20th century Spanish zarzuela-inspired vintage Latin bolero with a flamenco touch. Passionate, confident & sensual. No strings, no piano, no woods, no brass. Lead Spanish guitar, castanets, claves & vintage Latin symphony orchestra. Ideal for archive & romantic Latin epoch scenes.
30 sec edit. Early 20th century Spanish zarzuela-inspired vintage 30 sec edit. Early 20th century Spanish zarzuela-inspired vintage Latin bolero with a flamenco touch. Passionate, confident & sensual. Lead Spanish guitar, castanets, claves, trumpet & vintage Latin symphony orchestra. Ideal for archive & romantic Latin epoch scenes.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. Emotive male vocals illustrate a picture of a place in the rain, an individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation build gently behind singing, a bustling city a sense of loneliness saved by a loved one.歌词
Summer rain hits different when you're in it, But I was inside, waiting for the clouds to move, Doing my thing, I blinked and nearly missed it, There outside in the rain all I saw was you.
All my life, I’d never let nobody see inside.
Only you, Only you.
People use love as a fix here in the city, But time moves fast when you're floating here this high, Fears of a boy fall silent when you with me, I can't wait for the day I call you wife.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. An individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation builds, acoustic workings of the piano as notes play gives a sense of closeness and a personal feeling of love and affection. Instrumental version.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. An individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation builds, acoustic workings of the piano as notes play gives a sense of closeness and a personal feeling of love and affection. Stripped back underscore version.
Elegant, driven, modern. A sophisticated but passionately trilling Elegant, driven, modern. A sophisticated but passionately trilling violin line pulses beneath slowly emerging percussion. Synths fringe the organic sound giving a modern energy before electronic trip hop beat kicks in. A feeling of grace in an uncertain situation, an individual walking with a beauty and elegance.
Elegant, driven, modern. A sophisticated but passionately trilling Elegant, driven, modern. A sophisticated but passionately trilling violin line pulses beneath slowly emerging percussion. Synths fringe the organic sound giving a modern energy before electronic trip hop beat kicks in. A feeling of grace in an uncertain situation, an individual walking with a beauty and elegance. Instrumental version.
Elegant, driven, modern. Bright piano arpeggiations play out beneath Elegant, driven, modern. Bright piano arpeggiations play out beneath slowly emerging percussion. Trip hop beat kicks in with bright high-pitched keys ringing off with a shrill power. A feeling of grace in an uncertain situation, an individual walking with a beauty and elegance. Stripped back underscore version.
Epic, fulfilling, adventurous. Ornate soft keys land with a twinkling Epic, fulfilling, adventurous. Ornate soft keys land with a twinkling beauty, awe-inspiring melody gives a sense of wonder. Instrumentation builds as choral voices and epic drumming begins at 00:30. An individual looking out at the stars at the start of a wonderful journey. An odyssey of tough challenges with friends and companions who believe in eachother. Angelic voices grow in awesome climax.
Epic, fulfilling, adventurous. Ornate soft keys land with a twinkling Epic, fulfilling, adventurous. Ornate soft keys land with a twinkling beauty, awe-inspiring melody gives a sense of wonder. Instrumentation builds as choral voices begin at 00:30.An individual looking out at the stars at the start of a wonderful journey. An odyssey of tough challenges with friends and companions who believe in eachother. Angelic voices grow in awesome climax. Stripped back underscore version.
Melancholic, passionate & heartbroken Colombian vallenato sung in Melancholic, passionate & heartbroken Colombian vallenato sung in Spanish. Everything has ended for us. Female singer, accordion, Spanish guitar, guacharaca & Latin percussion. Spoken @ 2'04.歌词
ES:
Hoy ya me di cuenta que lo nuestro no es eterno
Que no puedo tapar el sol con un dedo
Cuanto duele
Que se apague nuestra llama para siempre
Yo se
Que no ha sido solamente culpa tuya
Y ojalá que me perdones algún día
Pero entiende que
Es difícil olvidar que tu
Te mueres por otros besos que no son míos
Y cuando miras al cielo
Ya no piensas en mi, oh
Ni siquiera duermes a mi lado
Tu qué quieres de mi?
Si me destrozaste el pasado
Ya no hay marcha atrás
Todo ha terminado
Ay dime que no es verdad
Cuanto quisiera solo olvidar
Esta condena me va matar
Porque por ella
Ya no piensas en mi, oh
Ni siquiera duermes a mi lado
Tu qué quieres de mi?
Si me destrozaste el pasado
Ya no hay marcha atrás
Todo ha terminado
Todo ha terminado
Te mueres por otros besos que no son míos
Y cuando miras al cielo
Ya no piensas en mi, oh
Ni siquiera duermes a mi lado
Tu qué quieres de mi?
Si me destrozaste el pasado
Ya no hay marcha atrás
Todo ha terminado
Todo ha terminado
EN:
Today I realized that what we had isn't eternal
That I can't cover the sun with one finger
How it hurts
That our flame goes out forever
I know
That it hasn't been solely your fault
And I hope you forgive me someday
But understand that
It's hard to forget that you
Yearn for other kisses that aren't mine
And when you look at the sky
You no longer think of me, oh
You don't even sleep by my side anymore
What do you want from me?
If you shattered my past
There's no turning back
It's all over now
Oh, tell me it's not true
How I wish I could just forget
This sentence is going to kill me
Because of it
You no longer think of me, oh
You don't even sleep by my side anymore
What do you want from me?
If you shattered my past
There's no turning back
It's all over now
It's all over now
You yearn for other kisses that aren't mine
And when you look at the sky
You no longer think of me, oh
You don't even sleep by my side anymore
What do you want from me?
If you shattered my past
There's no turning back
It's all over now
It's all over now
Medium-slow tempo - Narrative, romantic and highly emotional Medium-slow tempo - Narrative, romantic and highly emotional orchestral film score. Harp intro and outro. Build up with piano, classical guitar, clock sound, flowing epic strings, marimba and celesta. A beautiful ending. For movies, high-end, luxury ,arts, corporate.
